\version "2.10.33"
\header {
mutopiatitle = "Allein Gott in der Höh' sei Ehr'"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 664"
mutopiainstrument = "Organ"
date = ""
source = "Autograph"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2008/Jan/17"
title = "Trio super: Allein Gott in der Höh' sei Ehr'"
subtitle = "a 2 Clav. e Pedale"
composer = "Johann Sebastian Bach"
opus="BWV 664"
footer = "Mutopia-2008/01/20-1268"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2008. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
global = {
\key a \major
\time 4/4
#(set-accidental-style 'default)
\override Score.MetronomeMark #'transparent = ##t
}
\paper {
head-separation = 0.6 \cm
foot-separation = 0.2 \cm
page-top-space = 0 \cm
ragged-bottom = ##f
ragged-last-bottom = ##f
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
shiftscriptright = { \once \override Script #'extra-offset = #'( 0.5 . 0 ) }
shifttiedown = { \once \override Tie #'extra-offset = #'( 0 . -0.4 ) }
shifttieup = { \once \override Tie #'extra-offset = #'( 0 . 0.4 ) }
shifttieupp = { \once \override Tie #'extra-offset = #'( 0 . 0.9 ) }
right = {
\new Voice \relative a' {
\global
\partial 8 a16 h
cis h a cis d cis h a e' d cis d e4~\mordent
e8 d d4~\mordent d16 e d h cis d cis a
h16 cis d e fis e d e cis h a h cis dis e dis
e4 r r r8 h
%% Takt 5 ===================================================
cis16 h cis e dis cis dis fis e2~\mordent
e4 dis\prall e r8 e
d!16 cis d fis e d e g fis4 r8 fis
e16 d e gis! fis e fis a gis8 e a cis,
h8 a' e gis a4 r16 h, cis d
%% Takt 10 ==================================================
e16 d e g fis e d cis h a gis! fis e d e gis
fis16 e fis a gis fis gis h a h a fis g a g e
fis16 e d cis h cis d e d cis h a cis'4~
cis8 h h4~\mordent h16 cis h gis a h a fis
gis16 fis gis h ais gis ais cis h8 h'16 ais h4~
%% Takt 15 ==================================================
h8 a! a4~\mordent a16 h a fis gis a gis e
fis16 gis fis dis e fis gis e a h a fis gis a h8
e,2~ e16 cis dis8 r dis
e4 fis h, e~
e8 fis h, dis e4 r8 gis,
%% Takt 20 ==================================================
ais16 gis ais cis his ais his dis cis8 cis, cis'4~\mordent
cis8 h! h4~\mordent h16 cis h gis a! h a fis
gis16 fis gis h ais gis ais cis h8 h, h''4~\mordent
h8 a! a4~ a16 h a fis gis a gis e
fis e fis a gis fis gis h a2~
%% Takt 25 ==================================================
a4 gis a r
r2 r4 r8 a,
h16 a h d cis h cis e d2~
d2~ d8 cis d16 e fis g
a16 g a c h a g fis e d cis! h a gis! a cis
%% Takt 30 ==================================================
h16 a h d cis h cis e d e d h c d c a
h16 a g fis e fis g a fis e d e fis gis a gis
a4 r8 a g16 fis e fis gis ais h ais
h4 r8 e a,!16 gis! a cis h a h d
cis16 h cis e a, gis a cis fis, a d, fis h, fis' e d
%% Takt 35 ==================================================
cis16 e a, cis e a cis, e a cis e, a cis e a, cis
e2~\prall e16 d e a e a cis, e
d16 cis d a' d, fis h, d cis h cis a' cis, e a, e'
fis16 e fis a fis a d, fis e a cis, a' d, a' h, a'
cis,16 a' a, h cis d e fis g a g a, g' a g a,
%% Takt 40 ==================================================
fis'16 g fis a, fis' g fis a, e' fis e a, e' fis e a,
d16 e d fis, d' e d gis,! cis d cis e, cis' d cis fis,
h16 cis h dis, h' cis h eis, a h a eis! fis gis a h
cis16 h cis d! cis h a gis h a gis fis a gis fis eis
fis16 eis fis a gis fis gis h a gis a cis fis eis fis a
%% Takt 45 ==================================================
dis,16 cis dis fis gis fis gis h fis eis dis! cis fis4~
fis4 eis fis r16 a, cis fis
h,16\prall a h8 r16 gis h e a,\prall gis a8 r16 fis a d
gis,16\prall fis gis8 r4 h2~
h16 gis ais fis' e! g cis, e ais,! gis! ais e' cis e ais, cis
%% Takt 50 ==================================================
fis,8 h dis fis a! fis dis a~
a16 fis gis e' d! f h, d gis, fis! gis d' h d gis, h
e,8 a cis e g e cis g
fis16 e fis a fis a e g fis e fis a fis a e g!
