% -*- mode: LilyPond-mode ; coding: utf-8 -*-
\version "2.10.15"
\include "italiano.ly"
%%
%% Version 1
%%
\header{
title = \markup {\center-align { \medium " Sanctorum meritis " \medium "2e verset" }}
subtitle = ""
piece = ""
instrument = ""
composer = "Jean Titelouze (1563-1633)"
copyright = "Creative Commons Attribution-ShareAlike 2.5"
source = "Archives des maîtres de l'orgue, vol.1, 1897, Alexandre Guilmant"
opus = ""
lastupdated = "2007-02-11 Fête de Notre Dame de Lourdes"
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
mutopiatitle = "Sanctorum meritis (2e verset)"
mutopiacomposer = "TitelouzeJ"
mutopiainstrument = "Organ"
style="Baroque"
footer = "Mutopia-2007/02/17-928"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2007. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 2.5 License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/2.5" http://creativecommons.org/licenses/by-sa/2.5 } } } }
}
%#(set-default-paper-size "a4" 'landscape)
%#(set-global-staff-size 18)
% macros von Urs Metzger
adjustSlash = { \once \override TextScript #'extra-offset = #'( -2 . 5 ) }
halsdown = { \stemDown \tieDown \slurDown }
halsneutral = { \stemNeutral \tieNeutral \slurNeutral }
halsup = { \stemUp \tieUp \slurUp}
hideBrackets = { \override TupletBracket #'bracket-visibility = ##f }
hideTripletNumber = { \set tupletNumberFormatFunction = #'() }
mmrestdown = { \once \override MultiMeasureRest #'staff-position = #-2 }
mmrestdownn = { \once \override MultiMeasureRest #'staff-position = #-4 }
mmrestup = { \once \override MultiMeasureRest #'staff-position = #4 }
mmrestupp = { \once \override MultiMeasureRest #'staff-position = #6 }
mmrestuppp = { \once \override MultiMeasureRest #'staff-position = #8 }
mmrestupppp = { \once \override MultiMeasureRest #'staff-position = #10 }
noflag = { \once \override Stem #'flag-style = #'no-flag }
restdownnn = { \once \override MultiMeasureRest #'extra-offset = #'( 0.0 . -3.0 ) }
restright = { \once \override Rest #'extra-offset = #'( 4.0 . 0.0 ) }
scriptdown = { \once \override Script #'extra-offset = #'(0 . -1.3) }
scriptdownn = { \once \override Script #'extra-offset = #'(0 . -2.3) }
scriptdownnn = { \once \override Script #'extra-offset = #'(0 . -3.3) }
scriptup = { \once \override Script #'extra-offset = #'(0 . 1.3) }
showBrackets = { \override TupletBracket #'bracket-visibility = ##t }
staffdown = { \change Staff = "basse" \halsup }
staffup = { \change Staff = "dessus" \halsdown }
std = { \change Staff = "basse" }
stu = { \change Staff = "dessus" }
% macros von Roland Goretzki.
#(use-modules (ice-9 optargs))
#(define*-public (mus:make-context context element #:key id (operations '()))
"Base function for building ContextSpeccedMusic objects."
