\version "2.18.2"
\paper {
top-margin = 8\mm
top-markup-spacing.basic-distance = #6
markup-system-spacing.basic-distance = #5
top-system-spacing.basic-distance = #12
last-bottom-spacing.basic-distance = #12
%indent = 0.0
line-width = 18.0\cm
ragged-bottom = ##f
ragged-last-bottom = ##f
}
% #(set-default-paper-size "a4")
#(set-global-staff-size 19)
\header {
title = "Clavier眉bung Vierter Teil Aria mit 30 Ver盲nderungen"
subtitle = "\"Goldberg Variationen\""
piece = "Variatio 21. Canone alla Settima."
mutopiatitle = "Goldberg Variations - 21"
composer = "Johann Sebastian Bach (1685-1750)"
mutopiacomposer = "BachJS"
opus = "BWV 988"
date = "1741"
mutopiainstrument = "Harpsichord,Clavichord"
style = "Baroque"
source = "Bach-Gesellschaft Edition 1853 Band 3"
license = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Hajo Dezelski"
maintainerEmail = "dl1sdz (at) gmail.com"
footer = "Mutopia-2014/07/27-1403"
copyright = \markup { \override #'(baseline-skip . 0 ) \right-column { \sans \bold \with-url #"http://www.MutopiaProject.org" { \abs-fontsize #9 "Mutopia " \concat { \abs-fontsize #12 \with-color #white \char ##x01C0 \abs-fontsize #9 "Project " } } } \override #'(baseline-skip . 0 ) \center-column { \abs-fontsize #12 \with-color #grey \bold { \char ##x01C0 \char ##x01C0 } } \override #'(baseline-skip . 0 ) \column { \abs-fontsize #8 \sans \concat { " Typeset using " \with-url #"http://www.lilypond.org" "LilyPond " \char ##x00A9 " " 2014 " by " \maintainer " " \char ##x2014 " " \footer } \concat { \concat { \abs-fontsize #8 \sans { " " \with-url #"http://creativecommons.org/licenses/by-sa/3.0/" "Creative Commons Attribution ShareAlike 3.0 (Unported) License " \char ##x2014 " free to distribute, modify, and perform" } } \abs-fontsize #13 \with-color #white \char ##x01C0 } } }
tagline = ##f
}
%%-----------definitions
staffUp = \change Staff = "upper"
staffDown = \change Staff = "lower"
posPrall = { \once \override Script.staff-padding = #'() }
sopranoOne = \relative a' {
\repeat volta 2 { %begin repeated section
\stemUp
b2\rest b16\rest a16 [ bes c ] d [ c bes a ] | % 1
g8 [ d' g, c ~ ] c16 [ fis, g a ] bes [ a g fis ] | % 2
g8 b8\rest b8\rest g8 as [ g as a ] | % 3
bes16 [ c d c ] bes [ a g fis!] es'8 d\rest d\rest c8 ~ | % 4
c16 [ c bes a ] bes [ c d e ] f!8 [ e ] f16 [ g a8 ~ ] | % 5
a16 [ g f a ] g [ f e d ] cis8. \downprall [ b16 ] cis [ d e8 ] | % 6
d8 r8 r8 d8 ees! [ d8 es e ] | % 7
f8 [ g a g ~ ] g8 [ fis16 e ] d [ cis d8 ] | % 8
} %end of repeated section
\repeat volta 2 { %begin repeated section
r2 r16 as'16 [ g16 f! ] e [ f g e ] | % 9
c8 [ d16 es! ] f8 [ bes,8 ] r16 f'16 [ es d ] c [ es d f ] | % 10
es8 [ f ] g4 ~ g16 [ f g as ] d, [ c d f ] | % 11
bes,16 [ c d bes ] es8 [ as, ~ ] as [ g16 f ] g8 [ es'8 ~ ] | % 12
es8 [ d16 c ] d8 r8 r16 e,16 [ f! g ] f [ e d c ] | % 13
c'16 [ bes c8 ] fis,8 r8 r8 d'16 [ c ] bes [ a g f ] | % 14
es8 b'8\rest b8\rest c8 ~ c [ bes!] a [ bes16 c ] | % 15
d8 [ f,! ] es [ c' ~ ] c16 [ bes32 a g a fis16 ] g4 | % 16
