\version "2.12.2"
\header {
title = "O come sei gentile"
subtitle = "A Doi Soprani"
composer = "Claudio Monteverdi (1567-1643)"
mutopiatitle = "O come sei gentile, Madrigale a 2 Soprani"
mutopiacomposer = "MonteverdiC"
mutopiainstrument = "Voice (SS), Basso Continuo"
source = "Concerto. Settimo Libro di Madrigali a l. 2. 3. 4. & Sei voci, con altri generi de Canti, di Claudio Monteverde Maestro di Capella della Serenissima Republica Nouamente Dato in Luce. Dedicato alla Serenissima Madama Caterina Medici Gonzaga Duchessa di Mantoua di Monferrato &c. Stampa del Gardano. In Venetia. 1619. Appresso Bartolomeo Magni."
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Björn Sothmann"
maintainerEmail = "bjoern.sothmann@rub.de"
maintainerWeb = "http://www.thp.uni-due.de/~bjoerns"
footer = "Mutopia-2009/09/05-1696"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2009. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
verseI= \lyricmode {
O co -- me sei gen -- ti -- le Ca -- ro_Au -- ge -- li -- no o co -- me sei gen -- ti -- le O co -- me sei gen -- ti -- le ca -- ro_Au -- ge -- li -- no O O quan -- to quan -- to el mio sta -- to_a -- mo -- ro -- so_al tuo si -- mi -- le quan -- to el mio sta -- to_a -- mo -- ro -- so_al tuo si -- mi -- le io pri -- gion tu pri -- gion tu can -- ti tu can -- ti per co -- lei tu can -- ti per co -- lei che t'ha le -- ga -- to Et io can -- to per lei Ma_in que -- sto è dif -- fe -- ren -- te la mia sor -- te do -- len -- te Che gio -- va pur a te che gio -- va pur a te l'es -- ser ca -- no -- ro vi -- vi can -- tan -- do vi -- vi can -- tan -- do vi -- vi can -- tan -- do et io can -- tan -- do et io can -- tan -- do mo -- ro vi -- vi can -- tan -- do vi -- vi can -- tan -- do vi -- vi can -- tan -- do et io can -- tan -- do et io can -- tan -- do et io can -- tan -- do mo -- ro.
}
verseII= \lyricmode {
O co -- me sei gen -- ti -- le O co -- me sei gen -- ti -- le ca -- ro_Au -- ge -- li -- no O O quan -- to quan -- to el mio sta -- to_a -- mo -- ro -- so_al tuo si -- mi -- le tu pri -- gion io can -- to tu can -- ti per co -- leo che t'ha le -- ga -- to Et io can -- to per lei Ma_in que -- sto è dif -- fe -- ren -- te La mia sor -- te do -- len -- te Che gio -- va pur a te l'es -- ser ca -- no -- ro vi -- vi can -- tan -- do vi -- vi can -- tan -- do vi -- vi can -- tan -- do et io can -- tan -- do mo -- ro vi -- vi can -- tan -- do vi -- vi can -- tan -- do vi -- vi can -- tan -- do Et io can -- tan -- do et io can -- tan -- do mo -- ro.
}
staffSopranoI = \new Staff {
\time 4/4