(apply make-music (append (list 'ContextSpeccedMusic
'property-operations operations
'context-type context
'element element)
(if id (list 'context-id id) '()))))
#(define*-public (mus:override context layout property val #:optional once)
(mus:make-context context (make-music 'OverrideProperty
'once once
'grob-property property
'grob-value val
'symbol layout)))
#(define* (silun dx dy #:optional once)
(ly:export (mus:override 'Bottom 'Rest 'extra-offset (cons dx dy) once)))
#(define* (silaa dx #:optional once)
(ly:export (mus:override 'Bottom 'MultiMeasureRest 'staff-position dx once)))
global = {
\key la \minor
\time 4/4
}
soprano = \relative do' {
\halsup
%% 1 :
re2 la'2
sib4 la4. sol8 la8 si8
do8 si8 la8 sol8 la4 sol4
si4 do4 si4 re4 ~
%% 5 :
re4 do8 si8 la8 sol8 fa4 ~
fa8 re8 sol4 fa2
mi4 fa4. sol8 la8 si8
do4. si16 la16 sol2
la8 si8 do4 si8 do8 la8. si16
%% 10 :
do8 re8 mi2 re8 do8
si2 mi,8 fad8 sol4 ~
sol4 la4 re,4 mi4
#(silun 0.0 +1 #t) r4 do'4 si4 do4 ~
do8 re8 mi2 mi4
%% 15 :
re8 do8 si8 la8 sol8 fad8 sol4 ~
sol4 la4 si2
r2 r4 la4
fad4 sol2 fa4
mi4 do'4 si4. do8
%% 20 :
re4 do2 si4
do4 re2 dod4
re4 si4 do4 si8 la8
sold4 la4 mi2 ~
mi4 fad4 sol4 mi4
%% 25 :
r4 si'2 sold4
la2 si4 do4
re4. mi8 dod4 re4 ~
re4 do2 si4
re2 mi4. re16 do16
%% 30 :
si2 la2
sol4 la4 r4 re4
do4 la4 do8 si8 si4 ~
si8 la8 la4 sold4 la4 ~
la8 [ la8 ] sol8 la16 si16 do2
%% 35 :
#(silaa +4 #f) R1
R1
la2 la4 do4
si4 sol4 la2
sol4 si4 do4 re4 ~
%% 40 :
re8 do8 do2 si8 la8
sol4. la8 si4. dod8
re8 do8 si4. la8 la4 ~
la8 la8 sold4 la2
do8 la4 do4 si16 la16 si4
%% 45 :
mi,4 la2 sol8 la8
si2 #(silun 0 +1 #t) r2
r2 la4. si8
do8 si8 la8 sol8 fa8 do'16 si16 la4 ~
la8 fa8 mi4 la8 si8 do8 si8
%% 50 :
la2 sol4 la4 ~
la4 fa4 sol4. la8
fad8 [ sol8 ] la8 si4 do16 [ re16 mi8 mi8 ] ~
mi8 re8 do8 la4 do4 si16 la16
sol4 sold2 la4
%% 55 :
si2 mi,2
fa4 mi4 la2 ~
la4 la4 sold4 fad4
sold1^\fermata \bar "|."
}
alto = \relative do' {
\global \halsdown
%% 1 :
#(silaa -7 #t) R1
si2\rest la2
mi'2 fa4 mi4 ~
mi8 re8 mi8 fa8 sol8 fa8 mi8 re8
%% 5 :
mi4 la,4 re4. do8
sib4. sol8 la8 si16 do16 re4 ~
re4 do4 re8 mi8 fa4
mi2 r4 mi4 ~
mi4 re8 do8 re8 mi4 re8
%% 10 :
\dotsDown sol4. \dotsNeutral mi8 la4 la4
sol8 fa8 mi8 re8 do4 re4
do8 si8 la8 do8 si4 do8 si8
do8 re8 mi8 fad8 sol2
la4 sol8 fa8 sol2
%% 15 :
#(silaa -4 #t) R1
r2 r4 mi4
dod4 re2 dod4
re8 do8 si4 do4 la8 si8
