\version "2.10.33"
\header {
mutopiatitle = "Jesus Christus, unser Heiland"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 666"
mutopiainstrument = "Organ"
date = ""
source = "Edition Peters 8661"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2008/Jan/26"
title = "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wand"
subtitle = "(alio modo)"
composer = "Johann Sebastian Bach"
opus="BWV 666"
footer = "Mutopia-2008/01/26-1270"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2008. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
global = {
\key e \minor
\time 12/8
#(set-accidental-style 'default)
\override Score.MetronomeMark #'transparent = ##t
}
\paper {
head-separation = 0.4 \cm
foot-separation = 0.4 \cm
page-top-space = 0 \cm
ragged-bottom = ##f
ragged-last-bottom = ##f
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
halsup = { \stemUp \tieUp \slurUp \dotsUp }
halsdown = { \stemDown \tieDown \slurDown \dotsDown }
halsneutral = { \stemNeutral \tieNeutral \slurNeutral \dotsNeutral }
shifttiedown = { \once \override Tie #'extra-offset = #'( 0 . -0.4 ) }
shifttieup = { \once \override Tie #'extra-offset = #'( 0 . 0.4 ) }
shifttieupp = { \once \override Tie #'extra-offset = #'( 0 . 0.9 ) }
up = { \change Staff = "right" \halsdown }
down = { \change Staff = "left" \halsup }
diffdot = { \once \override Staff.NoteCollision #'merge-differently-dotted = ##t }
sri = { \set stemRightBeamCount = #1 }
srii = { \set stemRightBeamCount = #2 }
sli = { \set stemLeftBeamCount = #1 }
slii = { \set stemLeftBeamCount = #2 }
sbcli = { \sli \srii }
sbcre = { \slii }
sopran = {
\new Voice \relative e' {
\global
\halsup
s1. * 4
%% Takt 5 ==================================================
s1.
e4.^"Choral" h' h a
h4. e,4 fis8 g4. g
g4.~ g8 fis g fis2.
e1.~
%% Takt 10 ==================================================
e4. h'\rest d2.\rest
s1.
s1.
s1.
g,4.^"Choral" g g e
%% Takt 15 ==================================================
g4. a h a
g4. fis e2.~
e2.~ e4. d'4.\rest
s1.
s1.
%% Takt 20 ==================================================
s1.
f2.\rest g,4.^"Choral" g
g4~ g16 f e4~ e16 fis g4. a
h4. a g2.
d'16\rest g, a h c d e h c d e fis g4. a\rest
%% Takt 25 ==================================================
s1. * 5
%% Takt 30 ==================================================
s1.
s1.
f4.\rest d^"Choral" e d4~ d16 c
h4~ h16 a g4~ g16 a h4. a
g4. fis e2.~
%% Takt 35 ==================================================
e8 d'\rest d\rest d4.\rest d2.\rest
s2. d'8\rest gis,4~ \once \override Tie #'staff-position = #10 \once \override Dots #'extra-offset = #'(0 . 0.3 ) gis4.~
\once \override Dots #'extra-offset = #'( -0 . 0.9 ) gis4. h16 a gis! fis e d
\once \override NoteColumn #'force-hshift = #-1 c a' gis! fis! e d \once \override Tie #'staff-position = #6 c4.~
\once \override Stem #'details #'beamed-lengths = #'( 4.2 ) c16 h a g! fis e dis!4. r16 h e dis! \tieDown e8~ e4.
}
}
alt = {
\new Voice \relative h {
\global
\halsneutral
R1.
h8 e dis e4.~ e8 fis e d4.~
d8 e d c4. h~ h8 e dis
e4 \clef "bass" e,8 a4.~ a8 g fis g c! h
%% Takt 5 ==================================================
\clef "treble" \halsdown c8 f e f dis \tieUp e~ \dotsUp e4. dis!
\tieDown e4.~ e8 g fis g4 e8 cis fis e
fis4 dis8 h e dis \dotsDown e2.~
e8 e dis e2. dis!8 h c!
gis8 c h c4.~ c2.
%% Takt 10 ==================================================
h4. c4.\rest e2.\rest
\halsneutral r8 g d e d c h c d \down g,4 a8
h8 \up h' fis \halsneutral g fis e dis4 g8 fis4.~
fis8 h, e dis e fis h, e h c \down h a
\once \override Stem #'length = #'7 g8 \up c\rest c\rest h4.\rest c2.\rest
%% Takt 15 ==================================================
c8\rest g' d e d c c\rest h e dis e fis~
fis8 e h c h a h4 d!8~ d4 c8
h8 e h c h a gis4. c4.\rest
\halsneutral r2. r16 g'! fis e d c h e d c h a
g4. r4. r16 a h c d e fis h, c d e fis
%% Takt 20 ==================================================
g8 d g~ g16 g fis g e fis g a g f e d \tieUp e4.~
e16 e d c d8 d4.~ \halsdown d16 d c h c8~ c16 c h a h8~
h16 h c d \once \override Tie #'staff-position = #-6 e8~ e16 d c h a8 c16\rest fis e d c h a e' d c h a
g8 d' g~ g fis16 e fis8 g4 f8 e4.
