#(set-global-staff-size 20)
\header {
title = "Sinfonia 5"
composer = "Johann Sebastian Bach"
opus = "BWV 791"
mutopiatitle = "Sinfonia 5"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 791"
mutopiainstrument = "Harpsichord, Piano"
style = "Baroque"
source = "Unknown"
copyright = "Public Domain"
maintainer = "Olivier Vermersch"
maintainerEmail = "olivier.vermersch (at) wanadoo.fr"
lastupdated = "07/March/2002"
footer = "Mutopia-2008/06/15-204"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
\version "2.11.46"
%
% a few macros for fine tuning
%
% force direction of tie
tu = \tieUp
td = \tieDown
tb = \tieNeutral
% explicit staff change
su = { \change Staff = up}
sd = { \change Staff = down}
% force number of beams on left and right of the note
lbeamoff = \set stemLeftBeamCount = # 0
lbeamone = \set stemLeftBeamCount = # 1
lbeamtwo = \set stemLeftBeamCount = # 2
lbeamthree = \set stemLeftBeamCount = # 3
lbeamfour = \set stemLeftBeamCount = # 4
lbeamfive = \set stemLeftBeamCount = # 5
rbeamoff = \set stemRightBeamCount = # 0
rbeamone = \set stemRightBeamCount = # 1
rbeamtwo = \set stemRightBeamCount = # 2
rbeamthree = \set stemRightBeamCount = # 3
rbeamfour = \set stemRightBeamCount = # 4
rbeamfive = \set stemRightBeamCount = # 5
% tuning the grace notes
grstem = \override Grace.Stem #'stroke-style = #'()
% typeset on/off
typeskip = \set Score.skipTypesetting = ##t
typenoskip = \set Score.skipTypesetting = ##f
melone = \relative c'' {
% bars 1-4
r4 r8 r16 bes ees8. f16 |
d4 ~ d8. c16 des8. ees16 |
c4 ~ c8. c16 f8. g16 |
ees 4 ~ ees8. d16 ees8. f16 |
% bars 5-9
d4 ~ d8. d16 g8. g16 |
c,4 ~ c8. c16 f8. f16 |
bes,4 ees2 ~ |
ees4 d2 |
ees4 ~ ees8. r16 r4 |
% bars 10-13
r r8 r16 aes d,8. d16 |
d4 ~ d8. ees16 f4 ~ |
f8. ees16 ees4 d8.\lineprall c16 |
c4 r r |
% bars 14-17
r r8 r16 c16 f8. g16 |
d4 ~ d8. ees16 f8. g16 |
ees8. d16 d4 ( c8.) bes16 |
bes4 r8 r16 bes'16 aes!8. bes16 |
% bars 18-21
g4 ~ g8. aes16 bes4 ~ |
bes8. g16 e8. f16 g4 ~ |
g8. f16 des8. c16 f8. g16 |
e4 ~ e8. e16 aes8. aes16 |
% bars 22-25
aes4 ( g8.) f16 bes8. bes16 |
bes4 ( e,8.) e16 f8. e16 |
f8. g16 f4 ( e8.) f16 |
f4 r r |
% bars 26-29
r r8 r16 f bes8. aes16 |
g4 ~ g8. aes16 des,4 ( |
d8.) c16 c4 ( bes8.) aes16 |
aes4 ~ aes8. ees16 aes8. bes16 |
% bars 30-33
g4 ~ g8. f16 g8. aes16 |
bes4 ~ bes8. f16 bes8. c16 |
aes4 ~ aes8. g16 aes8. bes16 |
g4 ~ g8. g16 c8. c16 |
% bars 34-38
c4 bes2 ~ |
bes4 aes2 ~ |
aes4 ~ aes8. g16 c8. c16 |
f,4 ~ f8. f16 bes8. c16 |
g2.\fermata \bar "|."