do8 re8 mi4. fad8 sol4 ~
%% 20 :
sol8 re8 fa8 mi8 re2
mi4 fa4 sol4 la4
re,2 mi4 re4 ~
re4 do4 si2
la2 si4 do4
%% 25 :
re4. mi16 fa16 sol8 fa8 mi8 re8
mi4 fad4 sol4 la4 ~
la8 la8 sold4 la2
r4 la4 fad4 sol4 ~
sol4 fa4 mi4 la4 ~
%% 30 :
la4 sol2 fa4
mi2 re2
mi4 fa4 sol4 sol4
mi4 fa4 mi2
r4 mi4 mi4 fa4
%% 35 :
\dotsDown mi4. do8 re2
do4 mi4. re8 sol4 ~
sol4 fa8 mi8 fa8 mi16 re16 mi8 fa8
sol8 fa8 mi8 re8 do4. re8
mi4. sol4 mi8 la4
%% 40 :
sol4 fa8 mi8 re2
mi2 re8 sol4 fad16 mi16
fad4 sol4 do,2
r4 mi4 mi4 fa4
mi4 do4 re2
%% 45 :
do2. mi4
re4 mi8 re8 do4 re8 do8
si2 r4 la4 ~
la8 si8 do8 si8 la8 [ sol8 ] fa8 do'16 re16
mi8 re8 do4 r4 #(silun 0 -1 #t) r8 mi8 ~
%% 50 :
mi8 re8 do8 re8 mi8 re8 do8 si8
la8 si8 do8 re8 mi8 re8 mi4
re8 mi8 fad4 sol8 [ la8 ] si8 do8
do8 si8 la16 sol16 fad16 mi16 re8 do8 re4
mi2 re4 dod4
%% 55 :
re4 si4 do2
do2. si8 la8
do4 re8 do8 si4 la4
si1
}
tenor = \relative do {
\global
\halsup
%% 1 :
#(silaa +4 #f) R1*5
%% 6 :
r2 re2
la'2 sib4 la4 ~
la8 sol8 la8 si8 do4. si8
la8 sol8 la4 sol4 fad4
%% 10 :
mi4 do'2 si8 la8
mi'4 sold,4 la4 si4
mi,4 fad4 sol2
fa8 mi8 la4 r4 sol4
do4. do8 si4. la8
%% 15 :
si8 do8 re2 do4
si4 la4 sold2
la4 fad4 sold4 la4
si8 la8 sol8 fa8 mi4 re4
mi4. fad8 sol8 la8 si4
%% 20 :
#(silun 0 +3 #t) r4 la4 fad4 sol4 ~
sol4 fa4 mi2
la4 sol4 do,4 re4
mi2 #(silun 0 +1 #t) r4 mi4
dod4 re2 do4
%% 25 :
si4 sol'4. la8 si4 ~
si4 la4 sol4 fa8 mi8
re2 mi4 fad4
sol4 la2 sol4
la4. si8 do2
%% 30 :
#(silun 0 +3.5 #t) r4 mi4 dod4 re4 ~
re4 do2 si4
do4 re4 r4 mi4
dod4 re2 dod4
si2 #(silun 0 +3 #t) r4 la4
%% 35 :
la4 do4 si4 sol4
la2 sol4 si4
do8 la8 re4. do16 si16 la4
mi2 fa8 sol8 la8 si8
do4 sol4 r2
%% 40 :
r2 #(silun 0 -0.7 #t) r4 si4
si4 do4 si4 sol4
la4 sol8 fa8 mi4. la16 si16
do8 re8 si4 la2
la4. mi8 fa4 sol4 ~
%% 45 :
sol4 fa4 mi4. fad8
sol4. fa8 mi4 fad4
sol8 re8 sol2 fa4
mi2 #(silun 0 +1 #t) r2
la4. si8 do8 si8 la8 sol8
%% 50 :
fa4 mi4 #(silun 0 -1) r4 mi4
fa8 sol8 la4 sol8 fa8 mi8 do'8 ~
do8 [ si8 ] la8 re4 do8 si8 [ sol8 ]
la8 si8 do8 re8 la4. si8
do4 si2 la4 ~
%% 55 :
la4 sol2 la4 ~
la4 sol8 fa8 mi2
mi1 ~
mi1^\fermata
}
basse = \relative do {
\global \halsdown
%% 1 :
#(silaa -4 #f) R1*12
%% 13 :
la2 mi'2
fa4 mi4. re8 mi8 fa8
%% 15 :
sol4. fa8 mi8 re8 mi4 ~
mi8 re8 do4 si2
la2 mi'2
re4 sol,4 la2
la2 mi'2
%% 20 :
R1
#(silun 0 -1 #t) r2 #(silun 0 +0.7 #t) r4 la,4
