\version "2.9.9"
\include "italiano.ly"
#(set-default-paper-size "a4")
\header {
title = "Fuga IV"
subtitle = "a 5 voci"
opus = "BWV 849"
composer = "Johann Sebastian Bach (1685–1750)"
enteredby = "Davide Castellone"
% mutopia headers.
mutopiatitle = "Das Wohltemperierte Clavier I, Fuga IV"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 849"
mutopiainstrument = "Harpsichord, Piano"
source = "Breitkopf & Hartel, 1866"
style = "Baroque"
copyright = "Public Domain"
maintainer = "Davide Castellone"
maintainerEmail = "davide.castellone@gmail.com"
mantainerweb = "www.liceonovello.it/Members/kastel/music"
lastupdated = "2006/Jun/27"
footer = "Mutopia-2006/07/02-596"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
#(set-global-staff-size 17)
tieHigh = \once\override Tie #'Y-offset = #1.5
tieLow = \once\override Tie #'Y-offset = #-1.5
staffOne = \change Staff = one
staffTwo = \change Staff = two
sovo = { \staffOne \voiceOne }
sovt = { \staffOne \voiceTwo }
sovf = { \staffOne \voiceFour }
stvo = { \staffTwo \voiceOne }
stvt = { \staffTwo \voiceTwo }
stvtt = { \staffTwo \voiceThree }
soprano = \relative do'' \context Staff = "one" \new Voice { \voiceOne
s1*10
%10
s1
s
s
fa2\rest dod |
sid mi |
%15
red1
\shiftOn dod2. \shiftOff red4 |
mi red dod2 |
si2 dod |
red r |
%20
r4 mi red dod |
si red sold2 ~ |
sold4 fad sold la |
si1 ~ |
si4 la sold fad |
%25
sold8 fad mi red dod2 ~ |
dod si ~ |
si4 dod si la |
sold2 lad4 si |
dod2 si ~ |
%30
si lad |
\tieHigh si1 ~ |
si4 dod red mi ~ |
mi2 red |
mi4 red mi fad |
%35
sold8 fad sold la sold fad mi sold |
fad mi fad sold fad mi red fad |
mi red mi fad mi red dod mi |
red dod red mi red dod si red |
dod si dod red dod si lad! dod |
%40
si2 ~ si8 dod red si |
dod2. mi4 |
red2. fad4 |
mi1 ~
mi4 red2 dod4 ~ |
%45
dod4 sid8 lad sid4 red |
sold8 fad sold la sold fad mi sold |
fad mi fad sold fad mi red fad |
mid2 la |
sold1 ~
%50
sold4 fad8 mi re!2 |
r4 dod fad fad |
fad mi8 re! mi2 ~ |
mi4 re!8 dod re2 ~ |
re dod |
%55
fad mi ~ |
mi4. fad8 mi re! dod mi |
re! dod re mi re dod si re |
dod1
sid2 mi |
%60
red1 ~
red4 sold, dod dod |
dod si8 la si2 ~ |
si la |
sold re'\rest |
%65
red1 |
dodd2 fad |
mid mi! |
red8 dod red mi red dod si red |
dod si dod red dod mi red dod |
%70
sid2 si! |
lad la! |
sold re'2\rest |
re1\rest
re\rest
%75
dod1
sid2 mi |
red1 ~ |
red2 dod ~ |
dod sid |
%80
do4\rest dod8 red mi4 fad |
sold8 fad sold la sold fad mi sold |
fad mi fad sold fad mi red fad |
mi red mi fad mi re! dod mi |
re! dod re mi re dod si re |
%85
dod si dod re! dod si la dod |
si la si dod si la sold si |
la2 re2\rest |
dod1
sid2 mi |
%90
red1 ~
red4 dod sold' sold |
sold fad8 mi fad2 |
mi1
red2 sol! |
%95
fad \glissando fad, |
mid la |
sold4 s4 s2 |
sol'4\rest sid, fad' fad |
fad mi8 red mi4 red8 dod |
