\version "2.10.33"
\header {
mutopiatitle = "Nun komm, der Heiden Heiland"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 661"
mutopiainstrument = "Organ"
date = ""
source = "Edition Peters 8662"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2007/Dec/27"
title = "Nun komm, der Heiden Heiland"
subtitle = "In Organo pleno"
composer = "Johann Sebastian Bach"
opus="BWV 661"
footer = "Mutopia-2007/12/29-1191"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2007. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
global = {
\key g \minor
\time 2/2
#(set-accidental-style 'default)
\override Score.MetronomeMark #'transparent = ##t
}
\paper {
head-separation = 0.6 \cm
foot-separation = 0.2 \cm
page-top-space = 0 \cm
ragged-bottom = ##f
ragged-last-bottom = ##f
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
halsup = { \stemUp \tieUp \slurUp \dotsUp }
halsdown = { \stemDown \tieDown \slurDown \dotsDown }
halsneutral = { \stemNeutral \tieNeutral \slurNeutral \dotsNeutral }
mmrestdown = { \once \override MultiMeasureRest #'extra-offset = #'( 0 . -1 ) }
mmrestdownn = { \once \override MultiMeasureRest #'staff-position = #-2 }
mmrestdownnn = { \once \override MultiMeasureRest #'staff-position = #-4 }
mmrestdownnnn = { \once \override MultiMeasureRest #'staff-position = #-6 }
mmrestdownnnnn = { \once \override MultiMeasureRest #'staff-position = #-8 }
mmrestup = { \once \override MultiMeasureRest #'staff-position = #2 }
mmrestupp = { \once \override MultiMeasureRest #'staff-position = #4 }
shifttiedown = { \once \override Tie #'extra-offset = #'( 0 . -0.4 ) }
shifttieup = { \once \override Tie #'extra-offset = #'( 0 . 0.4 ) }
shifttieupp = { \once \override Tie #'extra-offset = #'( 0 . 0.9 ) }
up = { \change Staff = "right" \halsdown }
down = { \change Staff = "left" \halsup }
sopran = {
\new Voice \relative g' {
\global
\halsup
\once \override TextScript #'extra-offset = #'( -3.5 . 2 ) g8^\markup { \bold "Canto fermo in Pedale" } fis g d d' a b g
fis8 e fis d d' a b g
es'!8 a, b g fis d' a c
b4 d cis d
%% Takt 5 ==================================================
e4 a cis, d
g4 a8 b a f g e
d8 e f g f es d c
h4 g' g, h
c8 d es f es d c b!
%% Takt 10 ==================================================
a4 f' f, a
b8 c d es d c b a
g8 b c d c b a g
fis4 d' d, fis
g4 es'! a, d
%% Takt 15 ==================================================
b2 a4 d
c4 a'\rest a\rest b,
fis4 a'\rest a\rest fis
g8 a b c b a g f!
es4 c' c, e
%% Takt 20 ==================================================
f8 g a b a g f es!
d4 b' b, d
es4 g c, e
f4 a d, fis
g2 h\rest
%% Takt 25 ==================================================
d,8 c d es d b c a
g4 b c es
fis,4 f'\rest f2\rest
d8 c d g, g' d es c
h8 a h g g' d es c
%% Takt 30 ==================================================
as'8 d, es c h g' d f!
\shifttieup es1~
es4 c a c
d1~
d4 b g b
%% Takt 35 ==================================================
c1~
c2~ c8 a b c
b8 a g fis g d es! f
es2~ es8 g f es
d4 e8 fis g2~
%% Takt 40 ==================================================
g8 a b a b c d b
es8 g f es d c b a
b8 a b f f' c d b
a8 g a f f' c d b
g'8 c, d b a f' c es
%% Takt 45 ==================================================
d4 f, es d
\down c a d c
b4. a8 b c d e
\up \halsup f4 f' g f
es4 b g' f
%% Takt 50 ==================================================
c4 b8 a b d c es
f8 es d c d e f g
a4 c, c' a
g8 f es! d es f g a
b8 a g fis g b a g
%% Takt 55 ==================================================
f!8 es d c h r d4\rest
d8\rest d c b! a! d\rest d4\rest
r4 d es8 d es c
f8 es f d g2~
g8 fis g4~ g8 a fis!4
%% Takt 60 ==================================================
g4 d es d
c4 g es' d
a4 g8 fis g b a c
d1~
d2 r
%% Takt 65 ==================================================
\mmrestupp R1
\mmrestupp R1
\mmrestupp R1
\mmrestupp R1
d8 e d a' a, cis h d
%% Takt 70 ==================================================
e8 f e a a, d cis e
f8 g f a a, e' d f
cis8 g' f a b d, g e
f1~
f8 es! d es f g a h
%% Takt 75 ==================================================
c8 as g f es d c b!
