%% -*- mode: LilyPond-mode ; coding: utf-8 -*-
\version "2.12.2"
\include "italiano.ly"
%% version 1
\header{
title = \markup {\center-column { \medium " Urbs Jerusalem " \medium "2e verset" }}
subtitle = ""
piece = ""
instrument = ""
composer = "Jean Titelouze (1563-1633)"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
source = "Archives des maîtres de l'orgue, vol.1, 1897, Alexandre Guilmant"
opus = ""
lastupdated = "2009-07-04"
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
mutopiatitle = "Urbs Jerusalem (2e verset)"
mutopiacomposer = "TitelouzeJ"
mutopiainstrument = "Organ"
style="Baroque"
footer = "Mutopia-2009/07/16-1688"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2009. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
% macros von Urs Metzger
adjustSlash = { \once \override TextScript #'extra-offset = #'( -2 . 5 ) }
halsdown = { \stemDown \tieDown \slurDown }
halsneutral = { \stemNeutral \tieNeutral \slurNeutral }
halsup = { \stemUp \tieUp \slurUp}
hideBrackets = { \override TupletBracket #'bracket-visibility = ##f }
hideTripletNumber = { \set tupletNumberFormatFunction = #'() }
mmrestdown = { \once \override MultiMeasureRest #'staff-position = #-2 }
mmrestdownn = { \once \override MultiMeasureRest #'staff-position = #-4 }
mmrestup = { \once \override MultiMeasureRest #'staff-position = #4 }
mmrestupp = { \once \override MultiMeasureRest #'staff-position = #6 }
mmrestuppp = { \once \override MultiMeasureRest #'staff-position = #8 }
mmrestupppp = { \once \override MultiMeasureRest #'staff-position = #10 }
noflag = { \once \override Stem #'flag-style = #'no-flag }
restdownnn = { \once \override MultiMeasureRest #'extra-offset = #'( 0.0 . -3.0 ) }
restright = { \once \override Rest #'extra-offset = #'( 4.0 . 0.0 ) }
scriptdown = { \once \override Script #'extra-offset = #'(0 . -1.3) }
scriptdownn = { \once \override Script #'extra-offset = #'(0 . -2.3) }
scriptdownnn = { \once \override Script #'extra-offset = #'(0 . -3.3) }
scriptup = { \once \override Script #'extra-offset = #'(0 . 1.3) }
showBrackets = { \override TupletBracket #'bracket-visibility = ##t }
staffdown = { \change Staff = "basse" \halsup }
staffup = { \change Staff = "dessus" \halsdown }
std = { \change Staff = "basse" }
stu = { \change Staff = "dessus" }
% macros von Roland Goretzki.
