#(set-global-staff-size 15.5)
\version "2.18.0"
global = { \key es \major \time 4/4 \tempo "Langsam" }
SAbendlied = \relative es'' {
\revert Rest.direction
\partial 4
bes4 bes4. bes8 bes4 bes c2 bes4
bes4 c es d c bes2. \breathe
bes4 bes4. bes8 c4\< c\! d4.(\> c8) bes4\! \breathe
c d\< c8[ d] es4.\> a,8 bes2\> r4\!
bes4 c4. c8 c4 d8[ c] bes2 bes4 \breathe
bes4 bes a\> g f\! bes2 r4
bes8[ as!] g4.\< bes8 es4\! f8[ es] es2\> c4\! r8
\dimTextDim
c8\p\> bes4 bes c4. bes8 bes2.\pp \breathe
\dimHairpin
bes8[ as] g4.\< bes8 es4\! f8[\f es] es2\> c4\! r8
c8\mf bes4 bes^\markup {\large\italic rit.} c4. bes8 es2\fermata r4\fermata
\bar "|."
}
AAbendlied = \relative es' {
\partial 4
es4 es4. es8 es4 g fis2 g4
es4 es es es es es2.
es4 d4. f8 f4 f fis2 g4
e4 f! a a4. es8 d2 s4
d4 e4. e8 f4 f d4( c8[ d]) es!4
es4 es es es es d2 s4
d4 es4. g8 g4 g as2 as4 s8
f8 f4 f as4. as8 g2.
f4 es4. g8 bes4 bes as2 as4 s8
f8 f4 f f4. as8 g2 s4
\bar "|."
}
TAbendlied = \relative es {
\partial 4
g4 g4. g8 g4 bes a2 bes4
g4 as as as as g2. \breathe
g4 f4. bes8 bes4 a a2 bes4 \breathe
bes4 bes es8[ d] c4. c8 bes2 s4
f4 g4. g8 as!4 as as2 g4 \breathe
g4 f f f f f2 s4
bes4 bes4. es8 des4 des c2 es4 s8
es8 es4 d!8[ c] d4. f8 es2. \breathe
d4 es4. es8 des4 des c2 es4 s8
es8 es4 d8[ c] d4. f8 es2 s4\fermata
\bar "|."
}
BAbendlied = \relative es {
\revert Rest.direction
\partial 4
es4 es4. es8 es4 es es2 es4
es4 as, c bes as es'2.
es4 bes4. d8 f4\< f\! d2\> g4\!
g4 f\< f f4.\> f8 bes,2\> r4\!
bes4 bes4. bes8 bes4 bes bes2 bes4
bes4 c c\> bes a\! bes2 r4
bes4 es4.\< es8 bes'4\! bes as2\> as4\! r8
\dimTextDim
a8\p\> bes4 bes bes,4. d8 es2.\pp
\dimHairpin
bes'4 es,4.\< es8 g,4\! g\f as2\> as4\! r8
a8\mf bes4 bes_\markup {\large\italic rit.} bes'4. bes8 es,2\fermata r4
\bar "|."
}
LAbendliedA = \lyricmode {
\set stanza = "1."
Der A -- bend senkt sich lei -- se,
der Him -- mel ist so blau;
nun schlum -- mern al -- le Blu -- men
und Vög -- lein auf der Au.
Sie ni -- cken und sie träu -- men;
o stör nicht ih -- re Lust,
seht ei -- ne Welt ge -- grün -- det
auch in der kleins -- ten Brust,
seht ei -- ne Welt ge -- grün -- det
auch in der kleins -- ten Brust.
}
LAbendliedB = \lyricmode {
\set stanza = "2."
Im Trau -- me schwingt die Ler -- che
sich in die kla -- re Luft;
was je -- de Blum' emp -- fin -- det,
das haucht sie aus in Duft.
Das Welt -- all groß und herr -- lich
mit sei -- nen Wel -- ten klein
und al -- ler Him -- mel Him -- mel
nimmt ja mein Bu -- sen ein,
und al -- ler Him -- mel Him -- mel
nimmt ja mein Bu -- sen ein.
