% Created on Mon Jan 21 21:36:56 CET 2008
\version "2.10.33"
\header {
title = "Io già t'amai"
composer = "G. F. Händel (1685-1758)"
mutopiatitle = "Io già t'amai , Aria from Rodelinda"
mutopiacomposer = "HandelGF"
mutopiaopus = "HWV 19"
mutopiainstrument = "Voice (Tenor), String Ensemble, Basso Continuo"
date = "1724-25"
source = "G. F. Händels Werke, für die Deutsche Händegesellschaft herausgegeben von Friedrich Chrysander, Bd.: 70, 1876"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Björn Sothmann"
maintainerEmail = "bjoerns@tp3.rub.de"
maintainerWeb = "http://www.tp3.rub.de/~bjoerns"
footer = "Mutopia-2008/02/19-1312"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2008. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
verse= \lyricmode {
Io già t'a -- ma -- i, t'a -- mai ri -- tro -- sa, sde -- gna -- sti_es -- ser mia spo -- sa, sem -- pre di -- ce -- sti nò, sem -- pre di -- ce -- sti nò, sem -- pre di -- ce -- sti nò, sde -- gna -- sti_es -- ser mia spo -- sa, sde -- gna -- sti_es -- ser mia spo -- sa, sem -- pre di -- ce -- sti nò; io già t'a -- ma -- i, t'a -- ma -- i ri -- tro -- sa, sde -- gna -- sti d'es -- ser mia spo -- sa, sde -- gna -- sti d'es -- ser mia spo -- sa, sem -- pre di -- ce -- sti nò, sem -- pre di -- ce -- sti nò, sde -- gna -- sti_es -- ser mia spo -- sa, sem -- pre di -- ce -- sti nò, nò, nò, sde -- gna -- sti_es -- ser mia spo -- sa, sem -- pre di -- ce -- sti nò.
Or ch'io son Rè, non vo -- glio com -- pa -- gno nel mio so -- glio a -- ver chi mi sprez -- zò, nò, nò, non vo -- glio com -- pa -- gno nel mio so -- glio a -- ver chi mi sprez -- zò.
}
staffViolin = \new Staff {
\time 4/4
\override Score.MetronomeMark #'stencil = ##f
\tempo 4 = 120
\set Staff.instrumentName="Tutti unisono"
\set Staff.midiInstrument="violin"
\key b \major
\clef treble
\relative c'' {
b2 c |
d es, |
d8 f b4~ b8 c16 b a8 f'~ |
f es16 d es8 b' a es d a |
g d' c g' f c b c16 d |
es8 c a es d f b d |
es c a es d f b d |
es c a' f b b, es4 |
d8 c16 b f8 a b b, d f \mark \markup { \musicglyph #"scripts.segno" } |
b,4 r r2 |
b'2 c |
d4 r r2 |
f2 g\trill |
a8 c, f2 es4 |
d8 c b a g4 a8 b |
a8 c f a b g e b |
a c f a b g e b |
a c f c f,4 r8 d' |
c4 r8 c, b4 r8 b' |
a4 r8 b, c4 r |
R1 |
c'2 d |
e8 c f4 r2 |
R1*2 |
f2 g |
a b, |
a8 c f4~ f8 es es d16 c |
d4 r r2 |
r4 r8 d c2\trill |
r4 r8 b a2\trill |
r4 r8 g' f2\trill |
r4 r8 es d2\trill |
r4 r8 es d2\trill |
r4 r8 es c2\trill |
r4 r8 d c2\trill |
R1 |
r8 c f2 es4 |
d8 f b4 r2 |
R1 |
b,4 r r2 |
r8 f' b b b a16 g a8 f |
r f, b4 r2 |
R1 |
R1\fermata |
R1 |
b'2 c |
d es, |
d8 f b4~ b8 a16 g a8 f |
f es16 d es8 es, d f b d |
es c a es d f b d |
es c a' f b b, es4 |
d8 c16 b f8 a b\fermata b, \bar "||" r4 |
R1*11 \override Score.RehearsalMark #'direction = #DOWN \once \override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible \mark \markup { "D.S." } |
\bar "|."
}
}
staffViola = \new Staff {
\set Staff.instrumentName="Viola"
\set Staff.midiInstrument="viola"
\key b \major
\clef alto
\relative c' {
d2 f |
b c, |
b8 d d es16 f g8 es c a' |
b4 r8 b, c4 r8 d |
es4 r8 d es4 r8 f |
es4 r8 c b4 r8 f' |
es4 r8 c b4 r8 f' |
es g c, a' f d a' c |
f, g d c d b d f |
b,4 r r2 |
d2 f |
f4 r r2 |
a2 c |
c4 r8 f,,^\markup {col Bassons} g a b c |
d es f f, g b es d |
c4 r8 f, g b c e |
f4 r8 f, g b c e |
f4 r r2 |
R1*3 |
r2 f4. b8 |
b4 a8 c,,^\markup {col Bassons} d e f g |
a b c d e4 f |
R1 |
a2 b |
a g |
f4 r8 a b4 c |
f, r r2 |
r4 r8 b f2 |
r4 r8 g d2 |
r4 r8 g as4 h, |
r r8 g' f4 d |
r4 r8 g g2 |
r4 r8 c, f2 |
r4 r8 b f2 |
R1 |
r4 r8 f,^\markup {col Bassons} g a b c |
d4 r8 d, es f g a |
b c d es f4 b, |
R1 |
b4 r c r |
d r8 d, es f g a |
b c d es f4 b, |
R1\fermata |
R1 |
d2 f |
b8 f d b c4 f |
r8 a g f c'4 r8 d |
b4 r8 c, b4 r8 f' |
es4 r8 c b4 r8 f' |
es4 r8 a f4 b8 c |
f, g d c d4\fermata \bar "||" r4 |
R1*11 |
\bar "|."
