\header {
title = "El Grillo"
subtitle = \markup {
\column {
\line {"The Cricket" }
\line { "a Madrigal" }
}
}
composer = "Josquin de Pres (c1440–1521)"
mutopiatitle = "El Grillo"
mutopiacomposer = "PresJd"
mutopiainstrument = "Voice (SATB)"
date = "1504"
source = \markup { "Petruccio" \italic " Tertio de Frottole" " (1504)"}
mutopiasource = "Petruccio Tertio de Frottole (1504)"
style = "Renaissance"
copyright = "Public Domain"
maintainer = "Peter Chubb"
maintainerEmail = "mutopia@chubb.wattle.id.au"
lastupdated = "2009/Sep/7"
footer = "Mutopia-2009/09/07-339"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
\version "2.12.0"
% Fit music onto two pages; an extra page for the translation.
#(set-global-staff-size 19)
global= {
\set Staff.midiInstrument = "Recorder"
\time 2/2
\skip 1*21
% \bar "||"
\repeat volta 2 {
\skip 1
\time 3/2
\skip 2*9
\time 4/4
\skip 1
}
\skip 1*10
\bar "||"
}
sop=\context Voice = sop \relative c'' {
\tempo 4 = 240
a1
g2 ( f) |
e r4 g4 |
g g8 g fis4 fis |
g2 g4 g |
g g g g|
g1 ~ | g ~ g |
g\fermata
\repeat unfold 4 { a4 a r2 | }
\repeat unfold 12 { a8 }
g4 g \breathe |
a1 |
g2 ( f) | e r4 g4 |
g g8 g fis4 fis |
g2 g\fermata^"Fine" |
\context Voice =sopOne {
g4 g g2 |
g ( e4) e fis fis |
g2 g a4 a |
a2 a4 g g fis |
g2 g |
}
g2 f |
g e |
f e |
d4 d r4 e4 |
f2 e |
d4 d r e
f2 e |
d4.( e8 f4) e ~ |
e d2 cis4 |
d1
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\override Score.RehearsalMark #'self-alignment-X = #RIGHT
\mark "D.C. al Fine"
}
alto=\relative c' {
f1 |
d2 d |
g, r4 d'4|
d d8 d d4 d |
d2 d4 d |
e e e e |
e2 ( c4. d8 |
e2 c4. d8 |
e2 c4. d8) |
e1\fermata |
\repeat unfold 4 { f4 f r2 }
\repeat unfold 12 { f8 }
e4 e \breathe |
f1 |
d2 d |
g, r4 d'
d d8 d d4 d |
d2 d\fermata
e4 e e2 |
e ( g4) g d d |
d2 d f4 f |
f2 f4 d d d|
d2 d |
d2 d |
d g,
a4 d2( cis4) |
d4 d r cis |
d2 cis |
d4 d r cis |
d2 cis d4( c8 b a4)
b c( a) a2 |
a1\fermata
}
tenor=\context Voice = tenor \relative c' {
c1 |
b2 a4.(b8 |
c2) r4 b4 |
b b8 b a4 a |
g2 g4 g |
g g c c|
c4. ( d8 e2 |
c4. d8 e2 |
c4. d8 e2)
c1\fermata
\repeat unfold 4 { r2 c4 c | }
\repeat unfold 12 { c8 }
c4 c
\breathe |
c1 b2( a4. b8) |
c2 r4 b4 |
b b8 b a4 a |
g2 g\fermata |
\context Voice = tenorOne {
g4 g c2 |
c2. c4 a a |
g2 g c4 c |
c2 c4 b a a |
g2 g |
}
g2 a |
b c |
r4 a4 a2 |
a4 a r a |
a2 a |
a4 a r a |
a2 a |
a4 ~ a( d) g, ~|
g8 f(e d) e2 |
d1\fermata
}
bassus=\context Voice = bass \relative c {
f1 |
g2( d)|
c r4 g4 |
g g8 g d'4 d |
g,2 g4 g |
c4 c c c |
c1 ~ |
c ~ |
c |
c\fermata |
\repeat unfold 4 { r2 f4 f |}
\repeat unfold 12 { f8 }
c4 c \breathe |
f1 |
g2 d |
c r4 g |
g g8 g d'4 d |
g,2 g\fermata_"Fine"
c4 c c2 |
c2. c4 d d |
g,2 g f'4 f |
f4.( e8) f4 g d d |
g,2 g
g d' |
g, c |
d a |
d4 d r a |
d2 a |
d4 d r a |
d2 a |
d4 d r e |
c( d) a2 |
d1\fermata
}
wordsOne = \lyrics {
El gril -- lo.
El gril -- lo e buon can -- tor -- e che -- tie -- ne long -- o ver -- so.
Dal -- le Be -- ve
Gril -- lo can -- ta
dal -- le dal -- le be -- ve be -- ve gril -- lo gril -- lo
can -- ta,
El gril -- lo,
el gril -- lo e buon can -- tor -- e.
% Repeated section fits in here.
Quan -- do la mag -- gior el cal -- do
Al hor can -- ta sol per a -- mor -- e __ per a -- mor -- e
}
wordsTwo = \new Lyrics <<
\lyrics {
Ma -- non fa -- co -- me gl'alt -- "ri u" -- cel -- li
com -- e -- li -- tor can -- ta -- tum po -- co
}
\lyrics { Van' de fat -- to -- in alt -- ro lo -- co sem -- pre
el gril -- lo sta -- pur sal -- do
}
>>
%{
Translation:
The cricket is a good singer
Who sings for a long time
The cricket sings just for fun
The cricket is a good singer
But unlike the birds
who fly off when they've sung a bit,
The cricket just stays where he is
When the weather is really hot,
he sings solely for love.
%}
\score {
\context ChoirStaff <<
\context Staff = "sop" << \global \sop >>
\lyricsto sop \wordsOne
\lyricsto sopOne \wordsTwo
\context Staff = "alto" <<{ \clef "G_8" \global } \alto>>
\context Staff = "tenor" << { \clef "G_8" \global } \tenor>>
\lyricsto tenor \wordsOne
\lyricsto tenorOne \wordsTwo
\context Staff = "bassus" << { \clef "F" \global } \bassus>>
>>
\layout {
indent=0.0\mm
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 60 1)
}
}
}
\markup {
\column {
\line {\italic {Translation}}
\line { The cricket is a good singer }
\line { Who sings for a long time }
\line { The cricket sings just for fun}
\line { The cricket is a good singer}
\line {But unlike the birds}
\line { who fly off when they've sung a bit,}
\line { The cricket just stays where he is}
\line { When the weather is really hot,}
\line { he sings solely for love.}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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