\version "2.12.3"
\header {
mutopiatitle = "Première Arabesque"
mutopiacomposer = "DebussyC"
mutopiaopus = "L66 No.1"
mutopiainstrument = "Piano"
source = "Durand et Fils (1904)"
style = "Modern"
copyright = "Public Domain"
maintainer = "Keith OHara"
title = "Première Arabesque"
subtitle = "des Deux Arabesques"
composer = "Claude Debussy"
lastupdated = "2011/Oct/19"
footer = "Mutopia-2011/10/25-1777"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
\pointAndClickOff
\paper {
%{ comment out for mutopiaproject }
#(set-paper-size "letter")
ragged-bottom = ##t
% For 3 page layout:
#(layout-set-staff-size 15)
bottom-margin =12
%annotate-spacing = ##t
%{ %}
between-system-padding = 0
ragged-last-bottom = ##f
}
% Definitios to override page-breaking
myLineBreak = {
\break
}
myBreakForFivePages = {
\pageBreak
}
myBreakForThreePages = {
% \pageBreak
}
\include "english.ly"
% restrain the slope of the beams
oflat = {
\once\override Beam #'damping = #3
}
% Change staff
cu = { \change Staff = "upper" }
cl = { \change Staff = "lower" }
% Suspend collision resolution so notes line up
lu = {\once \override NoteColumn #'ignore-collision = ##t }
% hide one note
ohn = {
\once\override Dots #'transparent = ##t
\once\override NoteHead #'transparent = ##t
\once\override NoteHead #'no-ledgers = ##t
\once\override Stem #'transparent = ##t
\once\override Beam #'transparent = ##t
\once\override Accidental #'transparent = ##t
}
%%% In sections
%% First section in E major
rhUpE = \relative c'' {
\stemUp\tieUp\phrasingSlurUp
\tempo"Andantino con moto"
\key e \major
s1 | s1 |
r4 cs\(^\< fs cs\!~ |
cs4\) cs\(^\< fs a\!~ |
\stemNeutral\tieNeutral
a4 a2~a8*2/3 gs fs\) |
\barNumberCheck#6
r4 \times2/3{e8\( fs cs} e8*2/3 b cs gs b fs |
gs8*2/3 e gs ds2 cs4 |
b8\) r e'8*2/3\( fs cs e b cs gs b fs |
gs8*2/3 e gs ds2 cs4\) |
\times2/3{b8( a b} cs4~cs8 e ds e cs4) gs'2( e4) |
\times2/3{ds8( cs ds} e4~e8 gs fs gs |
\barNumberCheck#13
e4) cs'2\( \times2/3{as8 cs as} |
gs4\) e'2\( \times2/3{cs8 e cs\)} |
gs'4.(fs8) gs4.( fs8) |
gs4.( fs8) gs-- fs4-- gs8--|
\barNumberCheck#17
\stemUp a2\( gs |
fs2 e\) |\myBreakForFivePages
\stemNeutral
ds2\(\< e4 gs8 b\) |
ds,2\(\>~ds8\! cs e gs\) |
b,2\(~b8 a cs e |
gs,2\) \times2/3{r8 a\( cs} \times2/3{e gs fs} |
ds4 gs,\) r8 fs\(\< a cs\! |
e,2\) \times2/3{r8 fs\( a} \times2/3{cs e d} |
gs,4 fs2 d4\) |
\barNumberCheck#26
\stemUp\tieUp\slurUp
\clef bass cs1(\p ~|
cs4 cs e cs) |\myBreakForThreePages
\clef treble fs1~ |
\set crescendoText="cresc."
