\version "2.10.10"
\paper {
scoreTitleMarkup = \markup \column {
\fill-line { \large \bold
\fromproperty #'header:piece }
\fill-line { \large \bold
\fromproperty #'header:ptitle }
\fromproperty #'header:meter
}
oddFooterMarkup = \markup {
\column {
\fill-line {
\fromproperty #'header:title }
\fill-line {
% %% Copyright header field not on last page.
% \on-the-fly #not-last-page
\fromproperty #'header:copyright }
\fill-line {
%% Tagline header field only on last page.
\on-the-fly #last-page \fromproperty #'header:tagline
}
}
}
between-system-padding = #1
ragged-bottom=##f
ragged-last-bottom=##f
}
\header{
title = " REMIX AE I "
subtitle = " Madarak "
poet = ""
composer = " SZERVÁC Attila "
meter = ""
opus = ""
arranger = ""
instrument = ""
dedication = " JUHÁSZ Andrea Elig-nek"
piece = ""
head = ""
copyright = \markup { SZERVÁC Attila - licenc: \with-url #"http://fsf.org/licenses/gpl.html" \with-color
#(x11-color 'blue) "GPLv3" - CC-BY-SA3 - Bármely része vagy egésze szabadon másolható }
footer = "Bármely része vagy egésze szabadon másolható - GPL licenc alatt áll"
tagline = \markup { License: GPLv3 - CC-BY-SA3 - title: REMIX AE I - version: .11 - Home:
\with-url #"http://321.hu/" \with-color #(x11-color 'blue) http://321.hu/ }
home = " http://321.hu "
mutopiacomposer = "SzervacA"
mutopiainstrument = "2 solo instruments"
mutopiacopyright = "Creative Commons Attribution-ShareAlike 3.0"
mutopiasource = "Original composition"
mutopiastyle = "Modern"
maintainer = "SZERVÁC Attila"
maintainerWeb = "http://321.hu"
moreInfo = "The composer has licensed this piece jointly under the GPLv3 and Creative Commons Attribution-ShareAlike 3.0 licenses, and it may be distributed under the terms of either."
mutopiafooter = "Mutopia-2007/07/22-1002"
}
q = \relative
{
e8 [gis ais] gis fis4 g8 [f g] gis [fis] b a4 |
cis2 b4 g8 bes [c] d4 cis8 [b cis dis] |
e4. dis8 r ais dis d [e] f4 e16 [d8 a8 ais8 b16] |
c8 [bes g] gis2 fis8 [b] a2.~ |
a2 cis8 [ais] dis4. d4 c8 c [bes g] |
b [a cis] gis2 gis8 [fis] f2.~ |
f a8 b16 [ais16 b8] c c [bes as ges ces] |
des4 c8. es16 d8 r4 r1 |
r2. c4 b8. d16 cis8 r4 a |
cis2 b4 g8 r1 |
r1 bes4 a8. c16 b4 bes8 |
d2 cis4 a8 r1 |
r2 r2. bes8 a4 c8 b |
r4 gis8 [ais] gis fis4 g8 [f g] gis [fis] b a4 |
% cis2 b4
}
% #(set-global-staff-size 11)
#(set-default-paper-size "a4")
VoiceI = \context Voice = VoiceI {
% \set Staff.midiInstrument = "acoustic grand"
\time 15/8
\key c \major
\clef treble
\partial 1..
\tempo 8=240
\repeat volta 2 {
\q } \alternative { { \relative {cis'2 b4 g8 bes [c] d4 cis8 [b cis dis] |
e4. dis8 r ais dis d [e] fis4 f8 [es des c] |
e1. d8 [cis a] |
c1. des8 [bes8 es] |
d1 cis8 [b fis] b [c] bes [c] |
a [b gis] cis [dis d] \times 2/3 {e16 f8. es8} r e16 [es8 d c16 as8] des [d] |
dis cis4 a8 e'16 [d c8] es8. des16 ges4 f8 \times 4/5 {e16 d es8 f16} g8 [e] |
\times 2/3 {fis eis16 cis8.} e8 [es bes] \times 2/3 {des d e16 fis}
\times 4/5 {g8 f16 es r} r4 r16 \times 2/3 {e32 fis gis}
\times 4/7 {a8. g16 f es des} \times 4/5 {d32 e fis gis a} |
bes2..~ bes8 a4 g f g8 |
as4.~ as4~ as8 [a gis] fis4.~ fis4 g8 [f]
| e1... }}
{ \relative { cis'2 b4 g8 bes [c] d4 cis8 [b cis dis] |
e4. dis8 r ais dis d [e] fis4 f8 [es des c16 d] | e1...~ | e8 \bar "|." } } }
% 15.-től 3 ütem ketteskapu és vége az 1. tételnek (jön még 6)
}
VoiceII = \context Voice = VoiceII {
% \set Staff.midiInstrument = "acoustic grand"
\time 15/8
\key c \major
\clef treble
s1*15/8 |
\q \relative {cis'2 b4 g2. as4. |