%100
red4 sid dod2 ~ |
dod1
sid2 si! |
lad la! |
sold1
%105
lad2 sid |
dod1
sid2 \tieHigh mi ~ |
mi red4 dod |
sid2 \tieHigh dod ~ |
%110
dod sid |
dod1 ~
dod ~
dod ~
dod\fermata
}
alto = \relative do'' \context Staff = "one" \new Voice { \voiceOne
s1*10
%10
s1
r2 sold |
mid la | \voiceThree
sold fad ~ |
fad \tieDown dod' ~ | \tieUp
%15
dod si ~ |
\shiftOff si \shiftOn la |
sold \tieDown la ~ | \tieUp
la4 sold fad mi |
lad2 sold ~ | \voiceTwo
%20
sold fadd |
sold si, |
dod2. dod4 |
red dod red mid |
fad2 la |
%25
sold r8 si la sold |
fad4 la sold fad |
mid2 fad ~ |
fad4 mi!2. ~ |
mi2 red | \voiceThree
%30
\tieDown mi1 ~ |
mi4 red mi fad8 sold |
fad2 si ~ | \tieUp
si4 dod si la |
sold2 sol\rest |
%35
sol1\rest
sol\rest
s
s
s
%40
s
s
s \voiceFour
si2\rest dod | \voiceTwo
sid mi |
%45
red1 ~ |
red2 dod ~ |
dod sid4 si! ~ |
si8 si dod re! dod si la dod |
si la si dod si la sold si |
%50
la2 ~ la8 dod si la |
sold2 r2 |
r1
r2 la |
sold dod |
%55
si1 ~
si4 mi, la la |
la sold8 fad sold2 ~ |
sold4 dod,8 red! mi4 fad |
sold8 fad sold la sold fad mi sold |
%60
fad mi fad sold fad mi red fad |
mi red mi fad mi red dod mi |
red dod red mi re! dod si re |
dod si dod re! dod mi red dod |
sid2 dod |
%65
red4 red sold8 lad si4 ~ |
si lad red red |
red dod8 sid dod2 ~ |
dod si |
lad la! ~ |
%70
la4 red, sold sold ~ |
sold fad8 mid fad2 ~ | \voiceThree
fad2 mi |
red dod |
red1
%75
s1 \voiceFour
fa,4\rest sold' dod dod |
dod sid8 lad sid dod red sid | \voiceTwo
sold fad sold la sold fad mi sold |
fad mi fad sold fad mi red fad |
%80
mi sold la si dod red sid dod |
red4 fa,4\rest r2 |
r1
r
r4 fad si \voiceFour si |
%85
si la8 sold la2 |
sold1 ~
sold8 sold fad mid fad2 |
sold2 ~ sold8 sold fad mi |
red la' sold fad mi sold dod si! |
%90
la sold la fad sold2 ~ |
sold4 dod8 sid dod2 ~ |
dod4 lad red red |
red dod8 si dod2 |
si si |
%95
lad re! |
\slurDashed \slurUp dod1(
\voiceThree s4 sold) dod dod | \voiceFour
dod sid8 lad sid dod red4 ~ | \voiceThree
red dod8 sid dod2 |
%100
fad,2 sold ~ |
sold fad ~ |
fad4 r4 s2 |
fa'4\rest dod, fad fad |
fad mi8 red mi2 ~ |
%105
mi4 fad8 sold la4 \tieDown sold ~ | \tieUp
sold mi la la |
la sold8 fad sold4 lad8 sid |
dod2 lad |
sold sold ~ |
%110
sold1 ~
sold2 fad |
mid la |
sold1~
\shiftOff sold
}
tenor = \relative do' \context Staff = "one" \new Voice { \oneVoice
r1
r
r
r
r
%5
r
r2 dod |
sid mi
red1
dod2 fad ~ |
%10
fad4 mi red dod | \voiceTwo
dod2 si |
dod fad ~ |
fad4 mi red dod |
red2 sold |
%15
r4 la sold fad |
mid dod fad2 |
mi1 ~
mi2 sold |
red r |
%20
s1
s
s
s \stvo
r2 dod |
%25
sid mi |
red1
dod ~
dod
fad,4 sold lad si | \sovt
%30
dod1
r2 mi |
red sold |
fad1
mi2 r |
%35
r1
r1
r2 sold |
fadd si
\tieLow lad1 ~ |
%40
lad4 red, sold2 ~ |
sold4 fad8 mi fad2 ~ |
fad4 mi8 fad sold2 ~ |
\tieLow sold1 ~
