\version "2.12.3"
\header {
title = "Et resurrexit"
subtitle = "A due Soprani o Tenori con due violini"
composer = "Claudio Monteverdi (1567-1643)"
mutopiatitle = "Et resurrexit"
mutopiacomposer = "MonteverdiC"
mutopiaopus = "SV 260"
mutopiainstrument = "Voices (SS or TT), 2 Violins, Basso Continuo"
date = "1641"
source = "Selva Morale e Spirituale di Claudio Monteverde Maestro di Capella della Serenissima Republica Di Venetia Dedicata alla Sacra Cesarea Maesta dell'Imperatrice Eleonora Gonzaga Con Licenza de Superiori & Priuilegio. - In Venetia 1640 Appresso Bartolomeo Magni."
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Björn Sothmann"
maintainerEmail = "bjoern.sothmann@rub.de"
maintainerWeb = "http://www.thp.uni-due.de/~bjoerns"
footer = "Mutopia-2010/05/17-1774"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2010. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
verseSI= \lyricmode {
Et re -- sur -- re -- xit re -- sur -- re -- xit "&" re -- sur -- re -- xit re -- sur -- re -- xit "&" re -- sur -- re -- xit ter -- ti -- a di -- e ter -- ti -- a di -- e se -- cun -- dum scrip -- tu -- ras se -- cun -- dum scrip -- tu -- ras "&" as -- cen -- dit "&" as -- cen -- dit "&" as -- cen -- dit as -- cen -- dit in Cæ -- lum se -- det se -- det ad dex -- te -- ram pa -- tris as -- cen -- dit in Cæ -- lum as -- cen -- dit "&" as -- cen -- dit "&" as -- cen -- dit "&" as -- cen -- dit "&" as -- cen -- dit as -- cen -- dit in cæ -- lum se -- det se -- det ad dex -- te -- ram pa -- tris ad dex -- te -- ram pa -- tris.
}
verseSII= \lyricmode {
Et re -- sur -- re -- xit re -- sur -- re -- xit "&" re -- sur -- re -- xit re -- sur -- re -- xit "&" re -- sur -- re -- xit ter -- ti -- a di -- e ter -- ti -- a di -- e se -- cun -- dum scrip -- tu -- ras se -- cun -- dum scrip -- tu -- ras "&" as -- cen -- dit "&" as -- cen -- dit "&" as -- cen -- dit as -- cen -- dit in cæ -- lum se -- det se -- det ad dex -- te -- ram pa -- tris as -- cen -- dit in Cæ -- lum as -- cen -- dit "&" as -- cen -- dit "&" as -- cen -- dit "&" as -- cen -- dit "&" as -- cen -- dit as -- cen -- dit in cæ -- lum se -- det se -- det ad dex -- te -- ram Pa -- tris ad dex -- te -- ram Pa -- tris.
}
staffSopranoI = \new Staff {
\time 3/2
\override Score.MetronomeMark #'stencil = ##f
\tempo 2 = 200
\set Staff.instrumentName=\markup {\smallCaps Canto "Primo"}
\set Staff.midiInstrument="oboe"
\key c \major
\clef treble
\relative c'' {
\context Voice = "melodySopI" {
\dynamicUp
\autoBeamOff
\set Score.measureLength = #(ly:make-moment 3 1)
h2\melisma c4 d e d c h a2\melismaEnd d4 c |
h2 g r c4 h a1 |
g r r |
R\breve. |
r2 e' e e d1 |
f2\melisma e\melismaEnd d c h1 |
a r2 c d2. e4 |
f2 e g f4 e d1 |
c r r |
R\breve.*2 |
r2 e2. d4 c2 h1 |
a r g |
a2\melisma g\melismaEnd f e d1 |
c r r |
R\breve.*2 |
r1 r g' |
a2\melisma g\melismaEnd f e d1 |
c r r |
e2. g4 f2. a4 g2. h4 |
a2. c4 h2. d4 c2 c |
R\breve.*3 |
r2 d d e4 f g2 g |
R\breve. |
c,1 a r |
R\breve.*2 |
a\breve g2 f |
g1 f2 e d1 |
e r r |
r2 a a h4 c d2 d |
R\breve. |
r2 c c\melisma d4 e f2\melismaEnd f |
R\breve. |
e,2. g4 f2. a4 g2. h4 |
a2 a r1 r |
h2. d4 c2. e4 d2. f4 |
e2 e r1 r |
r2 c c d4 e f2 f |
R\breve. |
e4\melisma d c h c h c a\melismaEnd h1 |
R\breve. |
f'\breve e2 d |
e1 d2 c h1 |
a\breve a1 |
\time 4/4
\tempo 4=100
c2 c4 c |
c2\melisma h\melismaEnd |
c1\fermata |
}
\bar "|."
