\version "2.10.33"
\header {
mutopiatitle = "Nun komm, der Heiden Heiland"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 660"
mutopiainstrument = "Organ"
date = ""
source = "Edition Peters 8662"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2007/Dec/27"
title = "Trio super: Nun komm, der Heiden Heiland"
subtitle = "a due Bassi e Canto fermo"
composer = "Johann Sebastian Bach"
opus = \markup { \lower #3 "BWV 660" }
footer = "Mutopia-2008/02/19-1190"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2008. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
global = {
\key g \minor
\time 4/4
#(set-accidental-style 'default)
\override Score.MetronomeMark #'transparent = ##t
}
\paper {
head-separation = 0.6 \cm
foot-separation = 0.2 \cm
page-top-space = 0 \cm
ragged-bottom = ##f
ragged-last-bottom = ##f
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
#(define set-script-property (lambda (script property value)
(append! (cdr (assoc script default-script-alist))
(list (cons property value)))))
#(set-script-property "mordent" 'avoid-slur 'outside)
#(set-script-property "prall" 'avoid-slur 'outside)
#(set-script-property "prallprall" 'avoid-slur 'outside)
shifttiedown = { \once \override Tie #'extra-offset = #'( 0 . -0.4 ) }
shifttieup = { \once \override Tie #'extra-offset = #'( 0 . 0.4 ) }
shifttieup = { \once \override Tie #'extra-offset = #'( 0 . 0.9 ) }
right = {
\new Voice \relative g' {
\global
#(revert-auto-beam-setting '(end 1 32 4 4) 1 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 3 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 5 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 7 8)
\clef "treble"
R1*4
%% Takt 5 ==================================================
R1
R1
r2 g2\mordent
g4~ g16 b a32 b g16 fis4. g32 fis e d
b'4~ b16 a b c a c b a g fis g a
%% Takt 10 ==================================================
\once \override TextScript #'extra-offset = #'(0.8 . -0.6 )
a2.~^\markup { \musicglyph #"scripts.prall" \hspace #-0.4 \musicglyph #"scripts.prall" } a8. g32 a % prallprallprall
g4 r r2
R1
R1
R1
%% Takt 15 ==================================================
R1
R1
g8.\mordent a16 a8.\prallprall g32 a b4~ b16 a b c
c4.~\upprall c16 b32 c b2
c4.\mordent es16 d d4.( c16\prall ) b
%% Takt 20 ==================================================
b4 r r2
R1
R1
R1
b4~\mordent b16 c b c \once \override TextScript #'extra-offset = #'(0.8 . -0.6 )
c4.~^\markup { \musicglyph #"scripts.prall" \hspace #-0.4 \musicglyph #"scripts.prall" } c16 b32 c
%% Takt 25 ==================================================
d4~ d16 es d c b\prall a b8~ b16 a b g
c16 d32 es d16 c b fis' g c, \appoggiatura b16 a4.~\prall a16 g32 a
g4 r r2
R1
R1
%% Takt 30 ==================================================
R1
R1
R1
r2 g2\mordent
g4~ g32 a g fis g16. a32 fis2\prall
%% Takt 35 ==================================================
b4~ b16 a b c a c b a g fis g a
a2~\downprall a4.~ a16 g32 a
g1~
g4 r r2
R1
%% Takt 40 ==================================================
R1
R1
R1
\bar "|."
}
}
left = {
\new Voice \relative g {
\global
\clef "bass"
r8 g g fis b4 a~
a8 g4 fis16 a b, es d es a, d c d
g,16 c b c fis,8 a' b16 es d es a, d c d
b16 d g, b es, c' b c a c f,! a d, b' a b
%% Takt 5 ==================================================
g16 b es, g c, a' g a fis a d, fis b, g' f g
es16 g c, es a, c fis, a d, d' e fis g fis g a
b16 a g a d,8 fis\turn g4 r
r16 g f! g es! g c, es a,8 fis d' d,
g16 g' f! g es f d es c8 a' d d
%% Takt 10 ==================================================
d8 cis f!4 \once \override Script #'extra-offset = #'(0 . 0.3) e~\prall e16 e d f
b,8 g a cis, d f g b,
c!8 e f a, b d e! g,
a8 cis d f, \tieDown g2~
g16 \tieNeutral b' a g f e d cis d d' b g f d' e, \tempo 4 = 54 cis'
%% Takt 15 ==================================================
<<
\new Voice { \stemDown d,8 }
\new Voice { \stemUp \shiftOnn \once \override Stem #'length = #5 fis8 }
\new Voice { \stemUp \shiftOn a8 }
\new Voice { \stemUp d8 } >> \tempo 4 = 68 r r4 r8 g, g fis!
