% -*- mode: LilyPond ; coding: utf-8 -*-
\version "2.8.0"
\include "italiano.ly"
\header{
title = \markup {\center-align { "Vor deinen Thron tret' ich." \normalsize "(oder: Wenn wir in höchsten Nöthen sein.)" "Devant Ton trône, je vais comparaître." } }
subtitle = ""
piece = ""
instrument = ""
composer = "Johann Sebastian Bach (1685-1750)"
copyright = "Creative Commons Attribution-ShareAlike 2.5"
source = "Bach-Gesellschaft Edition, OrgelWerke 1893"
opus = "BWV 668"
lastupdated = "2006-03-28"
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
mutopiatitle = "Vor deinen Thron tret' ich"
mutopiacomposer = "BachJS"
mutopiainstrument = "Organ"
style="Baroque"
footer = "Mutopia-2006/03/29-712"
%tagline= ""
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2006. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 2.5 License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/2.5" http://creativecommons.org/licenses/by-sa/2.5 } } } }
}
%#(set-default-paper-size "a4")
#(set-global-staff-size 18)
halsup = {
\stemUp
\tieUp
}
halsdown = {
\stemDown
\tieDown
}
staffup = {
\change Staff = "dessus" \halsdown
}
staffdown = {
\change Staff = "basse" \halsup
}
global = {
\key sol \major
\time 4/4
}
choral = \relative do'' {
\global \tieDown
\override MultiMeasureRest #'staff-position = #2 R1
\override MultiMeasureRest #'staff-position = #4 R1*4
\override MultiMeasureRest #'staff-position = #2 R1*2
% 8 :
\once\override Voice.TextScript #'extra-offset = #'(0.0 . 0.2) sol2^\markup{ "Choral"} sol4 \stemUp la8 do16 si16
si4 \stemNeutral la8. si16 do4 si4
% 10 : ==============================================
la4^\trill ~ la16 sol16 la8 sol2 ~
sol2 si2\rest
\override MultiMeasureRest #'staff-position = #4 R1*7
% 19 :
si2\rest \once\override Voice.TextScript #'extra-offset = #'(0.0 . 0.2) si2^\markup{ "Choral"}
% 20 : ==============================================
do4 si4 la4 sol4
fad4 sol4 la2 ~
la2 si2\rest
R1*6
re2\rest re2
% 30 : ==============================================
do4 si4 la8 sol8 fad4
sol8 fad8 mi4 re2 ~
re2 si'2\rest
R1*7
% 40 : ==============================================
si2\rest si2
do4 si4 la4 sol8 la8
si4 la4 \tieUp sol2 ~
sol1 ~
sol1 ~
% 45 : ================
sol1 ^\fermata \bar "|."
}
alto = \relative do'' {
\global \staffup
\override MultiMeasureRest #'staff-position = #-2 R1
sol8\rest sol8 sol8 fad8 mi4 fad8 mi8
re8 mi8 fad4 sol4. fad8
mi8 [ la8 ] re,8 sol8 ~ sol8 fad16 mi16 fad8 sol8
% 5 : ================
la4 sol8 la8 si8 re,8 [ re8 dod8 ]
\staffdown si4 dod8 si8 la8 si8 dod4
re4. do!16 si16 do4. si16 la16
si8 si8 [ si8 do8 ] re4 mi8 fad8
sol8 si,8 mi8 re8 do8 re8 re4
% 10 : ================================
mi8 do8 re8 do8 si8 do8 re4 ~
re8 [ do16 si16 do8 la8 ] si8 r8 r4
\staffup mi8\rest mi8 re8 mi8 fad8 sol8 la8 sol8
fad4 sol8 sold8 la8 [ sol8 ] fad8 mi16 red16
mi2. ~ mi8 re!16 dod16
% 15 : ================
re8 fad8 [ sol8 fad8 ] mi8 re8 dod8 red8
