\version "2.10.33"
\header {
mutopiatitle = "Jesus Christus, unser Heiland"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 665"
mutopiainstrument = "Organ"
date = ""
source = "Edition Peters 8661"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2008/Jan/20"
title = "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wand"
subtitle = "(sub Communione)"
composer = "Johann Sebastian Bach"
opus="BWV 665"
footer = "Mutopia-2008/01/23-1269"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2008. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
global = {
\key e \minor
\time 4/4
#(set-accidental-style 'default)
\override Score.MetronomeMark #'transparent = ##t
}
\paper {
head-separation = 0.6 \cm
foot-separation = 0.2 \cm
page-top-space = 0 \cm
ragged-bottom = ##f
ragged-last-bottom = ##f
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
halsup = { \stemUp \tieUp \slurUp \dotsUp }
halsdown = { \stemDown \tieDown \slurDown \dotsDown }
halsneutral = { \stemNeutral \tieNeutral \slurNeutral \dotsNeutral }
up = { \change Staff = "right" \halsdown }
down = { \change Staff = "left" \halsup }
sopran = {
\new Voice \relative e' {
\global
\halsup
s1 * 4
%% Takt 5 ==================================================
s1
s1
s1
r2 e4 h'
h8. c!16 a4 h e,8. fis16
%% Takt 10 ==================================================
g4 g~ g16 g a g fis g e fis
fis2\prall e16 h e8~ e16 d! c! h
c8. d16 e8 a gis16 h d!8 c16 e a dis,
e2~ e16 h e dis e h e,8
s1
%% Takt 15 ==================================================
s1 * 5
%% Takt 20 ==================================================
s1
s1
s1
g4 g g8. f16 e8. fis16
g4 a h a
%% Takt 25 ==================================================
g4 fis e2~
e4~ e16 fis e dis e2
\halsneutral r16 g! fis f e es d c h8 c16 d e fis g a
h16 g' fis e d c h a g e dis d cis c h a
h4 r4 r16 h' ais a gis g fis e
%% Takt 30 ==================================================
d4 d d h
d4 e fis e
d4 r r2
\once \override MultiMeasureRest #'staff-position = #4 R1
\once \override MultiMeasureRest #'staff-position = #4 R1
%% Takt 35 ==================================================
\halsup g4 g g e
g4 a h a
g16 g' fis f e es d c h e dis d cis c h a
g4 f'8\rest h16\rest g fis!8. e16 d8. c16
h8~[ h32 g a h] c!16 h a8~ a8 g4 fis8~
%% Takt 40 ==================================================
fis8 e4 dis8 e4 r16 e fis g
a4 h a8 g fis e
d4 e fis e
d4 cis! h r16 d c h
a16[ h32 c d] h'\rest d16\rest f32\rest g,[ a h c8~] c16 h a8~ a16 g fis8~
%% Takt 45 ==================================================
fis32[ h, cis dis e8~] e16 g fis e dis! fis e d cis! e d c
s1
d'4 e d8 c h a
g4 a h a
g4 fis e2~
%% Takt 50 ==================================================
e32[ h c! d! e16 d] \halsdown cis8 c \halsup \once \override Rest #'X-extent = #'( 0 . 1.9 ) a''32\rest h,[ c d! e16 d] \halsdown \shiftOn cis8 \shiftOff c~
\halsup \shiftOn c8. \shiftOff d!16 c4~ \shiftOn c16.[ \shiftOff h32 c8~] \shiftOn c4 \shiftOff
h1
}
}
alt = {
\new Voice \relative e' {
\global
R1
r2 h4 e
e8. fis16 dis4\prall e4 h8. cis16
d!4 d cis2
%% Takt 5 ==================================================
h2 r16 dis e fis g e fis g
cis,16 e g8~ g16 g fis e dis fis a8~ a16 a g fis
e16 g h8~ h16 g c! h a4~ a16 fis h a
\halsdown g8. fis16 e8. d16 c8. d16 h8 e
g8[ e] cis dis16 e fis a dis, h~ h c h8~
%% Takt 10 ==================================================
h8. h16 e8. d16 c4. e8~
e4~ e16 cis dis8 e16 s4..
