\version "2.8.1"
\header {
mutopiatitle = "Nun danket alle Gott"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 657"
mutopiainstrument = "Organ"
date = ""
source = "Bach-Album, Ernst H. Wolfram (editor), 6787, C. F. Peters, Leipzig"
style = "Baroque"
copyright = "Public Domain"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2006/Apr/29"
title = "Nun danket alle Gott"
composer = "Johann Sebastian Bach"
opus="BWV 657"
footer = "Mutopia-2006/05/07-754"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
\include "deutsch.ly"
global = {
\key g \major
\time 4/4
#(set-accidental-style 'default)
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
halsdown = { \stemDown \tieDown \slurDown }
halsup = { \stemUp \tieUp \slurUp}mmrestdown = { \once \override MultiMeasureRest #'staff-position = #-2 }
mmrestdownn = { \once \override MultiMeasureRest #'staff-position = #-4 }
mmrestup = { \once \override MultiMeasureRest #'staff-position = #4 }
mmrestupp = { \once \override MultiMeasureRest #'staff-position = #6 }
scriptdown = { \once \override Script #'extra-offset = #'(0 . -1.3) }
scriptdownn = { \once \override Script #'extra-offset = #'(0 . -2.3) }
scriptdownnn = { \once \override Script #'extra-offset = #'(0 . -3.3) }
staffdown = { \change Staff = "left" \halsup }
staffup = { \change Staff = "right" \halsdown }
textscriptdown = { \once \override TextScript #'extra-offset = #'(0 . -1.5) }
textscriptdownn = { \once \override TextScript #'extra-offset = #'(0 . -2.5) }
textscriptdownnn = { \once \override TextScript #'extra-offset = #'(0 . -3.5) }
sopran = {
\new Voice \relative d'' {
\global
\halsup
\mmrestup R1
\repeat volta 2 {
\mmrestup R1
\mmrestup R1
\mmrestup R1
%% Takt 5 ==================================================
d2\rest d
d2 d
e2 e
d1
\mmrestup R1
%% Takt 10 ==================================================
\mmrestup R1
\mmrestup R1
\mmrestup R1
\mmrestup R1
d2\rest h
%% Takt 15 ==================================================
c2 h
a2 h
a1\trill
g1~
}
\alternative {
\relative g' {
g2 d'\rest
%% Takt 20 ==================================================
\mmrestup R1
}
\relative g' {
\set Score.currentBarNumber = #19
\override RepeatTie #'direction = #UP g2.\repeatTie h4\rest
%% Takt 20 ==================================================
\mmrestup R1
}
}
%% Takt 20 ==================================================
\mmrestup R1
\mmrestup R1
\mmrestup R1
d'2\rest a
%% Takt 25 ==================================================
a2 a
h2 h
a1
\mmrestup R1
\mmrestup R1
%% Takt 30 ==================================================
\mmrestup R1
d2\rest a
h4. cis8 d2
d2 cis
d1
%% Takt 35 ==================================================
\mmrestup R1
\mmrestup R1
\mmrestup R1
f2\rest d
e2. d4
%% Takt 40 ==================================================
c2 h
c1
\mmrestup R1
\mmrestup R1
\mmrestupp R1
%% Takt 45 ==================================================
\mmrestup R1
d2\rest h
a2 h
a2 a
g1~
%% Takt 50 ==================================================
g1~
g1~
g1 \bar "|."
}
}
alt = {
\new Voice \relative d' {
\global
\halsdown
d4\rest d d d
\repeat volta 2 {
e4 \scriptdownnn \textscriptdownnn e16\prall^\markup { \tiny \natural } d e f d8 e16 fis g4~
g4~ g16 fis e fis g8 a16 h a8 g
fis8 g16 a d,8 g e fis16 g a4~
%% Takt 5 ==================================================
a8 g c4~ c8 h16 a h8 c16 h
a2~ a8 g16 fis g4~
g4 a8 h e,16 d e fis g8 e
a8 g16 fis g4~ g fis
g4 g8\rest h e, a d, g~
%% Takt 10 ==================================================
g8 fis4 e8~ e dis16 cis dis e cis dis
e16 fis g8 fis4 e fis
e2 d4~ d16 d g fis
e8. c'16 d,16 c d e c e d c d c h d
c8 a'4 c,8 h c16 d e4~
%% Takt 15 ==================================================
e8 d16 e fis8 e16 fis g4. fis8
e4 d~ d8 e16 fis g4~
g16 a g fis g4~ g16 g fis e fis4~
fis16 fis e dis e4 d d\rest
}
\alternative {
\relative a {
\staffdown a8\rest g a h \staffup c d e fis
%% Takt 20 ==================================================
g4 d d d
}
\relative a {
\staffdown c16\rest g a h \staffup c d e8 d4~ d8. cis16
%% Takt 20 ==================================================
d4 e\rest e2\rest
}
}
\mmrestdown R1
e4\rest e e e
fis4~ \scriptdownn fis16\prall e fis g e4~ e16 d e a
d,4~ d16 cis d g cis,8. cis16 d fis e g
%% Takt 25 ==================================================
fis16 g fis e d \staffdown cis h a d8[ g,] fis c'\rest
c2\rest \staffup c16\rest h e dis e fis g8~
g8 g fis16 g e fis d a d8~ d16 d cis8
d4 e\rest e2\rest
e2\rest e4\rest d
%% Takt 30 ==================================================
e8 fis g4~ g fis
g8 d g fis e4. d16 c!