a4 ais8 [gis a] bes [b] c4 des8 [ces bes] g4.~ |
g b8 [bes] d e4 dis8 [gis, ais] a2~ |
a4 b8 [c as] bes [a] g2. ges8 [as] |
f fis4 gis16 a ais8 b a8. bes16 ges8 r g2 b16 ais |
fis8 \times 2/3 {a16 gis8 b8.~} b8 g8. bes16 as8 ces8. ces8 des16 d cis
\times 2/3 {b16 bes8 c4. b8 bes16} |
a8 r f ges4 as es2~ \times 2/3 {es16 g a bes a f'} g4~ |
g f8 es4 d c1~ | c cis8 dis4 e a,8 [b] | c [d] g, [as] bes4 a8 [b] cis2.. |
{ \relative { r4 gis'8 [ais] gis fis4 g8 [f g] gis [fis] b a8. b16 |
cis2 b4 g2. as4. | a4 ais8 [gis a] bes [b] c4 des8 [ces bes] a4.~ |
a8 \bar "|." }
}
}
}
\score {
<<
\VoiceI
\VoiceII
>>
\header { piece = " I "
ptitle = " Aero "
meter = " Allegro " }
\layout {
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 240 8)
}
}
}
q = \relative { a'4 |
cis2 d4 e d a | b2 c4~ c d c | g2.~ g4 a b | c2.~ c4 bes c |
d2.~ d4 e f | es d c bes2.~ | bes4 as bes b2.~ | b4 a b cis dis e~ |
e dis b d e4. fis8 | g2.~ g4. f8 e4 | d2.~ d4 e f | e2.~ e4 d c |
b2.~ b4 cis dis | cis2. d }
qw = \relative { r4 a' bes | c2.~ c4 b g | as2.~ as4 bes c | des es e a,2.~ |
a4 b c d2 c4 | g2. r4 g a | b fis a gis2.~ | gis4 gis ais b cis a |
b2.~ b4 a2 | g2.~ g4 g a | b c b a2 r4 | r4 g as bes c bes | a2. }
VoiceI = \context Voice = VoiceI {
\time 6/4
\clef treble
\partial 4
\tempo 2.=40 \q \relative { e'2. r | \transpose a b \qw |
\relative {b'8 [c d e] d4 r2. | es8 [d c d] bes4 r2
\transpose a c' \q g2. r \transpose a b \qw r2. bes8 a4 c b8 |
r r2 bes16 a8. c8 b4 \q e1.~ | e2.~ e2 \bar "|."}
}
}
VoiceII = \context Voice = VoiceII {
\clef treble
s1*1/4 | s1*2/4 \relative {
\transpose a g \q \qw \relative {r2. r1 bes'8 [a g f] es1 r2 | r
\transpose a bes \q \qw r2. bes'8 a4 c b8 r2. |
r8 bes16 a8. c8 b r r2. | r2 \transpose a g \q b2. | cis2.~ cis2 \bar "|."}
}
}
\score {
<<
\VoiceI
\VoiceII
>>
\header { breakbefore = ##t
piece = " II / VII "
ptitle = " "
meter = " Andante " }
\layout {
}
}
q = \relative {a'4 | cis r b8 g | r4 b8 a8 r4 | d r cis | r b8 a r4 |
a8 bes r4 c | r c8 bes8 r4 | bes8 es8 r4 c | r g8 c8 r4 | a8 d r4 a |
r4 a8 b r4 | cis8 b r4 b8 cis | r4 dis8 cis r4 | b8 cis r4 b | r e8 dis r4 |
dis8 cis r4 cis8 b | r4 b r4 | b8 a b r4 b8 | r2 b8 a | r4 c r4 | r2 bes8 c |
r4 c r | r8 c r4 c8 d | r4 d8 a r4 | a8 b r4 b8 cis | r4 cis8 fis, r4 |
fis8 gis8 r4 gis8 ais | r4 b r4 | a8 b r4 b8 a | b4 c8 d r4 | b4 r2 |
cis8 b cis4 r4 | r cis8 b r4 | r2 a8 d | c4 r2 | r bes8 c | r4 c8 d r4 |
d8 e r4. e8 | f4 e8 r4. | r e4 a,8 | d r cis r4 b8[ | a] c b a4 g8 | }
qw = \relative { f2.~ | f8. a16 b2~ | b fis8 b | a2.~ | a4. b4 cis8 | d2.~ |
d8. g,16 as4 g16 bes a8~ | a r4. c4 | b8. gis16 \times 2/3 {b4 c d~}| d8 r r2 |
r4 \times 2/3 {d8 cis ais b4 g8}| as r4. bes8 c |
des16 bes c8 a8. b16 cis8 d16 e | fis2.~ | fis2 e8 d | r2. | r4 d16 c bes8 r4 |
r2 }
VoiceI = \context Voice = VoiceI {
\time 3/4
\clef treble
\partial 4
\tempo 4=90 \q \qw \q a'2.~ a'2 \bar "|."
}
VoiceII = \context Voice = VoiceII {
\clef treble
s1*1/4 | s1*2/4 \relative {
\transpose a g { \q \qw \q} g'2 \bar "|."
}
}
\score {
<<
\VoiceI
\VoiceII
>>
\header { breakbefore = ##t
piece = " III / VII "
ptitle = " "
meter = " Moderato " }
\layout {
}
}
That accounts for it. I didnt know he was going to make the hop or I might not have come myselfbut nowwell, the man broke off his phrase and started to clamber into the control seat, lets get going. Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEһëƬѲŻ
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