\version "2.10.33"
\header {
mutopiatitle = "Fantasia super: Komm Heiliger Geist, Herre Gott"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 651"
mutopiainstrument = "Organ"
date = "1708"
source = "Autograph"
style = "Baroque"
copyright = "Public Domain"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2005/Nov/20"
title = "Fantasia super: Komm Heiliger Geist, Herre Gott"
subtitle = "\"Fantasia sup Kom Heiliger Geist. canto fermo in Pedal. Di J S Bach\""
composer = "Johann Sebastian Bach"
opus = \markup { \lower #2 "BWV 651" }
footer = "Mutopia-2008/02/19-633"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
\include "deutsch.ly"
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
\paper {
head-separation = 0.2 \cm
ragged-bottom = ##f
ragged-last-bottom = ##f
}
staffup = { \change Staff = "right" }
staffdown = { \change Staff = "left" }
halsup = { \stemUp \tieUp \dotsUp }
halsdown = { \stemDown \tieDown \dotsDown }
halsneutral = { \stemNeutral \tieNeutral \dotsUp }
shiftnote = #(define-music-function (parser location xy)
(number-pair?)
#{
\once \override Stem #'extra-offset = #$xy
\once \override NoteHead #'extra-offset = #$xy
#})
global = {
\key f \major
\time 4/4
#(set-accidental-style 'default)
\override Score.MetronomeMark #'transparent = ##t
}
sopran = {
\new Voice \relative f' {
\global
s1 * 3
r16 f a c f a, c f a f d f b, a' g f
e8 b'4 a16 g f g e f g f e d
\halsup
c16 d es4 d16 c b c a b c b a g
\tieUp
\once \override Tie #'staff-position = #-1 f2~ \once \override Tie #'staff-position = #-1 f4~ f8. b16~
b16 b8 b16 a4~ a8 d g, c~
c16 c h a h c a h c g c e g c, e g
%% Takt 10 =============================================
a=''16 f c f b,! a' g f e!8 c f es~
es16 es d c d4~ d8 c~ c16 c h8
c8 b! a4 g2~
g4 r4 r2
\once \override MultiMeasureRest #'staff-position = #4 R1
d'2\rest d16\rest g, c e g c, e g
a f d f h, a' g f e8 c16 e a4~
a8 g16 f h4 c8 g b a~
a8 g4 f16 es d16 a b d g4~
g16 g, a c f4~ f8 es16 d \once \override Tie #'staff-position = #4 es4~
%% Takt 20 =============================================
es=''8 d16 c d4 c4~ c8 b~
b8 a16 g a8 c~ c b16 a g a b8~
b8 a g8. a16 f4~ f16 a g f
e16 g c e g c, e g a f d f h, a' g f
e8 fis g4~ g8 fis!16 g a4~
a8 g4 f!8 e!16 f g4.~
g8 f f\rest f f e f\rest e
e d f\rest d d c~ c16 d f a
h,16 d g8~ g16 e c e a, c f e f c h! f'
e16 g e c a e' c a f a d c d b! g b
%% Takt 30 =============================================
e,='8 r r f' d b'4 a16 g
f16 g e f g f e d c d es4 d16 c
b16 c a b c b a g f8 b e, g
f8 a4 g16 f e c e g c g c d
es16 c a c fis, es' d c h g h d \once \override Tie #'staff-position = #4 e4~