h4 e d8 fis16 e d8 e16 fis
e4 e\rest e8\rest e16 fis g8 fis16 e
a8 e\rest e4\rest e16\rest d e fis g fis e g
%% Takt 35 ==================================================
fis16 e fis g a4 h4. a8
g4 fis gis8 a4 g8~
g8 fis e a~ a16 g fis g c!4~
c8 h4 a8~ a16 d, g a g8 f
e16 f e d c \staffdown h a gis a \staffup e'16\rest e8\rest e4\rest
%% Takt 40 ==================================================
e16\rest e fis gis a2~ a16 gis! fis! gis
a8 e\rest e4\rest e16\rest h' a g! a fis! g a
fis2 e4 fis
e4~ e16 d e cis d fis e d g!4~
g8. fis16 d'8. g,16 c!8 fis, h4~
%% Takt 45 ==================================================
h16 a h e a,4~ a16 g a d g,4~
g16 fis g c h a g fis g4 c,16\rest h c! d
e16 d c h a d c d h8 c\rest e16\rest g fis g
e8 e\rest e16\rest a g a fis4~ fis16 g e fis
g16 f e d e4 d16 c d e d f! h, d
%% Takt 50 ==================================================
c16 d e8 d4~ d16 c d e d e f8~
f16 e d8~ d16 c8 h16 c2~
c16 c \staffdown h a << \new Voice { \stemUp \once \override Beam #'beamed-stem-shorten = #'(0 0 0) h8 a h2 }
\new Voice { \stemUp \shiftOn fis16\rest g8 fis!16 g2 } >>
}
}
tenor = {
\new Voice \relative g {
\global
r2 r4 g
\repeat volta 2 {
g4 g h h16\prall a h c
a8 h16 cis d4~ d c~
c4~ c16 h a h c8 d16 e d8 c
%% Takt 5 ==================================================
h8 c16 d \clef treble e8 fis16 g a8 fis g4
\clef bass r8 d4 c8 h4. a16 h
c8 e16 d e8 h c2~
c4 h8 c16 h a8 g a[ h16 c]
h4 h c h
%% Takt 10 ==================================================
a4 h a2
g16 a h cis d4~ d8 cis8~ cis16 ais h d
gis,8 ais16 h ais h gis ais h fis h a g4~
g16 e a4 g8~ g8 fis4 g8~
g8 fis16 e fis4 g4. fis16 g
%% Takt 15 ==================================================
a4. g16 a h8 c16 d e8 d
c2 h4. c16 d
e4 r8 e a, d4 c!8
h4~ h16 a h c d c h a g f e d
}
\alternative {
{ e4 h8\rest d e fis! g a
%% Takt 20 ==================================================
h4 r r g
}
{
e4 r8 r16 c'~ c c h a h g e8
%% Takt 20 ==================================================
fis4 a a a
}
}
h4 h16 a h c! a8 h16 cis d a d8~
d8 cis16 h cis8. d16 h8. cis16 cis8.\prallprall h32 cis
d2~ d16 cis d h cis4~
cis16 h cis a h4 a r
%% Takt 25 ==================================================
\stemDown r2 h,8\rest cis d16 fis e g
fis16 e fis a g fis e fis g8 a h8.[ h16]
e16 d cis e d8 g, fis8. fis16 e8. g16
fis4 \stemNeutral a h8 cis d4~
d4 cis d8 a d c
%% Takt 30 ==================================================
h8 c d[ e16 d] c8 h c[ d16 c]
h8 a g4~ g8 fis16 e fis4~
fis8 g16 a g4 fis8 r r4
r8 h16 a g8 a16 h e,8 r r4
r8 a16 h c!8 h16 a h2
%% Takt 35 ==================================================
a4 r r d
e4. d8 c4 h
cis8 d4 cis8 d4 e8 fis
g16 g, fis g c!4~ c8 h4 a8
g8 d\rest h4\rest h16\rest e' d c h a gis fis!