}
}
staffSopranoII = \new Staff {
\set Staff.instrumentName="Soprano Sec."
\set Staff.midiInstrument="oboe"
\key c \major
\clef treble
\relative c'' {
\context Voice = "melodySopII" {
\dynamicUp
\autoBeamOff
\set Score.measureLength = #(ly:make-moment 3 1)
g2\melisma a4 h c h a g fis2\melismaEnd g4 a |
g2 e r a4 g fis1 |
g r r |
R\breve. |
r2 c c c h1 |
d2\melisma c\melismaEnd h a a2.\melisma gis4\melismaEnd |
a1 r2 a h2. c4 |
d2 c e d4 c h1 |
a r r |
R\breve.*2 |
r2 c2. h4 a2 gis1 |
a r e |
f2\melisma e\melismaEnd d c c2.\melisma h4\melismaEnd |
c1 r r |
R\breve.*2 |
r1 r d |
f2\melisma e\melismaEnd d c c2.\melisma h4\melismaEnd |
c1 r r |
c2. e4 d2. f4 e2. g4 |
f2. a4 g2. h4 a2 a |
R\breve.*3 |
r2 h h c4 d e2 e |
R\breve. |
a,1 f r |
R\breve.*2 |
f\breve c2 d |
e1 d2 c c2.\melisma h4\melismaEnd |
c1 r r |
r2 fis fis g4 a h2 h |
R\breve. |
r2 a a\melisma h4 c d2\melismaEnd d |
R\breve. |
c,2. e4 d2. f4 e2. g4 |
f2 f r1 r |
g2. h4 a2. c4 h2. d4 |
c2 c r1 r |
r2 a a h4 c d2 d |
R\breve. |
c4\melisma h a g a g a fis\melismaEnd g1 |
R\breve. |
d'\breve a2 h |
c1 h2 a a2.\melisma gis4\melismaEnd |
a\breve a1 |
\time 4/4
\tempo 4=100
e4.\melisma f8 g4\melismaEnd g8 g |
g1 |
g\fermata |
}
\bar "|."
}
}
staffViolinoI = \new Staff {
\set Staff.instrumentName = "Violino Primo"
\set Staff.midiInstrument = "violin"
\key c \major
\clef treble
\relative c'' {
\set Score.measureLength = #(ly:make-moment 3 1)
R\breve.*2 |
h2 c4 d e d c h a2 d4 c |
h2 g r f'4 e d1 |
c r r |
R\breve.*3 |
r1 r2 c d2. e4 |
f2 e g f4 e d1 |
c2 e2. d4 c2 h1 |
a r r |
R\breve.*2 |
r2 g'2. f4 e2 d1 |
c r e |
f2 e d c c2. h4 |
c1 r r |
R\breve.*4 |
h2. d4 c2. e4 d2. f4 |
e2. g4 f2. a4 g2 g |
r c, c d4 e f2 f |
R\breve. |
e1 c r |
R\breve. |
f\breve e2 d |
e1 d2 c h1 |
a1 r r |
R\breve. |
r2 g g a4 h c2 c |
R\breve. |
r2 h h c4 d e2 e |
R\breve. |
r2 d d e4 f g2 g |
R\breve. |
a,2. c4 h2. d4 c2. e4 |
d1 r r |
e2. g4 f2. a4 g2. h4 |
a1 r r |
r2 d, d e4 f g2 g |
R\breve. |
a4 g f e f e f d e1 |
R\breve.*2 |
a\breve a2 g |
\time 4/4
\tempo 4=100
g2. f8 e |
d1 |
c\fermata |
\bar "|."