e8 d4 c8~ c16 a h d f8 h,
c4 d4 e16 c a c f, e' d c
h16 c a h c a g f e8 c'4 h16 a
g16 a f g a g f e d e f4 e16 d
e16 c e g c f, a c d b! g b e, d' c b
%% Takt 40 =============================================
a8 d8\rest d2 e4
f8 f\rest f4\rest f8\rest g4 f8
e16 f d e f es d c d4 a'\rest
c4\rest a8\rest fis g16 a b a g f e! d
cis8 d \once \override Tie #'staff-position = #4 e4~ e16 a, d f a d, f a
b16 g e g cis, b' a g f d b d gis, f' e d
cis4 r16 es d c h4 r16 d c b
a4 f'4\rest dis4 f4\rest
e8 d! c4 h!16 c d8~ d4~
d8 c d\rest c c b f'\rest g
%% Takt 50 =============================================
g=''8 f f\rest f f e d\rest g,
g8 f d'\rest d d c!~ c4~
c8 d16 c b!4~ b8 c16 b a8 d~
d4 c4 f16\rest f e f g f e d
e8 d c2 h4
c8 b! a4 g2~
g4 r4 r2
\once \override MultiMeasureRest #'staff-position = #4 R1
d'2\rest d16\rest g, c e g c, e g
a16 f d f h, a' g f e8 c16 e a4~
%% Takt 60 =============================================
a=''8 g16 f h4 c8 g b a~
a8 g4 f16 es d16 a b d g4~
g16 g, a c f4~ f8 es16 d \once \override Tie #'staff-position = #4 es4~
es8 d16 c d4 c4. b8~
b8 a16 g a8 c~ c b16 a g a b8~
b8 a g8.[ a16] f4~ f16 a g f
e16 g c e g c, e g a f d f h, a' g f
e8 fis g4~ g8 fis!16 g a4~
a8 g4 f!8 e!16 f g8~ g4~
g8 f f\rest f f e f\rest e
%% Takt 70 =============================================
e=''8 d f\rest d d c~ c16 d f a
h,16 d g8~ g16 e c e a, c f e f c h! f'
e16 g e c a e' c a f a d c d b! g b
e,8 r r f' d b'4 a16 g
f16 g e f g f e d c d es4 d16 c
b16 c a b c b a g f8 b e, g
f8 a4 g16 f e c e g c g c d
es16 c a c fis, es'! d c h g h d \once \override Tie #'staff-position = #4 e4~
e8 d4 c8~ c16 a h d f8 h,
c4 d4 e16 c a c f, e' d c
%% Takt 80 =============================================
h='16 c a h c a g f e8 c'4 h!16 a
g16 a f g a g f e d e f4 e16 d
e16 c e g c f, a c d b! g b e, d' c b
a8 d8\rest d2 e4
f8 f\rest f4\rest f8\rest g4 f8
e16 f d e f e? d c d4 a'4\rest
c4\rest a8\rest fis g b4 a16 g
f!16 g e f g f e d c!2~
c16 d b c d c b a g a b4 a16 g
a4 r4 r2
%% Takt 90 =============================================
r16 f=' e f g f e d c c' b c d c b a
g g' f g a g f e d8. e16 e8.\prall f16
f2 \once \override Tie #'staff-position = #4 e2~
e16 d cis d e d cis d cis8. a16 d4~
d8. e16 c!2 b8. es16
a,16 c b c d c b a b f'! e! f g f e d
cis8 d\rest d4\rest d16\rest a b a g a h cis!
d2~ d8 g fis a
\once \override Beam #'positions = #'( 3.65 . 3 ) d,8 cis a'\rest e e d a'\rest a
a8 g a\rest g \once \override Beam #'positions = #'( 5.5 . 5.1 ) g f16 e f4
%% Takt 100 ============================================
e=''2 c'16\rest a g a b a g f!
