%% -*- mode: LilyPond ; coding: utf-8 -*-
%% VERSION 0 - Création.
\version "2.10.33"
\include "italiano.ly"
\header{
title = \markup {\center-align { \medium " Ut queant laxis " \medium "3e verset" }}
subtitle = ""
piece = ""
instrument = ""
composer = "Jean Titelouze (1563-1633)"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
source = "Archives des maîtres de l'orgue, vol.1, 1897, Alexandre Guilmant"
opus = ""
lastupdated = "2008-03-08"
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
mutopiatitle = "Ut queant laxis (3e verset)"
mutopiacomposer = "TitelouzeJ"
mutopiainstrument = "Organ"
style="Baroque"
%% footer = "Mutopia-2008/??/??"
footer = "Mutopia-2008/03/11-1370"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2008. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
% macros von Urs Metzger
adjustSlash = { \once \override TextScript #'extra-offset = #'( -2 . 5 ) }
halsdown = { \stemDown \tieDown \slurDown }
halsneutral = { \stemNeutral \tieNeutral \slurNeutral }
halsup = { \stemUp \tieUp \slurUp}
hideBrackets = { \override TupletBracket #'bracket-visibility = ##f }
hideTripletNumber = { \set tupletNumberFormatFunction = #'() }
mmrestdown = { \once \override MultiMeasureRest #'staff-position = #-2 }
mmrestdownn = { \once \override MultiMeasureRest #'staff-position = #-4 }
mmrestup = { \once \override MultiMeasureRest #'staff-position = #4 }
mmrestupp = { \once \override MultiMeasureRest #'staff-position = #6 }
mmrestuppp = { \once \override MultiMeasureRest #'staff-position = #8 }
mmrestupppp = { \once \override MultiMeasureRest #'staff-position = #10 }
noflag = { \once \override Stem #'flag-style = #'no-flag }
restdownnn = { \once \override MultiMeasureRest #'extra-offset = #'( 0.0 . -3.0 ) }
restright = { \once \override Rest #'extra-offset = #'( 4.0 . 0.0 ) }
scriptdown = { \once \override Script #'extra-offset = #'(0 . -1.3) }
scriptdownn = { \once \override Script #'extra-offset = #'(0 . -2.3) }
scriptdownnn = { \once \override Script #'extra-offset = #'(0 . -3.3) }
scriptup = { \once \override Script #'extra-offset = #'(0 . 1.3) }
showBrackets = { \override TupletBracket #'bracket-visibility = ##t }
staffdown = { \change Staff = "basse" \halsup }
staffup = { \change Staff = "dessus" \halsdown }
std = { \change Staff = "basse" }
stu = { \change Staff = "dessus" }
% macros von Roland Goretzki.
