\version "2.16.1"
\include "italiano.ly"
%% Version 1.0
\header{
title = "Veni Creator -- 1er verset"
mutopiatitle = "Veni Creator (1er verset)"
subtitle = ""
piece = "1er verset"
instrument = "Orgue -- Organ"
mutopiainstrument = "Organ"
style = "Baroque"
composer = "Jean Titelouze (1563-1633)"
mutopiacomposer = "TitelouzeJ"
copyright = "Public Domain"
source = "Edition Schott 1869 - Alexandre Guilmant"
opus = ""
enteredby = "G. Gréco"
maintainer = "Gérard Gréco"
footer = "Mutopia-2013/03/23-534"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \abs-fontsize #10 \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \concat { \abs-fontsize #8 www. \abs-fontsize #11 MutopiaProject \abs-fontsize #8 .org } \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \abs-fontsize #10 \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \concat { \abs-fontsize #8 www. \abs-fontsize #11 LilyPond \abs-fontsize #8 .org }} by \concat { \maintainer . } \hspace #0.5 Reference: \footer } } \line { \abs-fontsize #8 \line { This sheet music has been placed in the public domain by the typesetter, for details \concat { see: \hspace #0.3 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } }
}
global = {
\key do \major
\time 4/4
}
staffUp = {
\context Staff = "up" \stemDown\tieDown
\override Staff.VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
}
staffDown = {
\context Staff = "down" \stemUp\tieUp
}
soprano = \context Voice = "one" \relative do'' {
\voiceOne
%\set Staff.midiInstrument = "alto sax"
\override NoteHead #'style = #'baroque
\stemUp
%%1 :
R1 |
R1 |
R1 |
R1 |
%%5:
re4 mi2 re4 |
do4 re mi re8[ do] |
re4 mi8[ fa] sol[ mi] re4 |
mi2 mi2 |
fa4 re8[ mi] fa[ sol] fa4 |
%%10:
mi2 re2\rest |
re4 mi2 re4 |
do4 re mi fa |
sol4 fa mi8[ fa] sol[ mi] |
la4 sol8[ la] fad[ sol] mi[ fad] |
%%15:
sol2. sol8[ fa] |
mi2 r2 |
sol4 la2 sol4 |
fa4 sol la sol8[ fa] |
mi4. do16[ re] mi8[ re] do[ si] |
%%20:
la4 re8[ mi] fad[ sol] la4 |
sol2 fa4\rest sol4 ~ |
sol8 sol4 fa8 mi[ re mi do] |
fa4 re8[ mi] fa4 mi8 re |
mi4 fa sol2 |
%%25:
sol4\rest sol4. sol8 fa4 |
mi8[ re mi do] si4 mi4 ~ |
mi4 fa sol do, |
re2 fa4\rest sol4 ~ |
sol8[ sol] fa4 mi8[ re mi do] |
%%30:
re4 mi8[ fa] sol2 |
la4 sol4. fad16[ mi] fad4 |
sol8[ fa] mi4 re mi ~|
mi4 re mi2 |
r4 sol4. sol8 fa4 |
%%35:
mi8[ re mi do] sol'4 la ~|
la4 sol fad sol |
mi4 fa sol2 |
la8[ mi fa sol] la4 mi8[ fad] |
sol8[ re mi fad] sol4 re8[ mi] |
%%40:
fa8[ do re mi] fa2 |
mi4. mi8 fa[ sol] la4 |
la2. la8[ sol] |
fa4 sol4 ~ sol8[ fa mi re] |
do4 do ~ do8[ re mi fad] |
%%45:
sol8[ fa] mi4 re2 ~ |
re8[ do re mi] fa[ mi re do] |
si4 do re mi8[ fad] |
sol4. fa!8 mi2 |
re4 do2 si8[ la] |
%%50:
\set Timing.measureLength = #(ly:make-moment 8 4)
\override Script #'padding = # 1.2
si\breve^\fermata |
}
alto = \context Voice = "two" \relative do' {
\voiceTwo
%\set Staff.midiInstrument = "alto sax"
\override NoteHead #'style = #'baroque
\stemDown
%%1 :
re4 mi2 re4 |
do4 re mi re8 do |
re4 sol8[ fa] mi[ re] mi4 ~ |
mi4 re do fa8[ mi] |
%%5:
re8[ do] si[ do] re4 si |
mi4 fa mi la |
si4 do2 si4 |
si4\rest do2 sib4 |
la4 sib la si |
%%10:
do4. si8 la[ sol] la4 |
si2. si8 la |
sol2 do4 re |
mi4 do r2 |
R1 |
%%15:
re4 mi2 re4 |
do4. re8 mi4 do ~ |
do4 la8[ si] do[ re] mi4 |
la,8[ re] do[ si] la4 si |
do1 |
%%20:
r2 r4 re4 ~ |
re8[ re] do4 si8[ la si sol] |
do4 si do8[ si] sol4 |
la2 la4 sib ~ |
sib!4 la sol4\rest do ~ |
%%25:
do8[ do] sib4 la4. si8 |
do8[ si16 la] sol4 ~sol8[ la si do] |
la2 sol4. la8 |
si4 la ~la8[ la] sol[ la16 si] |
do4 la sol4\rest la |
%%30:
si4 do2 sib4 |
la4 re si4\rest re ~ |
re8[ re] do4 si8[ la si sol] |
do8[ si] la8[si] do2 |
sol4. la8 si[ do] re4 |
%%35:
sol,4. la8 sol4 do |
re4 si8[ do] re[ mi] re4 |
do4 la sol do ~ |
do4. si8 la[ si] do4 |
si4. la8 sol[ la] sib4 |
%%40:
la4. sol8 fa[ sol la si] |
do2. la8 si |
do8 re mi4 re dod |
re8[ do sib la ] sol2 |
la2 mi4\rest la4 |
%%45:
si4 do2
% The following comman does not walk ? why ? if anyone can tell me why ?