e4 f~ f8 e16 d e4
\shiftnote #'( -0.15 . 0 ) f4 \once \override Rest #'extra-offset = #'( -0.2 . 0 ) c'4\rest c16\rest g e f g f e d
c2~ c16 a b d c b a g
a16 f a c f c f g as f d f h, as'! g f \tempo 4 = 72
<< \new Voice {
\halsup \once \override Tie #'staff-position = #4 e4~ e16 c \tempo 4 = 68 f8~ \tempo 4 = 64 f16 f e \tempo 4 = 60 d \tempo 4 = 50 e8. e16
f1 \fermata }
\new Voice {
\halsdown r16 d c b a8. as16 g4~ g16 a \tempo 4 = 36 b8
a1
}
>>
}
}
alt = {
\new Voice \relative c' {
\global
\halsup \once \override TextScript #'extra-offset = #'( -4 . 1.5 )
r16^"In Organo pleno" c f a c f, a c d b g b e, d' c b
a8 f'4 e16 d c d b c d c b a
g16 a b4 a16 g f g e f g f e d
\staffdown c4. a8 f a d16 c b a
b16 c d8~ d16 d c b a8 c d b
c8 \staffup \halsdown r16 b' a g f es d es c d es4~
es16 es d c d8. d16 c4. d8
e!8 g4 f16 e f4. e8
f2~ f8 e16 d e4
%% Takt 10 =============================================
f='8 es d4 c4~ c16 c g' fis
g2~ g16 g8 fis16 g8. f16
e!8 g \once \override Tie #'staff-position = #-4 f2~ f16 f e d
e16 g, c e g c, e g a f d f h, a' g f
e8 c'4 h16 a g a f g a g f e
d16 e f4 e16 d c8 g c4~
c8 a d4~ d16 c e g c a c e
f16 d h d f, a' g f e4 d8\rest es
d8 e!~ e16 c a c f,4 g16\rest d g b
c2 b2
%% Takt 20 =============================================
c=''4. b8~ b16 g a8~ a16 f8 e!16
\once \override Tie #'staff-position = #-4 f2~ f8 c\rest c\rest g'~
g8 f4 e8 d2
c4 e8\rest g f4 c8\rest h
c16 e a c d g, b! d es c a c fis, es'! d c
b4 a8 d~ d cis16 d e4~
e8 d g,\rest d' d c! g\rest c
c8 h g\rest h h a e\rest a
g4 e8\rest g f4 e\rest
\override MultiMeasureRest #'staff-position = #-6 R1
%% Takt 30 =============================================
a,16\rest c e g c f, a c d b g b e, d' c b
a8 g16 f e8 c \once \override Tie #'staff-position = #-4 f4~ f16 g f es
d8 es4 f16 es d8 g \staffdown \halsup c,4~
c16 d b c d c b a g4 c4\rest
r8 es c a \staffup \halsdown d g~ g4
e16\rest a, d f! g c, e! g a f d f h, a' g f
e16 f d e f g e f g8 c,8\rest a4\rest
c2\rest a16\rest g' e c d e f8
e16 \staffdown \halsup c a c f, e' d c h c a h c a g f
g4 e'8\rest c b! d \staffup \halsdown e4
%% Takt 40 =============================================
c16\rest a c f a d, f a b g e g c, b' a g
c16 a f a d, c' b a g4 a8 h
c8 g\rest g4\rest g16\rest d g b d g, b d
es c a c fis, es'! d c b8 d, e! g~
g16 f e d \staffdown \halsup cis4~ cis8 a \staffup \halsdown d4~
d8 cis16 d e8 cis d f d h
r16 a' e g fis4 r16 g d f e!4~
e16 a, d f a d, f a c a fis a dis, c' h a
gis8 h4 a4 gis!16 a h4~
h8 a e\rest a a g! g\rest b
%% Takt 50 =============================================
b8 a g\rest d' d cis e,\rest e
e8 d e\rest h' h4 a8 g!
a4. g16 f! g4~ \once \override NoteColumn #'X-extent = #'( 0 . 2 ) g16 f8 f16
e16 f d e f e d c h4. h8
c16 g' f g a g f e d4~ d16 a' g f
e8 g \once \override Tie #'staff-position = #-4 f2~ f16 f e d
e16 g, c e g c, e g a f d f h, a' g f
e8 c'4 h16 a g a f g a g f e
d16 e f4 e16 d c8 \staffdown \halsup g \staffup \halsdown c4~
