\version "2.12.3"
\header {
title = "T'amo mia vita"
composer = "Claudio Monteverdi (1567-1643)"
mutopiatitle = "T'amo mia vita"
mutopiacomposer = "MonteverdiC"
mutopiaopus = "SV 105"
mutopiainstrument = "Voices (SSATB), Basso Continuo"
date = "1605"
source = "Il Quinto Libro de Madrigali a cinque voci. Di Claudio Monteverde Maestro della Musica del Serenissimo Sig. Duca di Mantoa. Col Basso continuo per il Clavicembalo Chittarone od altro simile istromento, fatto particolarmente per li sei vltimi, & per li altri a beneplacito. Di nouo ristampato. - In Venetia, Appresso Ricciardo Amadino. 1608."
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Björn Sothmann"
maintainerEmail = "bjoern.sothmann@rub.de"
maintainerWeb = "http://www.thp.uni-due.de/~bjoerns"
footer = "Mutopia-2010/05/17-1772"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2010. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
verseS= \lyricmode {
T'a -- mo mia vi -- ta T'a -- mo mia vi -- ta T'a -- mo mia vi -- ta T'a -- mo mia vi -- ta T'a -- mo mia vi -- ta T'a -- mo mia vi -- ta T'a -- mo mia vi -- ta T'a -- mo mia vi -- ta T'a -- mo mia vi -- ta la mia vi -- ta si -- a la mia vi -- ta si -- a.
}
verseQ= \lyricmode {
T'a -- mo mia vi -- ta T'a -- mo mia vi -- ta T'a -- mo mia vi -- ta T'a -- mo mia vi -- ta T'a -- mo mia vi -- ta T'a -- mo mia vi -- ta la mia vi -- ta si -- a la mia vi -- ta si -- a.
}
verseA= \lyricmode {
La mia ca -- ra vi -- ta la mia ca -- ra vi -- ta la mia ca -- ra vi -- ta Dol -- ce -- men -- te mi di -- ce E_in ques -- ta so -- la Si so -- a -- ve pa -- ro -- la E_in ques -- ta so -- la si so -- a -- ve pa -- ro -- la Par che tras -- for -- mi lie -- ta -- men -- te_il co -- re Per far -- me -- ne si -- gno -- re O vo -- ce vo -- ce di dol -- cez -- z'e di di -- let -- to Pren -- di -- la tos -- to_a -- mo -- re Stam -- pa -- la nel mio pet -- to Spi -- ri so -- lo per lei Spi -- ri so -- lo per lei l'a -- ni -- ma mi -- a la mia vi -- ta si -- a la mia vi -- ta si -- a la mia vi -- ta si -- a T'a -- mo mia vi -- ta T'a -- mo mia vi -- ta la mia vi -- ta si -- a.
}
verseT= \lyricmode {
La mia ca -- ra vi -- ta la mia ca -- ra vi -- ta la mia ca -- ra vi -- ta Dol -- ce -- men -- te mi di -- ce E_in ques -- ta so -- la Si so -- a -- ve pa -- ro -- la E_in ques -- ta so -- la Si so -- a -- ve pa -- ro -- la Par che tras -- for -- mi lie -- ta -- men -- te_il co -- re Per far -- me -- ne si -- gno -- re O vo -- ce vo -- ce di dol -- cez -- za_e di di -- let -- to vo -- ce di dol -- cez -- za_e di di -- let -- to Pren -- di -- la tos -- to_a -- mo -- re Stam -- pa -- la nel mio pet -- to Spi -- ri so -- lo per lei Spi -- ri so -- lo per lei l'a -- ni -- ma mi -- a T'a -- mo mia vi -- ta la mia vi -- ta si -- a la mia vi -- ta si -- a la mia vi -- ta si -- a T'a -- mo mia vi -- ta T'a -- mo mia vi -- ta la mia vi -- ta si -- a.
}
verseB= \lyricmode {
La mia ca -- ra vi -- ta la mia ca -- ra vi -- ta la mia ca -- ra vi -- ta Dol -- ce -- men -- te mi di -- ce E_in ques -- ta so -- la Si so -- a -- ve pa -- ro -- la E_in ques -- ta so -- la Si so -- a -- ve pa -- ro -- la Par che tras -- for -- mi lie -- ta -- men -- te_il co -- re Per far -- me -- ne si -- gno -- re O vo -- ce vo -- ce di dol -- cez -- za_e di di -- let -- to vo -- ce di dol -- cez -- za_e di di -- let -- to Pren -- di -- la tos -- to_a -- mo -- re Stam -- pa -- la nel mio pet -- to Spi -- ri so -- lo per lei Spi -- ri so -- lo per lei l'a -- ni -- ma mi -- a T'a -- mo mia vi -- ta la mia vi -- ta si -- a la mia vi -- ta si -- a la mia vi -- ta si -- a la mia vi -- ta si -- a la mia vi -- ta si -- a.