d8 \down c16\rest g a h \up c d e fis! g a h4. d16\rest \halsup e d c h a
%% Takt 25 ==================================================
g16 h a g c8~ c16 c h a d8~ d16 c h a h8~ h16 a g fis g8~
g16 fis g a h g c h c fis, a c h a h e, fis g a g a c h a
g16 fis e g fis e a4. h a4~ a16 g
fis4~ fis16 e d4~ d16 e fis4. e
d4. cis h8 fis' h~ h ais4
%% Takt 30 ==================================================
h8\rest e16 d cis h ais8 fis ais h4 fis8 g4 d16 e
f4. fis g~ g8 fis4
\halsdown g8. \sbcli fis16 \sbcre g a h4.~ h16 h a g c h a4.~
a8 g fis~ fis e dis e4. fis~
fis8 e d! c8. c16 h8~ h4.~ h16 c d h c d
%% Takt 35 ==================================================
c8 c\rest c\rest c4.\rest h'2.\rest
s2. s4. \halsup \shiftOn f'!16 \shiftOff e \tieDown \once \override Tie #'extra-offset = #'( 0 . 0.5 ) f4~
\shiftOn \once \override Dots #'extra-offset = #'( -0 . 1 ) f4. d8 h\rest h\rest \stemDown c \shiftOff h\rest h\rest g16\rest \stemUp h a gis! \tieUp a8~
\shiftOn a8 \shiftOff e\rest c\rest \down c16\rest h c a h8 e8\rest c\rest c16\rest a h4.
}
}
altzwo = {
\new Voice \relative a {
\global
s1. * 19
%% Takt 20 ==================================================
\halsdown s2. s4. a16\rest d c h c8~
c4~ c16 c h a h4 s2.
%% Takt 22 ==================================================
}
}
tenor = {
\new Voice \relative e {
\global
\halsup
e8 h' a h4.~ h8 c h a4.~
a4. g8 c h c4 c8\rest fis, h a
h4.~ h8 e, a dis,4 h8 e4 h8
cis4.~ cis8 e dis e2.~
%% Takt 5 ==================================================
e8 a g! a fis! g fis h a h fis a~
a8 g fis g4.~ g8 fis g fis4.~
fis8 g a g4 fis8 e2.~
e8 g fis g dis e fis dis e \diffdot h e dis!
e4. a8\rest gis a~ a a gis a4.
%% Takt 10 ==================================================
gis4. c4.\rest s2.
g4. g g \shiftOn e4 fis8
g4. \shiftOff a h a
g4. fis e~ e4 \shiftOn dis8
\once \override Stem #'length = #'5 e8 \shiftOff d'8\rest d\rest c4.\rest a8\rest g d e d c
%% Takt 15 ==================================================
h8 d g~ g4 fis8 g4. fis
f8\rest h, e dis e fis gis4.~ gis4 a8
h8 h, e~ e d c h4.~ h8. \sli \srii h16 \slii cis dis
e16 dis e fis g! a h a h fis g a g4. g
g4. e g a
%% Takt 20 ==================================================
h4. a g~ g4~ g16 fis!
g4.~ g8. \sbcli f16 \sbcre e d e4~ e16 e d4.~
d16[ d c h c8~] c16[ g a h c d] e8 g e fis!4.
g16 a g fis e d c e d c h a h8 d'4~ d8 c16 h c8
h8 d,8\rest d\rest f4.\rest a\rest \up d
%% Takt 25 ==================================================
e4. d4~ d16 c \down h4~ h16 a g4~ g16 a
h4. a g fis
e4. \up fis' e8\rest g16 fis e d cis8 a cis
d4 \down ais8 h4 fis8 gis4. ais!
h4.~ h8 ais4 h c8\rest \up e16\rest g fis e d cis!
%% Takt 30 ==================================================
h16 d cis h e8~ e16 e d cis! fis8~ fis16 e d cis d8~ d16 c \down h a! h8~
h16 gis a h c! d \up es d es \down a, c es d c d \down g, a h c h c \up e d c
\down h16 c h a g fis g a g f e d c8 c'4~ c16 c h a d8~
d16 c h a h8~ h16 a g fis g8~ g16 fis g a h g c! h c fis, a c
h16 a h e, fis g a g a8. a16 gis4.~ gis16 fis e gis fis e
%% Takt 35 ==================================================
a8 c\rest c\rest e4.\rest \up g2.\rest
s1.