c8 \staffdown \halsup a \staffup \halsdown d4~ d16 c e g c a c e
%% Takt 60 =============================================
f=''16 d h d f, a' g f e4 r8 es
d8 e!~ e16 c a c f,4 e16\rest d g b
c2 b2
c4. b8~ b16 g a8~ a16 f8 e!16
f2. c8\rest g'8~
g8 f4 e8 d2
c4 c8\rest g' f4 c8\rest h
c16 e a c d g, b! d es c a c fis, es' d c
b4 a8 d~ d cis16 d e4~
e8 d g,\rest d' d c! g\rest c
%% Takt 70 =============================================
c=''8 h g\rest h h a e\rest a
g4 g8\rest g f4 e4\rest
\override MultiMeasureRest #'staff-position = #-6 R1
a,16\rest c e g c f, a c d b g b e, d' c b
a8 g16 f e8 c \once \override Tie #'staff-position = #-4 f4~ f16 g f es
d8 es4 f16 es d8 g \staffdown \halsup c,4~
c16 d b c d c b a g4 c4\rest
g'8\rest es c a \staffup \halsdown d g4 e8\rest
e16\rest a, d f! g c, e g a f d f h, a' g f
e16 f d e f g e f g8 c,8\rest a4\rest
%% Takt 80 =============================================
c2\rest a16\rest g' e c d e f8
e16 c \staffdown \halsup a c f, e' d c h c a h c a g f
g4 e'8\rest c b d \staffup \halsdown e4
\staffdown \halsup e16\rest a, c \staffup \halsdown f a d, f a b g e g c, b' a g
c16 a f a d, c' b a g4 a8 h
c8 g\rest g4\rest g16\rest d g b! d g, b d
es c a c fis, es'! d c b a g f e! d cis e
d4 e8\rest f g4 g8\rest g
c,8 a'4 g16 f es f d e f d c b
\staffdown \halsup a16 c b c d c b a g8. a16 a8.\prall g32 a
%% Takt 90 =============================================
b=2~ b16 a g a b a g f
c'2~ c16 b a b c b a g
a16 \staffup \halsdown a' g a b a g f g8. b16 \once \override Script #'extra-offset = #'( 0 . -2 ) a8.\prall g16
f8. g16 g2 f8. d16
e4~ e8. a16 d,16 es c d es d c b
c16 es d es a,8 d~ d16 a' g a b a g f
e16 f e f g f e8~ e d g4~
g16 g a g fis g a b! c!8 b a c
\shiftOn \halsup b8 g h\rest a a4 h8\rest d
f8 e h\rest << \new Voice { \shiftOn \stemUp e8 e d16 cis! }
\new Voice { \shiftOnn \stemUp cis8 \stemDown cis[ d] } >> d8. c16
%% Takt 100 ============================================
b='16 c a b c b a g d'2
c2 b2
\once \override Rest #'extra-offset = #'( -0.7 . 0 ) h16\rest d b c d c b a \once \override Stem #'length = #6 g2~
\halsdown g16 a f g a g f es d8. e16 e8. d32 e
f16 s8. s8
\staffdown \halsup c8~ c h e8\rest \shiftnote #'( -0.6 . 0 ) h!
%% Takt 105 --------------------------------------------
\shiftOff c4~ c8. h16 c2
c1
}
}
altzwo = {
\new Voice \relative d' {
\global
\halsup
s1*96
s2 r16 d es d c d e fis
\staffup \halsdown \shiftOff g8 e c\rest g' g f c\rest a'
d4 c,8\rest a' a4 g16\rest a b a
%% Takt 100 ============================================
g='16 a f g a g fis e fis d e fis g f e d
g='4 a4 g2
f4 e8\rest f c16 e c d e d \staffdown \halsup c b
a16 c a b c b a g f4 \shiftOn g4\rest
a16\rest a c \staffup \halsdown f a f \staffdown c a f4 f8\rest g
%% Takt 105 --------------------------------------------
\shiftOff g4. \once \override Stem #'length = #6 f8 g2
f1
}
}
tenor = {
\new Voice \relative f {
\global
R1
r16 f a c \staffup \halsdown f a, c f a f d f b, a' g f
e16 f d e f d c b \staffdown a b g a b4~