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (silun dx dy #:optional once)
(ly:export (mus:override 'Bottom 'Rest 'extra-offset (cons dx dy) once)))
#(define* (silaa dx #:optional once)
(ly:export (mus:override 'Bottom 'MultiMeasureRest 'staff-position dx once)))
% BogenKurve: -------------------------------------------------------- %
#(define* (TiePosition dy #:optional once)
(ly:export (mus:override 'Bottom 'Tie 'staff-position dy once)))
%
% Bogen: ------------------------------------------------------------- %
#(define* (Bogen dx dy #:optional once)
(ly:export (mus:override 'Bottom 'Slur 'extra-offset (cons dx dy) once)))
% HalteBogenKurve: --------------------------------------------------- %
#(define* (HalteBogenKurve dy #:optional once)
(ly:export (mus:override 'Bottom 'Tie 'height-limit dy once)))
%
% Tie: --------------------------------------------------------------- %
#(define* (Tie dx dy #:optional once)
(ly:export (mus:override 'Bottom 'Tie 'extra-offset (cons dx dy) once)))
%
#(define* (modifpostexte dx dy #:optional once)
(ly:export (mus:override 'Bottom 'TextScript 'extra-offset (cons dx dy) once)))
\paper {
print-page-number = ##f
%%$%%system-count = 3
between-system-padding = 0\mm
between-system-space = 23\mm
indent = 2\cm
head-separation = 0\mm
foot-separation = 4\mm
page-top-space = 10\mm
bottom-margin = 6\mm
top-margin = 5\mm
foot-separation = -8\mm
tagline = ##t
ragged-bottom = ##f
ragged-last-bottom = ##t
}
%%$#(set-default-paper-size "letter" 'portrait)
#(set-global-staff-size 19)
global = {
\key do \major
\time 4/2
}
soprano = \relative do'' {
%% 1 :
#(silaa +2 #f) R\breve
R\breve
R\breve
R\breve
%% 5 :
R\breve
R\breve
la2 la1 sol2
fa2. mi8 re8 la'4 re,4 sib'2 ~
sib2 la4 sol4 fa4 sol4 la4 si!4
%% 10 :
do1 si2 sol2
la2 fa2 mi2 fa2
sol1 do,1
si'1\rest si2\rest la2
do2 la2 sib2 la2 ~
%% 15 :
la2 sol2 la2 do2 ~
do4 si?4 la4 sol4 fa4 sol4 la4 si?4
do2 sol2 la1
#(silun 0 -1 #t) r2 #(silun 0 -1 #t) r4 do4 la2 si2
do2 re2 mi2 do2 ~
%% 20 :
do2 sib2 la2 do2 ~
do4 do4 re2 mi2 la,2
do2 si4 la4 sold2 la2
si2 mi,2 mi1
#(silaa +4 #f) R1
%% 25 :
R1
R1
R1
la2 do2
re2 do4 la4
%% 30 :
sib2 la4 re4
do4 la4 sol4 la4
R1
#(silun 0 -2 #t) r2 #(silun 0 -1 #t) r4 la4
do2 re2
%% 35 :
do4 la4 sib4 sol4
do4 si?8 la8 sol4 la4 ~
la4 sol4 fa2
#(silun 0 -2 #t) r4 la4 sib2
la4 re4 mi8 re8 do8 si8
%% 40 :
la4. si8 do4. re8
mi4 si4 do2
#(silun 0 -1 #t) r2 #(silun 0 -1 #t) r4 la4