}
staffSoprano = \new Staff {
\time 4/4
\override Score.MetronomeMark #'stencil = ##f
\tempo 4 = 100
\set Staff.instrumentName=\markup{\smallCaps Canto}
\set Staff.midiInstrument="oboe"
\key c \major
\clef treble
\relative c'' {
\context Voice = "melodySop" {
\dynamicUp
\autoBeamOff
r2 a~ |
a~ a4 g8 f |
e1 |
d |
R1*4 |
r2 a'~ |
a4 g8 f e2 |
d1 |
R1*10 |
r8 a' h c d d d4~ |
d1~ |
d2. h8 a |
a2 g |
r r4 e'~ |
e2. d8 c |
h2 a |
R1*12 |
r2 a~ |
a4 g8 f e2 |
fis r |
h2. a8 g |
fis4\melisma g2 fis4\melismaEnd |
g1 |
r8 h c d e e e4~ |
e2. d8 c |
h2 a |
R1*3 |
a4 g f e |
d d d' c |
b a g2~ |
g1 |
\set Score.measureLength = #(ly:make-moment 4 1)
fis\longa |
}
\bar "|."
}
}
staffQuinto = \new Staff {
\set Staff.instrumentName=\markup{\smallCaps Quinto}
\set Staff.midiInstrument="oboe"
\key c \major
\clef treble
\relative c' {
\context Voice = "melodyQui" {
\dynamicUp
\autoBeamOff
R1*40 |
f2. e8 d |
cis4\melisma d2 cis4\melismaEnd |
d2 r |
r d'~ |
d4 c8 h a2 |
h1 |
r8 g a h c c c4~ |
c2. h8 a |
gis2 a |
r8 e f g a a a4~ |
a g8 f a2 |
a a4 g |
f e d d |
d' c b a |
g2.\melisma a4 |
b1\melismaEnd |
\set Score.measureLength = #(ly:make-moment 4 1)
a\longa |
}
\bar "|."
}
}
staffAlto = \new Staff {
\set Staff.instrumentName=\markup{\smallCaps Alto}
\set Staff.midiInstrument="oboe"
\key c \major
\clef "G_8"
\relative c' {
\context Voice = "melodyAlt" {
\dynamicUp
\autoBeamOff
R1*4 |
a8 a a a b4 b |
h8 h h h c4 c |
e8 e e e f e d c |
h4 c8 c h2 |
a r |
R1 |
r4 a a a |
h h h8 c d4 |
d4. e8 c2 |
c4 h h h |
c c c8 d e4 |
e fis d2 |
d4 a a a |
h4. c8 d4 d |
c d e2 |
e4 e c4. c8 |
f4 f e2 |
d1 |
R1*2 |
r2 r4 h |
h2 h |
R1*3 |
e8 e e e e e d d |
c4 c c h8 a |
a4. gis8 a4 a |
e' d8 c h4. h8 |
a4 a r g |
g g4. g8 g4 |
c2 r4 b |
b b4. b8 c4 |
d2 g, |
g4 a b2 |
a1 |
R1*2 |
r2 d4 c |
h a g2 |
d' d4 c |
h a g g |
g' f e d |
c8[\melisma h c d] e2~ |
e\melismaEnd c2 |
r r8 c d e |
f f f4~ f2~ |
f4 e8 d e2 |
d r |
g,4 a b c |
d1~ |
d |
\set Score.measureLength = #(ly:make-moment 4 1)
d\longa |
}
\bar "|."
}
}
staffTenore = \new Staff {
\set Staff.instrumentName=\markup{\smallCaps Tenore}
\set Staff.midiInstrument="oboe"
\key c \major
\clef "G_8"
\relative c {
\context Voice = "melodyTen" {
\dynamicUp
\autoBeamOff
R1*4 |
fis8 fis fis fis g4 g |
gis8 gis gis gis a4 a |
cis8 cis cis cis d c h a |
gis4 a8 a gis2 |
a r |
R1 |
r4 fis fis fis |
g g g8 g h4 | %g8 g instead of gis8 gis
h h c2 |
g4 gis gis gis |%g4 instead of gis4
a a a8 h c4 |
c cis d2 |
a4 fis fis fis |
g4. a8 h4. h8 |
c4 h c2 |
c4 c a4. a8 |
d4 d cis2 |
d1 |
R1*2 |
r2 r4 g, |
gis2 gis |
R1 |
r2 c8 c c c |
h h h h a4 a |
a8 a a a gis gis gis gis |
a4 a e'4 d8 c |
h4. h8 a4 a |
c4 h8 a a4. gis8 |
a4 a r e |
e e4. e8 e4 |
a2 r4 d |
d d4. d8 c4 |
b2 b |
b4 fis4 g2 |
fis d'~ |
d4 c8 h a2~ |
a a |
a4 g fis e |
d2 d |
R1 |
d'4 c h a |
g2 g |
R1 |
r2 e'4 d |
c h a2 |
a8 a h cis d d d4~ |
d cis8 h cis2 |
d r |
r g,4 a |
b2. a4 |
g1 |
\set Score.measureLength = #(ly:make-moment 4 1)
a\longa |
}
\bar "|."