}
}
staffTenor = \new Staff {
\set Staff.instrumentName="Grimoaldo"
\set Staff.midiInstrument="oboe"
\key b \major
\clef "G_8"
\relative c' {
\context Voice = "melodyTen" {
\dynamicUp
\autoBeamOff
R1*9 |
b2 c4. f8 |
d[ c] b4 r r8 f' |
d4 c8[ d] b2 |
a r |
r4 r8 f g a b c |
d[ es] f f, g b es d |
c4 r8 f, g b c e |
f4 r8 f, g b c e |
f4 r8 c d16[\melisma c b8] f'4 |
c16[ b a8] f'4 b,16[ a g8] f'4 |
a,16[ g f8] f'4~ f16[ e d8] c16[ b a8] |
d16[ c b8]\melismaEnd c16[ b a8] b16[ a g8] a16[ b c8] |
a4 g r2 |
r4 r8 c, d[ e] f[ g] |
a[ b] c[ d] e4 f |
r8 b, c d a4\melisma g8.\melismaEnd f16 |
f4 r r2 |
R1*2 |
b2 c4. f8 |
d[ c] b4 r r8 f' |
b,[ a] b4 r r8 d |
g,[ f] g4 r r8 d' |
es[ d] c4 r8 d g f |
es[d] c4 r r8 d |
es[ d] c4 r8 c f es |
d[ c] b4 r f'~ |
f es8 d c16[ d es8] d16[ c b8] |
a4 r8 f g a b c |
d4 r8 d, es[ f] g[ a] |
b[ c] d[ es] f4 b, |
r8 es d c f,4 a |
b r c r |
d r8 d, es[ f] g[ a] |
b[ c] d[ es] f4 b, |
R1\fermata |
g'8 f16[ es d8] c16[ b] a4. b8 |
b4 r r2 |
R1*5 |
r2 r4 \bar "||" r8 d |
b4 g es' r8 c |
d4 g, r r8 a |
b4. d8 h4. h8 |
c[ h] c4 r r8 d |
es[d] d[ cis] cis[ d] d[ e] |
a,4 r b r |
a r r r8 e' |
f[ e] d cis d c b a |
d4 g, r b |
a d f,\melisma e8.\melismaEnd d16 |
d1 |
}
\bar "|."
}
}
staffCello = \new Staff {
\set Staff.instrumentName="Bassi"
\set Staff.midiInstrument="harpsichord"
\key b \major
\clef bass
\relative c {
r8 b b' b b a16 g a8 f |
r b, b' b b a16 g a8 f |
b f g d es c f f, |
g4 r8 g' f4 r8 f, |
es4 r8 es' d4 r8 b |
c es f a b4 r8 b, |
c es f a b4 r8 b, |
c es f es d g c, a' |
b es, f f, b4 r |
r8 b b' b b a16 g a8 f |
r b, b' b b a16 g a8 f |
b4 a g c, |
r8 f, f' f f e16 d e8 c |
f4 r8 d es f g a |
b c d d, es d c b |
f'4 r8 f g b c e |
f4 r8 f, g b c e |
f4 r8 a, b4 r8 b, |
a4 r8 a' g4 r8 g, |
f4 r8 g a4 r8 f' |
b8 g a f g e f f, |
r c' c' c c b16 a b8 g |
c,4 r8 a b c d e |
f g a b c4 d |
g, a8 b c4 c, |
\clef tenor r8 f f' f f e16 d e8 c |
r8 f, f' f f e16 d e8 c |
f \clef bass f, a f g4 a |
r8 b, b' b b a16 g a8 f |
r b, b' b b a16 g a8 f |
r g, g' g g f16 es f8 d |
r es, es' es es d16 c d8 h |
r c c' c c h16 a h8 g |
r c, c' c c h16 a h8 g |
r c, c' b b a16 g a8 f |
r b, b' b b a16 g a8 f |
g g, g' f es4 g |
f r8 d es f g a |
b4 r8 b, c d es f |
g a b c d4 d, |
g f8 es f4 f, |
b r f' r |
b r8 b, c d es f |
g a b c d4 d, |
R1\fermata |
es2 f4 f, |
b8 f' b b b a16 g a8 f |
r b, b' b b a16 g a8 f |
b f g d es c f d |
g4 r8 a b4 r8 b, |
c es f a b4 r8 b, |
c es f es d4 g8 a |
b es, f f, b4\fermata \bar "||" r |
R1 |
r8 g g' g g fis16 e fis8 d |
r g, g' g g f16 es f8 d |
es g c c c h16 a h8 g |
c4 b a d, |
cis8 a a' a a g16 f g8 e |
r f, f' f f e16 d e8 cis |
d4 r8 e f4 d |
b r r g' |
f d a' a, |
d1 |
\bar "|."
}
}
\score {
<<
\staffViolin
\staffViola
\staffTenor
\context Lyrics = "lmelodyTen" \lyricmode { \lyricsto "melodyTen" \verse }
\staffCello
>>
\midi {
}
\layout {
indent=25
}
}
\paper {
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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