do2 re2
do4 la4 sib2
%% 45 :
la8 sol8 fa2 mi4 ~
mi8 re8 re2 do4
fa2 sol4 la4 ~
la4 fa'4 mi4 re8 do8
re4 do4. do8 sib4
%% 50 :
la4 la2 sol4 ~
sol4 fa2 mi4
fa2 la2 ~
la4 sol8 fa8 mi4 fa4
sol4 fa8 mi8 re4 fa4 ~
%% 55 :
fa8 sol8 la8 si8 do4 si8 la8
sol4 la4 re,4 mi4
fa4 mi2 re4
mi4 fa4 sol4 mi4
fa4. re8 fa8 mi8 fa8 sol8
%% 60 :
la8 si8 do2 re4
#(silun 0 -1 #t) r2 re2 ~
re4 do8 si?8 la4 si4
do4 sib8 la8 sol4 do4
#(silun 0 -1 #t) r4 do2 si?8 la8
%% 65 :
sol4 la2 sol4
la8 si8 do4 sib8 la8 sol8 fa8
mi4 la8 si8 dod8 re4 dod8
re8 do8 sib4. la8 sol4
fad4 sol4 la4 sib4
%% 70 :
la4 re4. do8 sib4
la\breve^\fermata
}
alto = \relative do' {
%% 1 :
R\breve
R\breve
R\breve
re2 re1 do2
%% 5 :
sib2. la8 sol8 re'4 la4 sib2
la2. si?4 do4 re4 dod4 re4
mi2 fa4 mi4 re1
re1 #(silun 0 -1 #t) r2 re2
mi2 fa4 mi4 re4 mi4 fa4 re4
%% 10 :
mi1 re2 mi2
#(silun 0 -1 #t) r2 la,2 do2 la2
sib1 la1
sol2 do2. si4 do4 re4
mi2 re1 do2
%% 15 :
re2 mi2 fa2 mi2
do2 re2. mi4 fa2 ~
fa4 mi8 re8 mi8 fa8 mi4 fa2 do2
#(silaa -6 #t) R\breve
#(silun 0 -1 #t) r1 r2 r4 fa4
%% 20 :
re2. mi4 fa2 sol2
la2 sol4 fa4 mi2 fa2
sol2 fa2 mi2 re4 do4
si1 do1
r2 la2
%% 25 :
do2 re2
do4 la4 sib2
la4 re2 do4
fa1
r4 re4 fa2
%% 30 :
sol2 fa4 re4
mi4 fa4 mi4. mi8
fa4. sol8 la4 re,4 ~
re8 do8 re8 mi8 fa8 do8 fa4
mi4 la2 sol4
%% 35 :
la8 sol8 fa2 mi4
fa2 mi2
r4 mi4 re2
do4 re2 mi4
fa2 mi4 fa4
%% 40 :
r4 fa4 mi8 fa16 sol16 la4 ~
la8 la8 sold4 la4 fa4
mi2 la,4 fa'4
mi4 fa2 mi8 re8
fa8 mi8 fa8 mi8 re8 do8 re4
%% 45 :
do4 re4. do8 sib4
la2 r2
r4 re4 mi4 fa8 mi8
fa8 sol8 la8 fa8 sol8 mi8 fa4 ~
fa8 sol8 la8 do,8 re2 ~
%% 50 :
re4 fa4. mi8 re4
do1
r4 la2 si8 do8
re4 si4 do8 si8 la8 re8
do8 sib8 la4 si8 sol8 la8 si8
%% 55 :
do4 fa4 mi8 do8 re4
mi4 re8 do8 si4 la8 sol8
la8 si8 do8 si8 la4 si4
do4 re2 dod4
re1
%% 60 :
r4 la'2 sol8 fa8
mi4 fa4 sol4 fa8 mi8
re4 mi4 fa4 mi8 re8
do4 re4 mi4 fa4 ~
fa8 fa8 mi4 re2
%% 65 :
mi4 do4 re4. mi8
fa4 mi8 fad8 sol8 fa8 mi8 re8
dod4 re4 mi8 fa8 sol8 la8
sib8 la8 sol8 fa16 mi16 re8 do8 sib4
la4 re4 r4 re4
%% 70 :
re4. mi8 fad4 sol4
\once \override Staff.TimeSignature #'stencil = ##f
fad\breve
}
tenor = \relative do' {
%% 1 :
r1 la2 la2 ~
la2 sol2 fa2. mi8 re8
la'4 re,4 sib'2. la4 fa2
sol2 r2 la2 la2 ~
%% 5 :
la2 sol2 fa2 sol2 ~
sol4 fa8 mi8 fa2 mi2 la2
la1 sib1 ~
sib2 la1 sol4 fa4
sol2 fa4 sol4 la4 sol4 fa2
%% 10 :
r2 mi2 sol2 mi2
fa2 re2 la'2 fa2 ~
