\version "2.18.2"
\header {
title = \markup \normal-text "Oboe Sonata No. 2 in F"
opus = "Opus 70"
composer = "Fran莽ois Devienne"
mutopiatitle = "Oboe Sonata No. 2 in F (Rondeau)"
mutopiacomposer = "DevienneF"
mutopiaopus = "from Opus 70"
mutopiainstrument = "Oboe and Bassoon (or other unfigured basso continuo)"
source = "Sieber, 1798"
% Source: http://imslp.org/wiki/3_Oboe_Sonatas,_Op.70_(Devienne,_Fran%C3%A7ois)
style = "Baroque"
license = "Public Domain"
maintainer = "Jeremy Visser"
maintainerWeb = "https://jeremy.visser.name/"
footer = "Mutopia-2014/11/20-1991"
copyright = \markup { \override #'(baseline-skip . 0 ) \right-column { \sans \bold \with-url #"http://www.MutopiaProject.org" { \abs-fontsize #9 "Mutopia " \concat { \abs-fontsize #12 \with-color #white \char ##x01C0 \abs-fontsize #9 "Project " } } } \override #'(baseline-skip . 0 ) \center-column { \abs-fontsize #11.9 \with-color #grey \bold { \char ##x01C0 \char ##x01C0 } } \override #'(baseline-skip . 0 ) \column { \abs-fontsize #8 \sans \concat { " Typeset using " \with-url #"http://www.lilypond.org" "LilyPond" " by " \maintainer " " \char ##x2014 " " \footer } \concat { \concat { \abs-fontsize #8 \sans{ " Placed in the " \with-url #"http://creativecommons.org/licenses/publicdomain" "public domain" " by the typesetter " \char ##x2014 " free to distribute, modify, and perform" } } \abs-fontsize #13 \with-color #white \char ##x01C0 } } }
tagline = ##f
}
primo = \relative c'' {
\key f \major
\time 2/4
\partial 8
c8
% 1
| a'4( g8) f
| f4(\segno e8) c
| bes'4( a8) g
| g4( f8) c
% 5
| c'8 c c c
| d, e16( fis) \acciaccatura a g( fis g) a
| c( bes) a( g) bes( a) g( f)
| e c( b c d e f g)
% 9
| a4( g8) f
| f4( e8) c
| bes'4( a8) g
| g4( f8) c(
% 13
| c') c c c(
| c) bes16 a bes8 g16( a
| bes8) bes bes bes(
| bes8) a16( g a8) f16( a
% 17
| g8) g16( e f8) c'16( a
| bes8) bes16( g a8) f16( a
| g8) g16( e f8) c'16( a
| bes8) bes16( g a8) f16( g)
% 21
| a16( bes c bes a g f e
| d16 e f fis g a bes g
| f8) f16 a( g\trill f g) e
| f8 f,16( g a bes c d)
% 25
| e16( f g a bes c d c)
| b8 bes4 a8
| g8 g c c
| a8 f,16( g a bes c d)
% 29
| e16( f g a bes c d c)
| bes16( a g f e d c bes)
| a16( c) f( a) g( bes) e,( g)
| f4 r
% 33
| fis16( g a g f e d c)
| f4 r
| fis16( g a g f e d c)
| f8 a f a
% 37
| f4 a
| f \mark \markup { \italic { Fine. } } r8\fermata
\bar "|."