fs4 fs(^\markup"poco mosso"\< a\! fs |
b gs) b(gs |
1)~( |
4 ) |
1~ |
4 a( b cs |
ds e fs gs a b cs ds |
fs2)( e2)( |
e,1)~ |\myBreakForFivePages\myLineBreak
}
rhDownE = \relative c' {
\stemDown\mergeDifferentlyHeadedOn\tieDown\slurDown
\ohn cs8*2/3\( s s \times3/3{cs' e fs} \times3/3{gs ds b} s s \ohn b,\)|
\ohn a8*2/3\( s s a' cs ds e b gs s s \ohn gs,\) |
s4 cs'8*2/3 fs, a~a4 cs8*2/3 fs, a~|
a4 cs8*2/3 fs, a~a4 a'8*2/3 a, cs |
\override TextSpanner #'(bound-details left text) = "rit."
s2 s4\startTextSpan s8*2/3 s s\stopTextSpan|
\barNumberCheck#6
s1^\markup"a tempo" |
s1*6 |
\barNumberCheck#13
s1^\markup"stringendo" |
s1 |
s1 |
s2 s8\startTextSpan s s s\stopTextSpan|
\barNumberCheck#17
s4^\markup"a tempo" cs8*2/3 e fs gs ds b s4 |
s4 a8*2/3 cs ds e b gs s4 |
s1*3 |
s2 s8*2/3\startTextSpan s s s s s\stopTextSpan|
s2 s2^\markup"a tempo" |
s2 s8*2/3\startTextSpan s s s s s\stopTextSpan|
s1 |
\barNumberCheck#26
s1^\markup"a tempo" |
s1 |
r4 \times2/3{a,8( b cs} \times2/3{b a b} \times2/3{cs b a} |
cs2) ds2~ |
ds2 e2 |
s1*3|
s4 fs8*2/3 cs e gs ds fs a\< e gs |
b fs a cs gs b ds a cs e b ds |
fs cs e\! gs\> ds fs a e gs b fs a\! |
1\p |
r1 |
}
lhUpE = {
\dynamicUp\tieUp
\key e \major
\times2/3{cs'8\p e' a'} s2 \times2/3{gs'8 ds' b} |
a8*2/3 cs' fs' s2 e'8*2/3 b gs |
\stemUp \clef bass
fs8*2/3_\( a cs'~cs'4*2/3\cu\ohn\lu a'8*2/3\) \cl
%{%} e8*2/3_\( a cs'~cs'4*2/3 \cu\ohn\lu a'8*2/3\) \cl |
ds8*2/3_\( a cs'~cs'4*2/3 \cu\ohn\lu a'8*2/3\) \cl
%{%} cs8*2/3_\( a e'~e'4*2/3 \cu\ohn\lu cs''8*2/3\) \cl |
\stemNeutral
b,8*2/3\(\< fs a \clef treble cs' ds' fs' a'cs'' ds''\! cs'' b' a'\)|
\clef bass e,8(\pp b, e gs b gs e b,) |
e,8( cs e gs cs' gs e b,) |
e,8( b, e gs b gs e b,) |
e,8( cs e gs cs' gs e b,) |
\set crescendoText="poco a poco cresc."
\set crescendoSpanner=#'text
fs,8(\< cs e fs a fs e cs)\! |
gs,8( cs e gs b gs e cs) |
a,8( e fs a cs' a fs e) |
\barNumberCheck#13
\set crescendoText="sempre cresc."