fa4 mi8 re8 mi2 fa1
mi2. fa8 sol8 la1
sol2 fad2 sol2 la2
%% 15 :
sib1 la1 ~
la2 la2 sib4 la4 sol4 fa4
sol2 do1 la2 ~
la4 si?4 do2. re2 mi4 ~
mi8 re8 do8 si8 la8 sol8 la4 sol2 fa2 ~
%% 20 :
fa2 sol2 r2 do2
la2 si2 do2 re2
mi2 re4 do4 si2 la2 ~
la4 la4 sold2 la1
R1
%% 25 :
r2 r4 re,4
fa2 sol2
fa4 re4 mi2
re8 mi8 fa8 sol8 la8 sol8 la8 fa8
sib2 la4 re8 do8
%% 30 :
sib8 la8 sol4 #(silun 0 -1 #t) r2
la2 do2
re2 do4 la4
sib2 la4 re4
do4 fa2 mi8 re8
%% 35 :
fa4 do4 re4 do8 sib8
la4 re2 do4
si4 do2 sib4
la2 r2
r4 la4 do2
%% 40 :
re2 do4 la4
si2 la2
sol4 la4 fa2
sol4 la2 sol4
r2 r4 re4
%% 45 :
fa2 sol2
fa4 re4 mi4 fa4
r4 la4 do2
re2 do4 la4
sib4 la4 sol4. re8
%% 50 :
fa4. sol16 la16 sib2
la2 sol2
fa1
R1
R1
%% 55 :
la2. sol8 fa8
mi4 fad4 sol4 fa8 mi8
re4 do4 fa4 mi8 re8
la'4 sol8 fa8 mi4 la4
re,4 sib'2 la8 sol8
%% 60 :
fa4 mi8 re8 mi4 sol4 ~
sol4 la4 sib4 la8 sol8
fa4 sol4 la8 fa8 sol4
la8 mi8 fa4 sol8 mi8 la4
sol4 la8 sol8 fad4 sol8 fa8
%% 65 :
mi4 fa4. mi8 re4 ~
re4 do8 re8 mi8 fa8 sol4 ~
sol4 fa4 mi8 re8 mi4
re4. mi8 fa4 sol4
la4 r4 re,4. mi8
%% 70 :
fad4. sol8 la4 sol16 sib16 la16 sol16
\once \override Script #'extra-offset = #'(0 . 0.5) re'\breve^\fermata
}
basse = \relative do {
%% 1 :
re2 re1 do2
sib2. la8 sol8 re'4 la4 sib2
fa2 sol2 re'2. la4
sib4 la8 sol8 sol'2 fa2. mi4
%% 5 :
re\breve
do2 re2 la2. si4
dod2 re2 sib2 sol2
#(silun 0 +1 #t) r2 re'2 fa2 re2
do2 re1 re2
%% 10 :
la1 r1
R\breve
r1 r2 la2
do2 la2 fa'1
do2 re2 sol,1 ~
%% 15 :
sol1 re'2 mi2
fa2. mi4 re1
do1 fa2. fa4
re2 mi2 fa2 sol2
la2 fa2 do2 la2
%% 20 :
sib2 sol2 re'2 mi2
fa2 re2 la'2 fa2
mi\breve ~
mi1 r2 la,2
\time 4/4 do2 re2
%% 25 :
do4 la4 sib2
la4 re8 do8 sib8 la8 sol4
la1
#(silaa -2 #f) R1
R1
%% 30 :
R1
R1
#(silun 0 +2 #t) r4 re4 fa2
sol2 fa4 re4
la'4 fa4 sib2
%% 35 :
la2 sol2
fa4 re4 mi2
#(silun 0 +1 #t) r2 #(silun 0 +1 #t) r4 re4
fa2 sol2
fa4 re4 la'4. sol8
%% 40 :
fa8 mi8 re4 mi2 ~
mi2 r4 la,4
do2 re2
do4 la4 sib2
la4 re4 sol,2
%% 45 :
la4 sib4 sol2
la1
re2 #(silun 0 +2 #t) r2
#(silaa -4 #f) R1
r2 r4 sol,4
%% 50 :
re'2. sol,4
do4 fa,4 do'2
fa,1
R1
R1
%% 55 :
R1
R1
R1
R1
r2 re'2 ~
%% 60 :
re4 do8 si8 la4 si4
do4 si8 la8 sol4 la4
sib4 sol4 re'4 do8 sib8
la4 fa4 do'4 la4
do2 re4 sol,4
%% 65 :
do4 fa,4 sib2
la2 sol2
la1
re,2 re'2 ~
re8 [ do8 ] sib8 la16 sol16 fad4 sol4
%% 70 :
re'1
\once \override Staff.TimeSignature #'stencil = ##f
\time 4/2 re\breve \bar "|."