} %end repeated section
}
sopranoTwo = \relative bes {
\repeat volta 2 { %begin repeated section
\stemUp \tieUp \staffDown
b16\rest bes16 [ c d ] es [ d c bes ] a8 [ es' a, d ~ ] | % 1
d16 [ g, a bes ] c [ bes a g ] a8 a\rest a\rest a8 | % 2
bes8 [ a bes b ] c16 [ d es d ] c [ bes a g ] | % 3
\staffUp \stemDown \tieDown fis'8 e\rest e\rest d8 ~ d16 [ d c bes ] c [ d e fis ] | % 4
g8 [ fis ] g16 [ a bes8~ ] bes16 [ a g bes ] a [ g f e ] | % 5
\posPrall d8.^\downprall [ cis16 ] d [ e f8 ] e r8 r8 e8 | % 6
f8 [ e f fis ] g [ a bes a ~ ] | % 7
a8 [ g16 f ] e [ d e8 ] \staffDown \stemUp d4 \staffUp \stemDown r4 | % 8
} %end of repeated section
\repeat volta 2 { %begin repeated section
r16 bes'16 [ a g ] fis [ g a fis ] d8 [ e16 f ] g8 [ c, ] | % 9
r16 g'16 [ f es! ] d [ f es g ] f8 g as4 ~ | % 10
as16 [ g as bes ] es, [ d es g ] c, [ d es c ] f8 [ \staffDown \stemUp \tieUp bes, ~ ] | % 11
bes8 [ as16 g ] as8 [ \staffUp \stemDown \tieDown f'8 ~ ] f [ es16 d ] es8 r8 | % 12
\staffDown \stemUp a,16\rest fis16 [ g a ] g [ fis e d ] d' [ c d8 ] g, a\rest | % 13
\staffUp \stemDown r8 es'!16 [ d ] \staffDown \stemUp \tieUp c [ bes a g ] fis8 a8\rest a8\rest d8 ~ | % 14
d8 [ c ] b [ \staffUp \stemDown c16 d ] es8 [ \staffDown \stemUp g,] fis[ d' ~ ] | % 15
d16 [ c32 bes a bes g16 ] as [ g8 fis16 ] g4 d'4\rest | % 16
} %end repeated section
}
soprano = << \sopranoOne \\ \sopranoTwo>>
%%
%% Bass Clef
%%
bass = \relative g, {
\repeat volta 2 { %begin repeated section
\stemDown
g4 g' fis f | % 1
e4 es d16 [ a bes c ] d8 [ d, ] | % 2
g16 [ d' e fis ] g [ f es d ] c8 [ b c cis ] | % 3
\stemNeutral d8 [ bes c d ] g4 ~ g16 [ fis g a ] | % 4
bes16 [ c d8 ] g, [ g' ] d4. c8 | % 5
bes8 [ a bes g ] a16 [ e f g ] a [ b cis a ] | % 6
d16 [ f, g a ] d, [ c' bes a ] g [ bes, c d ] g,_[ g'8 cis,16 ] | % 7
d16 [ a' d8 ~ ] d8. [ cis16 ] d [ bes a g ] fis [ a fis d ] | % 8
} %end of repeated section
\repeat volta 2 { %begin repeated section
d8 d'4 c8 b bes4 a!16 [ g ] | % 9
a8 as4 g8 d [ es f bes, ] | % 10
es8 r8 r8 es8 as4. g16 [ f ] | % 11
\tieDown g4 ~ g16 [ f es d ] es [ g, as bes ] es, [ g a b ] | % 12
\stemDown c4 r8 c8 bes!4 r8 bes8 | % 13
a16 [ g a bes ] a [ g fis e ] d [ c' d es! ] d [ c bes a ] | % 14
g16 [ f' g as ] g [ f es d ] c [ b c cis ] d16 [ es d c ] | % 15
bes16 [ a bes b ] c8 [ d ] g,16 [ d' bes d ] g [ d bes g ] | % 16
} %end repeated section
}
%% Merge score - Piano staff in key of G Major, 12/8 time.
\score {
\context PianoStaff <<
\set PianoStaff.midiInstrument = "harpsichord"
\new Staff = "upper" { \clef "treble" \key bes \major \time 4/4 \soprano }
\new Staff = "lower" {\clef "bass" \key bes \major \time 4/4 \bass }
>>
\layout{ }
\midi { \tempo 4 = 34 }
}
“That accounts for it. I didn’t know he was going to make the hop or I might not have come myself—but now—well,” the man broke off his phrase and started to clamber into the control seat, “let’s get going.” Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoME搜索一级毛片免费播放基地
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