\version "2.10.33"
\header {
mutopiatitle = "Heut triumphieret Gottes Sohn"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 630"
mutopiainstrument = "Organ"
date = "1714"
source = "Autograph"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2007/Nov/20"
title = "Heut triumphieret Gottes Sohn"
composer = "Johann Sebastian Bach"
opus="BWV 630"
footer = "Mutopia-2007/11/25-1163"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2007. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
global = {
\key d \minor
\time 3/2
#(set-accidental-style 'default)
\override Score.MetronomeMark #'transparent = ##t
}
\paper {
head-separation = 0.6 \cm
foot-separation = 0.2 \cm
page-top-space = 0 \cm
ragged-bottom = ##f
ragged-last-bottom = ##f
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
forceshift = { \once \override NoteColumn #'force-hshift = #1 }
forceshiftt = { \once \override NoteColumn #'force-hshift = #2 }
halsup = { \stemUp \tieUp \slurUp }
halsdown = { \stemDown \tieDown \slurDown }
halsneutral = { \stemNeutral \tieNeutral }
shifttiedown = { \once \override Tie #'extra-offset = #'( 0 . -0.4 ) }
shifttieup = { \once \override Tie #'extra-offset = #'( 0 . 0.4 ) }
shifttieupp = { \once \override Tie #'extra-offset = #'( 0 . 0.9 ) }
staffup = { \change Staff = "right" \halsdown }
staffdown = { \change Staff = "left" \halsup }
sopran = {
\new Voice \relative b' {
\global
\halsup
\partial 2 b2
b1 c2
d1 c2
b1 a2
b1\fermata b2
%% Takt 5 ==================================================
b1 b2
c1 a2
g2 fis1
g1\fermata a2
b1 c2
%% Takt 10 ==================================================
d2. es4 f2
es2 d c
\once \override Script #'padding = #1.3 d1\fermata d2
d1 c2
d1 c2
%% Takt 15 ==================================================
d2. c4 b2
a1\fermata \shiftOn a2 \shiftOff
a1 b2
c1 a2
g2 fis1
%% Takt 20 ==================================================
g1\fermata g2
a1 b2
c1 d2
d2 cis1
\shiftOn \once \override Script #'padding = #1 d1.\fermata \shiftOff
%% Takt 25 ==================================================
d2 d d
\shifttieupp d1.~
\once \override NoteColumn #'force-hshift = #-1 \once \override Script #'padding = #1 d1\fermata \bar "|."
}
}
alt = {
\new Voice \relative d' {
\global
\halsdown \dotsDown
\partial 2 r8 d e fis
g2~ g8 f! es d c g' f es
d2 c8\rest c d es f g f es
d4 es8 f g2~ g8 g f es
d1 r8 d es f
%% Takt 5 ==================================================
g8 as g f es f d es f4 es8 d
c4. d8 es d c4~ c8 es d c
b4 \shifttiedown es~ es8 es d c d2~
d8 d e! fis g2~ g8 fis g a
d,4 e8 fis g f es d c g' f es
%% Takt 10 ==================================================
d8 f g a b2~ b8 c b as
g8 f g a! \halsup \shiftOn b2. \shifttiedown a4~
a8 \shiftOff a g fis g2 \halsdown r8 es d c~
c8 c \staffdown b a b c d b \staffup g'4 f!8 es!
