\version "2.19.7" tsfooter = \markup { \column { \line {"Arranged by: Nagai, Iwai and Obata, Kenhachiro"} \line {"Source: Seiyo gakufu Nihon zokkyokushu, pub. Miki Shoten, Osaka, 1895."} \line {"English title: \"A Collection of Japanese Popular Music.\""} \line {"Copyright Public Domain Typeset by Tom Potter 2007"} \line {"http://www.daisyfield.com/music/"} } } \paper { top-margin = 2 \cm bottom-margin = 2 \cm % oddFooterMarkup = \tsfooter } \header { mutopiatitle = "" % if not set taken from title field mutopiacomposer = "Traditional" mutopiapoet = "" % mutopiaopus = "" % mutopiainstrument = "Shamisen" date = "" % optional - date piece composed source = "Nagai, Iwai and Obata, Kenhachiro, \"Seiyo gakufu Nihon zokkyokushu\", pub. Miki Shoten, Osaka, 1895. English title, \"A Collection of Japanese Popular Music.\" " style = "Folk" license = "Public Domain" maintainer = "patrick stanistreet" maintainerEmail = "haematopus@gmail.com" maintainerWeb = "http://www.daisyfield.com/music/" moreInfo = "Typeset by Tom Potter, 2007." title = "Toka-Ebisu" subtitle = " " % composer = "Arr. Y. Nagai, K. Obata" footer = "Mutopia-2014/07/27-1962" copyright = \markup { \override #'(baseline-skip . 0 ) \right-column { \sans \bold \with-url #"http://www.MutopiaProject.org" { \abs-fontsize #9 "Mutopia " \concat { \abs-fontsize #12 \with-color #white \char ##x01C0 \abs-fontsize #9 "Project " } } } \override #'(baseline-skip . 0 ) \center-column { \abs-fontsize #12 \with-color #grey \bold { \char ##x01C0 \char ##x01C0 } } \override #'(baseline-skip . 0 ) \column { \abs-fontsize #8 \sans \concat { " Typeset using " \with-url #"http://www.lilypond.org" "LilyPond" " by " \maintainer " " \char ##x2014 " " \footer } \concat { \concat { \abs-fontsize #8 \sans{ " Placed in the " \with-url #"http://creativecommons.org/licenses/publicdomain" "public domain" " by the typesetter " \char ##x2014 " free to distribute, modify, and perform" } } \abs-fontsize #13 \with-color #white \char ##x01C0 } } } tagline = ##f } shamisenOne = { % 1 d'4. f'8 | % d'4. ^\markup{ \bold {Allegro} } \mf f'8 | % 2 g'8 [ g'8 ] f'8 [ g'8 ] | % 3 c''8 [ as'8 ] g'8 [ e'8 ] | % 4 d'4 es''8 [ es''8 ] | % 5 d''8 [ c''8 ] as'8 [ g'8 ] | % 6 f'8 [ g'8 ] as'8 [ c''8 ] | % 7 g'8. [ g'16 ] g'8 [ es'8 ] | % 8 d'4 c'8 [ d'8 ] | % 9 f'8 [ g'8 ] f'8 [ g'8 ] | \barNumberCheck #10 as'8. [ c''16 ] d''8 [ c''8 ] | % 11 g'8 [ es''8 ] r8 es''8 | % 12 4. r8 | % 13 d''8 [ d''8 ] bes'8 [ bes'8 ] | % 14 a'4 a'8 [ g'8 ] | % 15 r8 a'8 r8 a'8 | % 16 d'8 [ c''8 ] as'8 [ g'8 ] | % 17 f'8 [ f'8 ] f'8 [ g'8 ] | % 18 as'8 [ as'8 ] g'8 [ c''8 ] | % 19 es''8 [ d''8 ] c''8 [ as'8 ] | \barNumberCheck #20 g'2 \bar "|." } % The score definition \score { \new Staff << \time 2/4 \clef "treble" \key f \major \tempo "Allegro" 4 = 80 \transposition c \set Staff.midiInstrument = "shamisen" \shamisenOne >> \layout { } \midi { } }