}
sopranomidi = \relative do'' {
%% 1 :
#(silaa +2 #f) R\breve
R\breve
R\breve
R\breve
%% 5 :
R\breve
R\breve
%> la2 la1 sol2
la4. r8 la1 sol2
fa2. mi8 re8 la'4 re,4 sib'2 ~
sib2 la4 sol4 fa4 sol4 la4 si!4
%% 10 :
do1 si2 sol2
la2 fa2 mi2 fa2
sol1 do,1
si'1\rest si2\rest la2
do2 la2 sib2 la2 ~
%% 15 :
la2 sol2 la2 do2 ~
do4 si?4 la4 sol4 fa4 sol4 la4 si?4
do2 sol2 la1
#(silun 0 -1 #t) r2 #(silun 0 -1 #t) r4 do4 la2 si2
do2 re2 mi2 do2 ~
%% 20 :
do2 sib2 la2 do2 ~
%> do4 do4 re2 mi2 la,2
do8 r8 do4 re2 mi2 la,2
do2 si4 la4 sold2 la2
si2 mi,2 mi1
#(silaa +4 #f) R1
%% 25 :
R1
R1
R1
la2 do2
re2 do4 la4
%% 30 :
sib2 la4 re4
do4 la4 sol4 la4
R1
#(silun 0 -2 #t) r2 #(silun 0 -1 #t) r4 la4
do2 re2
%% 35 :
do4 la4 sib4 sol4
do4 si?8 la8 sol4 la4 ~
la4 sol4 fa2
#(silun 0 -2 #t) r4 la4 sib2
la4 re4 mi8 re8 do8 si8
%% 40 :
la4. si8 do4. re8
mi4 si4 do2
#(silun 0 -1 #t) r2 #(silun 0 -1 #t) r4 la4
do2 re2
do4 la4 sib2
%% 45 :
la8 sol8 fa2 mi4 ~
%> mi8 re8 re2 do4
mi8 re16 r16 re2 do4
fa2 sol4 la4 ~
la4 fa'4 mi4 re8 do8
re4 do4 ~ do16 r16 do8 sib4
%% 50 :
la4 la2 sol4 ~
sol4 fa2 mi4
fa2 la2 ~
la4 sol8 fa8 mi4 fa4
sol4 fa8 mi8 re4 fa4 ~
%% 55 :
fa8 sol8 la8 si8 do4 si8 la8
sol4 la4 re,4 mi4
fa4 mi2 re4
mi4 fa4 sol4 mi4
fa4. re8 fa8 mi8 fa8 sol8
%% 60 :
la8 si8 do2 re4
#(silun 0 -1 #t) r2 re2 ~
re4 do8 si?8 la4 si4
do4 sib8 la8 sol4 do4
#(silun 0 -1 #t) r4 do2 si?8 la8
%% 65 :
sol4 la2 sol4
la8 si8 do4 sib8 la8 sol8 fa8
mi4 la8 si8 dod8 re4 dod8
re8 do8 si4. la8 sol4
fad4 sol4 la4 sib4
%% 70 :
la4 re4. do8 sib4
la\breve^\fermata
}
altomidi = \relative do' {
%% 1 :
R\breve
R\breve
R\breve
%> re2 re1 do2
re4. r8 re1 do2
%% 5 :
sib2. la8 sol8 re'4 la4 sib2
la2. si?4 do4 re4 dod4 re4
%> mi2 fa4 mi4 re1
mi2 fa4 mi4 re2 ~ re4. r8
re1 #(silun 0 -1 #t) r2 re2
mi2 fa4 mi4 re4 mi4 fa4 re4
%% 10 :
mi1 re2 mi2
#(silun 0 -1 #t) r2 la,2 do2 la2
sib1 la1
sol2 do2. si4 do4 re4
mi2 re1 do2
%% 15 :
re2 mi2 fa2 mi2
do2 re2. mi4 fa2 ~
fa4 mi8 re8 mi8 fa8 mi4 fa2 do2
#(silaa -6 #t) R\breve
#(silun 0 -1 #t) r1 r2 r4 fa4
%% 20 :
re2. mi4 fa2 sol2
la2 sol4 fa4 mi2 fa2
sol2 fa2 mi2 re4 do4
si1 do1
r2 la2
%% 25 :
do2 re2
do4 la4 sib2
la4 re2 do4
fa1
r4 re4 fa2
%% 30 :
sol2 fa4 re4
%> mi4 fa4 mi4. mi8
mi4 fa4 mi4 ~ mi16 r16 mi8
fa4. sol8 la4 re,4 ~
re8 do8 re8 mi8 fa8 do8 fa4
mi4 la2 sol4
%% 35 :
la8 sol8 fa2 mi4
fa2 mi2
r4 mi4 re2
do4 re2 mi4
fa2 mi4 fa4
%% 40 :
r4 fa4 mi8 fa16 sol16 la4 ~
