\version "2.18.0"
\paper {
top-margin = 8\mm
top-markup-spacing.basic-distance = #6
markup-system-spacing.basic-distance = #5
top-system-spacing.basic-distance = #12
last-bottom-spacing.basic-distance = #12
line-width = 18.0\cm
ragged-bottom = ##f
ragged-last-bottom = ##f
}
% #(set-default-paper-size "a4")
#(set-global-staff-size 19)
\header {
title = "Clavier眉bung Vierter Teil Aria mit 30 Ver盲nderungen"
subtitle = "\"Goldberg Variationen\""
piece = "Variatio 15. Canone alla Quinta (in moto contrario). a 1 Clav."
mutopiatitle = "Goldberg Variations - 15"
composer = "Johann Sebastian Bach (1685-1750)"
mutopiacomposer = "BachJS"
opus = "BWV 988"
date = "1741"
mutopiainstrument = "Harpsichord,Clavichord,Piano"
style = "Baroque"
source = "Bach-Gesellschaft Edition 1853 Band 3"
license = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Hajo Dezelski"
maintainerEmail = "dl1sdz (at) gmail.com"
footer = "Mutopia-2014/03/24-1389"
copyright = \markup { \override #'(baseline-skip . 0 ) \right-column { \sans \bold \with-url #"http://www.MutopiaProject.org" { \abs-fontsize #9 "Mutopia " \concat { \abs-fontsize #12 \with-color #white \char ##x01C0 \abs-fontsize #9 "Project " } } } \override #'(baseline-skip . 0 ) \center-column { \abs-fontsize #12 \with-color #grey \bold { \char ##x01C0 \char ##x01C0 } } \override #'(baseline-skip . 0 ) \column { \abs-fontsize #8 \sans \concat { " Typeset using " \with-url #"http://www.lilypond.org" "LilyPond " \char ##x00A9 " " 2014 " by " \maintainer " " \char ##x2014 " " \footer } \concat { \concat { \abs-fontsize #8 \sans { " " \with-url #"http://creativecommons.org/licenses/by-sa/3.0/" "Creative Commons Attribution ShareAlike 3.0 (Unported) License " \char ##x2014 " free to distribute, modify, and perform" } } \abs-fontsize #13 \with-color #white \char ##x01C0 } } }
tagline = ##f
}
%-------------------definitions
tempoMark = #(define-music-function (parser location markp) (string?)
#{
\once \override Score.RehearsalMark.self-alignment-X = #left
\once \override Score.RehearsalMark.extra-spacing-width = #'(+inf.0 . -inf.0)
\mark \markup { \bold $markp }
#})
staffUp = \change Staff = "upper"
staffDown = \change Staff = "lower"
adjBeamOne = \once \override Beam.positions = #'( -5.2 . -6.0 )
adjBeamTwo = \once \override Beam.positions = #'( 5.8 . 7.3 )
adjBeamTre = \once \override Beam.positions = #'( -2.4 . -1.4 )
adjBeamQtr = \once \override Beam.positions = #'( 4.0 . 4.5 )
adjBeamCin = \once \override Beam.positions = #'( 7.7 . 5.2 )
adjBeamSix = \once \override Beam.positions = #'( 1.3 . 1.5 )
adjBeamSev = \once \once \override Beam.damping = #6
adjBeamOct = \once \override Beam.positions = #'( -4.3 . -5.3 )
adjBeamNov = \once \override Beam.positions = #'( 5.0 . 5.3 )
adjBeamTen = \once \override Beam.positions = #'( -2.0 . -1.8 )
adjBeamOnc = \once \override Beam.positions = #'( -5.3 . -5.1 )
adjTieOne = \shape #'((0 . -0.2) (0 . -0.3) (0 . -0.3) (0 . -0.2)) Tie
adjTieTwo = \shape #'((0 . 0.2) (0 . 0.3) (0 . 0.3) (0 . 0.2)) Tie