c8
% 39
\noBreak
| a'4 f
| c4. f16 a
| a16( g fis g) f( e f d)
| c4. e16( g)
% 43
| f8 g,4 b'8
| c8 g4 e16( g)
| f8 g,4 b'8
| c8 g4 e16( g)
% 47
| g16( f) f( e) e( d) d( e)
| e16( f) f( e) e( d) d( e)
| e16( f) f( e) e( d) d( c)
| b4 r8 g
% 51
| c4. d16( c
| b8) c d e
| f8 \acciaccatura g f16\trill( e f8) g
| e4 r8 c
% 55
| c'4.( a8)
| g4.( e8)
| g8( f e f)
| d4 r8 g,
% 59
| c4. d16( c
| b8) c d e
| f8 \acciaccatura g f16( e f8) g
| e4 r8 g
% 63
| bes4( a8) g
| g4( f8) a
| a4( g8) f
| f4( e8) g
% 67
| \acciaccatura g8 f\trill e \acciaccatura e d\trill c
| b4 r8 g'
| \acciaccatura g8 f\trill e \acciaccatura e d\trill c
| b4 r8 g'
% 71
| f16( g a g f e d c)
% Correction from urtext: 'bes' to 'b'
| b16( c d c b a g f)
| e16( g c e g e c g)
| e16( g c e g e c g)
% 75
| f'16( d cis d) b( g fis g)
| f'16( d cis d) b( g fis g)
| c16\trill( b c) d e\trill( d e) f
| g16\trill( f g) a bes8 bes,
% 79
| a16( c f c) a( c f c)
| bes16( d f d) b( d f d)
| c16( e g e) cis( e a e)
| d16( f a f) d( f b f)
% 83
| e16 g( e g) c16( g fis g)
| a16( g f e d c b a)
| g2
| d'2\trill
% 87
| e8 r8 r4
| \acciaccatura b8 c r r4
| \acciaccatura dis8 e r r4
| \acciaccatura fis8 g r r4
% 91
| bes8 c,16 e d( c) e g
| f16( e) g bes a( g) bes d
| c16( bes a g f e d c
| bes16 a g f e f g a)
% 95
| bes16( b c cis d e f g)
| a4( g8) f
\bar "||"
\mark \markup { \italic { Da Capo. } }
s4\segno
s8
\bar "||"
a8
% 98
| a4( f8 d)
| d4( cis8) bes'
| bes4( a8) g
| g4( f8) a
% 102
| d4. c8
| bes8 a g f
| e8 e \acciaccatura e d\trill( cis16 d)
| cis4 r8 a'
% 106
| a4( f8) d
| d4( cis8) bes'
| bes4( a8) g
| g4( f8) a
% 110
| d4. c8
| bes8 a g( a16 bes
| c4.) bes8
| a8 g f es
% 114
| d16 fis( g fis g a bes a)
| c16( bes a g) bes( a g f)
| f16( e) a( g) f( e f) d
| c4 r8 c
% 118
| f,16( a c a) f( a c a)
| f16( a c f) a( gis a f)
| e16( g bes g) e( c b c)
| bes16( c d c) bes( a g f)
% 122
| e16( g c g) e( g c g)
| e16( g c e) g( e g bes)
| a16 f( e f) c( b c a)
| f16 a d c c( bes a g)
% 126
| f16( a c a) f( a c a)
| f16 a c f a( gis a) f
| es16 c( b c d c b c)
| es16( d c bes a g fis e)
% 130
| d16 d'( cis d) fis( d cis d)
| d,16 d'( cis d) fis( d cis d)
| g4 r
| r16 bes( a bes) g( a) f( g)
% 134
| e4 r
| r16 a( gis a) f( g) e( f)
| d4 r
| r16 g( f g) e( f) d( e)
% 138
| c16 e g( f) e( f) d( e)
| c16 e g( f) e( f) d( e)
| c16 e g( f) e( f) d( e)
| c16 e g( f e d c bes)
% 142
| a16 f( g a bes c d e
| f16 g a bes c8) c,
| cis16 d( e d cis d e f
| g16 a bes c d8) d,
% 146
| c2
| \acciaccatura a'8 g2\trill
| f4 r
| r2
% 150
| r2
| r4 r8 a
| a4( f8) d
| d4( cis8) bes'
% 154
| bes4( a8) g
| g4( f8) a
| d4. c8
| bes8 a g f
% 158
| e8 e \acciaccatura e d16( cis d e)
| cis4 r8 a'
| a4( f8) d
| d4( cis8) bes'
% 162
| bes4( a8) g
| g4( f8) a
| d4. c8
| bes8 bes4 a8
% 166
| gis2:8
| a4 r8 a
| gis2:8
| a4 r8 a
% 170
| gis2:8
| a2:8
| a8 a a a
| bes16( a bes c bes a g f)
% 174
| f16( e d c bes a g f)
| e16( d c d e f g a)
| bes16( c d e f fis g gis)
| a4( g8) f
\bar "||"
\mark \markup { \italic { Da Capo. } }
s2\segno
\bar "|."