sold1 |
%45
r1
r
r \stvo
dod,4\rest dod fad fad |
fad mid8 red mid2 |
%50
fad4 fad,8 sold la4 si |
dod8 si dod re! dod si la dod |
si la si dod si la sold si |
la sold la si la si dod re! |
mi re! mi fad mi re dod mi |
%55
re! dod re mi re dod si re |
dod si dod re! dod si la dod |
si1
la8 sold fad mi red dod si dod |
red2 mi'\rest |
%60
mi1\rest
s
s
si4\rest dod, fad fad |
fad4 mi8 red mi2 |
%65
fadd sold
r1
r1
r4 red sold sold |
sold fad8 mi fad2 ~ |
%70
fad8 la sold fad mid red mid dod |
fad mid fad sold la sold la si |
dod sid dod red \sovt mi red mi fad |
sold fad sold la sold fad mi sold |
fad mi fad sold fad mi red fad |
%75
mi red mi fad mi red dod mi |
red2 r2
r1 \stvo
r1
r1
%80
s
dod4\rest sold dod dod |
dod sid8 lad sid2 |
dod1
si2. \sovt fad'4 |
%85
mid2 fad | \stvo
si, dod ~ |
dod ~ dod8 dod si la |
sold1
r1
%90
r
r
r
r
mi'4\rest si mi mi |
%95
mi re!8 dod si4 fa'4\rest | \sovt
r4 dod fad fad |
fad mi8 red mi2 |
\tieLow fad2. ~ fad8 sold |
la4 sold8 fad sold4 fad8 mi |
%100
red2 mi ~ |
mi red4 dod |
red mid8 fad sold4 sold |
sold fad8 mi red4 dod |
sid2 dod ~ |
%105
dod red |
dod4 dod fad fad |
fad mi8 red mi4 fad8 sold |
lad2 red, ~ |
red mi |
%110
red2. mi8 fad |
mid4 dod2. ~ |
dod4 dod fad fad |
fad2 mid4 red |
mid1
}
bariton = \relative do \context Staff = "two" \new Voice { \voiceOne
fa1\rest
fa\rest
fa\rest
sold
fadd2 si
%5
lad1
sold2 la! ~ |
la4 sold8 fad sold4 dod |
fad, sold8 la si2 ~ |
si4 la sold fad |
%10
sold2 fad4 mi |
red2. re!4 |
dod1 ~
dod |
fa1\rest
%15
fa\rest
fa\rest
fa\rest
sold2\rest sold |
fadd si |
%20
lad1 |
sold4 la sold fad |
mid2 la |
sold1 \voiceFour
fad1 ~
%25
fad4 sold8 fad mi4 fad8 sold |
la4 fad sold2 | \voiceThree \shiftOff
dod,1 ~
dod ~ | \voiceThree
dod2 fad |
%30
mi4 red mi fad | \voiceOne
sold fad sold la |
si1 ~
si ~
si2 dod |
%35
sid mi |
red1 |
dod ~
dod4 si lad sold ~ |
sold fadd8 mid fadd2 |
%40
sold8 lad sold fadd sold lad si sold |
la! si la sold lad si dod lad |
si dod si lad sid dod red sid |
dod1
r
%45
r
r
r \voiceFour
re,\rest
re\rest
%50
re2\rest fad |
mid la
sold1
fad
fa\rest
%55
s
s
s
s
la4\rest sold dod dod |
%60
dod sid8 lad sid2 |
dod la
fad sold
mid fad |
sold1 \voiceThree
%65
red
mid4 fa\rest fa2\rest
re1\rest
si\rest
si\rest
%70
si\rest
si\rest
si\rest \voiceOne
r4 sold dod dod |
dod sid8 lad sid2 |
%75
dod2 dod\rest |
dod1\rest
dod\rest
r
s
%80
dod1 \voiceThree
sid2 mi | \shiftOff
red1 \voiceFour
dod4 mi la la |
la sold8 fad sold2 ~ | \voiceOne
%85
sold fad | \voiceThree \shiftOn
sold1 \voiceThree
la2 \tieDown fad ~ | \voiceThree
fad8 fad mi red mi4 dod |
sold'1 \voiceThree
%90
fad2 red |
mi8 red mi fad mi red dod mi |
red dod red mi red dod sid red |
dod4 mi la la | \voiceFour
la sol8 fad mi2 |
%95
mi4\rest fad si si |
si la8 sold \voiceOne la sold fad mi |