fis16 e fis a d fis a, c h a h e d g h, d
%% Takt 55 ==================================================
cis!16 h cis e fis a cis, e d16 cis d e cis8.\prall d16
d4 \clef "bass" fis,,16 a d, fis a d fis, a d fis a, d
\clef "treble" fis16 a d, fis a d fis, a d8 a fis d
r8 d' h g r d' a fis
r8 d' g, e fis d' e, cis'
%% Takt 60 ==================================================
d,8 a' d16 e fis g a2~\prall
a4 g2\prall \once \override Script #'extra-offset = #'( 0 . 0.3 ) fis4~\prall
fis4 e2\prall d4~\prall
d4 cis2\prall h4~\prall
h4 ais4\prall h4 r8 h16 cis
%% Takt 65 ==================================================
d8 h e h fis'16 e d e fis4~
fis8 e e4~\mordent e16 fis e cis d e d h
cis16 d e fis g fis e fis d cis d fis h8 d,
cis16 h cis e a8 cis, h16 ais h d g8 h,
ais16 gis! ais fis' e g cis, e ais,! gis! ais e' cis e ais, cis
%% Takt 70 ==================================================
fis,8 h dis fis a! fis dis a~
a16 fis gis e' d! f h, d gis, fis! gis d' h d gis, h
e,8 a cis e g e cis g!~
g16 e fis a h8 a~ a16 fis gis! h cis8 h~
h16 gis a cis d8 cis~ cis16 a h d e8 d~
%% Takt 75 ==================================================
d16 h cis e a8 cis,~ cis16 a h d gis8 h,~
h16 gis a cis fis8 a,~ a16 fis g h e8 g,~
g16 e fis a d8 fis,~ fis16 d e gis! cis8 e,~
e16 cis d fis h4~ h16 gis a8~ a16 fis g8~
g16[ fis32 e fis16 gis!] a cis h a gis e fis gis a32[ h a gis a16 h]
%% Takt 80 ==================================================
cis h a cis d cis h a e' d cis d e4~
e8 d d4~ d16 e d h cis d cis a
h16 cis d e fis e d e cis h a h cis dis e dis
e16 fis gis e fis gis a fis gis a h a gis fis e d!
cis16 h cis e dis cis dis fis e8 h e4~
%% Takt 85 ==================================================
e8 d! d4~ d16 e d h cis d cis a
e'8 e, fis fis'~ fis16 gis fis dis e4~
e16 fis e cis d! e d h eis8 eis, fis fis'~
fis16 a gis fis eis dis cis h a4~ a16 h a fis
gis8. ais16 h8. e!16 a,16 gis! a cis d! fis e d
%% Takt 90 ==================================================
cis16 h cis a h8 e~ e16 d e g fis e fis a
g16 a g e fis g fis d e8 a, a'4~
a16 h a fis g a g e fis8 gis16 a h4~
h8 a, cis e g e cis g~
g16 e fis d' a d fis, a d, cis d a' fis a d, fis
%% Takt 95 ==================================================
h,8 gis! h \tempo 4 = 78 d f \tempo 4 = 74 h, << \new Voice { d8[ h'32 a gis!16]
a1\fermata }
\new Voice { \stemDown \tieDown d,4~
\tempo 4 = 70 d16 cis d8~ \tempo 4 = 66 d16 \tempo 4 = 58 e d \tempo 4 = 36 h \once \override Script #'extra-offset = #'( 0 . -2 ) cis2\fermata } >>
\bar "|."