% It would be necessary, anyway.
% \once \override NoteColumn #'force-hshift = #100
sib4 |
la4 si!8[ do] la[ sol] la4 |
sol4 fa8[ mi] re4 sol8[ la] |
si8 do re2 do4 |
si8[ la sol fa] mi8[re mi fad] |
%%50:
\set Timing.measureLength = #(ly:make-moment 8 4)
sol\breve |
}
tenor = \context Voice = "three" \relative do'' {
\voiceThree
%\set Staff.midiInstrument = "alto sax"
\override NoteHead #'style = #'baroque
\stemUp
%%1 :
r1 r1 r1 r1
%%5 :
r1
r1 |
si2\rest si4\rest sol4 ~ |
sol4 la 2 sol4 |
fa4 sol la sol8 la |
%%10:
sol4 la8[ sol] fa mi4 fad8 |
sol2 fad4 sol |
mi2 si'2\rest |
sol4 la2 sol4 |
fa4 mi re do |
%%15:
si4 do8[ re16 do] si8[ la] si4 |
do4 mi8[ re] do8[ re mi fa] |
mi4 fa2 mi4 |
R1 |
sol4 la2 sol4 |
%%20:
fad4 sol la fad |
sol2 si2\rest |
R1 |
si2\rest si4\rest sol4 ~ |
sol8[ sol] fa4 mi8[ re mi do] |
%%25:
fa4 sol la fa |
sol2 si4\rest sol4 ~ |
sol8[ sol] fa4 mi8[ re mi do] |
sol'4 fa8[ mi] re2 |
mi4 re do2 |
%%30:
si'4\rest do,4 re4. mi8 |
fad4 sol la2 |
sol2 si4\rest sol4 ~ |
sol8[ sol] fa4 mi8[ re mi do] |
re2 sol4 re |
%%35:
mi4. fa8 mi4. mi8 |
fad4 sol re sol ~ |
sol8[ sol] fa4 mi8[ re mi sol] |
fa8[ do re mi] fa[ sol] la4 |
mi8[ fad sol re] mi[ fa] sol4 |
%%40:
re8[ mi fa do] re[ mi] fa4 |
do8[ mi fa sol] la[ sol] fa4 |
mi4 do fa mi |
re2 re4. mi8 |
fa8[ sol la si] fa[ mi re do] |
%%45:
re4 do re4. mi8 |
fa4. do8 re[ mi] fa4 ~ |
fa8[ mi re do] si4 do |
re4 si do8[ re mi fa] |
sol8[ fa mi re] do[ si] do4 |
%%50:
\set Timing.measureLength = #(ly:make-moment 8 4)
re\breve^\fermata |
}
basso = \context Voice = "four" \relative do' {
\voiceFour
%\set Staff.midiInstrument = "alto sax"
\override NoteHead #'style = #'baroque
\stemDown
%%1 :
sol1 |
la |
sol1 |
fa1 |
sol1 |
\clef violin la1 |
sol do re do si do do la sol la do re do re mi mi re do re |
mi1 do si la sol re' sol, la si do si do la sol fa la la sib |
la1 sol fa sol ~ sol ~ sol sol\breve |
}
choral=\lyricmode{
Ve- -- -ni Cre- -- \skip 1 -a- -- -tor \skip 1 Spi- -- \skip 1 \skip 1 -ri- -- -tus:
Men- -- \skip 1 -tes tu- -- -o- -- -rum \skip 1 vi- -- \skip 1 -si- -- -ta,
Im- -- -ple- \skip 1 su- -- \skip 1 -per- -- \skip 1 -na gra- -- \skip 1 -ti- -- -a,
Qu\ae \skip 1 tu cre- -- \skip 1 -a- -- -sti \skip 1 \skip 1 pe- -- -cto- -- -ra.
}
\score {
{
<<
\context PianoStaff <<
\context Staff = "up" <<
\global
\clef violin
\set Staff.midiInstrument = "Church organ"
\soprano
\alto
>>
\context Staff = "down" <<
\global
\clef bass
\override Staff.VerticalAxisGroup #'minimum-Y-extent = #'(-2 . 2)
\set Staff.midiInstrument = "Church organ"
\tenor
\basso
>>
>>
\lyricsto "four" \new Lyrics \choral
>>
\bar "|."
}
\layout {}
\midi {
\tempo 4 = 110
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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