\version "2.10.33"
\header {
mutopiatitle = "Herr Jesu Christ, dich zu uns wend'"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 655"
mutopiainstrument = "Organ"
source = "Edition Peters 8660"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2007/Dec/15"
title = "Trio super: Herr Jesu Christ, dich zu uns wend'"
subtitle = "Ã 2 Clav. e Pedale"
composer = "Johann Sebastian Bach"
opus="BWV 655"
footer = "Mutopia-2007/12/29-1187"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2007. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
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g8 h,16 c d e d e d c d g fis e d c
h8 d g fis g h a fis
g16 a h g e g fis e a g fis g a e fis d
%% Takt 5 ==================================================
g16 fis g8~ g16 h a g fis e d cis h d cis e
d2~ d16 fis e d cis8.\prall d16
d8 r r4 r8 d,16 e fis g a g
fis8 a d cis d fis e cis!
d16 e fis g a h a h a g a h cis, h' a g
%% Takt 10 ==================================================
fis8 h16 a h4~ h8 e, a4~
a8. h16 gis8. a16 a e a, h cis d e fis
g!8 h, e g fis16 d h cis d e fis g
a16 g fis e d cis h a' g fis e d cis h a g'
fis16 e d cis h a g fis e cis'! d e \shiftscriptright cis8.\downprall d16
%% Takt 15 ==================================================
d8 a d cis d16 a d, e fis gis a h
c!16 h a h c d e d c8 e a dis,
e16 h e fis g a h a g8 h, e dis
e16 fis g a h c h c h a h c dis, c' h a
g8 h, e dis e g fis dis
%% Takt 20 ==================================================
e16 h e fis g a g a cis, d! cis e fis g fis g
h,16 c! h dis \shifttieup e4~ e16 g fis e dis!8. e16
e8 g16 fis e d! cis h a8 e' cis a
r8 fis'16 e d cis h a g8 d' h g
r8 e'16 d cis h ais gis fis8 cis' ais! fis'~
%% Takt 25 ==================================================
fis16 e d cis h a! g! fis' e d cis! h ais gis fis e'
d16 cis h a! g fis e d cis! ais' h cis! ais8. h16
h8 h16 cis d e fis e d8 fis h ais
h16 h, d e fis g fis g fis e fis h ais gis fis e
d8 fis, h ais h d cis ais!
%% Takt 30 ==================================================
h16 d cis h fis'4~ fis16 d cis h e4~
e16 a,! h cis d4~ d16 g, fis e cis'!4~
cis16 e d cis h a! g! fis e4 e'~
e16 g fis e d cis h a g4 g'~
g16 h a g fis e d cis h4 h'~
%% Takt 35 ==================================================
h16 e, fis g a h a g fis2~
fis16 d e fis g fis e d cis4 r8 cis
d16 cis h a g h a c h a g fis e g fis a
g16 h a c h d cis e fis,8. g16 e8.\prall d16
d8 a' d cis d16 cis d e fis g a g
%% Takt 40 ==================================================
fis8 fis,16 g a h c! d e g fis g a g fis e
d8 g,16 a h c d c h8 d g fis
g8 g,16 a h c d e f e d e f a g f
e16 d e f g a g a g f! g c h a g f
e8 g, c h c e d h
%% Takt 45 ==================================================
c16 d e c a c h a d c h c d a h g
c16 h c8~ c16 e d c h8 e16 dis e4~
e8 a, d!4~ d8. e16 cis8.\prall d16
d8 d,16 e fis g a h c!8 e, a c
h16 g e fis g a h c d c h a g fis e d'
%% Takt 50 ==================================================
c16 h a g fis e d c' h a g fis e d c8~
c16[ d32 c h16 c32 d] a8. g16 g8 r r4
r8 g'16 a h c d c h8 d g fis
g16 d g, a h c d e d e d e d c d e
d16 e fis g a h a g fis8 a, d cis
%% Takt 55 ==================================================
d16 a d, e fis g a g fis8 d' g fis
g16 d g, a h c d c h g a h c4~
c16 a h c d c d e fis g a fis d g a h
c,16 h a h c d e d c h a g d'4~
d8 g, c h c8 g16 a h c d c
%% Takt 60 ==================================================
h16 a h cis d8 cis d8 a16 h c d e d
c16 h cis dis e8 dis e16 fis g fis e d cis! h
a16 cis d e fis g a g fis g fis e \once \override Script #'extra-offset = #'( 0.2 . 0.5 ) e8.\upprall d16
d4~ d16 h g e cis'4~ cis16 a d fis
g16 fis e fis g a h a g fis e d a'4~
%% Takt 65 ==================================================
a8 d, g fis g d16 e fis g a g
fis e fis gis a8 gis a e16 fis g a h a
g16 fis g a h8 a~ a16 fis g e dis8.\prall e16
e16 fis, g a h c! d! e fis g a fis d g a h
c,16 h a h c d e d c h a g d'4~
%% Takt 70 ==================================================
d8 g, c h c16 h c d e f g f
e8 g c h c g r h,
c e d h c16 d e f g a g a
g16 \tempo 4 = 78 f g \tempo 4 = 72 c h \tempo 4 = 56 a g \tempo 4 = 32 fis g2
\bar "|."
