% Created on Tue Jan 22 20:24:39 CET 2008
\version "2.10.33"
\header {
title = "La gloria sola"
composer = "G. F. Händel (1685-1758)"
mutopiatitle = "La gloria sola , Aria from Admeto"
mutopiacomposer = "HandelGF"
mutopiapoet = "Nicola Haym (1678-1729)"
mutopiaopus = "HWV 22"
mutopiainstrument = "Voice (Bass), Oboes, String Ensemble, Basso Continuo"
date = "1727"
source = "G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 73, 1877"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Björn Sothmann"
maintainerEmail = "bjoerns@tp3.rub.de"
maintainerWeb = "http://www.tp3.rub.de/~bjoerns"
footer = "Mutopia-2008/02/19-1313"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2008. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
verse= \lyricmode {
La glo -- ria so -- la, che_ogn' or bra -- ma -- i, de -- stò_il va -- lor, non la bel -- tà ; la glo -- ria so -- la, che_ogn' or bra -- ma -- i, de -- stò_il va -- lor, non la bel -- tà . La glo -- ria so -- la, che_ogn' or bra -- ma -- i, la glo -- ria so -- la, so -- la, la glo -- ria so -- la, che_ogn' or bra -- ma -- i, de -- stò_il va -- lor, non la bel -- tà , nò, non la bel -- tà , non la bel -- tà , de -- stò_il va -- lor, non la bel -- tà , de -- stò_il va -- lor, non la bel -- tà .
Frà mo -- stri_e_or -- ro -- ri se_il piè por -- ta -- i, ciò non fù_a -- mor, non fù pie -- tà , nò, ciò non fù_a -- mor, non fù pie -- tà ; frà mo -- stri_e_or -- ro -- ri se_il piè por -- ta -- i, ciò non fù_a -- mor, nò, non fù pie -- tà , nò, ciò non fù_a -- mor, non fù pie -- tà , nò, nò, nò, nò, ciò non fù_a -- mor, non fù pie -- tà , non fù pie -- tà .
}
staffViolin = \new Staff {
\time 4/4
\override Score.MetronomeMark #'stencil = ##f
\tempo 4 = 120
\set Staff.instrumentName=\markup{\column{"Violino I, II" \line{"Oboe I, II"}}}
\set Staff.midiInstrument="violin"
\key c \minor
\clef treble
\relative c'' {
r8 c16 d es8 c g4 c~ |
c8 h16 c d8 f, es d c4 |
r8 g'' as b e,4 f |
r8 as b c fis,4 g |
as, f' g,8 c16 d es8 g, |
as a b h c d es e |
f g as c, h g c es, |
d c' g, h' c4 c, |
r8 c16^\markup {Viol. unis. (s. Ob.)} d16 es8 c g4 c'~ |
c8 h16 c d8 f, es8 d c d |
es f g as b g' as b |
e,4 f r8 as b c |
fis,4 g r8 c, d es |
fis,4 g d8 a' fis' d |
g c, d a b fis g d' |
es e f fis g a b h |
c d es g, fis g16 fis g8 g, |
a g' d, fis' g, g, b d |
g, g''16^\markup {Tutti} a b8 g d4 g~ |
g8 fis16 g a8 c, h h'16 c d8 f, |
f8.\trill e32 f g8 b, a a'16 b c8 es,~ |
es d16 es f8 as, g f es4 |
r8 es16\trill^\markup {Viol. (s. Ob.)} f g8 es b es'16 f g8 es~ |