fad4 sol2 fa4
mi4 la2 sold4
la2 #(silun 0 -2 #t) r2
%% 25 :
#(silun 0 -0.7 #t) r2 #(silun 0 -1 #t) r4 mi'4
dod4 re2 do4
si2 la2
mi'4 fa4 re2 ~
re2 la'2
%% 30 :
R1
#(silun 0 -1 #t) r4 la4 fad4 sol4 ~
sol4 fa4 mi2
la4 re,4 mi2 ~
mi2 #(silun 0 -1 #t) r2
%% 35 :
#(silaa -2 #t) R1
R1
R1
R1
mi2 mi4 fa4
%% 40 :
mi4 do4 sol'2
mi4. fad8 sol4 mi4
re4 sol,4 la2
mi'4. re8 dod4 re4
R1
%% 45 :
la2 la4 do4
si4 sol4 la2
sol4 si4 do4 re4
la2 #(silun 0 -2 #t) r2
R1
%% 50 :
la4. si8 do8 si8 la8 sol8
fa2 do'2
re2 mi2
fa1
mi1
%% 55 :
re4 mi4. re8 do8 si8
la2. sol8 fa8
mi1 ~
mi
}
sopranomidi = \relative do' {
\halsup
%% 1 :
re2 la'2
sib4 la4. sol8 la8 si8
do8 si8 la8 sol8 la4 sol4
si4 do4 si4 re4 ~
%% 5 :
re4 do8 si8 la8 sol8 fa4 ~
fa8 re8 sol4 fa2
mi4 fa4. sol8 la8 si8
do4. si16 la16 sol2
la8 si8 do4 si8 do8 la8. si16
%% 10 :
do8 re8 mi2 re8 do8
si2 mi,8 fad8 sol4 ~
sol4 la4 re,4 mi4
#(silun 0.0 +1 #t) r4 do'4 si4 do4 ~
do8 re8 mi2 mi4
%% 15 :
re8 do8 si8 la8 sol8 fad8 sol4 ~
sol4 la4 si2
r2 r4 la4
fad4 sol2 fa4
mi4 do'4 si4. do8
%% 20 :
re4 do2 si4
do4 re2 dod4
re4 si4 do4 si8 la8
sold4 la4 mi2 ~
mi4 fad4 sol4 mi4
%% 25 :
r4 si'2 sold4
la2 si4 do4
re4. mi8 dod4 re4 ~
re4 do2 si4
re2 mi4. re16 do16
%% 30 :
si2 la2
sol4 la4 r4 re4
%%> ORIGINAL>do4 la4 do8 si8 si4 ~
do4 la4 do8 si16 r16 si4 ~
%%>================
%%> ORIGINAL >si8 la8 la4 sold4 la4 ~
si8 la16 r16 la4 sold4 la4 ~
%%>================
%%> ORIGINAL >la8 [ la8 ] sol8 la16 si16 do2
la16 r16 [ la8 ] sol8 la16 si16 do2
%%>================
%% 35 :
#(silaa +4 #f) R1
R1
la2 la4 do4
si4 sol4 la2
sol4 si4 do4 re4 ~
%% 40 :
%%> ORIGINAL >re8 do8 do2 si8 la8
re8 do16 r16 do2 si8 la8
%%>================
sol4. la8 si4. dod8
%%> ORIGINAL > re8 do8 si4. la8 la4 ~
re8 do8 si4. la16 r16 la4 ~
%%>================
%%> ORIGINAL > la8 la8 sold4 la2
la16 r16 la8 sold4 la2
%%>================
do8 la4 do4 si16 la16 si4
%% 45 :
mi,4 la2 sol8 la8
si2 #(silun 0 +1 #t) r2
r2 la4. si8
do8 si8 la8 sol8 fa8 do'16 si16 la4 ~
la8 fa8 mi4 la8 si8 do8 si8
%% 50 :
la2 sol4 la4 ~
la4 fa4 sol4. la8
%%> ORIGINAL >fad8 [ sol8 ] la8 si4 do16 [ re16 mi8 mi8 ] ~
fad8 [ sol8 ] la8 si4 do16 [ re16 mi16 r16 mi8 ] ~
%%>================
mi8 re8 do8 la4 do4 si16 la16
sol4 sold2 la4
%% 55 :
si2 mi,2
fa4 mi4 la2 ~
%%> ORIGINAL >la4 la4 sold4 fad4
la8 r8 la4 sold4 fad4
%%>================
sold1^\fermata \bar "|."
