\version "2.8.1"
\header {
mutopiatitle = "O Lamm Gottes, unschuldig"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 618"
mutopiainstrument = "Organ"
date = ""
source = "Bach-Album, Ernst H. Wolfram (editor), 6787, C. F. Peters, Leipzig"
style = "Baroque"
copyright = "Public Domain"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2006/Apr/06"
title = "O Lamm Gottes, unschuldig"
composer = "Johann Sebastian Bach"
opus = "BWV 618"
footer = "Mutopia-2006/04/07-723"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
\include "deutsch.ly"
scriptup = { \once \override Script #'extra-offset = #'(0 . 1.3) }
scriptdown = { \once \override Script #'extra-offset = #'(0 . -1) }
restdown = { \once \override MultiMeasureRest #'extra-offset = #'( 0.0 . -3.0 ) }
halsup = { \stemUp \tieUp \slurUp}
halsdown = { \stemDown \tieDown }
halsneutral = { \stemNeutral \tieNeutral }
staffup = { \change Staff = "right" \halsdown }
staffdown = { \change Staff = "left" \halsup }
noflag = { \once \override Stem #'flag-style = #'no-flag }
global = {
\key f\major
\time 4/4
#(set-accidental-style 'default)
#(revert-auto-beam-setting '(end 1 32 4 4) 1 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 3 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 5 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 7 8)
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
sopran = {
\new Voice \relative c'' {
\global
\clef treble
\stemUp
c2^\markup { \large "Adagio. Canone alla Quinta." }\mordent~ c8 f16( e!) e( d) d( c)
\repeat volta 2 {
c16( d32 es) d16( c) c( b) b( a) a( b32 c) b16( a) a( g) g( a32 f)
e8 e'16( f) f( g) g( a) d,8 g~ g16 g a b
\halsup e,16( f32 g) f16( e) e( d) d( c) c( d32 es) d16( c) c( b) b( a)
%% Takt 5 ==================================================
a16( b32 c) b( g) a16 e8.\trill f16 f4 r4
r8 e'16( d) d( c) c( h) h( c32 d) c16( h) h( a) a( g)
c16( d32 e f g a16) g( f) f( e) e g32 f g16 a d,8. c16
}
\alternative {
{
c2\mordent~ c8 f16( e!) e( d) d( c)
}
{
c1~
}
}
c8 h16( c) c( d) d( e) e8 b!16( a) a( g) g( f)
%% Takt 10 ==================================================
f16( g32 a) g16( f) f( e) e( f) e8 g!16( a) a( h) h( c)
c16( h32 a) h16( c) c( d) d( e) e( d32 c) d16( e) e( fis) fis( g)
g8 es16( d) d( c) c( b!) b( c32 d) c16 b) b( a) a( g)
es'16( d) d( e) e( f!) f( g) g( f32 e) d16( e) e( d) d( cis)
cis8 b!16( a) a( g) g( f) f8 b16( c!32 d) c16( b) b( a)
%% Takt 15 ==================================================
a32( c d e f g a16) g( f) f( e) e( f32 g) f16( e) e( d) d( c)
c16( d32 e) d16( c) h( c) c( d) d8 e,16( fis) fis( g) g( a)
a8 d d4\mordent~ d16( e32 f!) e16( d) cis( d) d( e)
e16( f32 g) f16( e) d( c!) c( h) c2~
c16(b!32 a) g16( a) a( b) b( a) a( g32 f) g16( a) a( b) b8~
%% Takt 20 ==================================================
b16( c32 d) c16( b) b( a) a( g) a2\fermata
}
}
alt = {
\new Voice \relative c' {
\global
\clef treble
\halsdown
\restdown R1
\repeat volta 2 {
e2\rest c
c4 c g' g
a2 g
%% Takt 5 ==================================================
c,4\rest g' c, d
e4 f8 e d2
c4 d4\rest e2\rest
}
\alternative {
{
\restdown R1
}
{
\restdown R1
}
}
e2 e4 e
%% Takt 10 ==================================================
d8. c16 h4 c8 h a4
g2 r
g'2 g4 g
a4 g2 f4
e2 c\rest
