\version "2.9.9"
\include "italiano.ly"
\header {
title = "Fuga X"
subtitle = "a 2 voci"
opus = "BWV 855"
composer = "Johann Sebastian Bach (1685–1750)"
enteredby = "Davide Castellone"
% mutopia headers.
mutopiatitle = "Das Wohltemperierte Clavier I, Fuga X"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 855"
mutopiainstrument = "Harpsichord, Piano"
source = "Breitkopf & Hartel, 1866"
date = "18th C."
style = "Baroque"
copyright = "Public Domain"
maintainer = "Davide Castellone"
maintainerEmail = "davide.castellone@gmail.com"
mantainerweb = "www.liceonovello.it/Members/kastel"
lastupdated = "2005/Mar/27"
footer = "Mutopia-2006/07/02-546"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
#(set-global-staff-size 17)
staffOne = \change Staff = one
staffTwo = \change Staff = two
upper = \relative do' {
mi16 sol si mi red mi re mi dod mi do mi |
si mi red mi lad, dod sol fad sol lad fad mi |
re8 si' r16 fad' sol fad mi re dod mi |
re4 ~ re16 dod si lad si dod lad si |
dod fad, lad dod mi lad, dod mi sol fad mi sol |
%5
fad mi re dod si lad sold fad re'4 ~ |
re16 mi, sold si re sold, si re fa mi re fa |
mi re do si la sold fad mi do'4 ~ |
do16 la re, mi fad sol la si do re mi fad |
sol fad la sol fad mi re do si sol' la, fad' |
%10
sol, si re sol fad sol fa sol mi sol mib sol |
re sol fad sol dod, mi sib la sib dod la sol |
fad8 re' r16 la' si la sol fad mi sol |
fad4 ~ fad16 mi re dod re mi dod re |
mi re dod si la sold mi' re dod si la sol! |
%15
fad8 re fad la re fad, |
re'16 do si la sol fad re' do si la sol fa! |
mi8 do mi sol do mi, |
mi'16 re do si la sold mi' re do si la sold |
la do mi la r mi fa mi re do si re |
%20
do4 ~ do16 si la sold? la fad red si' |
mi, sol si mi red mi re mi dod mi do mi |
si mi red mi lad, dod sol fad sol lad fad mi |
red8 si' r16 si' do si la sol fad la |
sol4 ~ sol16 fad mi red mi fad re mi |
%25
dod8 la' r16 la sib la sol fa mi sol |
fa4 ~ fa16 mi re dod re mi do re |
si8 sol' r16 la, si do re mi fa re |
mi re sol fa mi re dod sib la sib sol la |
fa8 re' r16 la' sib la sol fa mi sol |
%30
fa4 ~ fa16 mi re do re do re mi |
la, do mi la sold la sol la fad la fa la |
mi la sold la red, fad do si do red si la |
sold8 mi sold si mi sold, |
mi'16 re dod si la sold mi' re dod si la sol |
%35
fad8 re fad la re fad, |
re'16 do si la sol fad re' do si la sol fad |
si la sol fad mi red si' la sol fad mi red |
mi sol si mi red mi re mi dod mi do mi |
si la sol do si la si sold la sol la fad |
%40
sol fad sol la red, fad do si do red si la |
sold32( si mi16) r8 r4 r4 |
}
lower = \relative do {
R2.
R2. |
si16 re fad si lad si la si sold si sol si |
fad si lad si mid, sold re dod re mid! dod si |
lad8 fad' r16 fad' sol fad mi re dod mi |
%5
re4 ~ re16 dod si lad si dod la! si |
sold,8 mi' r16 mi' fa mi re do si re |
do4 ~ do16 si la sold la si sol la |
fad,8 re' r16 mi fad sol la si do la |
si la do si la sol fad mi re mi do re |
%10
si8 sol' r16 re' mi re do si la do |
si4 si16 la sol fad sol fad sol la |
re, fad la re dod re do re si re sib re |
la re dod re sold, si fa! mi fa sold mi re |
dod8 la dod mi la dod, |
%15
la'16 sol fad mi re dod la' sol fad mi re do! |
si8 sol si re sol si, |
sol'16 fa mi re do si sol' fa mi re do si |
mi re do si la sold mi' re do si la sold |
la do mi la sold la sol la fad la fa la |
%20
mi la sold la red, fad do si do red si la |
sol8 mi' r16 si' do si la sol fad la |
sol4 ~ sol16 fad mi red mi fad red mi |
fad si, red fad la red, fad la do si la do |
si la sol fad mi red dod si sol'4 ~ |
%25
sol16 la, dod mi sol dod, mi sol sib la sol sib |
la sol fa mi re dod si la fa'4 ~ |
fa16 re sol, la si do re mi fa sol la si |
do si mi re dod sib la sol fa re' mi, dod' |
re, fa la re dod re do re si re sib re |
%30
la re dod re sold, si fa mi fa sold mi re |
do8 la' r16 mi'16 fa mi re do si re |
do4 ~ do16 si la sold la fad red fad |
si la sold fad mi red si' la sold fad mi re |
dod8 la dod mi la dod, |
%35
la'16 sol fad mi re dod la' sol fad mi re do |
si8 sol si re sol si, |
si'16 la sol fad mi red si' la sol fad mi red |
mi si sol mi r si'' do si la sol la fad |
sol fad mi mi' red mi re mi dod mi do mi |
si8[ la] si r si, r |
mi, r8 r4 r4 |
}
\paper { between-system-padding = 2\mm between-system-space = 2\mm ragged-last-bottom = ##f after-title-space = 1\mm between-title-space = 0.2\mm indent = 0\mm print-page-number = ##t
#(if (equal? paper-width (* 8.5 in)) (define system-count 11))
#(if (equal? paper-width (* 210 mm)) (define system-count 12))
}
\score {
\context PianoStaff
<<
\context Staff = "one" {
\time 3/4
\key mi \minor
\clef treble
\upper
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
\mark \markup { \musicglyph #"scripts.ufermata" } \bar "|."
}
\context Staff = "two" {
\time 3/4
\key mi \minor
\clef bass
\lower
\bar "|."
}
>>
\midi { \tempo 4 = 120 }
\layout { \context { \RemoveEmptyStaffContext } }
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
riju9.net.cn
indeni.com.cn
www.cdzxkj.com.cn
www.cunhe4.net.cn
www.andegy.com.cn
www.ashapz.com.cn
doudi8.com.cn
5rl75.com.cn
www.1to1liao.com.cn
sinaweb4.com.cn