}
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left = {
\global
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\relative g' {
r2 r8 g16 a h c d c
h8 d g fis g8 h a fis
g8 h,16 c d e d e d c d g fis e d c
h8 e16 dis e4. a,8 d4~
%% Takt 5 ==================================================
d8. e16 cis8.\prall d16 d2~
d16 c! h a g h a c h a g fis e a g a
fis8 d16 e fis g a g fis8 a d cis
d8 fis,16 g a h a h a g a d cis h a g
fis8 a d cis d fis e cis!
%% Takt 10 ==================================================
d16 e fis d h d cis h e d cis d e h cis a
d16 cis d8~ d16 fis e d cis!8 e, a cis
h16 g e fis g a h cis d8 fis, h d
cis8 a fis d' h g e cis'!
a8 fis d h' a8. g16 fis8 e16\prall d
%% Takt 15 ==================================================
d16 a d e fis g a g fis8 a d gis,
a8 e a gis a16 e a, h cis dis e fis
g!8 h, e dis e16 h e fis g a h a
g8 h e dis e g fis dis!
e16 fis, g a h c h c h a h e dis cis h a
%% Takt 20 ==================================================
g8 e h'4~ h8 a16 g a4~
a8 g16 fis g a g h c a h c fis, h a h
g8 e r4 r8 cis'16 h a g fis e
d8 a' fis d r h'16 a g fis e d
cis8 g' e cis r8 ais'16 gis fis e d cis!
%% Takt 25 ==================================================
h8 fis' d h' g e cis ais'
fis8 d h g' fis8. e16 d8 cis16 h
h8 fis' h ais h16 h, h' cis d e fis e
d8 fis, h ais h d cis ais!
h16 fis d e fis g fis g fis e fis h ais gis fis e
%% Takt 30 ==================================================
d4~ d16 d cis h g'4~ g16 e d cis!
fis4~ fis16 h, cis d e4~ e16 \clef "bass" ais, gis fis
d'2~ d16 fis e d cis h a! g!