a8 b c b a g f es
d4 b' b, d
es8 f g as g f es d
c4 r r2
%% Takt 80 ==================================================
R1
g'8 a g d' d, fis e g
a8 b a d d, g fis a
d,4 d' fis, g~
g2 a'4\rest fis,
%% Takt 85 ==================================================
g4 f'! es d
c8 h c g g' d es c
h8 a h g g' d es c
as' d, es c h g' d f
\shifttieup es1~
%% Takt 90 ==================================================
es8 cis d4~ d8 fis g4~
\tempo 2 = 70 g8 fis g b, \tempo 2 = 66 c! \tempo 2 = 54 a' \tempo 2 = 48 a, \tempo 2 = 38 c
\tempo 2 = 30 h1\fermata
}
}
alt = {
\new Voice \relative d' {
\global
\halsdown
\mmrestdownnnnn R1
\mmrestdownnnnn R1
\mmrestdownnnnn R1
d8 c d \down g, \up g' e f! d
%% Takt 5 ==================================================
\down cis8 h cis a \up a' e f d
b'8 e, f d cis a' e g
f4 d' d, f
g8 a h! c h a g f
es4 c' c, es
%% Takt 10 ==================================================
f8 g a b a g f es
d4 b' b, d
es4 \down a, b \up c
d8 e fis! g fis e d c
b8 d g a g fis e fis
%% Takt 15 ==================================================
g4 d8 g fis4 g
a4 d fis, g
c4 d8 es d b c a
d,4 e\rest e\rest d
g4 e\rest e\rest g
%% Takt 20 ==================================================
c4 e,\rest e\rest c
f4 c\rest c\rest f
b4 e,\rest e\rest b'
c4 e,\rest e\rest c'
d8 c d g, g' d es c
%% Takt 25 ==================================================
b8 a b g a4 d,
g8 fis g d d' a b g
es'8 a, b g fis! d' a c
b4 e,\rest e2\rest
\mmrestdownnn R1
%% Takt 30 ==================================================
\mmrestdownnn R1
g8\rest h c d c b a g
a4 a f a
b8 a b c b a g fis
g4 g es g~
%% Takt 35 ==================================================
g4 fis8 e fis4 g
a8 g fis e d2~
d8 \down c b a b4 h~
h8 d c h c2~
c4 b!8 a g4 f'\rest
%% Takt 40 ==================================================
\up \mmrestdownnn R1
g8 c, d \down b a \up f' c es
d2 es4 d
es2~ es4 d
a'4 b8 c,\rest c4\rest a'
%% Takt 45 ==================================================
b8 c b f' f, a g b
c8 d c f f, b a c
e,8 b' a c d f, b g
a4 d es! b~
b4 b2 b4
%% Takt 50 ==================================================
es2. a,4
b2 r4 e,
f8 \down b, a g a b c d
es!4 g, \up g' es
d8 c \down b a b c \up d es
%% Takt 55 ==================================================
f4 e\rest e8\rest as g f
es4 e\rest c8\rest g' f es
d4 r a' r
f8 g f b d c d b
a4 g8\rest b c2~
%% Takt 60 ==================================================
c4 b8 a g4 r
\mmrestdownnn R1
\mmrestdownnnn R1
b,4 g' b a
g4 d b' a
%% Takt 65 ==================================================
e4 d8 cis d f e g
a4 \down a, \up f' d
\down cis8 h a h cis \up d e f
g8 f e f g a b! cis,
d2 cis4 d8 h
%% Takt 70 ==================================================
cis2 d4 \down g,
a4 \up d cis d
e4 d2 cis4
d8 b' a g f es! d c!
