\version "2.10.33"
\header {
mutopiatitle = "Wir danken dir, Herr Jesu Christ"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 623"
mutopiainstrument = "Organ"
date = "1715"
source = "Edition Peters 8660"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2007/Nov/7"
title = "Wir danken dir, Herr Jesu Christ"
subtitle = "Wir dancken dir H. Jesu Christ, daß du für uns gestorben bist"
composer = "Johann Sebastian Bach"
opus="BWV 623"
footer = "Mutopia-2007/11/10-1132"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2007. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
global = {
\key g \major
\time 3/4
#(set-accidental-style 'default)
\override Score.MetronomeMark #'transparent = ##t
}
\paper {
head-separation = 0 \cm
foot-separation = 0.2 \cm
page-top-space = 0.6 \cm
ragged-bottom = ##f
ragged-last-bottom = ##f
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
halsup = { \stemUp \tieUp \slurUp }
halsdown = { \stemDown \tieDown \slurDown }
halsneutral = { \stemNeutral \tieNeutral }
shifttiedown = { \once \override Tie #'extra-offset = #'( 0 . -0.5 ) }
shifttieup = { \once \override Tie #'extra-offset = #'( 0 . 0.4 ) }
shifttieupp = { \once \override Tie #'extra-offset = #'( 0 . 0.9 ) }
staffup = { \change Staff = "right" \halsdown }
staffdown = { \change Staff = "left" \halsup }
sopran = {
\new Voice \relative g' {
\global
\halsup
g4 g g
e4. fis8 g4
a8 h16 c h8 a a4\prallmordent
g2.\fermata
%% Takt 5 ==================================================
h4 h h
e2 d4
d4 cis2
d2.\fermata
h4 h h8 c16 d!
%% Takt 10 ==================================================
c2 h4
a2 gis4
a2.\fermata
h4 h h
a2 g4
%% Takt 15 ==================================================
g4 fis2
g2.~
g2.~
g2.\fermata \bar "|."
}
}
alt = {
\new Voice \relative d' {
\global
\halsdown \dotsDown
d4 c8\rest d16 c d4~
d8 c16 d e8 d16 c h8 c16 d
e4 d2~
d8 e16 d e8 g16 fis! g8 h16 a
%% Takt 5 ==================================================
a8 g16 fis g4. d8
g2 fis8 h16 a
h8 a g[ a16 h] a g fis e
fis16 e d cis d8 e fis16 a g fis
g8 d e[ a16 g] fis4
%% Takt 10 ==================================================
g4. f16 e d8 e16 f
e4. d16 c h8 c16 d
c4. e16 dis e8 fis!
g4 r8 d16 c d8 e
fis4._\prall e16 fis g fis e d
%% Takt 15 ==================================================
e16 d c h c8 d16 e d8 c
h8 d16 c d8 e f4~
f8 e16 d c d c h c d e8~
e8 d16 c d2_\fermata
}
}
tenor = {
\new Voice \relative h {
\global
h2 r8 g16 fis
g8 e a4 g~
g4. fis16 e fis8 g16 a
h8 c16 h c8 g e'4
%% Takt 5 ==================================================
d4 r8 d16 c d8 h16 a
h4. d16 cis d8 g16 fis
g8 fis e4 r
r8 a,16 g a8 c!16 h c8 h16 a
g8 h e4. dis8
%% Takt 10 ==================================================
e8 g,16 f g8 a h[ c16 d!]
c16 h a gis a8 h e,4~
e8 a16 gis a8 h c[ h16 a]
e'8 e,16 d! e8 fis g[ c16 h]
c8 a d c h4
%% Takt 15 ==================================================
a4. h16 c h8 a
g8 h16 a h8 c d16 c h a
g16 a g f e8 g16 fis g8 c~
\tempo 4 = 72 c4~ c8 \tempo 4 = 40 h16 a \tempo 4 = 12 h4\fermata
}
}
right = {
\clef "treble"
<<
\alt
\sopran
>>
}
left = {
\clef "bass"
\tenor
}
pedal = {
\global
\clef "bass"
\relative g {
r8 g16 fis g8 a h h,
r8 c16 h c8 d e e,
c4 d8 d'16 c d8 e
f8 g, r e'16 d e8 fis
%% Takt 5 ==================================================
g8 g, r4 r
r8 g'16 fis g8 a h h,
r8 e16 d e8 fis g a,
r8 fis'16 e fis8 g a d,
r8 g16 fis g8 a h h,
%% Takt 10 ==================================================
r8 e16 d \stemDown e8 f g g,
r8 \stemNeutral c16 h c8 d e e,
a4 r r
r4 r8 h16 a h8 c
d8 c16 h c8 d e h
%% Takt 15 ==================================================
c8 a d,[ d'16 c] d8 e
f8 g, r a16 g a8 h
c8 c, r e'16 d e8 g16 fis!
g4 g,2_\fermata
}
}
\score {
<<
\new PianoStaff {
<<
\context Staff = right {
\context Voice = right \right
}
\context Staff = left {
\context Voice = left \left
}
>>
}
\context Staff = pedal {
\context Voice = pedal \pedal
}
>>
\layout{
\context {
\PianoStaff \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
}
\context {
\Staff \override VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 3.5)
}
indent = 1.0\cm
}
}
\score {
\unfoldRepeats {
<<
\context Staff = right {
\set Staff.midiInstrument = "church organ"
\right
}
\context Staff = left {
\set Staff.midiInstrument = "church organ"
\left
}
\new Staff {
\set Staff.midiInstrument = "church organ"
\pedal
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose d d, \pedal
}
>>
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 86 4)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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