}
}
left = {
\new Voice \relative e' {
\global
\partial 8 r8
r2 r4 r8 e
fis16 e fis a gis fis gis h a2~\mordent
a4 gis\prall a r8 e16 fis
gis fis e gis a gis fis e h' a gis a h4~\mordent
%% Takt 5 ===================================================
h8 a a4~\mordent a16 h a fis gis a gis e
fis16 gis a h cis h a h gis fis e fis gis ais h ais
h4 r8 h a!16 gis! fis gis a h cis h
cis4 r8 dis e16 fis e d cis h a gis
fis16 e d cis h cis d e d cis h a a'4~\mordent
%% Takt 10 ==================================================
a2~ a16 fis gis8 r gis
a4 h e, a~
a8 h e, gis! a4 r8 cis,
dis16 cis dis fis eis dis eis gis fis8 fis'16 eis fis4~
fis8 e! e4~\mordent e16 fis e cis d! e d h
%% Takt 15 ==================================================
cis h cis e dis cis dis fis e2~
e2~ e8 dis e16 fis, gis a
h16 a h d! cis h a gis fis e dis cis h a h dis
cis16 h cis e dis cis dis fis e fis e cis d e d h
\clef "bass"cis16 h a gis fis gis a h a gis fis e \clef "treble"gis'4~
%% Takt 20 ==================================================
gis8 fis fis4~\mordent fis16 gis fis dis e fis e cis
dis16 cis dis fis eis dis eis gis fis8 fis, fis''4~\mordent
fis8 e! e4~ e16 fis e cis d! e d h
cis16 h cis e dis cis dis fis e2~
e8 d! d4~\mordent d16 e d h cis d cis a
%% Takt 25 ==================================================
h16 cis d e fis e d e cis h a h cis d e cis
fis16 e d fis g fis e d a' g fis g a4~
a8 g g4~ g16 a g e fis g fis d
e16 fis e cis d e fis d g a g e fis g a8
d,2~ d16 h cis8 r cis
%% Takt 30 ==================================================
d4 e a, d~
d8 e a, cis d4 r8 d,
cis16 h a h cis dis e dis e4 r8 e
d!16 cis d fis e d e g fis e fis a gis fis gis h
a2~ a4 gis
%% Takt 35 ==================================================
a4 cis,16 e a, cis e a cis, e a cis e, a
cis16 e a, cis e a cis, e a8 e cis a
r8 a' fis d r a' e cis
r8 a' d, h cis a' h, gis'
a8 e a,16 h cis d e2~\prall
%% Takt 40 ==================================================
e4 d2\prall cis4~\prall
cis4 h2\prall a4~\prall
a4 gis2\prall fis4~\prall
fis4 eis fis4 r8 fis16 gis
a8 fis h fis cis'16 h a h cis4~
%% Takt 45 ==================================================
cis8 h h4~\mordent h16 cis h gis a h a fis
gis16 a h cis d cis h cis a gis a cis fis8 a,
gis16 fis gis h e8 gis, fis16 eis fis a d8 fis,
eis16 dis eis cis' h d! gis, h eis,! dis! eis h' gis h eis, gis
cis,8 fis ais cis e! cis ais e~
%% Takt 50 ==================================================
e16 cis dis h' a! c fis, a dis,! cis! dis a' fis a dis, fis
h,8 e gis h d! h gis d~
d16 h cis a' g b e, g cis, h! cis g' e g cis, e
d16 cis d fis d fis cis e d cis d fis d fis cis e
\clef "bass" d8 d, a'4~ a8 g16 fis g4~
%% Takt 55 ==================================================
g8 h a g fis16 e fis g e8.\prall fis16