}
secondo = \relative c {
\key f \major
\time 2/4
\partial 8
r8
% 1
| f2
| g4\segno r
| g2(
| a4) r
% 5
| a,2
| bes4 bes
| bes4 b
| c4 r
% 9
| r8 f g a
| g8 bes16 a g8 f
| e8 g c bes
| a8 c16 bes a8 g
% 13
| fis8 a d, fis
| g8 g, g' f
| e8 g c, e
| f f, f' a
% 17
| bes4( a8) r
| e4( f8) a
| bes4( a8) r
| e4( f8) r
% 21
| f,2:8
| bes2:8
| c2:8
| f8 r r4
% 25
| r2
| d8 e4 f8
| bes,8 bes c c
| f,8 r r4
% 29
| r2
| d'4 e
| f8 a c c,
| f16( g f e f g a bes)
% 33
| c2
| f,16( g f e f g a bes)
| c8 c bes bes
| a8 f f f
% 37
| f4 f
| f,4 \mark \markup { \italic { Fine. } } r8\fermata
\bar "|."
r8
% 39
\noBreak
| r8 f a c
| f8 f, f' r
| r8 e, g c
| e8 g c r
% 43
| d,2
| e2
| d2
| e2
% 47
| a8 g f g
| a8 g f g
| a8 g f fis
% Correction from urtext: 'f' to 'g'
| g8 a g f
% 51
| e8 g e g
| f8 e d c
| b4 g
| c8 e g c
% 55
| a8 c a f
| e8 g e c
| a4 f
| g8 g'4 f8
% 59
| e8 g e g
| f8 e d c
| b4 g
| c8 c, c' r
% 63
| cis'2
| d2
| b2
| c2
% 67
| f,4( fis
| g4) e(
| f4 fis
| g4) e(
% 71
| f4 fis
| g4) g,
| c4 e
| c4 e
% 75
% Correction from urtext: 'bes' to 'b'
| d8 b d b
% Correction from urtext: 'bes' to 'b'
| d8 b d b
| c4 c
| e4 e
% 79
| f4 a,
| bes4 b
| c4 cis
| d4 g,
% 83
| c4 e
| f4 f
| g2:8
| g,2:8
% 87
| c16 c' b a g f e d
| c16 g' f e d c b a
| g16 e' d c b a g f
| e16 c' b a g f e d
% 91
| c8 r r4
| r2
| r2
| r2
% 95
| r2
| f'2
\bar "||"
\mark \markup { \italic { Da Capo. } }
s4\segno
s8
\bar "||"
r8
% 98
| d2
| e2
| cis2
| d2
% 102
| r8 d e fis
| g8 a bes a
| g4 gis
| a8 a, a' r
% 106
| d,2
| e2
| cis2
| d2
% 110
| r8 d e fis
| g8 a bes r
| r8 c, d e
| f8 g a a,
% 114
| bes4 bes
| bes4 bes8 b
| c4 g
| c8 c, c' r
% 118
| a'4. c8
| a4 f
| g4 r
| g4 r
% 122
| c,4. e8
| g4. e8
| f8 r a, c
| f8 g a bes
% 126
| a4. c8
| a4 f
| fis4 r
| fis4 r
% 130
| fis4. a8
% Correction from urtext: 'f' to 'fis' and 'c' to 'd'
| fis4 a8 d
% Correction from urtext: 'b' to 'bes'
| bes16( d cis d) bes c a bes
| g4 r
% 134
| r16 c b c a bes g a
| f4 r
| r16 bes a bes g a f g
| e4 g8 f
% 138
| e4 g8 f
| e4 g8 f
| e4 g8 f
| e2:8
% 142
| f4 g
| a4 a,
| bes4 bes
| bes2:8
% 146
| c2:8
| c2:8
| f8 a a a
| a2:8
% 150
| a16 g a bes a g a bes
| a16 g a bes a g f e
| d2
| e2
% 154
| cis2
| d2
| r8 d e fis
| g8 a bes a
% 158
| g8 g gis gis
| a8 a, a' r
| d,2
| e2
% 162
| cis2
| d2
| r8 d e fis
| g4 a
% 166
| bes2:8
| a8 e cis a
| d8 f e d
| cis8 e cis a
% 170
| d8 f e d
| cis4 r
| r2
| r2
% 174
| r2
| r2
| r2
| f2
\bar "||"
\mark \markup { \italic { Da Capo. } }
s2\segno
\bar "|."
}
\paper {
page-count = #3
}
\score {
\new StaffGroup <<
\new Staff {
\clef "treble"
\primo
}
\new Staff {
\clef "bass"
\secondo
}
>>
\header {
piece = "Rondeau"
}
\layout {
indent = 0
\context {
\Score
\override SpacingSpanner.common-shortest-duration =
#(ly:make-moment 1/2)
}
}
\midi {
\tempo 4 = 120
}
}
“That accounts for it. I didn’t know he was going to make the hop or I might not have come myself—but now—well,” the man broke off his phrase and started to clamber into the control seat, “let’s get going.” Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoME搜索一级毛片免费播放基地
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