\version "2.16.1"
\paper {
line-width = 18.0\cm
top-markup-spacing #'basic-distance = #4
ragged-bottom = ##f
ragged-last-bottom = ##f
}
% #(set-default-paper-size "a4")
#(set-global-staff-size 19)
\header {
title = "Clavierübung Vierter Teil Aria mit 30 Veränderungen"
subtitle = "\"Goldberg Variationen\""
piece = "Variatio 30. Quodlibet. a 1 Clav."
mutopiatitle = "Goldberg Variations - 30"
composer = "Johann Sebastian Bach (1685-1750)"
mutopiacomposer = "BachJS"
opus = "BWV 988"
date = "1741"
mutopiainstrument = "Harpsichord,Clavichord"
style = "Baroque"
source = "Bach-Gesellschaft Edition 1853 Band 3"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Hajo Dezelski"
maintainerEmail = "dl1sdz (at) gmail.com"
footer = "Mutopia-2013/03/22-1422"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \concat { \teeny www. \normalsize MutopiaProject \teeny .org } \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \concat { \teeny www. \normalsize LilyPond \teeny .org }} by \concat { \maintainer . } \hspace #0.5 Copyright © 2013. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details \concat { see: \hspace #0.3 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } } }
}
%------------- MACROS
partialPickup = \set Timing.measurePosition = #(ly:make-moment 7/8)
shortenBeamOne = \once \override Beam #'positions = #'(-1.8 . -1.8)
shortenBeamTwo = \once \override Beam #'positions = #'(1.2 . -0.5)
shortenBeamThree = \once \override Beam #'positions = #'(2.2 . 1.6)
shortenBeamFour = \once \override Beam #'positions = #'(-1.3 . -0.8)
alignBeamOne = \once \override Beam #'positions = #'(2.2 . -0.8)
alignBeamTwo = \once \override Beam #'positions = #'(1.5 . -1.8)
lenghtenBeam = \once \override Beam #'positions = #'(-3.3 . -3.5)
shiftStemRight = \once \override NoteColumn #'force-hshift = #0.25
shiftStemLeft = \once \override NoteColumn #'force-hshift = #-0.75
shiftStemLeftTwo = \once \override NoteColumn #'force-hshift = #0.2
shortenStem = \once \override Stem #'length-fraction = #(magstep -3)
rightPartialBeam = \set stemRightBeamCount = #1
leftPartialBeam = \set stemRightBeamCount = #0
lowerRest = \once \override Voice.Rest #'extra-offset = #'(0 . -1.6 )
ignoreClashNote = \once \override NoteColumn #'ignore-collision = ##t
staffUp = \change Staff = "upper"
staffDown = \change Staff = "lower"
%-----------------------------------
sopranoOne = \relative d' {
\repeat volta 2 { %begin repeated section
\stemUp
\partialPickup r8 | % Auftakt
b'2\rest b4\rest b8\rest d,8 | % 1
g8 [ a b c ] d8 [ c16 b ] a8 r8 | % 2
d4 d e e | % 3
d8 [ e d c ] b \prallprall [ a ] g4 | % 4
g8 [ a b c ] d [ c16 b ] \shortenBeamTwo a8 [ \stemDown d ] | % 5
\stemUp g8 [ fis e d ] cis \prallprall [ b16 cis ] a8 r8 | % 6
a'4 a b b | % 7
\stemUp a8 [ b a g ] fis [ e ] d % 8
} %end of repeated section
\repeat volta 2 { %begin repeated section
\partialPickup a'8 | % Auftakta
fis8 [ a fis a ] d, [ e16 fis ] g8 [e ] | % 9
a8 [ g fis e ] dis [ cis16 dis ] b8 [b'] | % 10
e,8 [ b' e, b'] dis,16 [e fis g ] a8 [ g16 fis ] | % 11
g8 [ fis16 e ] dis16 [ e fis dis ] e2 ~ | % 12
e16 [(d ) fis (e) ] g16 [(fis) a8 ] \ignoreClashNote d,4. c16 [ d] | % 13
e8 [ fis16 g] \ignoreClashNote a8 [ \ignoreClashNote g ] \ignoreClashNote fis16 \prallprall [ e32 fis d8 ] r4 | % 14
b'8 [ c d b ] c [ b a g ] | % 15
fis8 [ g a fis ] g4 g8 % 16
} %end repeated section
}
sopranoTwo = \relative g' {