fis16 a d, fis a d fis, a d fis a, d \clef "treble" fis a d, fis
a2~ a16 g a d a d fis, a
g16 fis g d' g, h e, g fis e fis d' fis, a d, a'
h16 a h d h d g, d' a d fis, a g d' e, d'
%% Takt 60 ==================================================
fis,16 d' d, e fis g a h c d c d, c' d c d,
h'16 c h d, h' c h d, a' h a d, a' h a d,
g16 a g h, g' a g cis,! fis g fis a, fis' g fis h,
e16 fis e gis,! e' fis e ais, d e d ais! h cis d e
fis16 e fis g fis e d cis e d cis h d cis h ais
%% Takt 65 ==================================================
h16 ais h d cis h cis e d cis d fis h ais h d
gis,!16 fis gis h cis h cis e h ais gis! fis h4~
h4 ais h r16 d, fis h
e,16\prall d e8 r16 cis e a d,\prall cis d8 r16 h e g
cis,16\prall h cis8 r4 e2~
%% Takt 70 ==================================================
e16 cis dis h' a! c fis, a dis,! cis! dis a' fis a dis, fis
h,8 e gis h d! h gis d~
d16 h cis a' g b e, g cis, h! cis g'! e g cis, e
a,8 a'~ a16 e fis h h,8 h'~ h16 fis gis! cis
cis,8 cis'~ cis16 gis a d d,8 d'~ d16 a h e
%% Takt 75 ==================================================
e,8 e'~ e16 cis a cis fis,8 d'~ d16 h gis e
cis8 cis'~ cis16 a fis a d,8 h'~ h16 g e cis
a8 a'~ a16 fis d fis h8 h,~ h16 e cis a
fis8 fis'~ fis16 e gis! h cis,8.[ d16 e8. cis16]
a8 d e fis h, h' e,[ fis16 gis]
%% Takt 80 ==================================================
a8 a, r4 r r8 e'
fis16 e fis a gis fis gis h a2~
a4 gis\prall a r8 e16 fis
gis fis e gis a gis fis e h' a gis a h4~
h8 a a4~ a16 h a fis gis a gis e
%% Takt 85 ==================================================
fis16 e fis a gis fis gis h a8 e a4~
a16 gis a cis h a h d gis,4~ gis16 a gis e
ais8 ais, h h'~ h16 cis h gis a h a fis
gis8 h cis, gis'~ gis16 a gis eis fis4~
fis16 dis e!8~ e16 d g8~ g16 e fis a~ a fis gis h~
%% Takt 90 ==================================================
h16 gis a d~ d e d h cis fis e8~ e16 cis d8~
d16 h cis8\mordent d4~ d16 e d h cis d cis a
h8 e, e'4~ e16 fis e cis d e d h
cis16 h cis a' g b e, g cis, h! cis g' e g cis, e
a,8 a, d fis a fis d h
%% Takt 95 ==================================================
\clef "bass" gis!16 fis gis f' d f h, d gis, fis! gis d' h d gis, h
<< \new Voice{ \stemUp c8\rest c16\rest fis,32 gis \once \override Script #'extra-offset = #'( 0 . 3) gis8._\prallprall fis32 gis \once \override Script #'extra-offset = #'( 0 . 2 ) a2_\fermata }
\new Voice{ e1_\fermata }
>>
}
}
pedal = {
\global
\clef "bass"
\relative a, {
\partial 8 r8
a4 h cis r8 cis
d4 e fis r8 e
d8 h e e, a a' gis8. fis16
e4 fis gis r8 gis
%% Takt 5 ==============================================
a4 h cis r8 h
a8 fis h h, e, e' d!8. cis16
h4 cis d r8 d,
a'8 a' dis, h e cis fis e
d!8 h e e, a4 r8 a
%% Takt 10 ==================================================
cis8 a d h e2~
e4 d cis8 h cis a
d4 e a, r8 a
h4 cis fis, r8 d'!
