#(set-global-staff-size 15.5)
#(ly:set-option 'point-and-click #f)
\version "2.18.0"
global = { \key g \major \time 6/8 \tempo "Sehr mäßig" }
SHirtenWiegenlied = \relative g' {
\revert Rest.direction
\partial 8
d8\p d'4 d8 b8.\( c16\) d8 a8.[ g16 a8] b4
d,8 d'4 d8 b8.\( c16\) d8 a8.[ g16 a8] b4
\bar "||"
a8 b4\< a8\! b8.[ c16] a8 g4.\(\> g4\)\!
a8\p b4 a8 b8.[ c16] a8 g4.\( g8\) r8
d8\cresc g8. a16 b8 c[ d]
c8\mf b8. b16 a8 g4
d8\p g8. a16 b8 c[ d]
c8 b8.^\markup {\large\italic rit.} b16 a8 g4\fermata
\bar "|."
}
AHirtenWiegenlied = \relative g' {
\partial 8
d8 b'4 b8 g8.( a16) b8 fis8.[ e16 fis8] g4
d8 b'4 fis8 g8.( a16) b8 fis8.[ e16 fis8] g4
\bar "||"
fis8 g4 g8 g4 fis8 e4.~ e4
fis8 g4 g8 g4 fis8 d4(\( c8) d8\) s8
d8 d8. fis16 g8 g4
g8 g8. g16 fis8 g4
d8 d8. fis16 g8 g[ fis]
a8 g8. g16 fis8 d4
\bar "|."
}
THirtenWiegenlied = \relative g' {
\partial 8
d8 b4 b8 d8.( c16) b8 d4. d4
d8 b4 c8 d8.( c16) b8 d4. d4
\bar "||"
d8 d4 e8 d4 c8 b4.( c4)
c8 d4 cis8 d4 c8 c8[ b a] b r
d16[ c] b8. a16 g8 e'4
e8 d8. d16 c8 b4
fis8 g8. d'16 d8 c[ a]
d8 d8. e16 c8 b4
\bar "|."
}
BHirtenWiegenlied = \relative g {
\partial 8
d8\p g4 g8 b8.( a16) g8 d'4( d,8) g4
d8 g4 a8 b8.( a16) g8 d'4( d,8) g4
\bar "||"
d8 g4\< c,8\! d4 d8 e4(\> d8) c[\! b]
a8\p g4 e'8 d4 d8 g4.~ g8 r
r8\cresc r4 r8 r4
c,8\mf d8. d16 dis8 e4
d16[\p c] b8. d16 g8 e[ d]
fis8 g8._\markup {\large\italic rit.} c,16 d8 g,4\fermata
\bar "|."
}
LHirtenWiegenliedA = \lyricmode {
\set stanza = "1."
Lasst uns das Kin -- de -- lein wie -- gen,
das Herz zum Krip -- pe -- lein bie -- gen!
Lasst un -- sern Geist er -- freun, __ _
das Kind -- lein be -- ne -- dein! __ _
O Je -- su -- lein süß,
o Je -- su -- lein süß,
o Je -- su -- lein süß,
o Je -- su -- lein süß!
}
LHirtenWiegenliedB = \lyricmode {
\set stanza = "2."
Lasst uns dem Kin -- de -- lein sin -- gen,
ihn un -- ser Op -- _ fer brin -- gen,
ihm al -- le Ehr be -- wei -- sen
mit Lo -- ben und mit Prei -- sen!
O Je -- su -- lein süß,
o Je -- su -- lein süß,
o Je -- su -- lein süß,
o Je -- su -- lein süß!
}
LHirtenWiegenliedC = \lyricmode {
\set stanza = "3."
Lasst un -- ser Stimm _ er -- schal -- len,
es wird dem Kin -- del ge -- fal -- len;
lasst ihm ein Freud -- lein ma -- chen,
das Kind -- lein wird eins la -- chen.
O Je -- su -- lein süß,
o Je -- su -- lein süß,
o Je -- su -- lein süß,
o Je -- su -- lein süß!
}
Lextra = \lyricmode {
\skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4
\skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4 \skip 4
\skip 4 \skip 4 \skip 4 \skip 4 er -- freu -- en
}
%--------------------
\header {
kaisernumber = "88"
comment = ""
footnote = ""
title = "Wiegenlied der Hirten"
subtitle = ""
composer = "Volksweise aus der Grafschaft Glatz, 1842 aufgezeichnet,"
opus = ""
arranger = "bearbeitet von Max Bruch (1838–1920)"
poet = "Verfasser unbekannt (1604)"
mutopiatitle = "Wiegenlied der Hirten"
mutopiacomposer = "BruchM"
mutopiapoet = "unknown"
mutopiaopus = ""
mutopiainstrument = "Choir (SATB)"
date = "1910s"
source = "Leipzig : C. F. Peters, 1915"
style = "Romantic"
license = "Creative Commons Attribution 4.0"
maintainer = "Klaus Rettinghaus"
lastupdated = "2014/March/01"
footer = "Mutopia-2014/03/21-632"
copyright = \markup { \override #'(baseline-skip . 0 ) \right-column { \sans \bold \with-url #"http://www.MutopiaProject.org" { \abs-fontsize #9 "Mutopia " \concat{ \abs-fontsize #12 \with-color #white \char ##x01C0 \abs-fontsize #9 "Project " } } } \override #'(baseline-skip . 0 ) \center-column { \abs-fontsize #12 \with-color #grey \bold { \char ##x01C0 \char ##x01C0 } } \override #'(baseline-skip . 0 ) \column { \abs-fontsize #8 \sans \concat { " Typeset using " \with-url #"http://www.lilypond.org" "LilyPond " \char ##x00A9 " " 2014 " by " \maintainer " " \char ##x2014 " " \footer } \concat { \concat { \abs-fontsize #8 \sans { " " \with-url #"http://creativecommons.org/licenses/by/4.0/" "Creative Commons Attribution 4.0 International License " \char ##x2014 " free to distribute, modify, and perform" } } \abs-fontsize #13 \with-color #white \char ##x01C0 } } }
tagline = ##f
}
\score {
{
\context ChoirStaff
<<
\context Staff = women
<<
\set Staff.midiInstrument = "voice oohs"
\clef "G"
\context Voice = Sopran { \voiceOne
<<
\autoBeamOff
\dynamicUp
{ \global \SHirtenWiegenlied }
>> }
\context Voice = Alt { \voiceTwo
<<
\autoBeamOff
\dynamicDown
{ \global \AHirtenWiegenlied }
>> }
>>
\context Lyrics = verseone
\context Lyrics = versetwo
\context Lyrics = versethree
\context Staff = men
<<
\set Staff.midiInstrument = "voice oohs"
\clef "F"
\context Voice = Tenor { \voiceOne
<<
\autoBeamOff
\dynamicUp
{ \global \THirtenWiegenlied }
>> }
\context Voice = Bass { \voiceTwo
<<
\autoBeamOff
\dynamicDown
{ \global \BHirtenWiegenlied }
>> }
>>
\context Lyrics = verseone \lyricsto Sopran \LHirtenWiegenliedA
\context Lyrics = versetwo \lyricsto Sopran \LHirtenWiegenliedB
\context Lyrics = versethree \lyricsto Sopran \LHirtenWiegenliedC
>>
}
\layout {
indent = 0.0\cm
\context {\Score
\remove "Bar_number_engraver"
\override DynamicTextSpanner.style = #'none
}
}
\midi {
\tempo 4.=58
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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