%> la8 la8 sold4 la4 fa4
la16 r16 la8 sold4 la4 fa4
mi2 la,4 fa'4
mi4 fa2 mi8 re8
fa8 mi8 fa8 mi8 re8 do8 re4
%% 45 :
do4 re4. do8 sib4
la2 r2
r4 re4 mi4 fa8 mi8
fa8 sol8 la8 fa8 sol8 mi8 fa4 ~
fa8 sol8 la8 do,8 re2 ~
%% 50 :
re4 fa4. mi8 re4
do1
r4 la2 si8 do8
re4 si4 do8 si8 la8 re8
do8 sib8 la4 si8 sol8 la8 si8
%% 55 :
do4 fa4 mi8 do8 re4
mi4 re8 do8 si4 la8 sol8
la8 si8 do8 si8 la4 si4
do4 re2 dod4
re1
%% 60 :
r4 la'2 sol8 fa8
mi4 fa4 sol4 fa8 mi8
re4 mi4 fa4 mi8 re8
do4 re4 mi4 fa4 ~
%> fa8 fa8 mi4 re2
fa16 r16 fa8 mi4 re2
%% 65 :
mi4 do4 re4. mi8
fa4 mi8 fad8 sol8 fa8 mi8 re8
dod4 re4 mi8 fa8 sol8 la8
sib8 la8 sol8 fa16 mi16 re8 do8 sib4
%> la4 re4 r4 re4
la4 re4 r4 re8 r8
%% 70 :
re4. mi8 fad4 sol4
\once \override Staff.TimeSignature #'stencil = ##f
fad\breve
}
tenormidi = \relative do' {
%% 1 :
%> r1 la2 la2 ~
r1 la4. r8 la2 ~
la2 sol2 fa2. mi8 re8
la'4 re,4 sib'2. la4 fa2
%> sol2 r2 la2 la2 ~
sol2 r2 la4. r8 la2 ~
%% 5 :
la2 sol2 fa2 sol2 ~
%> sol4 fa8 mi8 fa2 mi2 la2
sol4 fa8 mi8 fa2 mi2 la4. r8
la1 sib1 ~
sib2 la1 sol4 fa4
sol2 fa4 sol4 la4 sol4 fa2
%% 10 :
r2 mi2 sol2 mi2
fa2 re2 la'2 fa2 ~
fa4 mi8 re8 mi2 fa1
mi2. fa8 sol8 la1
sol2 fad2 sol2 la2
%% 15 :
sib1 la1 ~
%> la2 la2 sib4 la4 sol4 fa4
la4. r8 la2 sib4 la4 sol4 fa4
sol2 do1 la2 ~
la4 si?4 do2. re2 mi4 ~
mi8 re8 do8 si8 la8 sol8 la4 sol2 fa2 ~
%% 20 :
fa2 sol2 r2 do2
la2 si2 do2 re2
mi2 re4 do4 si2 la2 ~
%> la4 la4 sold2 la1
la8 r8 la4 sold2 la1
R1
%% 25 :
r2 r4 re,4
fa2 sol2
fa4 re4 mi2
re8 mi8 fa8 sol8 la8 sol8 la8 fa8
sib2 la4 re8 do8
%% 30 :
sib8 la8 sol4 #(silun 0 -1 #t) r2
la2 do2
re2 do4 la4
sib2 la4 re4
do4 fa2 mi8 re8
%% 35 :
fa4 do4 re4 do8 sib8
la4 re2 do4
si4 do2 sib4
la2 r2
r4 la4 do2
%% 40 :
re2 do4 la4
si2 la2
sol4 la4 fa2
sol4 la2 sol4
r2 r4 re4
%% 45 :
fa2 sol2
fa4 re4 mi4 fa4
r4 la4 do2
re2 do4 la4
sib4 la4 sol4. re8
%% 50 :
fa4. sol16 la16 sib2
la2 sol2
fa1
R1
R1
%% 55 :
la2. sol8 fa8
mi4 fad4 sol4 fa8 mi8
re4 do4 fa4 mi8 re8
la'4 sol8 fa8 mi4 la4
re,4 sib'2 la8 sol8
%% 60 :
fa4 mi8 re8 mi4 sol4 ~
sol4 la4 sib4 la8 sol8
fa4 sol4 la8 fa8 sol4
la8 mi8 fa4 sol8 mi8 la4
sol4 la8 sol8 fad4 sol8 fa8
%% 65 :
mi4 fa4. mi8 re4 ~
re4 do8 re8 mi8 fa8 sol4 ~
sol4 fa4 mi8 re8 mi4
re4. mi8 fa4 sol4
la4 r4 re,4. mi8
%% 70 :
fad4. sol8 la4 sol16 sib16 la16 sol16
re'\breve^\fermata
}
bassemidi = \relative do {
%% 1 :
%> re2 re1 do2
re4. r8 re1 do2
sib2. la8 sol8 re'4 la4 sib2