d2 r8 c' b a g a fis g
%% Takt 15 ==================================================
a8 g fis e! d2~ d8 e d cis
d8 g fis e fis2~ \halsup \forceshift fis8 e fis g
\shiftOn a8 \shiftOff g fis! e fis2. \halsdown g4~
g4 fis8 g a b a g fis!4._\prall fis8
g4 es~ es8 es d c d2
%% Takt 20 ==================================================
r8 d e! fis g4 d~ d8 d c \staffdown b
a8 c \staffup d es f!4 c d8 as' g f
es8 d c4 f8 g f es \stemUp \shiftOn d4 \shiftOff f
\shiftOn b2~ b8 b \shiftOff a g a4. g8
\forceshift fis8 \shiftOff g fis e \halsdown d b' a g fis!4. fis8
%% Takt 25 ==================================================
g4. a8 g4. fis8 \halsup \shiftOn g a \tieDown \shifttieup b4~
\dotsUp \forceshift b4. a8 b4. a8 b2 \shiftOff
\stemDown \shiftOn a1 \shiftOff
}
}
tenor = {
\new Voice \relative c' {
\global
\partial 2 r2
r8 c b a g4 b2 a4
b8 f g a b2 a
r8 b c d es4 d c2
r8 c b a b f g a b4 c8 d
%% Takt 5 ==================================================
es8 c b as g as b4~ b8 as g4~
g8 g a! b c b a g fis2
g4 c a2~ a8 c b a
b2 r8 b a g d' d, e! fis
g8 fis g a b2. a4
%% Takt 10 ==================================================
b2 r8 a b c d es d c
b a! b c d4 \staffup g c,8 g' f es
d2~ d8 \staffdown b a g \halsdown fis2
\shifttiedown g1~ g8 b \halsneutral a4~
a8 a g fis g2 r8 c d es
%% Takt 15 ==================================================
a,1~ a8 g fis e
fis8 e d cis d a' h cis \staffup \forceshift d cis! d e
\forceshift fis8 e d cis d es d \staffdown \halsneutral c b a g b
a8 g a b c d es4~ es8 es d c
b2 a~ a8 c b a
%% Takt 20 ==================================================
b2 r8 g a b e,!2
f!2 r8 b a g f4 g~
g4. b8 a b a g f4 \staffup d'
g2~ \forceshift g~ g8 g fis e!
\forceshift d8 \staffdown b a g \halsneutral fis g fis e d4. c'8
%% Takt 25 ==================================================
d4. c8 b4. c8 d4 \staffup g~
\forceshift g8 fis g4~ g8 fis g4~ g8 fis g4~
g8 \tempo 2 = 46 g fis \tempo 2 = 38 e \tempo 2 = 15 fis2\fermata
}
}
bass = {
\new Voice \relative c' {
\global
\partial 2 s2
s1.*25
s2 r4 \staffdown \halsdown r8 cis \tempo 2 = 68 d a b g
d'1
}
}
right = {
\clef "treble"
<<
\sopran
\alt
>>
}
left = {
\clef "bass"
<<
\tenor
\bass
>>
}
pedal = {
\global
\clef "bass"
\relative g {
\partial 2 r2
r2 r4 g es f
b,2 r4 b f' d
\shifttieup g2~ g8 d es c f4 f,
b1_\fermata r2
%% Takt 5 ==================================================
r2 r4 g' d es
a,!2 r4 a d b
es8 b c a d2 d,
g1_\fermata r2
r2 r4 g' es f
%% Takt 10 ==================================================
b,2 r4 g d' b
\shifttieup g'2 ~ g8 d es c f4 f,
b1_\fermata r2
r2 r4 b' es, f
b,2 r4 b es c
%% Takt 15 ==================================================
fis2~ fis8 e! fis d g4 g,
d'1_\fermata r2
r2 r4 a' d, es
a,2 r4 a d b
es8 b c a d2 d,
%% Takt 20 ==================================================
g1_\fermata r2
r2 r4 f' d es
a,!2 r4 f' b8 a b a
b8 f g e! a2 a,
d2 r4 d d'8 c d a
%% Takt 25 ==================================================
b8 a b fis g c, d a b fis g cis
d1.~
d2 d,_\fermata
}
}
\score {
<<
\new PianoStaff {
<<
\context Staff = right {
\context Voice = right \right
}
\context Staff = left {
\context Voice = left \left
}
>>
}
\context Staff = pedal {
\context Voice = pedal \pedal
}
>>
\layout{
\context {
\PianoStaff \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
}
\context {
\Staff \override VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 3.5)
}
indent = 1.0\cm
}
}
\score {
\unfoldRepeats {
<<
\context Staff = right {
\set Staff.midiInstrument = "church organ"
\right
}
\context Staff = left {
\set Staff.midiInstrument = "church organ"
\left
}
\new Staff {
\set Staff.midiInstrument = "church organ"
\pedal
}
\new Staff {
\set Staff.midiInstrument = "trombone"
\transpose d d, \pedal
}
>>
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 76 2)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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