%% Takt 15 ==================================================
a'2 g~
g4 f8 e d2~
d4 e8 fis g2~
g4 f e2~
e8 g f e d2
%% Takt 20 ==================================================
c1_\fermata
}
}
tenor = {
\new Voice \relative f {
\global
\clef bass
r8 f16( e) e( d) d( c) c16( d32 es) d16( c) c( b) b( a)
\repeat volta 2 {
a16( b32 c) b16( a) a( g) g( f) f8 e'! f g
a16( b32 c) b16( a) a( g) g( f) b( c32 d) c16( b) b( a) a( g)
c8 a16( g) g( f) f( e) e( f32 g) f16( e!) e( d) d( e)
%% Takt 5 ==================================================
f8 d16( c) c( b) b( a) a( b32 c) b16( a) a( g) g( f)
c'8 c, d e f e f g
\stemUp a f'16( e) e( d) d( c) c8 f g g, \stemNeutral
}
\alternative {
{
c8 f16( e) e( d) d( c) c16( d32 es) d16( c) c( b) b( a)
}
{
c8 c,16( d) d( e) e( f) f( e32 d) e16( f) f( g) g( a)
}
}
a16( g32 f) g16( a) a( h) h( c) \once \override TextScript #'extra-offset = #'( 6.7 . 2.5 )
c4_\markup { \fontsize #3 \musicglyph #"custodes.mensural.u0" } cis8.(_\prallprall h!32 cis)
%% Takt 10 ==================================================
d16( e) e( f) \scriptdown gis,8.(_\prallprall fis32 gis) a8 e'16( f!) f( g!32 a) g16( f)
e16( f32 g) f16( e) e( d) d( c) c8 h c d
es8 c16( b!) b( a) a( g) g8 b es! e
f8 fis g e cis a d gis,
a8 a16( h) h( cis) cis( d) d( c32 b) c16( d) d( e) e( f)
%% Takt 15 ==================================================
f8 g a h c a16( g) g( f) f( e)
e16( f32 g) f16( e) d( c) c( h) h( c32 d) c16( b) a( g) g( fis)
fis( g a32 b c16) b( a) a( g) g( d' g f!) e( d) d( cis)
cis16( h32 a) h16( cis) d8 d, a'16( g32 f) g16( a) a( b) b( c)
c8 e16( d) d( cis) cis( d) d( e32 f) es16 ( d) d( c) c( b)
%% Takt 20 ==================================================
f'2 f,2\fermata
}
}
pedal = {
\new Voice \relative f {
\global
\clef bass
R1
\repeat volta 2 {
f2 f4 f
c'4 c d2
c2 r4 c
%% Takt 5 ==================================================
f,4 g a b8 a
g2 f4 r
R1
}
\alternative {
{
R1
}
{
\set Score.currentBarNumber = #8
r2 a
}
}
a4 a g8. f16 e4
%% Takt 10 ==================================================
f8 e d4 c2
r2 c'
c4 c d c~
c4 b a2
r2 d
%% Takt 15 ==================================================
c2. b!8 a
g2. a8 b
c2. b4
a2~ a8 c b! a
g2 f~
%% Takt 20 ==================================================
f1\fermata \bar "|."
}
}
right = {
\clef treble
<<
\alt
\sopran
>>
}
left = {
\clef bass
<<
\tenor
>>
}
\score {
<<
\new PianoStaff {
\set PianoStaff.instrument = \markup { \large "Manuale." }
<<
\context Staff = right {
\context Voice = right \right
}
\context Staff = left {
\context Voice = left \left
}
>>
}
\context Staff = pedal {
\set Staff.instrument = \markup { \large "Pedale." \hspace #1.8 }
\context Voice = pedal \pedal
}
>>
\layout{}
}
\score {
\unfoldRepeats {
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\sopran
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose c c' \sopran
}
\new Staff {
\set Staff.midiInstrument = "oboe"
\alt
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\tenor
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose c c' \tenor
}
\new Staff {
\set Staff.midiInstrument = "bassoon"
\pedal
}
>>
}
\midi{ \tempo 4 = 32 }
} ¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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