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (silun dx dy #:optional once)
(ly:export (mus:override 'Bottom 'Rest 'extra-offset (cons dx dy) once)))
#(define* (silaa dx #:optional once)
(ly:export (mus:override 'Bottom 'MultiMeasureRest 'staff-position dx once)))
\paper {
print-page-number = ##f
%%$%%system-count = 3
between-system-padding = 4\mm
between-system-space = 20\mm
indent = 2\cm
head-separation = 0\mm
%%$foot-separation = 4\mm
page-top-space = 10\mm
%%$bottom-margin = 6\mm
top-margin = 10\mm
foot-separation = -8\mm
tagline = ##t
ragged-bottom = ##f
ragged-last-bottom = ##f
}
%%$#(set-default-paper-size "letter" 'portrait)
%%$#(set-global-staff-size 19)
global = {
\key do \major
\time 4/2
}
soprano = \relative do'' {
%% 1 :
#(silaa +2.0 #f) R\breve
R\breve
R\breve
R\breve
%% 5 :
R\breve
R\breve
R\breve
#(silun 0.0 -1.0 #t) r2 la1 sol2
la2 sib1 la4 sol4
%% 10 :
la1 #(silun 0.0 -2.0 #t) r2 la4 sol4
la4 sib4 do2 do2 la2
do2 sib2 la2 sol4 fa8 mi8
re8 fa8 sol8 la8 sib2 la2. la8 sol8
fa4 re4 re'4 do8 si?8 la4 si4 do4 re4
%% 15 :
do2. si8 la8 sol2 fa2 ~
fa2 sol2 la2 do2
sib2 la4 re4 do4 si4 do2
do2. si4 la4 sol4 fa4 mi4
fa4 sol4 la2 re,2 sol2
%% 20 :
#(silun 0.0 -2.0 #t) r2 la1 sol2
la2 sib1 la4 sol4
la1 si1\rest
#(silun 0.0 -2.0 #t) r2 la4 sol4 la4 sib4 do2 ~
do2 re2. re4 mi2 ~
%% 25 :
mi2 do2 re1
do2 si1 la2 ~
la4 la4 sol2 do2. si4
la4 sol4 fa1 #(silun 0.0 -2.0 #t) r2
#(silun 0.0 -2.0 #t) r2 sol2 la2 sol4 fa4
%% 30 :
mi4 fa4 sol4 mi4 fa2 mi2
re1 #(silun 0.0 -3.0 #t) r2 fa2
re2 fa1 mi2 ~
mi2 re2 #(silun 0.0 -2.0 #f) r2 la'2 ~
la4 sol4 fa4 mi4 re2. mi4
%% 35 :
fa2 mi4 re4 fa2 mi2 \break
\time 4/4 \bar "||" fa2 r2
R1
R1
r2 r4 do'4 ~
%% 40 :
do4 si8 la8 sol4 do8 re8
mi4 re4 do4 sib4 ~
sib4 la8 si8 do2 ~
do4 sol4 la4. si8
do4 re2 do4
%% 45 :
re2 r2
r2 r4 do4 ~
do4 si8 la8 sol4 do8 re8
mi4. re8 do4. si8
la2 sol2
%% 50 :
r4 fa2 mi8 re8
dod4 fa8 sol8 la4. sol8
fa4 re8 mi8 fa8 sol8 la4
sib4 la4 re,4 mi4
fa2 r2
%% 55 :
r2 r4 sib4 ~
sib4 la4 sol4 fad4
sol4 la2 sol4
\once\override Script #'extra-offset = #'(0 . 1.3) fad1^\fermata
}
alto = \relative do' {
%% 1 :
R\breve
R\breve
R\breve
r2 re1 do2
%% 5 :
re2 fa1 mi4 re4
mi1 r2 re4 do4
re4 mi4 fa2. fa4 mi4. re16 mi16
fa2 re2 do1
do2 re2 mi2 fa4 mi4
%% 10 :
re4 la4 dod4 re4 mi2 fa2 ~
fa2 mi2. re8 do8 re2
mi4 fa4 sol2 do,2 re2
r2 re1 dod2
re2 fa1 mi4 re4
%% 15 :
mi1. re4 do4
re2. mi4 fa4 mi8 re8 mi4 fad4
sol4 re4. mi8 fa8 sol8 la1