b4 a~ a8 g4 fis16 a
b,16 es d es a, d c d g,4 r
r16 a' g a f! g es f d8 d' d b
r16 es d es c es a, c fis,8 a b d,~
%% Takt 20 ==================================================
d16 es c d b c a b g8 g' g fis
b4 a~ a8 g4 fis16 a
b,8 b' b a d4 c~
c8 b4 a16 c d, g f! g c, f es f
b,16 d' c d b d g, b es, c' b c a c f, a
%% Takt 25 ==================================================
d,8 b d fis g8. fis16 g4~
g16 a fis a g4~ g8 g g fis!
b4 a~ a8 g4 f!16 as
h,16 es d es a,! d c d g, c h! c f,8 f'~
f8 es~ es16 d es c h8 g \clef "treble" r16 g'' f g
%% Takt 30 ==================================================
es16 g c, es as, f' es f d f b,! d g, es' d es
\clef "bass" c16 es as, c f, d' c d h d g, h es, c' b c
as16 c f, as d, f h, d g, g' a h c h c d
es16 d c d g,8 h c16 es d es f, d' c d~
d16 g, c8 c h es4 d~
%% Takt 35 ==================================================
d16 g, f! g es f d es c8 a' d d
d8 cis f!4 e~ e16 es d f
h,8 c\turn d16 g, d f es8 h c16 es d f
es16 c' h d c b a g fis g fis e d8 fis!
g8 b c es,! f! a b d,
%% Takt 40 ==================================================
es8 g a c, d fis g b,
c2~ c16 es d c b a g fis
g16 g' es c b g' \tempo 4 = 60 a, \tempo 4 = 48 fis'
<<
\new Voice { \stemDown g,8 }
\new Voice { \stemUp \once \override Stem #'length = #5 \shiftOnn b8 }
\new Voice { \stemUp \shiftOn d8 }
\new Voice { \stemUp g8 } >> r r4
}
}
pedal = {
\global
\clef "bass"
\relative g {
r2 r8 g g fis
b4 a~ a8 g4 fis16 a
b,16 es d es a, d c d g, c b c fis,8 fis'
g8 b c es, f! a b d,
%% Takt 5 ==================================================
es8 g a c, d fis g b,
c2~ c8 c b a
g8 c d d, g16 g' f! g es g c, es
h8 g c c, d16 d' c d b c a b
g8 d' g g g fis b4
%% Takt 10 ==================================================
a8 a, d d d cis f!4~
f16 f e g cis, a' g a f a d, f b, g' f g
e16 g c, e a, f' e f d f b, d g, e'! d e
cis16 e a, cis f, d'' c! d b d g, b e,! g cis,! e
a,8 cis d e f g a a,
%% Takt 15 ==================================================
d,8 g' g fis b4 a~
a8 g4 fis16 a b, es d es a, d c d
g,4 r r16 g' f! g es f d es
c8 b' b a r16 d c d b d g, b
es,8 g a c,~ c16 d c d b c a b
%% Takt 20 ==================================================
g8 g' g fis b4 a~
a8 g4 fis16 a b,8 b' b a
d4 c~ c8 b4 a16 c
d,16 g f! g c, f es f b, es d es a,8 a'
b a g es r c f f,
%% Takt 25 ==================================================
b16 f' es f d f b, d g, d' c d b d g, b
es,4~ es16 es' d es c d b c a d c d
g,8 g' g fis b4 as~
as8 g4 f!16 as! h,16 es d es a,! d c d
g,16 c h c f,8 as'~ as16 g as f g8 h,!
%% Takt 30 ==================================================
c8 es f as, b! d es g,
as8 c d f, g h c es,
f2~ f8 f' es d
c8 f g g, c, c' c h
es4 d r16 d c d b! c a b
%% Takt 35 ==================================================
g8 d' g g g fis b4
a8 a, d d d cis f!4~
f16 f es g h,8 g c16 g' d f es8 h!
c16 es d f es8 c d d, r16 d'' c d
b16 d g, b es,! c' b c a c f,! a d, b' a b
%% Takt 40 ==================================================
g16 b es, g c, a' g a fis16 a d, fis b, g' f g
es16 g c, es a, c fis, a d,8 fis g a
b8 c d d, g2
}
}
\score {
<<
\new PianoStaff {
<<
\new Staff {
\right
}
\new Staff {
\left
}
>>
}
\new Staff {
\pedal
}
>>
\layout{
indent = 1.0\cm
}
}
\score {
\unfoldRepeats {
<<
\new Staff {
\set Staff.midiInstrument = "recorder"
\right
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose g' g'' \right
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose g' d''' \right
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\left
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\transpose g g' \left
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\pedal
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose g g' \pedal
}
>>
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 68 4)
}
}
}
% 09.02.2008: avoid opus overlapping composer
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
zuodaola.com.cn
zhuyao8.com.cn
danmi3.com.cn
wyijiang.com.cn
www.xueli4.net.cn
www.sanme3.com.cn
www.pchsz.com.cn
0471r.org.cn
www.70yk.org.cn
www.bigen4.com.cn