}
altomidi = \relative do' {
\global \halsdown
%% 1 :
#(silaa -7 #t) R1
si2\rest la2
mi'2 fa4 mi4 ~
mi8 re8 mi8 fa8 sol8 fa8 mi8 re8
%% 5 :
mi4 la,4 re4. do8
sib4. sol8 la8 si16 do16 re4 ~
re4 do4 re8 mi8 fa4
mi2 r4 mi4 ~
mi4 re8 do8 re8 mi4 re8
%% 10 :
%%> ORIGINAL > \dotsDown sol4. \dotsNeutral mi8 la4 la4
\dotsDown sol4. \dotsNeutral mi8 la8 r8 la4
%%>================
sol8 fa8 mi8 re8 do4 re4
do8 si8 la8 do8 si4 do8 si8
do8 re8 mi8 fad8 sol2
la4 sol8 fa8 sol2
%% 15 :
#(silaa -4 #t) R1
r2 r4 mi4
dod4 re2 dod4
re8 do8 si4 do4 la8 si8
do8 re8 mi4. fad8 sol4 ~
%% 20 :
sol8 re8 fa8 mi8 re2
mi4 fa4 sol4 la4
re,2 mi4 re4 ~
re4 do4 si2
la2 si4 do4
%% 25 :
re4. mi16 fa16 sol8 fa8 mi8 re8
mi4 fad4 sol4 la4 ~
%%> ORIGINAL >la8 la8 sold4 la2
la16 r16 la8 sold4 la2
%%>================
r4 la4 fad4 sol4 ~
sol4 fa4 mi4 la4 ~
%% 30 :
la4 sol2 fa4
mi2 re2
%%> ORIGINAL >mi4 fa4 sol4 sol4
mi4 fa4 sol8 r8 sol4
%%>================
mi4 fa4 mi2
%%> ORIGINAL > r4 mi4 mi4 fa4
r4 mi8 r8 mi4 fa4
%%>================
%% 35 :
\dotsDown mi4. do8 re2
do4 mi4. re8 sol4 ~
sol4 fa8 mi8 fa8 mi16 re16 mi8 fa8
sol8 fa8 mi8 re8 do4. re8
mi4. sol4 mi8 la4
%% 40 :
sol4 fa8 mi8 re2
mi2 re8 sol4 fad16 mi16
fad4 sol4 do,2
%%> ORIGINAL > r4 mi4 mi4 fa4
r4 mi8 r8 mi4 fa4
%%>================
mi4 do4 re2
%% 45 :
do2. mi4
re4 mi8 re8 do4 re8 do8
si2 r4 la4 ~
la8 si8 do8 si8 la8 [ sol8 ] fa8 do'16 re16
mi8 re8 do4 r4 #(silun 0 -1 #t) r8 mi8 ~
%% 50 :
mi8 re8 do8 re8 mi8 re8 do8 si8
la8 si8 do8 re8 mi8 re8 mi4
re8 mi8 fad4 sol8 [ la8 ] si8 do8
do8 si8 la16 sol16 fad16 mi16 re8 do8 re4
mi2 re4 dod4
%% 55 :
re4 si4 do2
do2. si8 la8
do4 re8 do8 si4 la4
si1
}
tenormidi = \relative do {
\global
\halsup
%% 1 :
#(silaa +4 #f) R1*5
%% 6 :
r2 re2
la'2 sib4 la4 ~
la8 sol8 la8 si8 do4. si8
la8 sol8 la4 sol4 fad4
%% 10 :
mi4 do'2 si8 la8
mi'4 sold,4 la4 si4
mi,4 fad4 sol2
fa8 mi8 la4 r4 sol4
do4. do8 si4. la8
%% 15 :
si8 do8 re2 do4
si4 la4 sold2
la4 fad4 sold4 la4
si8 la8 sol8 fa8 mi4 re4
mi4. fad8 sol8 la8 si4
%% 20 :
#(silun 0 +3 #t) r4 la4 fad4 sol4 ~
sol4 fa4 mi2
la4 sol4 do,4 re4
mi2 #(silun 0 +1 #t) r4 mi4
dod4 re2 do4
%% 25 :
si4 sol'4. la8 si4 ~
si4 la4 sol4 fa8 mi8
re2 mi4 fad4
sol4 la2 sol4
la4. si8 do2
%% 30 :
#(silun 0 +3.5 #t) r4 mi4 dod4 re4 ~
re4 do2 si4
do4 re4 r4 mi4
dod4 re2 dod4
si2 #(silun 0 +3 #t) r4 la4
%% 35 :
la4 do4 si4 sol4
la2 sol4 si4
do8 la8 re4. do16 si16 la4
mi2 fa8 sol8 la8 si8
do4 sol4 r2
%% 40 :
r2 #(silun 0 -0.7 #t) r4 si4