s4. a16 dis, e8. gis!16 a4~
a4~ a8 gis16 fis gis2
\halsneutral r16 e d! c h8. c16 d4. c8
%% Takt 15 ==================================================
h8. g'16~ g8. fis16~ fis8. e16 c'8. dis,16
h'8. cis,16 a'8. h,16 g'4~ g16 g fis e
\halsup d4 d d8. c!16 h8. cis16
d4 e fis e
d4 cis h16 h' a! g fis4
%% Takt 20 ==================================================
g16 e' d c h8. c16 d8. e,16 c'8. fis,16
h8. g16 c8. a16 d8. h16 c8. dis,16
h'8. cis,16 a'8. h,16 g'4 r16 \halsdown fis e dis!
e16 e d! c! h8. c16 d4. c8
\down h8. g16 c8. a16 \up d8. e16 c8. d16
%% Takt 25 ==================================================
h8. c16 a8. h16 gis8 a h4~
h16 h a gis a4~ a16 a gis! fis gis4
s1
s1
s1
%% Takt 30 ==================================================
s1 * 5
%% Takt 35 ==================================================
s1
s1
g'8 g\rest g4\rest \once \override Rest #'extra-offset = #'( 1.4 . 0 ) \once \override Rest #'X-extent = #'( 0 . 2 ) h16\rest g fis f e es d c
h4 e32\rest g[ a h c8~] c16 h a8~ a16 g fis8~
fis32[ h, cis dis e8~] e16 g fis e dis! fis e d cis! e d c
%% Takt 40 ==================================================
\down h16 d c h a c h a g a g fis e4
\up c'4\rest c8\rest c16\rest d! cis8. \down h16 a8. g16
fis8~[ fis32 \up d' e fis] g16 fis e8~ e d4 cis8~
cis8 \down h4 ais8 h16 g fis e d h' a g
fis8 \up f32\rest d' e fis g a,\rest c16\rest e\rest g fis8. e16 d8. c16
%% Takt 45 ==================================================
s1
\down h16 d c h a c h a g a g fis e \up g' fis e
d32[ c' h a g8~] g32[ g a h c8~] c16 h a8~ a16 g fis8~
fis32~[ h, cis dis e8~] e16 g fis e dis! fis e d cis! e d c
\down h d c h a c h a gis4~ gis16 e a8~
%% Takt 50 ==================================================
a8 gis \up \halsup h'16\rest e, \once \override Tie #'staff-position = #1 a8~ \halsdown
a gis \once \override Stem #'length = #6.5 \once \override Tie #'staff-position = #-2 a4~
a8. gis16 a4~ a32 gis! a8 gis!16 a4
gis1
\bar "|."
}
}
tenor = {
\new Voice \relative e {
\global
\halsup
e4 h' h8. c!16 a4
h8. h16 e,8. fis16 g4 g
fis2 e8. fis16 gis8. ais16
h8. fis16 h8. a!16 g8. fis16 e g fis e
%% Takt 5 ==================================================
dis4 a'16\rest dis, e fis g fis g a \halsneutral h g a h
e,8. d'!16 c! h a g fis h, cis dis e fis g a
h8. a16 g h e8~ e16 cis! fis e dis4
e16 e, e' d! c! e, c' h a e a8~ a16 e fis g
cis,16 e g8~ g16 g fis e dis fis a8~ a16 a g fis
%% Takt 10 ==================================================
e16 e, e' d! c! e, c' h a c e8~ e16 d c h
ais16 cis fis ais, s8 \halsup a'16\rest a! gis8. a16 h4~
h16 e, a8~ a16 c8. h16 d! c h a c h a
h8 e16 dis e h8.~ h2
g!4 g g8. f16 e8. fis16
%% Takt 15 ==================================================
g4 a h a
g4 fis e16 e' d! c! h4
c16\rest h a g fis8. g16 a4. g8
fis8. \up d'16~ d8. cis16~ cis8. \down h16 \up \dotsUp g'8. \down ais,16
\up fis'8. \down gis,16 \up \dotsUp e'8. \down fis,16 \up d'4~ d16 e d c!