sol2 do,1 re2 ~
re2 do2 sib1
%% 20 :
la4 si?4 do4 la4 sib1
r4 re2 sol4 fa2. mi8 re8
dod2 re4 mi4 fad4. mi16 fa16 sol2
mi2 r2 re4 re4 mi2 ~
mi4 do4 sol'2 sol2. sol4
%% 25 :
mi2. fa8 sol8 la4 sol4 fa2
mi2. re4 do4 re4 mi4 fa4
mi\breve
r2 do2 re2 do2
si?2 do2 r1
%% 30 :
r2 do2 la2 do2 ~
do2 si2 la1
r2 do2 si2 do2 ~
do4 si4 la2 mi'1
la,1 sib1
%% 35 :
r1 r2 do2 ~
do4 si?8 la8 sol4 do8 re8
mi4 re4 do4 si4
la2 sol4 do4
si8 do8 la8 si8 do2
%% 40 :
r4 fa2 mi8 re8
do4 fa8 sol8 la4 sol8 fa8
mi4 fa4 r4 fa4 ~
fa4 mi8 re8 do4 fa8 sol8
la2 sol4 la8 sol8
%% 45 :
fa8 mi8 re4 mi4. fa8
sol4 mi4 fa8 mi8 mi4 ~
mi4 re4 mi4 la4 ~
la8 la8 sold4 la4 mi4
fa4 do4. re8 do8 si8
%% 50 :
la4. si8 do4 sib4
la4 re4. re8 dod!4
re2 r2
re4. do8 sib2
la4 re2 do4
%% 55 :
sib4 la4 sib8 sol8 re'4 ~
re8 mi8 fa8 mi8 re4. do8
si?4 la4 si4 dod4
re1
}
tenor = \relative do' {
%% 1 :
#(silaa +2.0 #t) R\breve
fa,1\rest la1 ~
la2 sol2 la2 sib2 ~
sib2 la4 sol4 la1
%% 5 :
r2 la4 sol4 la4 si!4 do2 ~
do2 sol2. la4 sib2
la4 sol4 la4 fa4 sol1
la2 fa2 mi2. re8 mi8
fa1 sol2 fa2 ~
%% 10 :
fa2 mi4 re4 dod2 re4 mi4
fa4 re4 la'4 mi4 fa2. fa4
mi1 fa2 re4 mi4
fa4 re4 sol2 fa2 mi2
re2. mi4 fa4 sol4 la2 ~
%% 15 :
la2 mi2 fa1\rest
fa2\rest re1 do2
re2 fa1 mi4 re4
mi1 re2\rest re4 do4
re4 mi4 fa1 mi2
%% 20 :
fa1 re2. mi4
fa2 sol2 re4 re'2 sib4
la4 sol4 fad4 sol4 la2 sol2
sol4 la4 fa1 sol2
la2 si1 si2
%% 25 :
\dotsDown do2. \dotsNeutral si4 la2 la2 ~
la2 sol2 la4 si4 do4 re4
si1 la2 do2 ~
do2 la2 sib2 la2
sol1 fa1
%% 30 :
sol2 mi2 fa1\rest
#(silun 0.0 +1.0 #t) r1 r2 fa!2
sol2 la2 re,2 mi2
fa2. fa4 sol4 fa4 mi2
fa2 fa2. re4 sol2
%% 35 :
la2 sib2 la2 sol2
\time 4/4 #(silun 0.0 -1.0 #t) r4 fa?2 mi8 re8
do4 fa8 sol8 la4 sol4 ~
sol4 fa4 mi4 re8 do8
re8 mi8 fa4. mi8 la4
%% 40 :
sol4 fa4 do'4. si8
la2. re4
do4. si8 la4 sol8 fa8
sol2 #(silun 0.0 +0.5 #t) r2
#(silun 0.0 +0.0 #t) r2 r4 do4 ~
%% 45 :
do4 si8 la8 sol4 do8 re8
mi8 re8 do8 si8 la2 ~
la4 si4 do4 la4
si2 la2
#(silun 0.0 -1.0 #t) r4 fa2 mi8 re8
%% 50 :
do4 fa8 sol8 la4 sol8 fa8
mi4 re4 mi2
re4 sib'2 la4
sol4 fad4 sol2
re4. mi8 [ fa8 sol8 ] la4
%% 55 :
re,2. sol4 ~
sol4 fa4 r8 sib8 la4
sol4 fad4 sol2
\once\override Script #'extra-offset = #'(0 . 1.3) la1^\fermata
}
basse = \relative do {
%% 1 :
re1. do2
re2 fa1 mi4 re4
mi1 r2 re4 do4
re4 mi4 fa4 mi4 re4 mi4 fa2
%% 5 :
sib,2 re1 do4 si!4
la4 si4 do4 re4 mi4 fa4 sol2
fa4 mi4 re2 do1
fa,2. sol4 la4 si4 do2
fa,1 do'2 re2 ~