si4 do4 si4 sol4
la4 sol8 fa8 mi4. la16 si16
do8 re8 si4 la2
la4. mi8 fa4 sol4 ~
%% 45 :
sol4 fa4 mi4. fad8
sol4. fa8 mi4 fad4
sol8 re8 sol2 fa4
mi2 #(silun 0 +1 #t) r2
la4. si8 do8 si8 la8 sol8
%% 50 :
fa4 mi4 #(silun 0 -1) r4 mi4
fa8 sol8 la4 sol8 fa8 mi8 do'8 ~
do8 [ si8 ] la8 re4 do8 si8 [ sol8 ]
la8 si8 do8 re8 la4. si8
do4 si2 la4 ~
%% 55 :
la4 sol2 la4 ~
la4 sol8 fa8 mi2
mi1 ~
mi1^\fermata
}
bassemidi = \relative do {
\global \halsdown
%% 1 :
#(silaa -4 #f) R1*12
%% 13 :
la2 mi'2
fa4 mi4. re8 mi8 fa8
%% 15 :
sol4. fa8 mi8 re8 mi4 ~
mi8 re8 do4 si2
la2 mi'2
re4 sol,4 la2
la2 mi'2
%% 20 :
R1
#(silun 0 -1 #t) r2 #(silun 0 +0.7 #t) r4 la,4
fad4 sol2 fa4
mi4 la2 sold4
la2 #(silun 0 -2 #t) r2
%% 25 :
#(silun 0 -0.7 #t) r2 #(silun 0 -1 #t) r4 mi'4
dod4 re2 do4
si2 la2
mi'4 fa4 re2 ~
re2 la'2
%% 30 :
R1
#(silun 0 -1 #t) r4 la4 fad4 sol4 ~
sol4 fa4 mi2
la4 re,4 mi2 ~
mi2 #(silun 0 -1 #t) r2
%% 35 :
#(silaa -2 #t) R1
R1
R1
R1
%%> ORIGINAL >mi2 mi4 fa4
mi4. r8 mi4 fa4
%%>================
%% 40 :
mi4 do4 sol'2
mi4. fad8 sol4 mi4
re4 sol,4 la2
mi'4. re8 dod4 re4
R1
%% 45 :
la2 la4 do4
si4 sol4 la2
sol4 si4 do4 re4
la2 #(silun 0 -2 #t) r2
R1
%% 50 :
la4. si8 do8 si8 la8 sol8
fa2 do'2
re2 mi2
fa1
mi1
%% 55 :
re4 mi4. re8 do8 si8
la2. sol8 fa8
mi1 ~
mi
}
\paper {
betweensystempadding = 1\mm
betweensystemspace = 1\mm
%raggedbottom = ##f
%raggedlastbottom = ##f
headsep = 1\mm
%aftertitlespace = 1\mm
indent = 1\cm
bottommargin = 4\mm
topmargin = 1\mm
}
\score{
\new PianoStaff
<<
\new Staff = "dessus" <<
\clef "violin"
\soprano
\alto
>>
\new Staff = "basse" <<
\clef "bass"
\tenor
\basse
>>
>>
\layout{
}
}
\score {
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\sopranomidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\sopranomidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\altomidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\altomidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\tenormidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\tenormidi
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\bassemidi
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose do do'
\bassemidi
}
\new Staff { % tempo staff
s1* 56
\tempo 2 = 45 s4 \tempo 2 = 40 s4 \tempo 2 = 30 s4 \tempo 2 = 25 s4
\tempo 2 = 20 s1
}
>>
\midi{
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 50 2)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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