%% Takt 20 ==================================================
h16 c\rest c8\rest c16\rest e d c \down h d g,8~ g16 c c,8
f16\rest e e'8~ e16 fis, d'8~ d16 g, \up g'8~ g16 \down a, \up \once \override Tie #'staff-position = #-7 fis'8~
fis16 h, \once \override Tie #'staff-position = #-8 e8~ e16 cis! dis8 c16\rest e d c \down h a g fis
e4 r16 e d! c h d g,8~ g16 c c,8
s1
%% Takt 25 ==================================================
s2. f'16\rest f e d
cis4 c~ c16 c h a \shiftOn h4 \shiftOff
g'!4 g g e
g4 a h a
g4 c\rest a2\rest
%% Takt 30 ==================================================
a2\rest c16\rest h! ais a gis g fis e
d16 a' b h \up c! cis d e~ e[ d32 cis! d8~] d16[ cis!32 h cis8]
a16\rest d cis c \down h b a g fis e fis gis a8 dis,!
e16 \up g' fis f e es d c h8 c16 d e fis g a
h16 g' fis e d c h a g e dis d cis c h a
%% Takt 35 ==================================================
h8 a16 h c d e! fis! g e dis d cis c \down h a
g16 \up d' es e f fis g a~ a[ g32 fis g8~] g16[ fis32 e fis8]
s2 \down a,16\rest d, es f g a h c
d4 e s2
s1
%% Takt 40 ==================================================
s1 * 5
%% Takt 45 ==================================================
s1
s1
s1
s1
s2.. \once \override Rest #'extra-offset = #'( 1.4 . 0 ) \once \override Rest #'X-extent = #'( 0 . 1.9 ) f,16\rest dis
%% Takt 50 ==================================================
\shiftOn e4 \shiftOff a h a~
a32[ h c! d! e16 h] c16 gis a8~ a2
h1\fermata
}
}
bass = {
\new Voice \relative g, {
\global
\halsdown
g4\rest h16\rest e fis g cis, e g8~ g16 g fis e
dis16 fis a8~ \override Stem #'details #'beamed-lengths = #'( 3.7 ) a16 a g fis \revert Stem #'details #'beamed-lengths e h e d c a h c
fis,16 a c8~ c16 c h a gis h e8~ e16 e d! cis
h16 fis h a! g d e fis e g h8~ h a~
%% Takt 5 ==================================================
a16 c h a g a g fis e16 s4..
s1
s1
s1
s1
%% Takt 10 ==================================================
s1
s4 h'8. h16 e,8. fis16 gis8. e16
a8. h16 c!8. a16 e'2~
e16 e8.~ e4~ e2
h4\rest d16\rest e d c h d g,8~ g16 c c,8
%% Takt 15 ==================================================
r16 e e'8~ e16 fis, d'8~ d16 g, g'8~ g16 a, fis'8~
fis16 h, e8~ e16 cis dis8 e4~ e16 e d! cis!
h4 h16\rest h a g fis a d8~ d16 g, g'8
r16 h, h'8~ h16 cis, a'8~ a16 d, \once \override Tie #'staff-position = #4 d'8~ d16 e, \once \override Tie #'staff-position = #2 cis'8~
cis16 fis, \once \override Tie #'staff-position = #1 h8~ h16 gis! ais8 h8 h,~ \stemNeutral h16 c! h a!
%% Takt 20 ==================================================
g16 r16 r8 s2.
s1
s1
s1
\halsdown r16 e e'8~ e16 fis, d'8~ d16 g, g'8~ g16 a, fis'8~
%% Takt 25 ==================================================
fis16 h, e8~ e16 cis dis8 e16 c h a gis4
a2 \shiftOn e4~ \shiftOff \once \override NoteColumn #'force-hshift = #1 e16 e8.
h'2\rest h16\rest e dis d cis c h a
g16 d' es e f fis g a~ a[ g32 fis g8]~ g16[ fis32 e fis8]
d16\rest g fis f e es d c h8 cis16 dis e8 ais,
%% Takt 30 ==================================================
h16 d! cis c h b a! g fis8 g16 a h cis d e
fis16 d cis h! \stemUp a g fis e d \stemDown h'' ais a gis g fis e
fis16 d e fis g8 cis, d16 e dis d cis! c h! a
g8 a16 h c d e! fis! g e dis d cis c h a
g16 d' es e f fis g a ~ a[ g32 fis g8]~ g16[ fis32 e fis8]
%% Takt 35 ==================================================
d16\rest g fis f e es d c h8 c16 d e fis g a
h16 g fis e \stemUp d c h a g \stemDown e'' dis d cis c h a
h16 g a h \up c d e! fis! g4 s
s2 \down \halsneutral d8 c h a
g4 a h a
%% Takt 40 ==================================================
g4 fis e h16\rest g' fis e
d16 c h a g32[ d' e fis g8~] \halsdown g16 fis e8~ e16 d cis8~
cis32[ fis, gis ais h8~] h16 d cis! h ais! cis h a gis! h a g
fis16 a g fis e g fis e d e' d cis h8 c
d8 s2..