e4 fis h, r8 gis'
%% Takt 15 ==================================================
a4 h cis r8 h
a8 fis gis e fis h, e8. fis16
gis8 e a fis h2~
h4 a gis8 fis gis e
a4 h e, r8 e
%% Takt 20 ==================================================
fis4 gis cis, r8 a!
h4 cis fis, r8 dis'
e4 fis h, r8 gis
a4 h e, r8 cis'
d4 e fis r8 e
%% Takt 25 ==================================================
d8 h e e, a g fis e
d4 e fis r8 fis'
g4 a h r8 a
g8 e fis d e a, d8. e16
fis8 d g e a2~
%% Takt 30 ==================================================
a4 g fis8 e fis d
g4 a d,8 d' cis h
a8 a, g fis e e' d! cis
h4 cis d r8 h
fis'8 e fis cis d h e e,
%% Takt 35 ==================================================
a4 r r2
a4 r r r8 a'
a8 a, r a' a a, r a'
a8 a, r a' a a, r a'
a4 r r8 a, cis a
%% Takt 40 ==================================================
r8 d fis d r a' cis a
h8 a gis e a gis fis e
dis8 gis eis cis fis gis a fis
h8 gis cis cis, fis4 r
r2 r8 fis a fis
%% Takt 45 ==================================================
h8 h, d! h cis a d cis
h8 gis cis cis fis,4 r8 fis'
gis4 r8 gis a4 r8 h~
h8 a gis fis gis fis eis cis
fis4 r fis, r
%% Takt 50 ==================================================
h4 r h r
e4 r e, r
a4 r a r
d4 r h r
fis4 r8 fis g4 r8 g
%% Takt 55 ==================================================
a4 r8 a h g a4
d,4 r r2
d4 r r r8 d'
d8 d, r d' d d, r d'
d8 d, r d' d d, r d'
%% Takt 60 ==================================================
d4 r r8 d, fis d
r8 g h g r8 d' fis d
e8 d cis a d cis h a
gis!8 cis ais fis h cis d h
e8 cis fis fis, h4 r
%% Takt 65 ==================================================
r2 r8 h d h
e8 e g e fis d g! fis
e8 cis fis fis, h4 r8 h
cis4 r8 cis d4 r8 e~
e8 d cis h cis h ais fis
%% Takt 70 ==================================================
h4 r h r
e4 r e, r
a4 r a r
d4 r8 dis e4 r8 eis
fis4 r8 fis gis4 r8 gis
%% Takt 75 ==================================================
a4 fis d! e
fis4 d h cis
d4 h gis! a
h4 gis a8 fis cis' a
d8 h cis d e d cis h
%% Takt 80 ==================================================
a4 h cis r8 cis
d4 e fis r8 e
d8 h e e, a a' gis8. fis16
e2~ e8 e, e' gis
a8 fis h h, e,4 r
%% Takt 85 ==================================================
r2 a2
cis4 d e4. d!8
cis4 h cis2
r2 cis
cis4 h8. cis16 d8 cis h4
%% Takt 90 ==================================================
a8 fis gis4 \override Tie #'staff-position = #-4 a2~
a1~
a1~
a1~
a1~
%% Takt 95 ==================================================
a1~
a1_\fermata
}
}
\score {
<<
\new PianoStaff {
<<
\context Staff = right {
\context Voice = right \right
}
\context Staff = left {
\context Voice = left \left
}
>>
}
\context Staff = pedal {
\context Voice = pedal \pedal
}
>>
\layout{
indent = 1.0\cm
}
}
\score {
\unfoldRepeats {
<<
\context Staff = right {
\set Staff.midiInstrument = "pan flute"
\right
}
\context Staff = right {
\set Staff.midiInstrument = "recorder"
\transpose g' g'' \right
}
\context Staff = left {
\set Staff.midiInstrument = "recorder"
\left
}
\context Staff = left {
\set Staff.midiInstrument = "recorder"
\transpose g' g''' \left
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\pedal
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose d d' \pedal
}
>>
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 82 4)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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