\override Score.MetronomeMark #'stencil = ##f
\tempo 4 = 100
\set Staff.instrumentName="Canto I"
\set Staff.midiInstrument="oboe"
\key f \major
\clef treble
\relative c'' {
\context Voice = "melodySopI" {
\dynamicUp
\autoBeamOff
g8.[\melisma d16] e[ d e f] g8.[ f16] g[ f g a] |
b8.[ a16] b16[ a b c] d2~ |
d4\melismaEnd c8 b a4. g8 |
a2 a |
r4 d2 c8 a |
b2 b |
r b~ |
b4 a8 g g4. g8 |
fis2 fis |
b8.[\melisma f16] g[ f g a] b8.[ a16] b[ a b c] |
d8.[ c16] d[ c d e] f2~ |
f\melismaEnd e8 d c8. b16 |
c2 c4 d~ |
d2. c8 a |
b4.\melisma a8 b[ a b c]\melismaEnd |
a1 |
r2 r8 g[\melisma a b] |
c4\melismaEnd r8 a\melisma b[ c d e] |
f2\melismaEnd e |
d1 |
d8. d16 c8. c16 b4 a8 g |
a4. a8 g4 f |
f4.\melisma e8\melismaEnd f2 |
f'8. f16 e8. e16 d4 c8 b |
c4. c8 b4 c |
g1 |
f |
f8[\melisma e d e] f[ g a b] |
c[ a] d2\melismaEnd cis4 |
d2 a8[\melisma g f g] |
a[ b c d] e[ c g' f]\melismaEnd |
e2 d |
r4 a d8[\melisma e16 f] c8[ d16 es] |
b8[ c16 d] g,8[ a16 b] a8.[ b16] a8.[ b16] |
c8.[ b16] a[ b c a] b8[ c16 d] a8[ b16 c] |
g8[ a16 b] e,8[ f16 g]\melismaEnd fis2 |
R1*4 |
r4 a d16[\melisma c b c] d[ c d e] |
f8.\melismaEnd f16 e8. d16 c2 |
r4 a b16[\melisma a g a] b[ a b c] |
d8.\melismaEnd d16 c8. b16 a2~ |
a4 a b c |
d2~\melisma d4. es16[ d] |
c2~ c4. d16[ c] |
b2~ b16[ a b a] b[ a b c] |
b8.[ c16] b8.[ c16] b8.[ a16] b[ a b c]\melismaEnd |
a2 d4 e |
f8.[\melisma g16] e8.[ f16] d8.[ f16] e8.[ d16] |
c8.[ d16] b8.[ c16] a8.[ c16] b8.[ c16] |
d8.[ es16] c8.[d16] b8.[ d16]c8.[ b16] |
a4\melismaEnd b a2 |
g1 |
r4 b b2 |
b r8 b b b |
b4 b c d |
es2 d |
c b~\melisma |
b a\melismaEnd |
b r4 b |
b8 b b c d4. d8 |
d d d e f4 d |
c b a8.[\melisma g16] a[ b c a] |
b8.[ a16] b[ c d b] c[ d e d] c[ b a g] |
f8[ d16 e] f[ g a b] cis8 d4 cis8\melismaEnd |
d2 a16[\melisma g f g] a[ b c a] |
b4\melismaEnd b8 a g8.[\melisma f16] g[ a b g] |
a4\melismaEnd a f16[\melisma e d e] f[ g a f] |
g4\melismaEnd g8 f e4 e |
c'16[\melisma b a b] c[ d e c] d4\melismaEnd d8 c |
b8.[\melisma a16] b[ c d b] c4\melismaEnd c |
r8 a f f b4 b |
r8 c a a d2~ |
d4 f, e2 |
d1 |
a'8.[\melisma g16] f8.[ g16] a8.[ g16] a[ b c a] |
b8.[ c16] d8.[ c16] b4\melismaEnd b8 a |
g8.[\melisma f16] es8.[ f16] g8.[ f16] g[ a b g] |
a2\melismaEnd a |
f8.[\melisma e16] d8.[ e16] f8.[ e16] f[ g a f] |
g8.[ a16] b8.[ a16] g4\melismaEnd g8 f |
e2 e |
c'8.[\melisma b16] a8.[ b16] c8.[ b16] c[ d e c] |
d8.[ e16] f8.[ e16] d4\melismaEnd d8 c |
b8.[\melisma a16] g8.[ a16] b8.[ a16] b[ c d h] |
c4\melismaEnd c a f8 f |
b4 b r8 c a a |
d4 d r8 es c c |
f8.[\melisma e16] f[ e d c] d4\melismaEnd b |
a1 |
g |
}
\bar "|."