%% Takt 40 ==================================================
gis8 r r16 c d e f e d c h8 e~
e16 f e d e c h a dis4. e8
fis16 h, a g a c h a g d'! cis h ais fis h8~
h16 ais h gis ais4 h2
a!4 h a~ a16 g a fis
%% Takt 45 ==================================================
g4~ g16 fis g e fis4~ fis16 e fis dis
e8. e'16 g fis e dis e h a h g4~
g4 fis g8 h e d
cis8 a d e~ e16 e d cis d4~
d4~ d16 h c! fis,! g2~
%% Takt 50 ==================================================
g8. c16~ c c h a h4~ h8. h16
c8 d16 f, e8 d e16 d e f g f e f
\stemDown d4. c8 d2
}
}
right = {
\clef treble
<<
\alt
\sopran
>>
}
left = {
\clef bass
<<
\tenor
>>
}
pedal = {
\global
\clef "bass"
\relative d {
R1
\repeat volta 2 {
r2 r4 d
d4 d e e
d8 e16 fis g4~ g fis
%% Takt 5 ==================================================
g8 a16 h a8 g fis d g4~
g8 fis16 e fis8 d g h e, g
c,8 c'16 h c8 gis a c e, g
fis8 d g g, d'4 d,4
g8 d' g4~ g8 fis g e
%% Takt 10 ==================================================
c8 d g, c fis,4 h
e,8 e' fis16 e fis d a'8 a, d4~
d8 cis16 h cis8 fis, h2
c!4 h a h
a2 g4 r
%% Takt 15 ==================================================
r2 r8 g g'4~
g8 fis16 e fis8 d g dis e h
c4 r8 cis d4 r8 dis
e4 r8 e h4 r8 h
}
\alternative {
{
c4 r8 g c,8. c'16 h c a h
%% Takt 20 ==================================================
g4 r r2
}
{
c8 g e c g'2
%% Takt 20 ==================================================
d4 r r d'
}
}
d4 d fis fis
e8 fis16 g a e a8~ a g~ g16 fis g e
h'8 h, h' a gis e a g
fis8 d g4~ g16 fis g e fis8 cis
%% Takt 25 ==================================================
d8 e fis g fis e d cis
dis8 h cis dis e fis g e
cis8 a h cis d fis,16 g a8 a
d,4 r r d'
e8 fis g4~ g fis
%% Takt 30 ==================================================
g8 a h g a g a d,
g8 fis e d cis a d4~
d8 dis e ais, h h'4 a!8
g8 fis e[ fis16 g] a8 a, a' g
fis8 d e fis g g,16 a h8 cis
%% Takt 35 ==================================================
d8 e fis d g a g fis
e c a h e,4 r
r4 a' h4. a8
g4 fis g8 g, a h
c, c' d e f e f d
%% Takt 40 ==================================================
e8 h c f d h e e,
a8 a'4 g!8 fis! fis,!4 e8
dis8 e4 dis8 e e'4 d!8
cis8 h cis fis, h4 r16 e h d
cis16 a d8~ d16 h e8~ e16 dis e cis! dis8 h
%% Takt 45 ==================================================
e8 h cis a d! a h g
c!8 g a h e, h' e d
c8 a d d, g d' g4~ \break
g8 fis16 e fis8 cis d a' d c!
h8 g c4~ c8 h16 a h8 g
%% Takt 50 ==================================================
e8 c g'4~ g8 f16 e f8 d
e8 h c g e g e c
g'1
}
}
\score {
<<
\new PianoStaff {
\set PianoStaff.instrument = \markup { \large "Manuale." }
<<
\context Staff = right {
\context Voice = right \right
}
\context Staff = left {
\context Voice = left \left
}
>>
}
\context Staff = pedal {
\set Staff.instrument = \markup { \large "Pedale." \hspace #1.8 }
\context Voice = pedal \pedal
}
>>
\layout{}
}
\score {
\unfoldRepeats {
<<
\new Staff = right {
\set Staff.midiInstrument = "pan flute"
\right
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose c c' \right
}
\new Staff = left {
\set Staff.midiInstrument = "pan flute"
\context Voice = left \left
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose c c' \left
}
\new Staff = pedal {
\set Staff.midiInstrument = "recorder"
\transpose c c, \pedal
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\pedal
} \new Staff {
\set Staff.midiInstrument = "recorder"
\transpose c c' \pedal
}
>>
}
\midi{ \tempo 4 = 72 }
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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