%% Takt 45 ==================================================
h'8~[ h32 g a h] c16 h a8~ a g4 fis8~
fis8 e4 dis8 e8 h\rest h16\rest h' a g
fis8[ g32 f' e d] \clef "treble" \halsneutral c[ e fis! g a16 g] fis8. e16 d8. c16
\clef "bass" h8~[ h32 g a h] c!16 h a8~ a g4 fis8~
\halsdown fis8 e4 d!8~ d32[ h c d e16 d] cis8 c
%% Takt 50 ==================================================
h4 a s2
s4. h16\rest dis e2~
e1
}
}
somevoice = {
\new Voice {
\global
s1 * 12
%% Takt 13 ==================================================
\relative h' { s2. s16 \once \override Staff.NoteCollision #'merge-differently-dotted = ##t \stemDown h8. }
%% Takt 14 ==================================================
s1 * 12
%% Takt 26 ==================================================
\relative e, { s2. \down \once \override NoteColumn #'force-hshift = #1 e8 e' }
%% Takt 27 ==================================================
s1*10
%% Takt 37 ==================================================
\relative g, { s2 \stemDown g16\rest h c d e fis g a
h4 d,\rest s2 }
%% Takt 39 ==================================================
s1 * 11
%% Takt 50 ==================================================
\up <<
\new Voice \relative e' {
s4. \halsup \once \override Rest #'extra-offset = #'( 1.5 . 0 ) \once \override Rest #'X-extent = #'( 0 . 2 ) e16\rest dis \shiftOn e2 \shiftOff
s2. \halsdown \once \override Rest #'extra-offset = #'( 0.4 . 0 ) c16\rest dis e8~
e1 }
\new Voice \relative c''' {
\halsup s 2. c16\rest e, a dis,
\override Tie #'staff-position = #8 e2~ e4~ \once \override Dots #'extra-offset = #'(0.5 . 0) e8. dis16
e1\fermata
}
>>
}
}
right = {
\clef "treble"
<<
\sopran
\somevoice
\alt
>>
}
left = {
\clef "bass"
<<
\tenor
\bass
>>
}
pedal = {
\global
\clef "bass"
\relative e, {
R1 * 4
%% Takt 5 ==================================================
r2 e4 h'
h4 a h e,
g4 g fis2
e1
R1
%% Takt 10 ==================================================
R1*5
%% Takt 15 ==================================================
R1*5
%% Takt 20 ==================================================
g4 g g e
g4 a h a
g4 fis e2
R1
R1
%% Takt 25 ==================================================
R1 * 5
%% Takt 30 ==================================================
R1
R1
R1
g4 g g e
g4 a h a
%% Takt 35 ==================================================
g1~
g1~
g1~
g4 r4 r2
R1
%% Takt 40 ==================================================
R1
R1
R1
R1
d'4 e d8 c h a
%% Takt 45 ==================================================
g4 a h a
g4 fis e8 fis g a
h4 c d2
e8 d! c4 h2~
h2 <<
\new Voice {
\halsdown e,2~
e2~ e2~
e1~
\once \override Script #'extra-offset = #'(0 . -0.6) e1_\fermata }
\new Voice {
\halsup s2
s2 e'2~
e1~
e1 }
>>
}
}
\score {
<<
\new PianoStaff {
<<
\context Staff = right {
\context Voice = right \right
}
\context Staff = left {
\context Voice = left \left
}
>>
}
\context Staff = pedal {
\context Voice = pedal \pedal
}
>>
\layout{
indent = 1.0\cm
}
}
\score {
\unfoldRepeats {
<<
\context Staff = right {
\set Staff.midiInstrument = "church organ"
\right
}
\context Staff = left {
\set Staff.midiInstrument = "church organ"
\left
}
\new Staff {
\set Staff.midiInstrument = "church organ"
\pedal
}
\new Staff {
\set Staff.midiInstrument = "trombone"
\transpose d d, \pedal
}
>>
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 68 4)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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