\halsup \shiftOnnn \once \override NoteColumn #'force-hshift = #2 d'16 \shiftOff c d4 \shiftOnn h8 \shiftOff e,\rest e\rest \stemDown
a e\rest e\rest a,\rest a\rest c16\rest \stemUp \once \override Tie #'staff-position = #-3 fis~
\shiftOnn fis8 \shiftOff \down \halsdown d,\rest d\rest d\rest d16\rest \diffdot a'8. s8 d,8\rest d\rest d16\rest \halsup fis gis!4
}
}
bass = {
\new Voice \relative g, {
\global
\halsdown
g4.\rest h8 e dis e4.~ e8 fis e
dis8 cis h c4 g8 a4 fis8 h4 fis8
gis4 e8 a4.~ a8 h a g4.~
g8 a g fis4 h8 e,4.~ e8 a gis
%% Takt 5 ==================================================
a2. h
e4.~ e4 d!8 e4 cis8 \diffdot fis4 cis8
dis4 h8 g4.\rest e8 c'! h c ais h
ais2.~ ais8 h ais h4.
e2. e4.~ e8 dis e
%% Takt 10 ==================================================
\halsneutral e,4.~ e8. \set stemLeftBeamCount = #1 \set stemRightBeamCount = #2 h'16 \set stemLeftBeamCount = #2 cis dis e dis e fis g! a h a h fis g a
\halsdown h,4.\rest h\rest h8\rest e h c h a
g8 e' d c4. h8\rest h e dis e fis
h,8 e h c h a g4. a4 h8
e,8 g' d! e d c h e h c h a
%% Takt 15 ==================================================
g4 h8 c4 d8 g,4 a8 h cis dis
e,4. a d,!8 e' h c h a
gis4. a e d\rest
\once \override MultiMeasureRest #'staff-position = #-2 R1.
e16\rest e fis g a h c g a h c d e fis e d c h a e' d c h a
%% Takt 20 ==================================================
g16 a' g fis e d c8 a d e4 h8 c4.
g2.~ g4.~ g4~ g16 f
e4~ e16 d c8 c\rest e\rest g2.\rest
g2.\rest e16\rest g a h c d e h c d e fis!
g8 g,8\rest g\rest g4.\rest g g\rest
%% Takt 25 ==================================================
r8 c'16 h a g fis8 d fis g4 dis8 e4 h8
cis4. dis e~ e8 dis!4
\diffdot e8 e, g\rest r16 e'' d! c h a g fis e d g8~ g16 g fis e a8~
a16 g fis e fis8~ fis16 e d cis d8~ d16 cis d e fis d g! fis g cis,! e g
fis16 e fis h, cis d e d e g fis e d cis! h d cis h fis'4.
%% Takt 30 ==================================================
g4. fis4~ fis16 e d4~ d16 c! h4~ h16 cis
d4. c! h a
g4. g\rest e8\rest c''16 h a g fis!8 d fis
g4 dis8 e4 h8 cis4. dis!
e4.~ e8 dis d~ d16 c! d gis, a h c4.~
%% Takt 35 ==================================================
c16 h c a c e a gis a e a c \up e d e a, c e a gis a e a c
e16 d e a, c e a gis a fis! dis h gis'! fis gis f d h \once \override NoteColumn #'force-hshift = #1 d c d h gis e
\once \override NoteColumn #'force-hshift = #2 h'16 a h gis f d gis!8 s4 s2.
dis8 s4 \down \halsdown e,,8\rest e\rest g16\rest fis' gis8 \tempo 8 = 136
s4 \tempo 8 = 120 e,8\rest \tempo 8 = 96 h'16\rest \tempo 8 = 60 dis \tempo 8 = 20 e8\fermata
\bar "|."
}
}
right = {
\clef "treble"
<<
\sopran
\alt
\altzwo
>>
}
left = {
\clef "bass"
<<
\tenor
\bass
>>
}
pedal = {
\global
\clef "bass"
\relative e, {
\override Score.VerticalAxisGroup #'remove-first = ##t
s1. * 35
r2. e~
e1.~
e1.
}
}
\score {
<<
\new PianoStaff {
<<
\context Staff = right {
\context Voice = right \right
}
\context Staff = left {
\context Voice = left \left
}
>>
}
\context Staff = pedal {
\context Voice = pedal \pedal
}
>>
\layout{
indent = 1.0\cm
\context { \RemoveEmptyStaffContext }
}
}
\score {
\transpose c d { % Chorton
\unfoldRepeats {
<<
\context Staff = right {
\set Staff.midiInstrument = "pan flute"
\right
}
\context Staff = right {
\set Staff.midiInstrument = "recorder"
\transpose c c' \right
}
\context Staff = left {
\set Staff.midiInstrument = "pan flute"
\left
}
\context Staff = left {
\set Staff.midiInstrument = "recorder"
\transpose c c' \left
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\transpose c c, \pedal
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\pedal
}
>>
}
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 144 8)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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