as,8(\< e gs cs')\! cs( fs as e') |
e8( as cs' gs') fs( cs' e' as')|
\clef treble as8( e' gs' cs'') cs'( fs' as' e'') |
as8( e' gs' cs'') cs'( fs' as' e'') |
\barNumberCheck#17
\times2/3{cs'8\(\p e' a'} s2 gs'8*2/3 ds' b\) |
a8*2/3\( cs' fs' s2 e'8*2/3 b gs\) |
fss8*2/3( cs' ds' as' ds' cs') gs( cs' e' b' e' cs') |
fss8*2/3( cs' ds' as' ds' cs') \clef bass e( a cs' gs' cs' a) |
ds( a b fs' b a) cs( fs a e' a fs) |
bs,( fs gs ds' gs fs) cs(\p fs a e' a fs) |
bs,( fs gs ds' gs fs) b,( fs a d' a fs) |
b,( e gs d' gs e) b,(\p fs a d' a fs) |
b,( e gs d' gs e) e,( b, e fs gs b) |
\barNumberCheck#26
\phrasingSlurDown
a,,8*2/3\( a, \cu e \stemDown g a b a e g a b a\) |
g1 \cl\stemNeutral|
d,8( a, fs2.) |
b,,8\( b, fs a b4\) r4 |
gs,,8\( gs, e gs b4\) r4 |
\times2/3{fs,,8\( fs, cs} e8*2/3 fs a cs' \cu\stemDown e' fs' a' gs' fs' |
e'2\)\( \cl\stemNeutral ds'4 cs'\)
fs,,8*2/3\( fs, cs e8*2/3 fs a cs' \cu\stemDown e' fs' a' gs' fs' |
e'2\)\( \cl\stemNeutral fs2\) |
\phrasingSlurNeutral
b,4\(-. fs-. a-. b-. \clef treble ds'-. fs'-. a'-. b'-.\) |
\clef bass e,,8( e, b, e gs b e' gs') |
r2 e'2 |
}
lhDownE = {
s1 | s1 |
\stemDown\mergeDifferentlyHeadedOn\tieDown
fs2 e|
ds2 cs|
s1*16 |
s1*5 |
s8*2/3 a,4*2/3~a,2.~|
a,1|
s1*11 |
}
%% Second section in A major
rhUpA = \relative c''{
\key a \major
\tempo\markup{"Tempo Rubato" \smaller "(un peu moins vite)"}
\times2/3{e8(\p d e} cs4~ cs8 b b cs |
a4 fs2 gs4) |
fs8\( e\< fs'2\> e4\)\! |
fs,8\(e\ b^- a^- fs^-\)\! |
\times2/3{e8\( d e} cs4~cs8 b b cs |
a4 fs\)~fs8 fs(^\< fs gs)\! |
\times2/3{fs8( e b^\>} cs2 4)\! |
2. r4 |
\barNumberCheck#47
\clef bass
\set crescendoText="cresc."
\set crescendoSpanner=#'text
\times2/3{d,8(\p fs a} cs8*2/3 b a) gs(\< b d fs e d) |
\clef treble
cs8*2/3( e gs b a gs) fs( a cs e d cs) |
b8*2/3( d fs a4)\f ~ a8( gs) fs( e) |
\override TextSpanner #'(bound-details left text) ="rit."
fs8( e d cs) d(\startTextSpan cs b a)\stopTextSpan |
\clef bass
\times2/3{d,,8(\p fs a} cs8*2/3 b a) gs(\< b d fs e d) |
\clef treble
cs8*2/3( e gs b a gs) fs( a cs e d cs) |
\set crescendoSpanner=#'hairpin
b8*2/3(\< d fs) a4\f ~ a8 gs fs gs |
b,8*2/3(\< d fs) a4\f ~ a8 gs fs gs |
\barNumberCheck#55
\times2/3{e8(\p d e} cs4~ cs8 b b cs |
a4 fs2 gs4) |
fs8\( e\< fs'2\> e4\)\! |