%% 10 :
re2 la2 r1
r1 la1 ~
la2 sol2 la2 sib2 ~
sib2 la4 sol4 la1
R\breve
%% 15 :
la4 sol4 la4 si4 do2 la2
sib1 la1
sol2 re'2 la2. si4
do4 si4 la4 sol4 fa2 sib2 ~
sib2 la2 sol1
%% 20 :
fa1 r1
R\breve
#(silun 0.0 +1.0 #t) r2 re'2. re4 mi2
do2 re1 do4 si4
la2 sol2 sol'2 mi2
%% 25 :
la2. sol4 fa4 mi4 re2
mi\breve ~
mi1 #(silun 0.0 +1.0 #t) r1
fa1 re2 fa2 ~
fa2 mi2 re1
%% 30 :
do1 re2 mi2
fad2 sol2 re2. do4
sib2 la2 sol1
la2 re1 dod2
re2. do4 sib2. sol4
%% 35 :
re'1 do1
\time 4/4 fa,2 r2
R1
do'2. si8 sol8
sol4 fa8 sol8 la4. si8
%% 40 :
do1
#(silaa -2.0 #t) R1
#(silun 0.0 +2.0 #t) r4 fa2 mi8 re8
do2 fa8 sol8 la4 ~
la8 sol8 fa4 mi4 fa4
%% 45 :
re4 sol4 mi2 ~
mi4 la4 re,4 la4
fa'2 mi2 ~
mi2 la,2
r2 do2
%% 50 :
fa,2. sol4
la1
re1
#(silaa -2.0 #t) R1
r4 sib2 la4
%% 55 :
sol4 fad4 sol2
re'1 ~
re1 ~
re1
}
sopranomidi = \relative do'' {
%% 1 :
#(silaa +2.0 #f) R\breve
R\breve
R\breve
R\breve
%% 5 :
R\breve
R\breve
R\breve
r2 la1 sol2
la2 sib1 la4 sol4
%% 10 :
la1 r2 la4 sol4
%> la4 sib4 do2 do2 la2
la4 sib4 do4. r8 do2 la2
do2 sib2 la2 sol4 fa8 mi8
%> re8 fa8 sol8 la8 sib2 la2. la8 sol8
re8 fa8 sol8 la8 sib2 la2 ~ la8 r8 la8 sol8
fa4 re4 re'4 do8 si!8 la4 si4 do4 re4
%% 15 :
do2. si8 la8 sol2 fa2 ~
fa2 sol2 la2 do2
sib2 la4 re4 do4 si4 do2
do2. si4 la4 sol4 fa4 mi4
fa4 sol4 la2 re,2 sol2
%% 20 :
r2 la1 sol2
la2 sib1 la4 sol4
la1 r1
r2 la4 sol4 la4 sib4 do2 ~
do2 re2. re4 mi2 ~
%% 25 :
mi2 do2 re1
do2 si1 la2 ~
%> la4 la4 sol2 do2. si4
la8 r8 la4 sol2 do2. si4
la4 sol4 fa1 r2
r2 sol2 la2 sol4 fa4
%% 30 :
mi4 fa4 sol4 mi4 fa2 mi2
re1 r2 fa2
re2 fa1 mi2 ~
mi2 re2 r2 la'2 ~
la4 sol4 fa4 mi4 re2. mi4
%% 35 :
fa2 mi4 re4 fa2 mi2 \break
\time 4/4 \bar "||" fa2 r2
R1
R1
r2 r4 do'4 ~
%% 40 :
do4 si8 la8 sol4 do8 re8
mi4 re4 do4 sib4 ~
sib4 la8 si8 do2 ~
do4 sol4 la4. si8
do4 re2 do4
%% 45 :
re2 r2
r2 r4 do4 ~
do4 si8 la8 sol4 do8 re8
mi4. re8 do4. si8
la2 sol2
%% 50 :
r4 fa2 mi8 re8
dod4 fa8 sol8 la4. sol8
fa4 re8 mi8 fa8 sol8 la4
sib4 la4 re,4 mi4
fa2 r2
%% 55 :
r2 r4 sib4 ~
sib4 la4 sol4 fad4
sol4 la2 sol4
\once\override Script #'extra-offset = #'(0 . 1.3) fad1^\fermata
}
altomidi = \relative do' {
%% 1 :
R\breve
R\breve
R\breve
r2 re1 do2
%% 5 :
re2 fa1 mi4 re4
mi1 r2 re4 do4
%> re4 mi4 fa2. fa4 mi4. re16 mi16
re4 mi4 fa2 ~ fa8 r8 fa4 mi4. re16 mi16
fa2 re2 do1
do2 re2 mi2 fa4 mi4
%% 10 :
re4 la4 dod4 re4 mi2 fa2 ~
fa2 mi2. re8 do8 re2
mi4 fa4 sol2 do,2 re2