mi4. fad16 sol16 la4. sol16 fad16
sol4. fad16 mi16 fad8 re8 sol4 ~
sol4 ~ sol16 mi16 re16 mi16 fad8 [ sol8 ] la8 sol16 fad16
\staffdown sol8 re8 [ re8 mi8 ] fa8 sol16 fa16 mi8 re8
% 20 : ================================
do8 sol'8 [ sol8 fad!8 ] mi8 fad8 sol4
r8 re8 re8 dod16 si16 mi8 dod16 re16 mi8 dod8
re16 mi16 fad8 mi16 fad16 sol8 fad8 r8 r4
\staffup la,2\rest la8\rest la8 si8 dod8
re4 fa4 mi8 fad8 sold4
% 25 : ================
la8 fa8 mi8 re8 dod16 red16 mi4 red8
mi8. [ fad16 sol8. la16 ] si8 la4 si16 la16
sol4 la4 re,4 mi4
fad8 la8 sol8 fad8 mi8 re8 do!4
\staffdown si8 re8 sol4 fad8 fad8 [ fad8 sol8 ]
% 30 : ================================
la8 fad8 re4 ~ re2 ~
re8 re4 dod8 re4. do8
si2 ~ si8 la8 r4
\staffup mi'8\rest mi8 re8 mi8 fad8 sol16 fad16 mi8 fad8
sol4. fad16 mi16 fad8 si,8 mi4 ~
% 35 : ================
mi4 red4 mi8 fad8 [ sol8 fad8 ]
mi8 re!16 mi16 fad8 mi8 re4. do!8
si8 [ dod8 ] re8 mi16 re16 dod8 [ re8 ] mi8 fad16 mi16
re8 mi8 fad8 sold8 la4 r4
r8 la8 si8 la8 sol!8 fad16 sol16 la8 sol8
% 40 : ================================
\staffdown fad4 mi8 fad16 sol16 fad2
mi8 fad8 sol4 ~ sol8 fad8 sol8 fad8
sol4. fad8 ~ fad8 mi8 fa8 mi8
re8 do16 re16 mi8 re8 do8 do8\rest do4\rest
\staffup si2\rest re8\rest re8 mib8 re8
% 45 : ================
do8 si16 do16 re8 do8 si2_\fermata
}
tenor = \relative do' {
\global
% 1 :
\tieDown \stemDown r8 sol8 sol8 la8 si4 la8 si8
do8 si8 la4 sol8 sold8 la8 lad8
si4. la!8 si8 dod8 re4 ~
re8 do!8 si8 mi8 la,2 ~
% 5 : ================
la8 si8 do4 si8 la8 sol4 ~
sol8 fad8 sol8 sold8 \dotsDown \once \override Staff.NoteCollision #'merge-differently-dotted = ##f la4. \dotsNeutral sol8
la8 sol16 fad16 sol4 ~ sol8 fad16 mi16 fad4
r8 sol8 sol8 la8 si4 dod8 red8
mi8 sol,8 sol8 fad8 mi8 la4 sol8 ~
% 10 : ================================
sol8 sol4 fad8 sol8 sol8 [ sol8 fa8 ]
mi4. mib8 re8 si'8 [ do8 si8 ]
la8 sol8 fad8 sol8 la8 si8 do4 ~
do4 si4 mi,4 la4 ~
la8 sol16 fad16 sol4. fad16 mi16 fad4 ~
% 15 : ================
fad4 r8 fad8 sol8 [ sold8 ] la4 ~
la8 sol!16 fad16 sol4 ~ sol8 fad16 mi16 fad8 si8
mi,4. la8 re,4 r16 re'16 mi16 re16
do8 si8 la8 si8 do4. si16 la16
si8 si8 [ si8 do8 ] re4 \tieUp \once\override Tie #'staff-position = #+14 sol4 ~
% 20 : ================================
sol8 \tieDown sol,16 [ la16 ] si8 do16 re16 mi8 re8 re8 [ mi16 re16 ]
do8 [ si16 la16 si8 sol8 ~ ] sol8 sol16 fad16 mi8 fad16 sol16
la8 re4 dod8 re8 re8 [ do8 si8 ]
la4 fad4 sol8 fad8 mi4
% --- page
re8 do'!8 si8 la8 sold8 la8 si4
% 25 : ================
do4 si4 mi,16 [ fad!16 sol!8 la8 si8 ]
do4 mi4 red8 mi8 fad4 ~
fad8 mi8 re!8 do8 si4 dod4
re2 r8 re,8 mi8 fad8
sol8 la8 si8 dod8 re8 do8 si4
% 30 : ================================
fa8\rest la8 la8 sol8 fad8 si8 la4
sol8 la8 si8 la8 ~ la8 fad8 sol8 la8 ~
la8 sol16 fad16 sol4 ~ sol8 fad8 si4
do4 si4 la4 sol8 la8
si4 la4 sol2
% 35 : ================
fad8 [ sol8 ] la8 si16 la16 sol8 la8 si4 ~