fa2 sol2 re'2. la4
sib4 la8 sol8 sol'2 fa2. mi4
%% 5 :
re\breve
do2 re2 la2. si4
dod2 re2 sib2 sol2
#(silun 0 +1 #t) r2 re'2 fa2 re2
%> do2 re1 re2
do2 re2 ~ re4. r8 re2
%% 10 :
la1 r1
R\breve
r1 r2 la2
do2 la2 fa'1
do2 re2 sol,1 ~
%% 15 :
sol1 re'2 mi2
fa2. mi4 re1
%> do1 fa2. fa4
do1 fa2 ~ fa8 r8 fa4
re2 mi2 fa2 sol2
la2 fa2 do2 la2
%% 20 :
sib2 sol2 re'2 mi2
fa2 re2 la'2 fa2
mi\breve ~
mi1 r2 la,2
\time 4/4 do2 re2
%% 25 :
do4 la4 sib2
la4 re8 do8 sib8 la8 sol4
la1
#(silaa -2 #f) R1
R1
%% 30 :
R1
R1
#(silun 0 +2 #t) r4 re4 fa2
sol2 fa4 re4
la'4 fa4 sib2
%% 35 :
la2 sol2
fa4 re4 mi2
#(silun 0 +1 #t) r2 #(silun 0 +1 #t) r4 re4
fa2 sol2
fa4 re4 la'4. sol8
%% 40 :
fa8 mi8 re4 mi2 ~
mi2 r4 la,4
do2 re2
do4 la4 sib2
la4 re4 sol,2
%% 45 :
la4 sib4 sol2
la1
re2 #(silun 0 +2 #t) r2
#(silaa -4 #f) R1
r2 r4 sol,4
%% 50 :
re'2. sol,4
do4 fa,4 do'2
fa,1
R1
R1
%% 55 :
R1
R1
R1
R1
r2 re'2 ~
%% 60 :
re4 do8 si8 la4 si4
do4 si8 la8 sol4 la4
sib4 sol4 re'4 do8 sib8
la4 fa4 do'4 la4
do2 re4 sol,4
%% 65 :
do4 fa,4 sib2
la2 sol2
la1
re,2 re'2 ~
re8 [ do8 ] sib8 la16 sol16 fad4 sol4
%% 70 :
re'1
\once \override Staff.TimeSignature #'stencil = ##f
\time 4/2 re\breve \bar "|."
}
\score {
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\sopranomidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\sopranomidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\altomidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\altomidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\tenormidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\tenormidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\bassemidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\transpose do do,
\bassemidi
}
%%$ \new Staff { % tempo staff
%%$ \tempo 4 = 72 s1* 54
%%$ \tempo 4 = 47 s1
%%$ \tempo 4 = 45 s1
%%$ \tempo 4 = 35 s1
%%$ \tempo 4 = 30 s1
%%$ }
>>
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 70 2)
}
}
}
\score {
<<
\context PianoStaff <<
\context Staff = "dessus" <<
\global
\clef violin
\context Voice = "soprano" {\voiceOne \soprano}
\context Voice = "alto" {\voiceTwo \alto}
>>
\context Staff = "basse" <<
\global
\clef bass
\context Voice = "tenor" {\voiceOne \tenor}
\context Voice = "basse" {\voiceTwo \basse}
>>
>>
%\context Lyrics \cantusfirmus
>>
\layout { }
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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