}
meltwo = \relative c' {
% bars 1-4
R2. |
r4 r8 r16 f16 bes8. c16 |
aes4 ~ aes8. g16 aes8. bes16 |
g4 ~ g8. g16 c8. d16 |
% bars 5-9
bes2. ~ |
bes4 aes2 ~ |
aes4 ~ aes8. g16 c8. c16 |
f,4 ~ f8. f16 bes8. c16 |
g4 ~ g8. g'16 c,8. c16 |
% bars 10-13
c2. ~ |
c4 b8. c16 d4 ~ |
d8. c16 c4 b |
c4 r8 r16 g16 c8. d16 |
% bars 14-17
a4 ~ a8. bes16 c4 ~ |
c bes8. c16 d8. ees16 |
c8. bes16 bes4 a |
bes4 r r |
% bars 18-21
r r8 r16 ees des8. ees16 |
c4 ~ c8. des16 bes8. c16 |
aes4 ~ aes8. g16 aes8. bes16 |
c4 ~ c8. c16 f8. ees16 |
% bars 22-25
des2. ~ |
des4 c8. bes16 aes8. g16 |
aes8. bes16 aes4 g8. aes16 |
aes4 ~ aes8. c16 f8. ees16 |
% bars 26-29
des2. ~ |
des4 ~ des8. c16 bes4 ~ |
bes8. aes16 aes4 ( g) |
aes r r |
% bars 30-33
r r8 r16 bes,16 ees8. f16 |
d4 ~ d8. c16 des8. ees16 |
c4 ~ c8. c16 f8. g16 |
ees4 ~ ees8. d16 ees8. f16 |
% bars 34-38
d4 ~ d8. d16 g8. g16 |
c,4 ~ c8. c16 f8. f16 |
bes,4 ees2 ~ |
ees4 d2 |
ees2. \bar "|."
}
melthree = \relative c {
% bars 1-4
r16 ees g bes ees4 c |
r16 bes, d f bes4 g |
r16 aes, c ees aes4 f |
r16 c ees g c4 a |
% bars 5-9
r16 bes, d f bes4 ees, |
r16 aes, c ees aes4 d, |
r16 g, bes d g4 aes |
r16 bes, f' aes bes4 bes, |
r16 ees, g bes ees4 c |
% bars 10-13
r16 aes c ees aes4 f |
r16 f aes c f4 r16 b, a g |
c g aes f g4 g, |
r16 c, ees g c4 ees, |
% bars 14-17
r16 f a c f4 a, |
r16 bes d f bes4 g |
r16 g a bes f4 f, |
r16 bes d f bes4 d, |
% bars 18-21
r16 ees g bes ees4 g, |
r16 aes, c ees aes4 e |
r16 f, aes c f4 des |
r16 c e g c4 aes |
% bars 22-25
r16 bes, des f bes4 g |
r16 c,, e g c4 des |
r16 des c bes c4 c, |
r16 f aes c f4 aes, |
% bars 26-29
r16 bes des f bes4 des, |
r16 ees g bes ees4 r16 g, f ees |
aes ees f des ees4 ees, |
r16 aes c ees aes4 f |
% bars 30-33
r16 ees, g bes ees4 c |
r16 bes d f bes4 g |
r16 aes, c ees aes4 f |
r16 c ees g c4 a |
% bars 34-38
r16 bes, d f bes4 ees, |
r16 aes, c ees aes4 d, |
r16 g, bes d g4 aes |
r16 bes, f' aes bes4 bes, |
ees,2.\fermata \bar "|."
}
\score {
\context PianoStaff
<<
\context Staff = "up" <<
\time 3/4 \key ees \major \clef G
\context Voice = VA { \voiceOne \melone }
\context Voice = VB { \voiceTwo \meltwo }>>
\context Staff = "down" <<
\time 3/4 \key ees \major \clef F \melthree>>
>>
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 55 4)
}
}
\layout {}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
bibi5.com.cn
www.yaoqiu8.com.cn
www.xdfhq.com.cn
fuba7.net.cn
www.yxygs.com.cn
www.wosi2.net.cn
www.xyjbyl.com.cn
www.danxu6.net.cn
laian6.net.cn
www.mehua0.net.cn