r2 re1 dod2
re2 fa1 mi4 re4
%% 15 :
mi1. re4 do4
re2. mi4 fa4 mi8 re8 mi4 fad4
sol4 re4. mi8 fa8 sol8 la1
sol2 do,1 re2 ~
re2 do2 sib1
%% 20 :
la4 si?4 do4 la4 sib1
r4 re2 sol4 fa2. mi8 re8
dod2 re4 mi4 fad4. mi16 fa16 sol2
mi2 r2 re4 re4 mi2 ~
mi4 do4 sol'2 sol2. sol4
%% 25 :
mi2. fa8 sol8 la4 sol4 fa2
mi2. re4 do4 re4 mi4 fa4
mi\breve
r2 do2 re2 do2
si?2 do2 r1
%% 30 :
r2 do2 la2 do2 ~
do2 si2 la1
r2 do2 si2 do2 ~
do4 si4 la2 mi'1
la,1 sib1
%% 35 :
r1 r2 do2 ~
do4 si?8 la8 sol4 do8 re8
mi4 re4 do4 si4
la2 sol4 do4
si8 do8 la8 si8 do2
%% 40 :
r4 fa2 mi8 re8
do4 fa8 sol8 la4 sol8 fa8
mi4 fa4 r4 fa4 ~
fa4 mi8 re8 do4 fa8 sol8
la2 sol4 la8 sol8
%% 45 :
fa8 mi8 re4 mi4. fa8
sol4 mi4 fa8 mi8 mi4 ~
mi4 re4 mi4 la4 ~
%> la8 la8 sold4 la4 mi4
la16 r16 la8 sold4 la4 mi4
fa4 do4. re8 do8 si8
%% 50 :
la4. si8 do4 sib4
la4 re4. re8 dod!4
re2 r2
re4. do8 sib2
la4 re2 do4
%% 55 :
sib4 la4 sib8 sol8 re'4 ~
re8 mi8 fa8 mi8 re4. do8
si?4 la4 si4 dod4
re1
}
tenormidi = \relative do' {
%% 1 :
#(silaa +2.0 #t) R\breve
fa,1\rest la1 ~
la2 sol2 la2 sib2 ~
sib2 la4 sol4 la1
%% 5 :
r2 la4 sol4 la4 si!4 do2 ~
do2 sol2. la4 sib2
la4 sol4 la4 fa4 sol1
la2 fa2 mi2. re8 mi8
fa1 sol2 fa2 ~
%% 10 :
fa2 mi4 re4 dod2 re4 mi4
fa4 re4 la'4 mi4 fa2. fa4
mi1 fa2 re4 mi4
fa4 re4 sol2 fa2 mi2
re2. mi4 fa4 sol4 la2 ~
%% 15 :
la2 mi2 fa1\rest
fa2\rest re1 do2
re2 fa1 mi4 re4
mi1 re2\rest re4 do4
re4 mi4 fa1 mi2
%% 20 :
fa1 re2. mi4
fa2 sol2 re4 re'2 sib4
la4 sol4 fad4 sol4 la2 sol2
sol4 la4 fa1 sol2
%> la2 si1 si2
la2 si2. ~ si8 r8 si2
%% 25 :
%> \dotsDown do2. \dotsNeutral si4 la2 la2 ~
\dotsDown do2. \dotsNeutral si4 la4. r8 la2 ~
la2 sol2 la4 si4 do4 re4
si1 la2 do2 ~
do2 la2 sib2 la2
sol1 fa1
%% 30 :
sol2 mi2 fa1\rest
#(silun 0.0 +1.0 #t) r1 r2 fa!2
sol2 la2 re,2 mi2
%> fa2. fa4 sol4 fa4 mi2
fa2 ~ fa8 r8 fa4 sol4 fa4 mi2
%> fa2 fa2. re4 sol2
fa4. r8 fa2. re4 sol2
%% 35 :
la2 sib2 la2 sol2
\time 4/4 #(silun 0.0 -1.0 #t) r4 fa?2 mi8 re8
do4 fa8 sol8 la4 sol4 ~
sol4 fa4 mi4 re8 do8
re8 mi8 fa4. mi8 la4
%% 40 :
sol4 fa4 do'4. si8
la2. re4
do4. si8 la4 sol8 fa8
sol2 #(silun 0.0 +0.5 #t) r2
#(silun 0.0 +0.0 #t) r2 r4 do4 ~
%% 45 :
do4 si8 la8 sol4 do8 re8
mi8 re8 do8 si8 la2 ~
la4 si4 do4 la4
si2 la2
#(silun 0.0 -1.0 #t) r4 fa2 mi8 re8
%% 50 :
do4 fa8 sol8 la4 sol8 fa8
mi4 re4 mi2
re4 sib'2 la4
sol4 fad4 sol2
re4. mi8 [ fa8 sol8 ] la4
%% 55 :
re,2. sol4 ~
sol4 fa4 r8 sib8 la4
sol4 fad4 sol2