adjTieTre = \shape #'((0 . -1.2) (0.0 . -1.4) ( 0.0 . -1.4) (0 . -1.2)) Tie
adjTieQtr = \shape #'((0.6 . -1.0) (2.2 . -2.6) ( -2.2 . -2.6) (-0.5 . -1.4)) Tie
adjTieCin = \shape #'((0 . 0.9) (0.5 . 2.1) (-0.5 . 2.1) (0 . 0.9)) Tie
adjSlurOne = \shape #'((0 . 0.0) (0 . 0.3) (0 . 0.5) (0 . 0.3)) Slur
adjSlurOne = \shape #'((0 . 0.8) (0 . 0.5) (-0.3 . 0.1) (-0.3 . -0.3)) Slur
lengthenStemOne = \once \override Stem.length-fraction = #(magstep +2)
pushNoteColRight = \once \override NoteColumn #'force-hshift = #0.3
allowScriptInStaff = \once \override Script.staff-padding = #'()
sopranoOne = \relative d'' {
\repeat volta 2 { %begin repeated section
\stemUp
\tempoMark #"Andante"
R1*1/2 | % 1
r16 d16 [ d ( e ) ] e ( [ fis ) fis ( g ) ] \noBreak | % 2
\adjTieTwo g4 ~ \adjBeamTwo g16 [ a bes c ] | % 3
d16 [ a a32 gis a16 ] \adjTieTwo d,4 ~ | % 4
d8 [ es16 ( f ) ] es ( [ d ) d ( c ) ] | % 5
bes8 d8\rest d8\rest c8 | % 6
g'32 [ a fis16 g a ] bes [ c d c ] | % 7
\adjBeamCin bes16 [ \grace a16 g16 \adjTieTwo d8 ~ ] \adjBeamQtr d8 [ es ] | % 8
d8 r8 f16\rest es16 [ d ( c ) ] | % 9
bes16 ( [ c ) c ( d ) ] d ( [ es ) es ( d ) ] | % 10
d8 r8 r8 a'8 | % 11
bes8 [ d,16 \adjTieTwo e ~ ] e [ f8 g16 ] | % 12
\stemDown \adjBeamSix a8 [ \stemUp bes, ] c [ a' ] | % 13
r8 g32 [ a g16 ~ ] g [ g8 g16 ~ ] | % 14
g16 [ f32 g32 a16 bes ] a [ f cis8 ] | % 15
r8 g'8 ~ g16 [ fis32 e fis8 ] | % 16
} %end of repeated section
\repeat volta 2 { %begin repeated section
R1*1/2 | % 17
d8\rest es8 [ d c ] | % 18
g'16 [ g,8 as16 ~ ] as [ bes8 c16 ] | % 19
bes8 [ f' ] g [ d ] | % 20
es16 [ d c8 ] e'16\rest bes,8 [ c16 ] | % 21
d16 [ bes f d ] es [ f g as ] | % 22
\adjTieCin bes2 ~ | % 23
bes16 [ c32 d es d c16 ] d [ es32 f es f g16 ] | % 24
f8 r8 r4 | % 25
r16 c16 [ c ( d ) ] es [ e g, e' ] | % 26
fis4 ~ fis16 [ g a bes ] | % 27
c16 [ bes a g ] fis [ g fis8 ~ ] | % 28
fis16 [ a g8 ] f8\rest c8 | % 29
g8. [ a16 ] bes [ c d e ] | % 30
fis16 [ g a fis ] \stemNeutral g [ fis e32 d c'16 ~ ] | % 31
c16 [ fis, g a ] bes [ c d8 ] | % 32
} %end repeated section
}
sopranoTwo = \relative g' {
\repeat volta 2 { %begin repeated section
\stemDown
b16\rest g16 [ g ( f ) ] f ( [ es ) es ( d ) ] | % 1
d4 ( \adjBeamOne d16 ) [ \stemUp \staffDown c bes a ] | % 2
g16 [ cis cis32 d cis16 ] \stemDown \staffUp g'4 ( | % 3
g8 ) [ fis16 e ] fis [( g) g( a ]) | % 4
bes8 r8 r8 a8 | % 5
d,32 [ c es16 d c ] \staffDown \stemUp bes [ a g a ] | % 6
bes16 [ d \staffUp \stemDown \adjTieTre g8 ~ ] g [ \allowScriptInStaff fis ^\prallprall ] | % 7
g8 r8 r16 fis16 [ g a ] | % 8
bes16 ( [ a ) a ( g ) ] g ( [ fis ) fis ( g ) ] | % 9
g8 r8 r8 c,8 | % 10
bes8 [ g'16 \adjTieOne f ~
] f [ e8 d16 ] | % 11
cis8 [ bes' ] a [ cis, ] | % 12
g'8\rest d32 [ cis d16 ~ ] d [ d8 d16 ] ~ | % 13
d16 [ e32 d cis16 b ] cis [ e a8 ] | % 14
r8 d, ~ d16 [ e32 f e d e16 ] | % 15
\stemUp d4 g4\rest | % 16
} %end of repeated section
\repeat volta 2 { %begin repeated section
g8\rest fis8_[ g a ] | % 17
\stemDown d,16 [ d'8 c16 ~ ] c [ bes8 a16 ] | % 18