\down h4 a g f
%% Takt 75 ==================================================
es1~
es8 d c d es f g a
b2 c4\rest f,
b4 c\rest c\rest b~
b8 b a! g a b c4~
%% Takt 80 ==================================================
c8 c d es d c b a
b4 d c b
a2 c
b4 \up d c' b
c4 d8 es \override Stem #'details #'beamed-lengths = #'( 3.6 ) d b c a \revert Stem #'details #'beamed-lengths
%% Takt 85 ==================================================
b4 h c f,
es8 c\rest c4\rest c2\rest
\mmrestdownnn R1
\mmrestdownnn R1
g'8 f g c, c' a b! g
%% Takt 90 ==================================================
fis8 e fis d d' a b g
es'!8 a, b g fis2
g1
}
}
tenor = {
\new Voice \relative g {
\global
R1
R1
R1
\mmrestdown R1
%% Takt 5 ==================================================
\mmrestdown R1
R1
R1
R1
R1
%% Takt 10 ==================================================
R1
R1
\mmrestdown R1
R1
R1
%% Takt 15 ==================================================
g8 fis g d d' a b g
fis8 e fis d d' a b g
es'!8 a, b g fis d' a c
b4 g' g, b
c8 d es f es d c b
%% Takt 20 ==================================================
a4 f' f, a
b8 c d es d c b as
g8 b c d c b a! g
a8 c d es! d c b a
b8 a g a b d c es
%% Takt 25 ==================================================
d2 r
r4 g, fis g
c4 d8 es d b c a
b8 a g a h4 c
\clef "treble" d4 g h, c
%% Takt 30 ==================================================
f!4 g8 as g es f d
\clef "bass" c4 g c, es
f8 es f g f es d c
b4 b' b, d
es8 d es f es d c b
%% Takt 35 ==================================================
a8 g a b a g fis e
fis4 d' fis d
\halsdown g1~
g2 h,\rest
g'8 fis g d d' a b g
%% Takt 40 ==================================================
es'!8 c d es d c b a
g2 f~
f4 b a b
c4 f a, b
es4 f8 g f d es c
%% Takt 45 ==================================================
b4 d c b
a4 f r f
g1
\halsneutral f8 g f b b, es! d f
g8 a g b b, es d f
%% Takt 50 ==================================================
a,8 es' d f g b, es c
d4 b b' g
f2 r4 f
c'2 r4 c
g2 r4 g
%% Takt 55 ==================================================
d'4 f g, h
c4 es f, a
b!8 c b f' f, b a c
b4 r \clef "treble" b8 es d g
a,8 es' d g a d, es c
%% Takt 60 ==================================================
d8 es d g g, c b d
es8 f es g g, c b d
\clef "bass" fis,8 c' b d es g, c a
g8 a g d' d, g fis a
b8 c b d d, g f! a
%% Takt 65 ==================================================
cis,8 g' f a b d, g e
f8 e d cis d e f g
\halsdown a4 a, r8 a' g f
e 8 d cis d e f g a
b!4 f8 g a2~
%% Takt 70 ==================================================
a4 g f e
d2 g4 f
b4 a g a
d,2 r4 d
g4 f es d
%% Takt 75 ==================================================
c4 b! a! g
f2 r
b8 c d es d c b a
g4 es' es, g
a8 b c d c b a g
%% Takt 80 ==================================================
fis4 d' d, fis'
g4 b a g
d8 c d a a' e fis d
g8 fis g d d' a b g
es'! a, b g fis d' a c
%% Takt 85 ==================================================
d8 es d g g, c h d
\clef "treble" \halsneutral es f es g \clef "bass" g, h a c
d8 es d f g, h a c
h8 d c es d c h d
c4 b! a g
%% Takt 90 ==================================================
a2 b
c4 d es2
d1\fermata
}
}
right = {
\clef "treble"
<<
\sopran
\alt
>>
}
left = {
\clef "bass"
\tenor
}
pedal = {
\global
\clef "bass"
\relative g, {
R1*4
%% Takt 5 ==================================================
R1*5
%% Takt 10 ==================================================
R1*5
%% Takt 15 ==================================================
R1*5
%% Takt 20 ==================================================
R1
R1
R1
R1
g1
%% Takt 25 ==================================================
g2 fis
b2 a4 g
a1
g1~
g1~
%% Takt 30 ==================================================
g1
R1
R1
R1
R1
%% Takt 35 ==================================================
R1
R1
R1
R1
g2 b
%% Takt 40 ==================================================
c2 b
c2 d
b1~
b1~
b1
%% Takt 45 ==================================================
R1*5
%% Takt 50 ==================================================
R1*5
%% Takt 55 ==================================================
R1
R1
b2 c
d2 b
c4 b a2
%% Takt 60 ==================================================
g1~
g1~
g1
R1
R1
%% Takt 65 ==================================================
R1*5
%% Takt 70 ==================================================
R1*5
%% Takt 75 ==================================================
R1*5
%% Takt 80 ==================================================
R1
g1
g2 fis
b2 a4 g
a1
%% Takt 85 ==================================================
g1~
g1~
g1~
g1~
g1~
%% Takt 90 ==================================================
g1~
g1~
\override Script #'padding = #0.5 g1_\fermata
\bar "|."
}
}
\score {
<<
\new PianoStaff {
<<
\context Staff = right {
\context Voice = right \right
}
\context Staff = left {
\context Voice = left \left
}
>>
}
\context Staff = pedal {
\context Voice = pedal \pedal
}
>>
\layout{
indent = 1.0\cm
}
}
\score {
\unfoldRepeats {
<<
\context Staff = right {
\set Staff.midiInstrument = "church organ"
\right
}
\context Staff = left {
\set Staff.midiInstrument = "church organ"
\left
}
\new Staff {
\set Staff.midiInstrument = "church organ"
\pedal
}
\new Staff {
\set Staff.midiInstrument = "trombone"
\transpose d d, \pedal
}
>>
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 72 2)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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