es d16 c b8 as as4 g |
c'4. c,8 d b16\trill a b8 d, |
b''4. b,8 c g as f |
as'4. g8 f h, c es |
d g, c f, h g r g |
as a b h c d es e |
f b, b g' as, f' h,4 |
c8 f, d' f, es d c4 |
r2 r8 g'' as b |
e,4 f a,4. es'8 |
d8 f g as h, h' c d |
g, c, h f' es a, d g, |
f es d c h4 r |
r8 f'' es d es h c4 |
R1 |
r8 c16^\markup {Tutti} d es8 c g4 c~ |
c8 h16 c d8 f, es c' es g |
c4. c,8 d b16\trill a16 b8 d, |
b''4. b,8 c g as f |
a4. es'8 d f g as |
h, h' c d g, d es b |
c f, d' g, es' f g g, |
as a b h c d es e |
f g as c, h g c es, |
d c' g, h' c4\fermata c, \bar "||" |
<<{
r8^\markup {Violini} b' g as b es g, as |
b es g, as b es d c |
b4. as8 g f es f |
g as b c des4. c8 |
b as g f e e' f g |
c,4 r8 b as g f4 |
r8 des' c b a f' a, b |
c f a, b c f a, b |
c f c d es4 d~ |
d8 d c b a g f es |
d4 d' r8 b c d |
es4 d r8 c d es |
f4 es r8 d es f |
g4 r r8 es as4 |
r8 f b4 r8 es, f g |
as g as f g f g f |
g f g d es4 r8 g, |
f4.\trill r16 d' es4 r \override Score.RehearsalMark #'direction = #DOWN \once \override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible \mark \markup { "D.C." } |
}\\
{
r8 g, es f g b es, f |
g b es, f g4 f |
g8 b, c d es4. f8 |
g as b c des4. c8 |
b as g f c4 e |
r8 e f g c,4 r8 g' |
c,4 e r8 c' f, g |
a c f, g a c f, g |
a c a b c a b g |
f4 es8 d c es d c |
b4 b' r8 g a b |
c4 b r8 a b c |
d4 c r8 b c d |
es4 r r8 c f4 |
r8 d g4 r8 g, as b |
es,4 r8 b' b4 r |
r8 as g f es4 r8 es |
\appoggiatura es d4. r16 as' g4 r |
}>>
\bar "|."
}
}
staffViola = \new Staff {
\set Staff.instrumentName=\markup{\column{"Violino III," \line{"e Viola"}}}
\set Staff.midiInstrument="viola"
\key c \minor
\clef alto
\relative c' {
es4 g r8 es16 f g8 es |
d4 h' g, c |
d r g c, |
es r d r |
es b' r8 es, g4 |
r8 c, f d g4 r8 b, |
c4 r8 f f4 es8 c |
g4 r8 f' es4 r |
R1*10 |
r2 r8 b'16 c d8 b |
a4 d, r8 g16 a h8 d |
g,4 c,8 e c f16 g a8 c |
f,4 b b, r |
R1*15 |
r2 r8 es16 f g8 d |
es4 es r8 es16 f g8 es |
d4 h' g, g'8 es |
c4 r8 g' a d, d g |
g4 r8 f g c, c c' |
f,4. a8 b4 f |
g h, c g'~ |
g8 f f es16 d g8 h, g' c, |
c4 f8 d g4 r8 b, |
c4 r8 f f4 es8 c |
g4 d' es\fermata r \bar "||" |
r8 es b as g g' b, as |
g g' g f es4 as |
g8 d es f b, as g f |
g as b c des4. c8 |
b8 as g f g4 g' |
r8 as g f g4 r8 des |
c4 g r8 a' c, b |
a a' c, b a a' c, b |
a a' f b a c f,4 |
r8 b a b f4 a, |
r8 d es f g4 f |
r8 es f g a4 g |
r8 f g a b4 r |
r8 g as b c4 r8 c, |
d4 r8 b es4 r8 d |
c d es f es4 r8 b' |
b4. as8 g4 r8 b, |
b4. r16 b b4 r |
\bar "|."