fs,8\( e\< gs'4\! ~ gs8\> b^- a^- fs^-\)\! |
\times2/3{e8\( d e} cs4~cs8 b b cs |
a4 gs\)~gs8 fs( fs gs) |
\times2/3{fs8 e b} cs2 4 |
2.\< r4 |\myBreakForFivePages
\barNumberCheck#63
\key c \major
\tempo "Risoluto"
g'8*2/3\f f g 2 \clef bass 4 |
4 2 4 |
\< \clef treble a8 c8\! |
2 g, |
g'8*2/3( f g e2 d4 e2 f2) |
g8*2/3 f g e2 g4 |
gs8*2/3^\< fs gs e2\! gs4 |\myBreakForThreePages
}
rhDownA = { \relative c''{
a2. gs4 |
fs4 ds2.|
4 2.|
4 2. |
a2. gs4 |
e2 ds4 cs4 |
b4 a2 a4 |
a4( gs2) s4 |
\barNumberCheck#47
s1^\markup"mosso" |
s1 |
s2 4 |
2 a2 |
s1^\markup"mosso" |
s1 |
s2 2 |
s2 2 |
\barNumberCheck#55
gs2^\markup"a tempo" fs4 f |
e2 ds |
4 2. |
4 2. |
a2. gs4 |
e2 ds4 cs |
b4 a2 a4 |
a4(gs2) s4 |
\barNumberCheck#63
4 s2 s4 |
s1|
s2 s4 4 |
f1
c'1~ |
c1 |
c1~ |
c2 cs2 |
}}
lhUpA = {
\stemUp\slurUp
fs'2. d'4
s1 |
s4 fs'2( e'4) |
s1|
fs'2.( f'4) |
s1 * 11|
d'1
s1
s4 fs'2( e'4) |
s1
fs'2.( f'4) |
s1 *3 |
\barNumberCheck#63
s1 * 4 |
\set decrescendoText="dim. molto"
\set decrescendoSpanner=#'text
2(\> |
2 ) |
g'1 |
\set decrescendoText="più dim."
gs'1\> |
}
lhDownA = {
\key a \major
\slurDown \stemDown
b8( cs' d'2 e4 |\stemNeutral
4 2.) |
4( 2.) |
4( 2.) |
b8( cs' d'2.) |
\slurNeutral
4( 2 4) |
4( 2 4 |
2) e,4( e) |
\barNumberCheck#47
r4 fs,2( e,4) |
r4 2( 4) |
r4 ( ) 4 |
4 e fs'8( e' d' cs') |
r4 fs,2( e,4) |
r4 2( 4) |
r4 8 r 2-> |
r4 8 r 2-> |
\barNumberCheck#55
\slurDown
e2( fs4 gs |
2 2) |
4( 2.) |
4( 2. |
b8 cs' d'2.) |
2( 4 ) |
( 2 4) |
2 e,4( e) |
\key c \major
\barNumberCheck#63
4 2 g,4 |
a,4 b,2 a,4 |
g,4 f, e, |
g,,8 g, d f g b d' f' |
\clef treble
s1*2 |
\stemDown
e'1( ~ |
e'2. ~ e'8 ds') |
}
%% Third section in E major
rhUpEE = \relative c'''{
\key e \major
\tempo"Tempo 1º"
%% same as measures 17 and following
\stemUp a2\( gs |
fs2 e\) |
%% same as measures 2 and following
r4 cs\(^\< fs cs\!~|
cs4\) cs\(^\< fs a\!~ |
\stemNeutral\tieNeutral
a4 a2~a8*2/3 gs fs\) |
\barNumberCheck#76
r4 \times2/3{e8\( fs cs} e8*2/3 b cs gs b fs |
gs8*2/3 e gs ds2 cs4 |
b8\) r e'8*2/3\( fs cs e b cs gs b fs |
gs8*2/3 e gs ds2 cs4\) |
\times2/3{b8( a b} cs4~cs8 e ds e cs4) gs'2( e4) |
\times2/3{ds8( cs ds} e4~e8 gs fs gs |
\barNumberCheck#83
e4) cs'2\( \times2/3{as8 cs as} |
gs4\) e'2\( \times2/3{cs8 e cs\)} |