b8 a16 g a8 f c f~ f4
g8. f16 e4 f8 a b g
a16 b c8 \halsneutral f,4~ f4. g8
a4~ a16 a b8~ b16 b a g f g a8
g16 c, e g c f, a c d h g h e, d' c b
a8 g f4 g4 r8 c8~
%% Takt 10 =============================================
c='8 f,4 b8~ b16 b a g a4
h16 g h d f! h, d f e!8 es d4
c16 c, e g c f, a c d h g h d, a' g f
e4 r8 g8~ g f16 e d8 h'
c16 c, e g c e, g c e c a c f, e' d c
h16 c a h c a g f e4 r8 e
f4 r8 f g8 r8 r8 e'
d4 r8 \clef "treble" f g16 g, c e g c, fis a
b16 g e g \clef "bass"
c,4~ c8 d16 c b4~
b8 c16 b a16 c, f a b g b d g es b es
%% Takt 20 =============================================
a,16 g' f es d c d e f8. es16 d8 des
c16 c, f a c f, a c d! b g b e, d' c b
a16 g a h c g c8~ c16 c h! a h4
c8 e16 d e8 c~ c8 h16 c d8 g,
c8 a b! g \clef "treble" c es d fis
g16 g, b d f! d f a b g e! g cis, b' a g
f16 d f a h, a' g f e c! e g a, g' f e
d16 h d f gis, f' e d c a c e f,8 f'~
f8 e16 d e4~ e8 d16 c d8 g,
\clef "bass"
c8 c, c'4~ c8 b!16 a b4~
%% Takt 30 =============================================
b8 a16 g a8 f b4 c4~
c8 b16 a b4~ b8 a16 g a4~
a8 g4 f8~ f16 g e! f \halsdown g f e d
c8 f4 d8 e4 r16 c e g
c4 a8 fis g d'~ d16 h c e
\clef "treble" \halsup a8 r r4 r2
\clef "bass" r8 \halsdown c,4 h16 a g a f g a g f e
d e f4 e16 d c8 e f g
c,8 h8\rest a4\rest r2
r8 b'! a4~ a8 b16 a \halsneutral g4~
%% Takt 40 =============================================
g8 f16 e f8 a~ a g16 f g8 b~
b8 a4 g16 f e f d e f e d c
g'8 f16 g a4~ a8 g16 fis g4~
g8 fis16 g a4 d,4 r8 b'
\halsdown a4~ a16 b a g f4. f8
\halsneutral e4. a8 d, d' h gis
a8 a, r d g g, r c
f4 r4 fis4 r4
r16 e gis h e a, c e f! d! h d gis,! f' e d
c16 a c e fis, es' d c b! g! b d e,! d' c b
%% Takt 50 =============================================
a16 f! a c d, c' b a g e g b cis, b' a g
f16 d f a h, a'gis fis e c e gis! c a c es
fis,16 d fis a d b! g b e,! c e g c a f a
g8 f16 g a4~ a8 g f4
g4 r4 r16 f e f g f e d
a'16 c, e g c f, a c d h g h d, a' g f
e4 r8 g8~ g8 f16 e d8 h'
c16 c, e g c e, g c e c a c f, e' d c
h16 c a h c a g f e4 r8 e
f4 r8 f g8 r8 r8 \clef "treble" e'
%% Takt 60 =============================================
d='8 r r f g16 g, c e g c, fis a
b16 g e g \clef "bass" c,4~ c8 d16 c b4~
b16 e, f a c c, f a b g b d g es b es
a, g' f es d c d e f8. es16 d8 des
c16 c, f a c f, a c d! b g b e,! d' c b
a16 g a h c g c8~ c16 c h! a h4
c8 e16 d e8 c~ c h16 c d8 g,8
c8 a b! g \clef "treble" c es d fis
g16 g, b d f! d f a b g e! g cis, b' a g
f16 d f a h, a' g f e c! e g a, g' f e
%% Takt 70 =============================================
d='16 h d f gis, f' e d c a c e f,8 f'~
f8 e16 d e4~ e8 d16 c d8 g,
\clef "bass" c8 c, c'4~ c8 b!16 a b4~
b8 a16 g a8 f b4 c4~
c8 b16 a b4~ b8 a16 g a4~
a8 g4 f8~ f16 g e! f \halsdown g f e d
c8 f4 d8 e4 r16 c e g
c4 a8 fis g d'~ d16 h c e
\clef "treble" \halsup a8 r r4 r2
\clef "bass" r8 \halsdown c,4 h16 a g a f g a g f e
%% Takt 80 =============================================
d e f4 e16 d c8 e f g
c,8 h8\rest a4\rest h2\rest
h8\rest b'! a4~ a8 b16 a g4~