}
}
staffSopranoII = \new Staff {
\set Staff.instrumentName="Canto II"
\set Staff.midiInstrument="oboe"
\key f \major
\clef treble
\relative c'' {
\context Voice = "melodySopII" {
\dynamicUp
\autoBeamOff
R1*5 |
g8.[\melisma d16] e[ d e f] g8.[ f16] g[ f g a] |
b8.[ a16] b[ a b c] d2~ |
d4\melismaEnd c8 b a4. g8 |
a2 a |
r b8.[\melisma f16] g[ f g a] |
b8.[ a16] b[ a b c] d2~ |
d\melismaEnd c8 b a8. g16 |
a2 a |
a a4 a |
g4.\melisma fis8 g[ fis g a]\melismaEnd |
fis1 |
r8 fis[\melisma g a] b2\melismaEnd |
r8 a[\melisma b c] d[ e f g] |
cis,4\melismaEnd d2\melisma cis4\melismaEnd |
d1 |
R1*3 |
d8. d16 c8. c16 b4 a8 g |
a4. a8 g f f4~\melisma |
f e8[d] e2\melismaEnd |
f1 |
R1*2 |
r2 f8[\melisma e d e] |
f[ g a b] c[ a] d4~ |
d\melismaEnd cis d2 |
R1*4 |
r4 a b8.[\melisma c16] d8.[ e16] |
f8.[ b,16] a8.[ g16] f8.[ g16] a8.[ b16] |
c8.[ c16] b8.[ a16] g8.[ a16] b8.[ c16] |
d8.[ b16] a8.\melismaEnd g16\melisma fis2\melismaEnd |
R1 |
r4 f a16[\melisma g f g] a[ g a b] |
c8.\melismaEnd c16 b8. a16 g2 |
R1 |
r4 f g a |
b4.\melisma c16[ b] a2~ |
a4. b16[ a] g2~ |
g16[ fis g fis] g[ fis g a] g2~ |
g8.[ a16] g8.[ a16] g8.[ fis16] g[ fis g a]\melismaEnd |
fis2 r |
r f4 g |
a8.[\melisma b16] g8.[ a16] f8.[ a16] g8.[ a16] |
b8.[ c16] a8.[ b16] g8.[ b16] a8.[ g16] |
fis4\melismaEnd g2 fis4 |
g1 |
r4 g g2 |
g r8 g g g |
g4 g r2 |
g4 a b2 |
c d |
es\melisma f\melismaEnd |
d1 |
r2 r4 b |
b8 b b c d2 |
r r4 f |
e d c8.[\melisma b16] c[ d e c] |
d8.[ c16] d[ e f d] e2\melismaEnd |
d r |
d16[\melisma c b c] d[ e f d] es4\melismaEnd es8 d |
c8.[\melisma b16] c[ d e c] d4\melismaEnd d |
b16[\melisma a g a] b[ c d b] c4\melismaEnd c8 b |
a4 a f16[\melisma e d e] f[ g a f] |
g4\melismaEnd g8 f e8.[\melisma d16] e[ f g e] |
f4\melismaEnd f r8 b g g |
c2 f,4 d~\melisma |
d2 cis\melismaEnd |
d1 |
R1 |
d'8.[\melisma c16] b8.[ c16] d8.[c16] d[ e f d] |
es8.[ f16] g8.[ f16] es4\melismaEnd es8 d |
c8.[\melisma b16] a8.[ b16] c8.[ b16] c[ d e c] |
d2\melismaEnd d |
b8.[\melisma a16] g8.[ a16] b8.[ a16] b[ c d h] |
c8.[ d16] e8.[ d16] c4\melismaEnd c8 b |
a2 a |
f8.[\melisma e16] d8.[ e16] f8.[ e16] f[ g a f] |
g8.[ a16] b8.[ a16] g4\melismaEnd g8 f |
e8.[\melisma d16] e[ f g e] f4\melismaEnd f |
r8 b g g c4 c |
r8 d b b es8.[\melisma d16] es[ d c b] |
a2\melismaEnd fis4 g~ |
g\melisma fis8[ e] fis2\melismaEnd |
g1 |
}
\bar "|."
}
}
staffBasso = \new Staff {
\set Staff.instrumentName="Basso"
\set Staff.midiInstrument="harpsichord"
\key f \major
\clef bass
\relative c' {
g1 |
g |
es |
d~ |
d2 fis |
g1~ |
g |
es |
d |
b~ |
b |
b4 c d e |
f1 |
fis |
g |
d |
d2 g |
f b |
a1 |
d, |
d4 a' b2 |
f b,4 a |
c2 f, |
d'4 a' b2 |
f b,4 a |
c1 |
f, |
f |
f2 a |
d d~ |
d4 c8[ b] a4 g |
a2 d |
d b4 c |
d e f g |
a f g, a |
b c d2 |
d b4 c |
d e f g |
a f g, a |
b c d2 |
d b4 c |
d e f g |
a f g, a |
b c d2 |
d c |
b f'~ |
f g |
g1~ |
g |
d2 d4 c |
b c d e |
f g a f |
g, a b c |
d1 |
g, |
g' |
g |
g2 es4 d |
c2 b |
a g |
f1 |
b |
b |
b'2 b |
a4 g f2 |
g a |
d, a |
d d |
g, c |
f, b |
g c |
f, b |
g c |
f, g |
a b |
a1 |
d |
d |
g, |
c |
f, |
b |
g |
c |
f, |
b |
g |
c2 f, |
g a |
b c |
d1~ |
d |
g, |
\bar "|."
}
}
\score {
<<
\staffSopranoI
\context Lyrics = "lmelodySopI" \lyricmode { \lyricsto "melodySopI" \verseI }
\staffSopranoII
\context Lyrics = "lmelodySopII" \lyricmode { \lyricsto "melodySopII" \verseII }
\staffBasso
>>
\midi {
}
\layout {
}
}
\paper {
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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