}
}
staffBass = \new Staff {
\set Staff.instrumentName="Ercole"
\set Staff.midiInstrument="oboe"
\key c \minor
\clef bass
\relative c' {
\context Voice = "melodyBas" {
\dynamicUp
\autoBeamOff
R1*8 |
r8 c es c g4 c |
r8 h16[c] d8 f, es[ d] c d |
es[ f]g[ as] b4 r |
r8 g as f c'4 r |
r8 a b g es'4 d8 c |
d[ a] b[ g] fis[\melisma d] d'4~ |
d8[ c d a]\melismaEnd b4 r8 d |
g,4 c b8[\melisma a g f] |
es[ d c es] d[ a'16 b]\melismaEnd g4 |
d' d, g2 |
R1*4 |
r8 es' d es b4 es |
r8 d16[ c] b8 as as4 g |
r8 c d es fis,4 g |
r2 e4 f |
r8 c' f es d4 es8 c |
b4 as g\melisma es'~ |
es d c4. b8 |
as[ g f e]\melismaEnd f4 r8 h |
c4 d g,8[ h c] f, |
g4. g8 c,4 b' |
r8 b as g f es' d c |
b4\melisma as g\melismaEnd r8 f' |
es4 d c b |
as4. as8 g2 |
r8 d' c h c[ g as] f |
g4. g8 c,2 |
R1*10 \bar "||" |
r2 r4 es |
es' es, es' d8 c |
b4. as8 g[ f] es f |
g[ as] b[ c] des4. c8 |
b[ as] g[ f] e4 b' |
r8 b as g f[g] as[ b] |
c4 c, f2 |
r r4 f |
f' f, es' d |
r8 d c b a[ g] f4 |
r8 b, c d es4 d |
r8 c d es f4 es |
r8 d es f g4 r |
r8 es f g as4 r8 f |
b4 r8 g c4 r8 b |
c[ b] c[ d] es[ d] es[ d] |
es[ d] es[ b] c[ g as] es |
b'4. b8 es,2 |
}
\bar "|."
}
}
staffCello = \new Staff {
\set Staff.instrumentName="Basso"
\set Staff.midiInstrument="harpsichord"
\key c \minor
\clef bass
\relative c' {
c4 c, r8 c'16 d es8 c |
g4 g, r8 c es g |
b4 b, r8 as'16 g as8 f |
c'4 c, r8 h'16 a h8 g |
c d16 c d8 b es4 r8 es, |
f es d g es h c g' |
as e f as, g4 r8 f' |
g4 g, c8 c, es g |
c,4 r r8 c'16 d es8 c |
g4 g' c,4. d8 |
es f g as b4 r |
r8 g as f c'4 r |
r8 a b g es'4 d8 c |
d a b g fis d r d |
es e f fis g a b b, |
c b a d g,4 g'8 f |
es d c es d a' b g |
d'4 d, g8 g, b d |
g4 g, r8 g'16 a b8 g |
d4 fis g r8 h |
c c, e c f4 r8 a |
b b, d b es as g f |
es4 es, g b' |
as b, es es, |
r8 c'' d es fis,4 g |
r8 b c des e,4 f |
r8 c' f es d4 es8 c |
b4 as g es'~ |
es d c4. b8 |
as g f e f4 r8 g,
as a b h c d es f |
g4 g, c b' |
r8 b as g f es' d c |
b4 as g r8 f' |
es4 d c b |
as4. as8 g2 |
r8 d' c h c g as f |
g4 g, c,8 c' es g |
c4 c, r8 c'16 d es8 c |
g4 g, c c, |
r8 c'' d es fis,4 g |
r8 b c des e,4 f |
r8 es' d c b4 as |
g f es r8 g, |
as a b h c d es e |
f es d g es h c g' |
as e f as, g4 r8 f' |
g4 g, c\fermata r \bar "||" |
es4 es, es' es, |
es' es, es' es, |
es' es, es'4. f8 |
g as b c des4. c8 |
b as g f e4 b' |
r8 b as g f g as b |
c4 c, f f, |
f' f, f' f, |
f' f, f' f, |
f' f, f' f, |
r8 b c d es4 d |
r8 c d es f4 es |
r8 d es f g4 r |
r8 es f g as4 r8 f |
b4 r8 g c4 r8 b |
c b c d es d es d |
es d es b c g as es |
b'4 b, es2 |
\bar "|."
}
}
\score {
<<
\staffViolin
\staffViola
\staffBass
\context Lyrics = "lmelodyBas" \lyricmode { \lyricsto "melodyBas" \verse }
\staffCello
>>
\midi {
}
\layout {
}
}
\paper {
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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