si4 lad4 si8 fad8 [ mi8 fad8 ]
sol8 la16 sol16 fad8 sold8 la8 si16 la16 sol8 la8
si8 dod8 re4 dod8 fad,8 [ sol!8 fad8 ]
mi8 re16 mi16 fad8 mi8 re4 r4
% 40 : ================================
sol8\rest si8 do8 si8 la8 sol16 la16 si8 la8
sol8 [ la8 ] si8 do16 re16 mi8 re8 [ re8 do8 ]
re4 mi8 si8 si4. do8
sol4 r8 si8 do8 do,8 [ si8 do8 ]
<< {si'4 r4 r8 si8 do8 si8
la8 sol16 la16 si8 la8 sol2 } \\
{ re8 mi16 re16 do8 re8 mi8 fa8 [ sol8 fa8 ]
% 45 : ================
mib8 re16 mib16 fa8 mib8 \once \override Script #'padding = # 1 re2_\fermata}
>>
}
pedale = \relative do {
\global
\clef bass
% 1 :
R1*3
r2 r8 re8 re8 mi8
% 5 : ================
fad4 mi8 fad8 sol8 fad8 mi4
re8 red8 mi8 mid8 fad4. mi8
fad8 si,8 mi4 ~ mi8 la,8 re4
sol,8 r8 r4 r8 sol'8 sol8 fad8
mi8. [ re16 do8 re8 ] la8 fad8 sol8 si8
% 10 : ================================
do8 la8 re8 re,8 mi8 [ mi'8 ] si8 la16 si16
do2 sol8 r8 r4
R1
r8 re'8 mi8 re8 do8 si8 la8 si8
do4. si16 lad16 si2 ~
% 15 : ================
si4 r4 r8 si8 la8 si8
\stemUp do8 re8 mi8 re8 dod8 la8 re4 ~
\stemNeutral re8 dod16 si16 dod8 do8 ~ do8 si16 la16 si8 sol8
la8 si16 do16 re4 ~ re8 mi8 fad8 re8
sol2 ~ sol8 sol8 [ sol8 fa8 ]
% 20 : ================================
mi8 mi8 [ mi8 re8 ] do8 do8 [ do8 si8 ]
la8 [ re8 ] si8 [ mi8 ] dod8 la16 si16 dod8 la8
fad'8 [ re8 ] la'8 [ la,8 ] re8 r8 r4
R1
r2 r8 re8 do!8 si8
% 25 : ================
la4 sold4 la8 sol8 fad4
mi8 [ la8 ] sol8 [ do8 ] si8 dod8 red8 si8
mi4 fad4 r8 sol8 fad8 mi8
re4 si4 do!8 si8 la4
sol8 fad8 mi8 la8 re,8 re'8 [ re8 mi8 ]
% 30 : ================================
\stemDown fad8 re8 sol8 sol,8 re'8 \stemNeutral re8 [ re8 dod8 ]
si8 [ la8 ] sol8 la16 sol16 fad8 re8 mi8 fad8
sol8 la8 si8 dod8 \stemUp re4 r4 \stemNeutral
R1
r8 do8 re8 do8 si8 la16 si16 do8 si8
% 35 : ================
la4 si4 mi,4 mi'8 re!8
dod4 fad,8 fad'8 si,8 la!8 sol8 la8
mi4 si'4 la4 r4
r4 si4 la4 si4
dod4 re8 dod8 si4 dod4
% 40 : ================================
re8 red8 mi2 red4
mi8 mi8 [ mi8 re!8 ] do8 re16 do16 si8 la8
sol8 si8 dod8 red8 mi,8 mi'8 re8 do8
si8 la16 si16 do8 sol8 mi8 fad8 sol8 la8
si8 sol8 la8 si8 do2 ~
% 45 : ================
do2 \once \override Script #'padding = # 1 sol2_\fermata
}
\paper {
betweensystempadding = 1\mm
betweensystemspace = 1\mm
%raggedbottom = ##f
%raggedlastbottom = ##f
headsep = 1\mm
aftertitlespace = 1\mm
indent = 1\cm
bottommargin = 4\mm
topmargin = 4\mm
}
\score {
{
\context PianoStaff <<
\context Staff = "dessus" <<
\global
\clef violin
\set Staff.midiInstrument = "pan flute"
\choral
>>
\context Staff = "basse" <<
\global
\clef bass
\set Staff.midiInstrument = "pan flute"
\alto
\tenor
>>
\context Staff = "pedale" <<
\global
%\set Staff.minimumVerticalExtent = #'(-2 . 8)
\clef bass
\set Staff.midiInstrument = "pan flute"
\pedale
>>
>>
}
\layout {}
\midi{ \tempo 8 = 80 }
} ¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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