g=8 f16 e \halsneutral f8 a~ a g16 f g8 b~
b8 a4 g16 f e f d e f e d c
g'8 f16 g a4~ a8 g16 fis g4~
g8 fis16 g a4 d,8 r r4
r8 f! b4~ b16 c! a b c b a g
a8 f b4~ b8 b,16 c d8 e
\halsdown f4 r8 f~ f16 es d es f es d c
%% Takt 90 =============================================
d=8. e16 e8._\prall f16 f2~
f16 e d e f e d c g'2
d4 \halsneutral d'4~ d16 cis h cis d cis h a
d8. c!16 b!8.\prall a32 b a16 b g a b a g f
g16 a f g a g fis e fis8. d16 g4~
g4 fis4 g4 r4
r16 d' cis d e d cis h a8 f b[ a16 g]
a16 b a b c! b a g fis8 g a4
r16 g b a g a h cis d a, d f a d, f a
b!16 g e g cis, b' a g f d f a d4~
%% Takt 100 ============================================
d='4 c!2 b4~
b16 c, e g c f, a c d b g b e, d' c b
a8 f \halsdown b4~ b8 g d4\rest
h4\rest h8\rest c d b h4\rest
g2\rest \once \override Rest #'extra-offset = #'( 0.6 . 0 ) e4\rest g8\rest d'
\once \override Tie #'staff-position = #-3 \shiftOn \stemUp \shiftnote #'( -0.3 . 0 ) c1~
\shiftOff c1
}
}
pedal = {
\relative f, {
\clef "bass"
\global
f1~
f1~
f1~
f1~
f1~
f1~
f2~ f8 g a b
c1
d2 c4 b!4
%% Takt 10 =============================================
a4 b4 c2
g1
a2 h2
c1~
c2 r2
R1
c1
d2 c2
g4 a4 b2
a2 g2
%% Takt 20 =============================================
f1~
f1
R1
R1
R1
R1
R1
R1
R1
R1
%% Takt 30 =============================================
R1
f1
g4 a4 b2
a4 b4 c2~
c2 g2
f4 e4 d2
c1~
c2 r2
R1
c1
%% Takt 40 =============================================
f2 g2
a4 b4 c2~
c2 b2
a2 g2
a1~
a2 r2
R1
R1
R1
R1
%% Takt 50 =============================================
R1
R1
r2 a4. b8
c2 d2
c2 g2
a2 h2
c1~
c2 r2
R1
c1
%% Takt 60 =============================================
d2 c2
g4 a4 b2
a2 g2
f1~
f2 r2
R1
R1
R1
R1
R1
%% Takt 70 =============================================
R1
R1
R1
R1
f1
g4 a4 b2
a4 b4 c2~
c2 g2
f4 e4 d2
c1~
%% Takt 80 =============================================
c2 r2
R1
c1
f2 g2
a4 b4 c2~
c2 b2
a2 g2
d2 e2
f1~
f2 r2
%% Takt 90 =============================================
R1
R1
R1
R1
R1
r2 g2
a4. g8 f4. e8
d1~
d2 r2
R1
%% Takt 100 =============================================
R1
r2 g2
d2 e2 \break
f1~
f4 r8 a8 d,4 r8 g8
c,1
f1_\fermata \bar "|."
}
}
right = {
\clef "treble"
<<
\sopran
\alt
>>
}
left = {
\clef "bass"
<<
\altzwo
\tenor
>>
}
\score {
<<
\new PianoStaff {
<<
\context Staff = right {
\context Voice = right \right
}
\context Staff = left {
\context Voice = left \left
}
>>
}
\context Staff = pedal {
\context Voice = pedal \pedal
}
>>
\layout{
indent = 1.0\cm
}
}
%{
\score {
\unfoldRepeats {
<<
\context Staff = right {
\set Staff.midiInstrument = "church organ"
\right
}
\context Staff = left {
\set Staff.midiInstrument = "church organ"
\left
}
\new Staff {
\set Staff.midiInstrument = "church organ"
\pedal
}
\new Staff {
\set Staff.midiInstrument = "trombone"
\transpose d d, \pedal
}
>>
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 72 4)
}
}
}
%}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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