fis4 \clef "treble" fis'~ fis16 a g fis e d cis h
a4 a'~ a16 c! h a g fis e d
%% Takt 35 ==================================================
cis4 r r16 a' h cis d e d cis
h2~ h16 e, fis g a g fis e
d1~
d2~ d16 h' a h cis,8.\prall d16
d16 cis d e fis g a g fis8 a d cis
%% Takt 40 ==================================================
d8 d,16 e fis g a h c! h a h c e d c
h16 c h a g8 fis g16 fis g a h c d c
h8 h,16 c d e f g a c h c d c h a
g8 g c h c e d h
c16 d e f g a g a g f! g c h a g f
%% Takt 45 ==================================================
e8 a16 gis a4~ a8 d, g4~
g8. a16 fis8.\prall g16 g16 a h g e g fis e
a16 g fis g a e fis d g fis g8~ g16 h a g
fis4 r r8 a,,16 h c! d e fis
g8 h, e g fis d'16 c h a g fis
%% Takt 50 ==================================================
e16 d' c h a g fis e d8 h'4 a16 g
fis8 g16 a fis8. g16 g8 g,16 a h c d c
h8 d g fis g16 fis g a h c d e
d8 d, g fis g d' g fis
g8 d e e,~ e16 a d, e fis g a g
%% Takt 55 ==================================================
fis8 a d c!~ c16 d, g, a h c d c
h8 d g fis g16 e fis g a h a g
fis4~ fis16 e fis g a h c4 h8
a8 e a4~ a8 d, g16 f e d
e16 d c d e f g f e d e fis g8 fis
%% Takt 60 ==================================================
g8 d16 e fis g a g fis e fis gis a8 gis
a8 e16 fis g! a h a g2~
g8 fis16 g a h cis a d a d4 cis!8
d16 a fis d g4~ g16 e cis a fis'4
e4 e'~ e8 a, d16 c! h a
%% Takt 65 ==================================================
h16 a g a h c d c h a h cis d8 cis
d8 a16 h c! d e d c h cis dis e8 dis
e8 h16 cis d! e fis e dis8 e,16 fis g a h a
g8 e'4 d! c! h8
a8 e a4~ a8 d, g16 f e d
%% Takt 70 ==================================================
e16 d c d e f g f e8 g c h
c16 h c d e f g f e d e f g a g a
g16 f g c h a g f e8 c r \stemUp h
<<
\new Voice { \stemUp c8 e d8.[ c16] d2 }
\new Voice { \stemDown \tieDown r8 g,~ g16 c h a h2 }
>>
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pedal = {
\global
\clef "bass"
\relative g, {
R1
r8 g h d h g d' r
r8 g, h d h g d' d,
g4 r8 g' fis4 r8 h
%% Takt 5 ==================================================
e,4 r8 a d, fis g a
h4 r8 fis g e a a,
d8 d, r4 r2
r8 d' fis a fis d a' r
r8 d, fis a fis d a' a,
%% Takt 10 ==================================================
d4 r8 d cis4 r8 fis
h,4 r8 e a,4 r4
e'4 r h r
fis'4 r8 h, e4 r8 a,
d4 r8 g~ g fis16 g a8 a,
%% Takt 15 ==================================================
d4 r r8 d c! h
a4 r r8 a' g! fis
e4 r r2
r8 e g h g e h' r
r8 e, g h g e h' h,
%% Takt 20 ==================================================
e4 r8 e fis4 r8 fis
g4 r8 c a fis h h,
e8 h' g e cis a g'4
fis4 fis,2 fis'4
e4 e,2 e'4
%% Takt 25 ==================================================
d4 g cis, fis
h,4 e~ e8 d16 e fis8 fis,
h4 r4 r2
r8 h d fis d h fis' r
r8 h, d fis d h fis' fis,
%% Takt 30 ==================================================
h4 r8 h e d cis a!
d8 cis h h' cis ais fis ais
h8 fis d h cis h a! cis
d8 cis h d e d cis e
fis e d fis g fis e g
%% Takt 35 ==================================================
a8 g fis e d cis h a
g8 fis e g a g fis a
h8 d e fis g fis g a
h8 fis g a h g a a,
d4 r r2
%% Takt 40 ==================================================
r8 d' c! h a g fis d
g4 r r2
r8 g f e d c h g
c8 c e g e c g' r
r8 c, e g e c g' g,
%% Takt 45 ==================================================
c4 r8 c' h4 r8 e,
a4 r8 d, g4 r8 g
fis4 r8 h e,4 r8 a
d,4 r a r
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%% Takt 50 ==================================================
a4 r8 d, g4 c,
d8 g, d' d, g r r4
r2 g2
h4 d h4. a8
h4 cis d2~
%% Takt 55 ==================================================
d2 r
r2 e
d8 c h4 a g~
g4 fis g2~
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%% Takt 60 ==================================================
R1
R1
r2 a2
h4 h a d
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%% Takt 65 ==================================================
d2 r
R1
r2 h
c!4 h a g~
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%% Takt 70 ==================================================
g1~
g8 f e d c c' e g
e8 c g'4 r8 c, e g
e8 c g'4 g,2
}
}
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<<
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<<
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\context Staff = left {
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}
>>
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>>
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\left
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\context Staff = left {
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\transpose g' g''' \left
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\pedal
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\new Staff {
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>>
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¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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