}
}
staffViolinoII = \new Staff {
\set Staff.instrumentName = "Violino Secondo"
\set Staff.midiInstrument = "violin"
\key c \major
\clef treble
\relative c'' {
\set Score.measureLength = #(ly:make-moment 3 1)
R\breve.*2 |
g2 a4 h c h a g fis2 g4 a |
g2 e r a4 c h2. a8 h |
c1 r r |
R\breve.*3 |
r1 r2 c h2. c4 |
d2 c e d4 c c2. h4 |
c2 c2. h4 a2 a2. gis4 |
a1 r r |
R\breve.*2 |
r2 e'2. d4 c2 h1 |
a r g |
a2 g f e d1 |
c r r |
R\breve.*4 |
g'2. h4 a2. c4 h2. d4 |
c2. e4 d2. f4 e2 e |
r a, a h4 c d2 d |
R\breve. |
c1 a r |
R\breve. |
d\breve a2 h |
c1 h2 a a2. gis4 |
a1 r r |
R\breve. |
r2 e e f4 g a2 a |
R\breve. |
r2 g g a4 h c2 c |
R\breve. |
r2 h h c4 d e2 e |
R\breve. |
f,2. a4 g2. h4 a2. c4 |
h1 r r |
c2. e4 d2. f4 e2. g4 |
f1 r r |
r2 h, h c4 d e2 e |
R\breve. |
c4 h a g a g a f g1 |
R\breve.*2 |
f'\breve c2 d |
\time 4/4
\tempo 4=100
e2. d8 c |
g'1 |
e\fermata |
\bar "|."
}
}
staffBC = \new Staff {
\set Staff.instrumentName = "Basso continuo"
\set Staff.midiInstrument = "harpsichord"
\key c \major
\clef bass
\relative c' {
\set Score.measureLength = #(ly:make-moment 3 1)
g1 c, d |
e1. c2 d1 |
g c, d |
e1. f2 g1 |
c,2 d e f g1 |
f2 g g d e1 |
a r2 a g1 |
f e2 f g1 |
a r2 a g1 |
f1 e2. f4 g1 |
c,1. d2 e1 |
a,\breve e'1 |
f\breve c1 |
f,\breve g1 |
c2 d e f g1 |
a1. h2 c1 |
f,\breve g1 |
c,\breve h1 |
a2 h c f, g1 |
c1. c2 g1 |
c d e |
f g a |
g, a h |
c d e |
f\breve d1 |
g\breve e1 |
a\breve g1 |
f\breve e1 |
d\breve c2 h |
a h c d e1 |
f\breve e2 d |
c d e f g1 |
c,\breve a1 |
d\breve h1 |
e\breve c1 |
f\breve d1 |
g\breve e1 |
c d e |
f g a |
g, a h |
c d e |
f\breve d1 |
g\breve e1 |
a\breve g1 |
f\breve e1 |
d\breve c2 h |
a h c d e1 |
f\breve e2 d |
\time 4/4
\tempo 4=100
c4. d8 e4. f8 |
g1 |
c,\fermata |
\bar "|."
}
}
staffBCFig = \new FiguredBass {
\figuremode {
s\breve.*33 |
<_+>\breve s1 |
s\breve.*14 |
\time 4/4
\tempo 4=100
s1*3 |
}
}
\score {
<<
\staffSopranoI
\context Lyrics = "lmelodySopI" \lyricmode { \lyricsto "melodySopI" \verseSI }
\staffSopranoII
\context Lyrics = "lmelodySopII" \lyricmode { \lyricsto "melodySopII" \verseSII }
\staffViolinoI
\staffViolinoII
\staffBC
\staffBCFig
>>
\midi {
}
\layout {
indent=40
}
}
\paper {
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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