\version "2.19.7" tsfooter = \markup { \column { \line {"Arranged by: Nagai, Iwai and Obata, Kenhachiro"} \line {"Source: Seiyo gakufu Nihon zokkyokushu, pub. Miki Shoten, Osaka, 1895."} \line {"English title: \"A Collection of Japanese Popular Music.\""} \line {"Copyright Public Domain Typeset by Tom Potter 2007"} \line {"http://www.daisyfield.com/music/"} } } \paper { top-margin = 2 \cm bottom-margin = 2 \cm % oddFooterMarkup = \tsfooter } \header { mutopiatitle = "" % if not set taken from title field mutopiacomposer = "Traditional" mutopiapoet = "" % mutopiaopus = "" % mutopiainstrument = "Shamisen" date = "" % optional - date piece composed source = "Nagai, Iwai and Obata, Kenhachiro, \"Seiyo gakufu Nihon zokkyokushu\", pub. Miki Shoten, Osaka, 1895. English title, \"A Collection of Japanese Popular Music.\" " style = "Folk" license = "Public Domain" maintainer = "patrick stanistreet" maintainerEmail = "haematopus@gmail.com" maintainerWeb = "http://www.daisyfield.com/music/" moreInfo = "Typeset by Tom Potter, 2007." title = "O-Edo-Nihonbashi" subtitle = " " % composer = "Arr. Y. Nagai, K. Obata" footer = "Mutopia-2014/07/27-1963" copyright = \markup { \override #'(baseline-skip . 0 ) \right-column { \sans \bold \with-url #"http://www.MutopiaProject.org" { \abs-fontsize #9 "Mutopia " \concat { \abs-fontsize #12 \with-color #white \char ##x01C0 \abs-fontsize #9 "Project " } } } \override #'(baseline-skip . 0 ) \center-column { \abs-fontsize #12 \with-color #grey \bold { \char ##x01C0 \char ##x01C0 } } \override #'(baseline-skip . 0 ) \column { \abs-fontsize #8 \sans \concat { " Typeset using " \with-url #"http://www.lilypond.org" "LilyPond" " by " \maintainer " " \char ##x2014 " " \footer } \concat { \concat { \abs-fontsize #8 \sans{ " Placed in the " \with-url #"http://creativecommons.org/licenses/publicdomain" "public domain" " by the typesetter " \char ##x2014 " free to distribute, modify, and perform" } } \abs-fontsize #13 \with-color #white \char ##x01C0 } } } tagline = ##f } shamisenOne = { \repeat volta 2 { % 1 c''8 [ b'8 \< ] c''16 ( [ b'16 ) b16 b'16 ] | % c''8 -\markup{ \bold {Andante} } \p [ b'8 \< ] c''16 ( [ b'16 ) % 2 c''8 [ b'8 ] c''16 ( [ b'16 ) b16 b'16 ] | % 3 c''8 [ b'8 ] c''8 \! [ b'8 ] | % 4 c''8 [ b'8 ] c''8 [ e''8 ] | % 5 c''8 [ b'8 ] e'8 [ b'8 ] | % 6 e''8 [ c''8 ] b'4 ~ | % 7 b'4 b'8 [ b'8 ] | % 8 fis'8 [ a'8 ] b'4 ~ | % 9 b'8 r8 b'4 | \barNumberCheck #10 b'8 [ a'8 ] b'8 [ b'8 ] | % 11 e''8 [ c''8 ] b'16 [ b'16 c''16 c''16 ] | % 12 g'8 [ g'8 ] fis'4 | % 13 g'8 [ fis'8 ] e'8 [ e'8 ] | % 14 c'8 [ b8 ] e'8 [ e'8 ] | % 15 fis'8 [ fis'8 ] r8 c''8 ( | % 16 b'8 [ g'8 ) ] fis'8 [ e'8 ] | % 17 fis'8 [ a'8 ] b'4 | % 18 c''8 [ c''8 ] b'4 | % 19 e''8 [ c''8 ] b'4 ~ | \barNumberCheck #20 b'4. r8 } } % The score definition \score { \new Staff << \time 2/4 \clef "treble" \key g \major \tempo "Andante" 4 = 60 \transposition c \set Staff.midiInstrument = "shamisen" \shamisenOne >> \layout { } \midi { } }