}
LAbendliedC = \lyricmode {
\set stanza = "3."
Sieh, al -- le Stern er -- flim -- mern,
es schmilzt des A -- bends Pracht;
lass kom -- men nur die Stür -- me
und klei -- den schwarz die Nacht!
Schlaft süß und träumt, ihr Vög -- lein,
ihr Blu -- men auf der Au!
Im Her -- zen ist es ru -- hig,
da ist der Him -- mel blau,
im Her -- zen ist es ru -- hig,
da ist der Him -- mel blau.
}
%--------------------
\header {
kaisernumber = "205"
comment = ""
footnote = ""
title = "Abendlied"
subtitle = ""
composer = "Robert Volkmann (1815–1883)"
opus = ""
arranger = ""
poet = "Hans Christian Andersen (1805–1875)"
mutopiatitle = "Abendlied"
mutopiacomposer = "VolkmannR"
mutopiapoet = "H. C. Andersen (1805–1875)"
mutopiaopus = ""
mutopiainstrument = "Choir (SATB)"
date = "1850s"
source = "Leipzig : C. F. Peters, 1915"
style = "Romantic"
license = "Creative Commons Attribution 4.0"
maintainer = "Klaus Rettinghaus"
lastupdated = "2014/March/01"
footer = "Mutopia-2014/03/23-987"
copyright = \markup { \override #'(baseline-skip . 0 ) \right-column { \sans \bold \with-url #"http://www.MutopiaProject.org" { \abs-fontsize #9 "Mutopia " \concat{ \abs-fontsize #12 \with-color #white \char ##x01C0 \abs-fontsize #9 "Project " } } } \override #'(baseline-skip . 0 ) \center-column { \abs-fontsize #12 \with-color #grey \bold { \char ##x01C0 \char ##x01C0 } } \override #'(baseline-skip . 0 ) \column { \abs-fontsize #8 \sans \concat { " Typeset using " \with-url #"http://www.lilypond.org" "LilyPond " \char ##x00A9 " " 2014 " by " \maintainer " " \char ##x2014 " " \footer } \concat { \concat { \abs-fontsize #8 \sans { " " \with-url #"http://creativecommons.org/licenses/by/4.0/" "Creative Commons Attribution 4.0 International License " \char ##x2014 " free to distribute, modify, and perform" } } \abs-fontsize #13 \with-color #white \char ##x01C0 } } }
tagline = ##f
}
\score {
{
\context ChoirStaff
<<
\context Lyrics = extra
\context Staff = women
<<
\set Staff.midiInstrument = "voice oohs"
\clef "G"
\context Voice = Sopran { \voiceOne
<<
\autoBeamOff
\dynamicUp
{ \global \SAbendlied }
>> }
\context Voice = Alt { \voiceTwo
<<
\autoBeamOff
\dynamicDown
{ \global \AAbendlied }
>> }
>>
\context Lyrics = verseone
\context Lyrics = versetwo
\context Lyrics = versethree
\context Staff = men
<<
\set Staff.midiInstrument = "voice oohs"
\clef "F"
\context Voice = Tenor { \voiceOne
<<
\autoBeamOff
\dynamicUp
{ \global \TAbendlied }
>> }
\context Voice = Bass { \voiceTwo
<<
\autoBeamOff
\dynamicDown
{ \global \BAbendlied }
>> }
>>
\context Lyrics = verseone \lyricsto Bass \LAbendliedA
\context Lyrics = versetwo \lyricsto Bass \LAbendliedB
\context Lyrics = versethree \lyricsto Bass \LAbendliedC
>>
}
\layout {
indent = 0.0\cm
\context {\Score
\remove "Bar_number_engraver"
\override DynamicTextSpanner.style = #'none
\override BreathingSign.text = #(make-musicglyph-markup "scripts.rvarcomma")
}
\context {\Staff
\override VerticalAxisGroup.minimum-Y-extent = #'(-1 . 1)
}
}
\midi {
\tempo 4=100
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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