red2 si'4\rest sold |
red' red red dod8 sid |
dod1
%100
sid2 mi |
r4 dod, fad fad |
fad mid8 red dod2 ~ |
dod red ~ |
red4 red sold sold |
%105
sold fad8 mi fad4 fad |
fad4 mi8 red mi4 red8 dod |
red4 sold, dod dod |
dod si8 lad red2 ~ |
red8 mi fad4 ~ fad8 mi red dod |
%110
sold'1
la2. sold8 la |
si4 la sold fad |
dod' si8 la sold4 fad |
sold1
}
bass = \relative do \context Staff = "two" \new Voice { \voiceTwo
dod1 |
sid 2 mi |
red1 |
dod4 red mi2 ~ |
mi4 red8 dod red4 sold |
%5
dod, red8 mi fad2 ~ |
fad4 mi red dod |
red2 dod ~ |
dod4 si la sold |
la2 lad2 |
%10
sid dod |
sold4 la si2 ~ |
si4 la sold fad |
dod'2 la ~ |
la4 sold fad mi |
%15
fad2 sold |
la4 sold la si |
dod si dod red |
mi2 dod ~ |
dod4 si lad sold |
%20
dod2 red |
sold, r2 |
r1
r1
r1
%25
re1\rest
mi\rest
mi\rest
sold2\rest si2 |
lad2 red |
%30
dod1 |
si1 ~ |
si4 sold' fad mi |
si'2 si, |
mi la |
%35
sold dod ~ |
dod sid |
dod r2 |
r1
r1
%40
r1
r1
r1
r4 dod,8 red mi4 fad |
sold8 fad sold la sold fad mi sold |
%45
fad mi fad sold fad mi red fad |
mi red mi fad mi la sold la |
red, dod red mi red sold fad sold |
dod,2 r2
r1
%50
r1
r1
r1
r1
r4 mi la la |
%55
la sold8 fad sold2 |
la fad |
si, mi |
la,1 |
sold2 r2 |
%60
r1
r1
r1
r1
r4 sold dod dod |
%65
dod si8 lad si lad sold si |
lad sold lad si lad sold fad lad |
sold fad sold lad sold si lad sold |
fadd2 sold |
lad r2 |
%70
sold r2 |
r1
dod,1
sid2 mi |
red1 |
%75
dod4 dod8 red mi4 fad |
sold8 fad sold la sold fad mi sold |
fad mi fad sold fad mi red fad |
mi4 mi' la la |
la sold8 fad sold4 sold, |
%80
dod si la2 |
sold4 r4 r2 |
r1
r1
r1
%85
r4 dod fad fad |
fad mid8 red mid2 |
fad r2 |
r1 |
r4 sold, dod dod |
%90
dod sid8 lad sid dod red sid |
mi,2 r4 la4 |
red,2 r4 sold |
dod, r4 r2 |
r1
%95
r1
r2 dod'2 |
sid mi |
red1
dod4 mi la la |
%100
la sold8 fad mi red dod si |
lad2 la! ~ |
la4 sold8 fad mid2 |
fad1
sold1 ~
%105
sold ~
sold ~
sold
fadd
sold ~
%110
sold
dod ~
dod ~
dod ~
dod\fermata
}
\paper { between-system-padding = 2\mm between-system-space = 2\mm ragged-last-bottom = ##f after-title-space = 1\mm between-title-space = 0.2\mm indent = 0\mm print-page-number = ##t
#(if (equal? paper-width (* 8.5 in)) (define system-count 18))
#(if (equal? paper-width (* 210 mm)) (define system-count 19))
}
\score {
\context PianoStaff \with { \override VerticalAlignment #'forced-distance = #10.5 }
<< %#(set-accidental-style 'piano)
\context Staff = "one" { \set Staff.extraNatural = ##t
\time 2/2
\key dod \minor
s1*115 \bar "|."
}
\context Staff = "two" { \set Staff.extraNatural = ##t
\key dod \minor
\clef bass
s1*115
}
\bass \bariton \tenor \alto \soprano >>
\midi { \tempo 4 = 112 }
\layout { }
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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