\header {
filename = "ToGodBeTheGlory.ly"
enteredby = "Peter Chubb"
composer = "W. H. Doane (1832-1915)"
poet = "F. Crosby (1820-1915)"
date="1875"
title = "To God be the Glory"
metre = "11 11 11 11 and refrain"
meter = "11 11 11 11 and refrain"
copyright = "Public Domain"
style = "Hymn"
mutopiacomposer = "DoaneWH"
mutopiapoet = "F. Crosby (1820-1915)"
mutopiainstrument = "Voice (SATB)"
mutopiasource = "Unknown"
maintainer = "Peter Chubb"
maintainerEmail = "mutopia@chubb.wattle.id.au"
lastupdated = "2009/Aug/5"
footer = "Mutopia-2009/08/05-195"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
\version "2.12.0"
%Fit onto one page.
#(set-global-staff-size 18)
% $Log: ToGodBeTheGlory.ly,v $
% Revision 1.10 2009-08-05 04:47:20 peterc
% Updated to Lilypond 2.12.2.
%
% Revision 1.9 2005/01/09 02:18:42 peterc
% Updated to current Lily
%
% Revision 1.8 2004/06/06 06:28:12 peterc
% Converted to Lily 2.2
%
% Revision 1.7 2002/06/05 10:44:15 peterc
% Added chords
%
% Revision 1.6 2002/02/27 01:47:05 peterc
% Added mutopia headers and chorus words.
%
line={
\skip 4
\skip 2.*3
\skip 2
\bar "||"
}
global = {
\key as \major
\time 3/4
\partial 4
\line
\line
\line
\line \break
% chorus
\line
\line
\line
\line
}
sop = \context Voice = "sop" \relative c' {
\voiceOne
es4 |
es2 f8 g |
as4 es as |
bes es, bes' |
c2
c4 |
des f, des' |
c as c |
c bes f |
bes2
es,4 |
es2 f8 g |
as4 es as |
bes es, bes' |
c2
c4 |
es des bes |
as g as |
c c bes |
as2
}
% chorus
sopChorus= \context Voice = "sopChorus" \relative c'' {
\voiceOne
c8. des16 |
es2 c8. des16 |
es2 es8. c16 |
as4 bes c |
bes2
bes 8. c16 |
des2 bes 8. c16 |
des2 des8 bes |
es4 es des |
c2
es,4 |
es2 f8 g |
as4 es as |
bes es, bes' |
c2
c4 |
es des bes |
as g as |
c c bes |
as2
}
alto=\context Voice = "alto" \relative c' {
\voiceTwo
c4 |
c ( es) des8 des |
c4 c es |
es es es |
es2
es4 |
f des f |
es es es |
d d f |
es2
des!4 |
c4 ( es4) des8 des |
c4 c es |
es es es |
es2
ges4 |
f f f |
es es es |
es es des |
c2
es8. es16 |
es2 as8. g16 |
as2 es8. es16 |
es4 des c |
es2
es8. es16 es2 es8. es16 |
es2 es8 es |
es4 es es |
es2
des4 |
c4 ( es) des8 des |
c4 c es |
es es es |
es2
ges4 |
f f f |
es es es es es des
c2
}
tenor = \context Voice = "tenor" \relative c' {
\voiceOne
as4
as2 bes8 bes |
as4 c as |
g g g |
as2
as4 |
as as as |
as as as |
as f bes8 ( as) |
g2
g4 |
as2 bes8 bes |
as4 c as |
g g g |
as2
as4 |
as bes des |
c bes c |
as4 as as |
as2
%chorus
as8. bes16 |
c2 as8. bes16 |
c2 c8. as16 |
as4 g as |
g2
g8. as16 |
bes2 g8. as16 |
bes2 bes8 g |
as4 as g |
as2
g4 |
as2 bes8 bes |
as4 c as |
g g g |
as2
as4 |
as bes des |
c bes c |
as as g |
as2
}
bass = \context Voice = "bass" \relative c {
\voiceTwo
as4 |
as ( c) es8 es |
as,4 as c |
es es es |
as,2
as4 |
des des des |
as c as |
bes bes d |
es2
es4 |
as,4 ( c) es8 es |
as,4 as c |
es es es |
as,2
as4 |
des des des |
es es es |
es es es |
as,2
as'8. as16 |
as2 as8. as16 |
as2 as8. as,16 |
c4 bes as |
es'2
es8. es16 |
es2 es8. es16 |
es2 es8 des |
c4 c bes |
as2
es'4 |
as,4 ( c) es8 es |
as,4 as c |
es es es |
as,2
as4 |
des des des
es es es |
es es es |
as,2
}
chorus= \lyrics {
Praise the Lord!
Praise the Lord!
Let the earth hear his voice.
Praise the Lord!
Praise the Lord!
Let the Peo -- ple re -- joice.
O Come to the fa -- ther through Je -- sus the Son,
And give Him the glo -- ry, great things he has done.
}
accomp=\chordmode {
as4 |
as as es:7 |
as as as |
es es es |
as as
as |
des des des |
as as as |
bes bes bes |
es4 es
es:7 |
as as es |
as as as
es es es
as as
as:7 |
des des des |
as es as |
as as es:7 |
as as
as |
as as as |
as as as |
as es:7 as |
es es es |
es:7 es:7 es
es:7 es:7 es:7
as as es |
as as
es:7 |
as as es:7 |
as as as |
es es es |
as as as:7
des bes:m/+des des |
as es as |
es es es:7
as as
}
\score {
% My pianist can't cope with a-flat, so put the tune into G.
\transpose c' b
\context ChoirStaff <<
\context ChordNames\accomp
\unset ChoirStaff.melismaBusyProperties
\context Staff ="upper" {
\clef "G" <<
\global
{ \voiceOne \sop \sopChorus }
\alto
>>
}
\lyricsto sopChorus \chorus
\context Staff = "lower" {
\clef "F" <<
\global
\tenor
\bass
>>
}
>>
\layout {
indent = 0.0\pt
\context {
\ChordNames
chordChanges = ##t
}
}
\midi {
\context { \Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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