gs'4.(fs8) gs4.( fs8) |
gs4.( fs8) gs-- fs4-- gs8--|\myBreakForFivePages
\barNumberCheck#87
\stemUp a2\( gs |
fs2 e\) |
%% no longer the same as earlier bars
a4\( b8 cs\< a gs a gs~ |
gs4 fs4 ~fs4 e\) ~ |
e8\! d\( e fs d cs d cs ~ |
cs4 b2 a4\) ~ |
a8 ( gs a gs cs a fs4) ~ |
\time 2/4
fs8\< e fs e |
\time 4/4
\barNumberCheck#95
\stemNeutral\slurNeutral
a\breve\!_" " |
gs1 |
fs1 |
e4 \times2/3{e''8\(\p fs cs} e8*2/3 b cs gs b fs |
gs8*2/3 e gs ds2 cs4 |
b4\) e8*2/3\(\pp fs cs e b cs gs b fs |
gs e gs ds2 cs4\) |
\stemUp r8*2/3 \cl b e, \cu r \cl cs' gs \cu r e' b r fs' cs |
\stemNeutral r8*2/3\< b' e, r cs' gs r e' b r fs' cs |
\ottava#1
r8*2/3\! b' e, r\> cs' gs r e' b r fs' cs |
4--(\pp 2-- 4--) |
\ottava#0
e,,4 r4 r2
}
rhDownEE = \relative c''{
%% same as measures 17 and following
s4 cs8*2/3 e fs gs ds b s4 |
s4 a8*2/3 cs ds e b gs s4 |
%% same as measures 2 and following
s4 cs8*2/3 fs, a~a4 cs8*2/3 fs, a~|
a4 cs8*2/3 fs, a~a4 a'8*2/3 a, cs |
\override TextSpanner #'(bound-details left text) = "rit."
s2 s4\startTextSpan s8*2/3 s s\stopTextSpan|
\barNumberCheck#76
s1^\markup"a tempo" |
s1*6 |
\barNumberCheck#83
s1^\markup"stringendo" |
s1 |
s1 |
s2 s8\startTextSpan s s s\stopTextSpan|
\barNumberCheck#87
s4 cs8*2/3 e fs gs ds b s4 |
s4 a8*2/3 cs ds e b gs s4 |
%% no longer the same as earlier bars
r4 e' r ds |
cs2 b |
r4 a r4 gs |
fs2 e |
d2 cs |
b2 |
\barNumberCheck#95
\set decrescendoText="dim."
\set decrescendoSpanner=#'text
s4\> s\! s s |
s1 |
\set decrescendoText="più dim."
s4\> s\! s s |
s1*10
}
lhUpEE = {
\key e \major
\slurNeutral\phrasingSlurNeutral
%% same as measures 17 and following
\times2/3{cs'8\(\p e' a'} s2 gs'8*2/3 ds' b\) |
a8*2/3\( cs' fs' s2 e'8*2/3 b gs\) |
%% same as measures 2 and following
\stemUp \clef bass
fs8*2/3_\( a cs'~cs'4*2/3\cu\ohn\lu a'8*2/3\) \cl
%{%} e8*2/3_\( a cs'~cs'4*2/3 \cu\ohn\lu a'8*2/3\) \cl |
ds8*2/3_\( a cs'~cs'4*2/3 \cu\ohn\lu a'8*2/3\) \cl
%{%} cs8*2/3_\( a e'~e'4*2/3 \cu\ohn\lu cs''8*2/3\) \cl |
\stemNeutral
\set crescendoSpanner=#'hairpin
b,8*2/3\(\< fs a \clef treble cs' ds' fs' a'cs'' ds''\! cs'' b' a'\)|
\clef bass e,8(\pp b, e gs b gs e b,) |
e,8( b, e gs cs' gs e b,) |
e,8( b, e gs b gs e b,) |
e,8( b, e gs cs' gs e b,) |
\set crescendoText="poco a poco cresc."