\repeat volta 2 { %begin repeated section
\stemDown
\partialPickup r8 | % Auftakt
R1 | % 1
g4 g a a | % 2
g8 [ a g f ] e [ d c b' ] | % 3
a8 [ g a fis ] g4 g8 [ d ] | % 4
g4 g a a | % 5
g8 [ a g fis ] e [ d ] cis\noBeam b'16 [ cis! ] | % 6
d8 [ e fis d ] b [ d g fis ] | %7
e8. [ d16 ] ~ d [ cis e8 ~ ] \shortenBeamOne \shiftStemLeftTwo e16[ \rightPartialBeam d8] \leftPartialBeam \shortenStem cis16[] \ignoreClashNote \shortenStem d8 % 8
} %end of repeated section
\repeat volta 2 { %begin repeated section
\partialPickup r8 | % Auftakt
a4 a b b | % 9
a8 [ b a g ] fis [ e ] dis r8 | % 10
b'4 b c c | % 11
b8 [ c b a ] g [ fis16 g ] e8 r8 | % 12
g2\rest \stemUp g4 g4 | % 13
\shiftOn \alignBeamOne c8. [ \stemDown d16 ] \stemUp \shortenBeamThree \shiftOff c8 [b] \alignBeamTwo a [ \shiftOn \stemDown b] \shortenBeamFour c [ \shiftOff \ignoreClashNote d ] | % 14
b8 [ a16 b ]g8 g8\rest g8\rest e'16 [d c8 e ] | % 15
a,16 [ d c b ] c [ a d8 ~ ] d8 [ c16 d ] b8 % 16
} %end repeated section
}
sopranoThree = \relative c'' {
\repeat volta 2 {
\partialPickup s8 \noBreak |
s1 \noBreak | %1
s1 | %2
s1 \noBreak | %3
s1 | %4
r2 \lowerRest r4 r8 d _~ \noBreak |%5
\shiftOn d8 c b4 a4. s8 | % 6
s1 \noBreak | %7
\stemDown s4. \shiftStemRight a8 _~ \lenghtenBeam \shiftStemLeft a [ g ] \shiftOff fis %8
}
\repeat volta 2 {
\partialPickup s8 \noBreak |
s1 \noBreak | %9
s1 | %10
s1 \noBreak | %11
s1 | %12
s1 \noBreak | %13
s1 | %14
s1 \noBreak | %15
s2 s4. %16
}
}
soprano = << \sopranoOne \\ \sopranoTwo \\ \sopranoThree >>
%%
%% Bass Clef
%%
bassOne = \relative d {
\repeat volta 2 { %begin repeated section
\stemUp
\partialPickup d8 | % 1
g8 [ a b c ] d [ c16 b ] a8 [ g16 a ] | % 1
b8 [ a ] g2 fis8 \prallprall [ e16 fis ] | % 2
g4 r8 d'8 c [ b a g ] | % 3
fis4 \prallprall ~ fis16 [e32 fis d8 ~] d4 r4 | % 4
s1 | % 5
s1 | % 6
fis8 [ g a fis ] g [ fis e d ] | % 7
cis8 [ d e cis ] d4 d8 % 8
} %end of repeated section
\repeat volta 2 { %begin repeated section
\partialPickup fis'8 | % Auftakt
d8 [ fis d fis ] g [ d d g ] | % 9
e8 r8 r4 fis4 fis | % 10
g4 g fis8 [g fis e ] | % 11
dis8 [ e16 fis ] b,4 ~ b8 [ a16 b ] g8 [a16 b ] | % 12
c8 [ \staffUp \stemDown d e fis ] g [ fis16 e ] d8 c8\rest | % 13
c8\rest a'8 e [ d16 e ] fis8 g4 fis8 | % 14
\staffDown \stemUp d4 d e e | % 15
d8 [ e d c ] b [ a ] g % 16
} %end repeated section
}
bassTwo = \relative g {
\repeat volta 2 { %begin repeated section
\stemDown
\partialPickup r8 | % Auftakt
g2 fis | % 1
e2 d4. c8 | % 2
b2 c | % 3
d2 g,4 r8 b'16 [ a ] | % 4
g8 [ fis16 g ] e8 [ d16 e ] fis4. b8 | % 5
e,4. fis16 [ g ] a4 ^~ a16 [ g fis e ] | % 6
fis4 d g g, | % 7
a2 d,4 r8 % 8
} %end of repeated section
\repeat volta 2 { %begin repeated section
\partialPickup r8 | % Auftakt
d''4 c b g | % 9
c8 [ b c a ] b4. a8 | % 10
g8 [ e' g, e' ] a,4. ais8 | % 11
b4 b, e4. d!8 | % 12
c4 c' b4. c16 [ b ] | % 13
a4. b16 [ c ] d4. c16 [ d ] | % 14
g,8 [ a b g ] c4. cis8 | % 15
d4 d,_\markup { "Aria da Capo e Fine." } g g,8 % 16
} %end repeated section
}
bass = << \bassOne \\ \bassTwo>>
%% Merge score - Piano staff
\score {
\context PianoStaff <<
\set PianoStaff.midiInstrument = "harpsichord"
\new Staff = "upper" { \clef treble \key g \major \time 4/4 \soprano }
\new Staff = "lower" { \clef bass \key g \major \time 4/4 \bass }
>>
\layout{ }
\midi { }
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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