\version "2.10.33"
\header {
mutopiatitle = "Hilf Gott, dass mir's gelinge"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 624"
mutopiainstrument = "Organ"
date = "1716"
source = "Edition Peters 8660"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2007/Nov/7"
title = "Hilf Gott, das mir's gelinge"
subtitle = "a 2 Clav. e Pedale"
composer = "Johann Sebastian Bach"
opus="BWV 624"
footer = "Mutopia-2007/11/10-1133"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2007. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
global = {
\key g \minor
\time 4/4
#(set-accidental-style 'default)
\override Score.MetronomeMark #'transparent = ##t
}
\paper {
head-separation = 0.6 \cm
foot-separation = 0.2 \cm
page-top-space = 0 \cm
ragged-bottom = ##f
ragged-last-bottom = ##f
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
halsup = { \stemUp \tieUp \slurUp }
halsdown = { \stemDown \tieDown \slurDown }
halsneutral = { \stemNeutral \tieNeutral }
shifttiedown = { \once \override Tie #'extra-offset = #'( 0 . -0.4 ) }
shifttieup = { \once \override Tie #'extra-offset = #'( 0 . 0.4 ) }
shifttieupp = { \once \override Tie #'extra-offset = #'( 0 . 0.9 ) }
staffup = { \change Staff = "right" \halsdown }
staffdown = { \change Staff = "left" \halsup }
sopran = {
\new Voice \relative g' {
\global
\halsup
\partial 4 g4
a4. g8 f4 d8 es!
f4 g2\fermata a!4
b8 c d4 c b
a g2\fermata g4
%% Takt 5 ==================================================
a4. g8 f4 d8 es!
f4 g2\fermata a!4
b8 c d4 c b
a g2\fermata g4
a4 b c a
%% Takt 10 ==================================================
b4 g a f~\fermata
f4 f b a
b4 c d4. c8
b8 a16 g fis2\fermata a4
%% Takt 15 ==================================================
b8 c d4 c! b
a4 g~ g2~
g2.\fermata \bar "|."
}
}
alt = {
\new Voice \relative cis' {
\global
\halsdown \dotsDown
\partial 4 r4
r4 cis d4. c8
b4 g8 a h4 c
r4 d e8 fis g4
f!4 es! d c
%% Takt 5 ==================================================
r4 cis d4. c8
b4 g8 a h4 c
r4 d e8 fis g4
f!4 es! d c
r4 d e f
%% Takt 10 ==================================================
g4 e f d
es!4 c2 c4
f4 e fis g~
g4 a8. g16 fis8 e16 d cis8 cis\rest
r4 d e8 fis g4
%% Takt 15 ==================================================
f!4 es! d c~
c4. h16 a \once \override Script #'extra-offset = #'(0 . -4.1) h4\fermata
}
}
tenor = {
\new Voice \relative d' {
\global
#(override-auto-beam-setting '(end * * * *) 1 8)
#(override-auto-beam-setting '(end * * * *) 2 8)
#(override-auto-beam-setting '(end * * * *) 3 8)
#(override-auto-beam-setting '(end * * * *) 4 8)
#(override-auto-beam-setting '(end * * * *) 5 8)
#(override-auto-beam-setting '(end * * * *) 6 8)
#(override-auto-beam-setting '(end * * * *) 7 8)
#(override-auto-beam-setting '(end * * * *) 8 8)
\set tupletSpannerDuration = #(ly:make-moment 1 8)
\override TupletBracket #'bracket-visibility = ##f
\tupletUp
\partial 4 \times 2/3
{
r16 d c b a g
\override TupletNumber #'transparent = ##t
cis h a d c b a g f e d e d a' g f e d fis e d g f es
d b' a g f es d c b es d c f as g f es d es g f es d c
b es d c b a! g b c d e fis g fis g a b c \clef "treble" d c d es! d es~
es d c d es f! g a h c d es f g as g as f es g f es f d
%% Takt 5 ==================================================
cis h a d c b a g f e d e d a' g f e d fis e d g f es \clef "bass"
d b a g f es d c b es d c f as g f es d es g f es d c
b es d c b a g b c d e fis g fis g a b c \clef "treble" d c d es! d es~
es d c d es f! g a h c d es f g as g as f es d c b a! g
fis es' d c b a g f es d c d \clef "bass" g, a b c d e f, a g a b c
%% Takt 10 ==================================================
d g, a b c d \clef "treble"
e c d e f g c, d es f g a b a g f es d
c es d c d b a b c d es f g a b c d es f g f es d c
b a g f es d \clef "bass"
c b a g fis e d fis g a b c d c b a b g
c es d c b a \clef "treble"
d e fis g a b c es! d c d b a b c d es c
b a g fis g a d, e fis g a b c b a es'! d c g' f! es es d c
%% Takt 15 ==================================================
c b a a g f b a g c h a d c h h a g g f es c' b as
g f es es d c g' f es d es c
}
% tenor has 1/8 more than other voices in this last bar
\times 1/2 { \tempo 4=30 d16[ g d] h[ c \tempo 4 = 18 d] \tempo 4 = 5 g,8\fermata }
}
}
right = {
\clef "treble"
<<
\alt
\sopran
>>
}
left = {
\clef "bass"
\tenor
}
pedal = {
\global
\clef "bass"
\relative g {
\partial 4 r8 g~
g8 f e a, d c b4~
b8 c b a g g'4 fis8
g8 a b4~ b8 a g c
d8 d,4 c8 h g c b
%% Takt 5 ==================================================
a8 f' e a d, c b4~
b8 c b a g g'4 fis8
g8 a b4~ b8 a g c
d8 d,4 c8 h g c c'~
c8 fis, g b~ b a d c
%% Takt 10 ==================================================
b8 g c b a f b b,~
b8 a16 g a8 f'~ f8 es16 d es8 c
d8 g, a b c b16 a b8 es!~
es8 c'4 b8 a g4 fis8
g8 a b4~ b8 a g c
%% Takt 15 ==================================================
d8 d,4 c8 h g es'4~
es8 fis, g2_\fermata
}
}
\score {
<<
\new PianoStaff {
<<
\context Staff = right {
\context Voice = right \right
}
\context Staff = left {
\context Voice = left \left
}
>>
}
\context Staff = pedal {
\context Voice = pedal \pedal
}
>>
\layout{
\context {
\PianoStaff \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
}
\context {
\Staff \override VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 3.5)
}
indent = 1.0\cm
}
}
\score {
\unfoldRepeats {
<<
\context Staff = right {
\set Staff.midiInstrument = "pan flute"
\right
}
\context Staff = left {
\set Staff.midiInstrument = "recorder"
\left
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose d' d''' \left
}
\new Staff {
\set Staff.midiInstrument = "bassoon"
\transpose d d, \pedal
}
>>
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 50 4)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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