\set crescendoSpanner=#'text
fs,8(\< cs e fs a fs e cs)\! |
gs,8( cs e gs b gs e cs) |
a,8( e fs a cs' a fs e) |
\barNumberCheck#83
\set crescendoText="sempre cresc."
as,8(\< e gs cs')\! cs( fs as e') |
e8( as cs' gs') fs( cs' e' as')|
\clef treble as8( e' gs' cs'') cs'( fs' as' e'') |
as8( e' gs' cs'') cs'( fs' as' e'')\! |
\barNumberCheck#87
\times2/3{cs'8\(\p e' a'} s2 gs'8*2/3 ds' b\) |
a8*2/3\( cs' fs' s2 e'8*2/3 b gs\) |
%% no longer the same as earlier bars
\stemUp
cs'8*2/3( e' a' cs'' a' e') b( ds' gs' b' gs' ds') |
a8*2/3( cs' fs' a' fs' cs') gs( b e' gs' e' b) |
\clef bass
fs8*2/3( a d' fs' d' a) e( gs cs' e' cs' gs) |
d8*2/3( fs b d' b fs) cs( e a cs' a e) |
b,8*2/3( es gs b gs es) a,( cs fs a fs cs) |
gs,8*2/3( b, e gs e b,) |
\barNumberCheck#95
\stemNeutral
\relative c, {
fs8*2/3\( cs' e fs a b cs \cu e a b cs e |
a b cs e cs b a e cs b a e \) \cl |
} \relative c, {
b\( b' ds gs b \cu ds gs b ds gs b b,\) \cl |
} \relative c, {
b\( b' ds a' b \cu ds a' b ds a' b b,\) \cl |
}
e,8( b, e gs b gs e b) |
e,8( cs e gs cs' gs e cs) |
e,8( b, e gs b gs e b) |
e,8( cs e gs cs' gs e cs) |
e,4_( b, e gs) |
e4( b e' gs') |
\clef treble
e'4( b' e'' gs'') |
4--( 2-- 4--) |
\clef bass
4 r4 r2 |
}
lhDownEE = {
%% same as measures 17 and following
s1*2 |
%% same as measures 2 and following
\stemDown\mergeDifferentlyHeadedOn\tieDown
fs2 e|
ds2 cs|
s1*12 |
\barNumberCheck#87
s1*2 |
%% no longer the same as earlier bars
\phrasingSlurDown
cs'2\( b |
a2 gs\) |
fs2\( e |
d2 cs\) |
b,2 a, |
gs,2 |
s1*13
}
\score {
\new PianoStaff
<<
%\override Score.NonMusicalPaperColumn #'page-break-permission = ##f
\override Score.SpacingSpanner #'shortest-duration-space = #1.5
% Increase text size by one step
\override Score.TextScript #'font-size = #1
\override Score.TextSpanner #'font-size = #1
% The 'piano' accidental style has extraNaturals false by default
%\set PianoStaff.extraNatural = ##f
#(set-accidental-style 'piano 'Score)
\set PianoStaff.printKeyCancellation = ##f
\override PianoStaff.PhrasingSlur #'height-limit = #4
\override PianoStaff.DynamicLineSpanner #'staff-padding = #3
\override PianoStaff.DynamicText #'self-alignment-X = #LEFT
\new Staff = "upper" <<
\numericTimeSignature
\time 4/4
\new Voice = "red" {
%{colorize } \override NoteHead #'color = #red %}
\rhUpE
\rhUpA
\rhUpEE
}
\new Voice = "green" {
%{colorize } \override NoteHead #'color = #green %}
\rhDownE
\rhDownA
\rhDownEE
}
\new Voice = "dynamics" {
}
>>
\new Staff = "lower" <<
\numericTimeSignature
\time 4/4
\new Voice = "blue" {
%{colorize } \override NoteHead #'color = #blue %}
\lhUpE
\lhUpA
\lhUpEE
}
\new Voice = "grey" {
%{colorize } \override NoteHead #'color = #grey %}
\lhDownE \bar "||"
\lhDownA \bar "||"
\lhDownEE \bar "|."
}
\new Voice = "pedal" {
\set Staff.pedalSustainStyle = #'bracket
}
>>
>>
\layout {
\context {
\Score
}
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 72 2)
}
%% Remove the dynamics from the midi output
\context {
\Voice
\remove "Dynamic_performer"
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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