\once\override Script #'extra-offset = #'(0 . 1.3) la1^\fermata
}
bassemidi = \relative do {
%% 1 :
re1. do2
re2 fa1 mi4 re4
mi1 r2 re4 do4
re4 mi4 fa4 mi4 re4 mi4 fa2
%% 5 :
sib,2 re1 do4 si!4
la4 si4 do4 re4 mi4 fa4 sol2
fa4 mi4 re2 do1
fa,2. sol4 la4 si4 do2
fa,1 do'2 re2 ~
%% 10 :
re2 la2 r1
r1 la1 ~
la2 sol2 la2 sib2 ~
sib2 la4 sol4 la1
R\breve
%% 15 :
la4 sol4 la4 si4 do2 la2
sib1 la1
sol2 re'2 la2. si4
do4 si4 la4 sol4 fa2 sib2 ~
sib2 la2 sol1
%% 20 :
fa1 r1
R\breve
%> #(silun 0.0 +1.0 #t) r2 re'2. re4 mi2
#(silun 0.0 +1.0 #t) r2 re'2 ~ re8 r8 re4 mi2
do2 re1 do4 si4
la2 sol2 sol'2 mi2
%% 25 :
la2. sol4 fa4 mi4 re2
mi\breve ~
mi1 #(silun 0.0 +1.0 #t) r1
fa1 re2 fa2 ~
fa2 mi2 re1
%% 30 :
do1 re2 mi2
fad2 sol2 re2. do4
sib2 la2 sol1
la2 re1 dod2
re2. do4 sib2. sol4
%% 35 :
re'1 do1
\time 4/4 fa,2 r2
R1
do'2. si8 sol8
sol4 fa8 sol8 la4. si8
%% 40 :
do1
#(silaa -2.0 #t) R1
#(silun 0.0 +2.0 #t) r4 fa2 mi8 re8
do2 fa8 sol8 la4 ~
la8 sol8 fa4 mi4 fa4
%% 45 :
re4 sol4 mi2 ~
mi4 la4 re,4 la4
fa'2 mi2 ~
mi2 la,2
r2 do2
%% 50 :
fa,2. sol4
la1
re1
#(silaa -2.0 #t) R1
r4 sib2 la4
%% 55 :
sol4 fad4 sol2
re'1 ~
re1 ~
re1
}
\score {
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\sopranomidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\sopranomidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\altomidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\altomidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\tenormidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\tenormidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\bassemidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\transpose do do'
\bassemidi
}
%%$ \new Staff { % tempo staff
%%$ \tempo 4 = 72 s1* 54
%%$ \tempo 4 = 47 s1
%%$ \tempo 4 = 45 s1
%%$ \tempo 4 = 35 s1
%%$ \tempo 4 = 30 s1
%%$ }
>>
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 80 2)
}
}
}
\score {
{
\context PianoStaff <<
\override PianoStaff.VerticalAlignment #'forced-distance = #14
\context Staff = "dessus" <<
\global
\clef violin
\context Voice = "soprano" {\voiceOne \soprano}
\context Voice = "alto" {\voiceTwo \alto}
>>
\context Staff = "basse" <<
\global
\clef bass
\context Voice = "tenor" {\voiceOne \tenor}
\context Voice = "basse" {\voiceTwo \basse}
>>
>>
\bar "|."
}
\layout { }
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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