}
}
staffBasso = \new Staff {
\set Staff.instrumentName=\markup{\smallCaps Basso}
\set Staff.midiInstrument="oboe"
\key c \major
\clef bass
\relative c {
\context Voice = "melodyBas" {
\dynamicUp
\autoBeamOff
R1*4 |
d8 d d d g,4 g |
e'8 e e e a,4 a |
a'8 a a a d, d d d |
e4 a,8 a e'2 |
a, r |
R1 |
r4 d d d |
g g g,8 g g4 |
g g c2 |
c4 e e e |
a a a,8 a a4 |
a a d2 |
d4 d d d |
g4. g8 g4 f |
e d c2 |
c4 c f4. f8 |
d4 d a2 |
d1 |
R1*2 |
r2 r4 g |
e2 e |
R1 |
r2 a8 a a a |
gis gis gis gis a4 a |
c8 c c c h h h h |
a4 a a, a8 a |
e'4 e a a |
a, a8 a e'4 e |
a, a r c |
c c4. c8 c4 |
f,2 r4 b |
b b4. b8 a4 |
g2 g |
g4 d' g,2 |
d'1 |
d2. c8 h |
a1 |
d |
g,4 a h c |
d1 |
g,2 g'4 f |
e d c h |
a h c d |
e2 a, |
a'4 g f e |
d1 |
a' |
r2 d,4 c |
b a g2~ |
g1~ |
g |
\set Score.measureLength = #(ly:make-moment 4 1)
d'\longa |
}
\bar "|."
}
}
staffBC = \new Staff {
\set Staff.instrumentName =\markup{\smallCaps {Basso continuo}}
\set Staff.midiInstrument = "harpsichord"
\key c \major
\clef bass
\relative c {
d2. c8 h |
a2 d, |
a'1 |
d |
d8 d d d g,4 g |
e'8 e e e a,4 a |
a'8 a a a d, d d d |
e4 a,8 a e'2 |
a,4 g f e8 d |
a'1 |
d,4 d' d d |
g g g,8 g g4 |
g g c2 |
c4 e e e |
a a a,8 a a4 |
a a d2 |
d4 d d d |
g4. g8 g4 f |
e d c2 |
c4 c f4. f8 |
d4 d a2 |
d1 |
d4 c h a8 g |
fis2 g |
d' g,4 g' |
e2 e |
a,4 h c d |
e2 a |
gis8 gis gis gis a4 a |
a8 a a a gis gis gis gis |
a4 a a, a8 a |
e'4 e a a |
a, a8 a e'4 e |
a, a r c |
c c4. c8 c4 |
f,2 r4 b |
b4 b4. b8 a4 |
g2 g |
g4 d' g,2 |
d'1 |
d2. c8 h |
a1 |
d |
g,4 a h c |
d1 |
g,2 g'4 f |
e d c h |
a h c d |
e2 a, |
a'4 g f e |
d1 |
a' |
d,2 d4 c |
b a g2~ |
g1~ |
g |
\set Score.measureLength = #(ly:make-moment 4 1)
d'\longa |
\bar "|."
}
}
staffBCFig = \new FiguredBass {
\figuremode {
s1*4 |
s2 <_->4 s |
s1*32 |
<_->2 s |
s1*15 |
s2 <_-> |
s1*2 |
\set Score.measureLength = #(ly:make-moment 4 1)
s1*4 |
}
}
\score {
<<
\staffSoprano
\context Lyrics = "lmelodySop" \lyricmode { \lyricsto "melodySop" \verseS }
\staffQuinto
\context Lyrics = "lmelodyQui" \lyricmode { \lyricsto "melodyQui" \verseQ }
\staffAlto
\context Lyrics = "lmelodyAlt" \lyricmode { \lyricsto "melodyAlt" \verseA }
\staffTenore
\context Lyrics = "lmelodyTen" \lyricmode { \lyricsto "melodyTen" \verseT }
\staffBasso
\context Lyrics = "lmelodyBas" \lyricmode { \lyricsto "melodyBas" \verseB }
\staffBC
\staffBCFig
>>
\midi {
}
\layout {
indent=40
}
}
\paper {
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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