bes8 [ es, ] d [ g ] | % 19
f16 [ g as8 ] b16\rest bes8 [ as16 ] | % 20
g16 [ bes es g ] f [ es d c ] | % 21
\adjTieQtr bes2 ~ | % 22
bes16 [ as32 g f g as16 ] g [ f32 es f es d16 ] | % 23
es8 r8 r4 | % 24
r16 as16 [ as ( g ) ] fis [ f d' f, ] | % 25
es4 ~ \adjBeamOct es16 [ d \staffDown \stemUp c bes ] | % 26
\adjBeamNov a16 [ bes \staffUp \stemDown c d ] es [ d es8 ~ ] | % 27
es16 [ c d8 ] g8\rest a8 | % 28
d8. [ c16 ] bes [ a g f ] | % 29
es16 [ d c es ] \adjBeamOnc d [ e fis32 g \staffDown \stemUp a,16^~ ] | % 30
\adjBeamNov a16 [ \staffUp \stemDown es'! d \staffDown \stemUp c ] bes [ a g fis ] | % 31
g4 a4\rest | % 32
} %end repeated section
}
soprano = << \sopranoOne \\ \sopranoTwo>>
%%
%% Bass Clef
%%
bass = \relative g {
\repeat volta 2 { %begin repeated section
g8 [ g, ] r8 \adjTieTwo g' ~ | % 1
g16 [ fis32 e fis8 ] r8 d8 | % 2
es8 [ e ] r8 es'! | % 3
d16 [ cis d8 ] r16 c16 [ bes a ] | % 4
g32 ( [ fis g16 ) c, g' ] c ( [ fis, ) fis ( g ) ] | % 5
g16 [ fis g a ] d,8 [ es ] | % 6
bes8 [ bes'16 c ] d8 [ d ] | % 7
g,8^[ bes,32 c d bes ] g8 r8 | % 8
r16 fis'16 [ g a ] bes8 [ a ] | % 9
g16 [ fis8 e16 ] fis32 [ a g8 fis16 ] | % 10
\adjBeamTen g16 [ a bes a ] g32 [ a g16 f32 g f16 ] | % 11
e16 [ f g e ] cis_[ d e cis ] | % 12
f32 [ e d16 ] g4 fis8 | % 13
bes8 [ e, ] a [ cis, ] | % 14
d8 [ f16 e ] f8 [ a ] | % 15
\stemDown \staffUp \adjBeamSev d16 [ \staffDown c32 bes a g a16 ] d,4 | % 16
} %end of repeated section
\repeat volta 2 { %begin repeated section
\adjSlurOne d16 [ ( es' ) es ( d ) ] d [ ( c) c ( bes ) ] | % 17
bes16 [ ( fis ) fis ( g ) ] g [ ( d ) \adjTieOne d8_~ ] | % 18
d16^[ c32 bes c16 f, ] f'^[ bes, es8_~ ] | % 19
\stemUp es16 [ d32 c d c bes16 ] es [ g, as bes ] | % 20
c,16 [ g' c bes ] as [ g \adjTieOne as8_~ ] \stemNeutral | % 21
as16 [ as' bes as ] g [ f es f ] | % 22
g16 [ as bes8 ] bes,8. [ as'16 ] | % 23
g16 ( [ f ) f ( es ) ] f ( [ g ) \adjSlurOne g ( as ) ] | % 24
c,8 [ b ] r16 a16 [ b g ] | % 25
c8 [ c' ] r8 \stemDown c,8_~ | % 26
c16 [ \staffUp \shiftOn d' es \staffDown bes ] a [ bes c g ] | % 27
g8 [ ( fis16) g ] a [ bes32 c d es c16 ] | % 28
bes32 [ d c16 bes32 c a16 ] g32 [ a f16 es32 f d16 ] | % 29
c16 [ es32 d es16 fis, ] \stemUp g8 \stemDown r16 c16 | % 30
d8 r16 es16 c8 [ d ] | % 31
g16 [ d32 c bes c a16 ] g4 | % 32
} %end repeated section
}
%% Merge score - Piano staff in key of G Major, 12/8 time.
\score {
\context PianoStaff <<
\set PianoStaff.midiInstrument = "harpsichord"
\context Staff = "upper" { \clef "treble" \key bes \major \time 2/4 \soprano }
\context Staff = "lower" { \clef "bass" \key bes \major \time 2/4 \bass }
>>
\layout{ }
\midi { \tempo 8 = 66 }
}
“That accounts for it. I didn’t know he was going to make the hop or I might not have come myself—but now—well,” the man broke off his phrase and started to clamber into the control seat, “let’s get going.” Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoME搜索一级毛片免费播放基地
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