\version "2.10.33"
\header {
mutopiatitle = "Herr Gott nun schleuß den Himmel auf"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 617"
mutopiainstrument = "Organ"
date = "1715"
source = "Autograph"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2007/Nov/4"
title = "Herr Gott nun schleuß den Himmel auf"
composer = "Johann Sebastian Bach"
opus="BWV 617"
footer = "Mutopia-2007/11/05-1100"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2007. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
global = {
\key a \minor
#(set-accidental-style 'default)
\override Score.MetronomeMark #'transparent = ##t
\override Score.BarNumber #'break-visibility = #all-invisible
}
\paper {
head-separation = 0 \cm
ragged-bottom = ##f
ragged-last-bottom = ##f
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
halsup = { \stemUp \tieUp \slurUp }
halsdown = { \stemDown \tieDown \slurDown }
halsneutral = { \stemNeutral \tieNeutral }
shifttiedown = { \once \override Tie #'extra-offset = #'( 0 . -0.5 ) }
shifttieup = { \once \override Tie #'extra-offset = #'( 0 . 0.5 ) }
stemslong = { \override Stem #'details #'beamed-lengths = #'( 5 ) }
stemsnormal = { \revert Stem #'details #'beamed-lengths }
sopran = {
\new Voice \relative c'' {
\global
\halsup
\compressMusic #'( 3 . 2 ) {
h2\rest c
\repeat volta 2 {
h4 c d e
f4 d e2\fermata
f4\rest e c h
%% Takt 5 ==================================================
a4 e' e( dis)\trill
}
\alternative {
{
e2 d\rest
d2\rest c
}
{
e1
}
}
d2\rest c
%% Takt 10 ==================================================
d4 d h h\fermata
d4\rest h c d
d4 d d\rest h
e4 c h c
a4 gis a2
%% Takt 15 ==================================================
d2\rest e
d4 d d c
h2 c4 \times 4/3 d8 \times 2/3 e
f4 e e e
dis2\trill
<<
\new Voice {
\stemUp \tieUp \shifttieup e2~
\shifttieup \times 10/9 e4. \times 2/3 dis8 e2\fermata
}
\new Voice {
\stemDown \times 4/3 h8\rest \times 2/3 h~ \times 4/3 h \times 2/3 a
\stemUp \shiftOn \times 10/9 gis4. \times 2/3 fis8 e2
}
>>
}
}
}
alt = {
\new Voice \relative e' {
\global
\halsdown
\compressMusic #'( 3 . 2 ) {
e2\rest e
\repeat volta 2 {
e4 e g g
a4 h c2_\fermata
g4\rest e e e
%% Takt 5 ==================================================
a4 g fis2
}
\alternative {
{
e2 e\rest
e2\rest e
}
{
e1
}
}
e2\rest e
%% Takt 10 ==================================================
fis4 a g g
e\rest g g fis
g4 h e,\rest d
e4 e e e
fis4 e e e\rest
%% Takt 15 ==================================================
g2\rest \times 4/3 h8 \times 2/3 b \times 4/3 a \times 2/3 g
f4 f e e
fis4 e e e\rest
e4\rest e8 fis g4 fis
fis2 \shifttiedown e~
%% Takt 20 ==================================================
\dotsDown \times 10/9 e4. \times 2/3 a8 gis!2
}
}
}
tenor = {
\new Voice \relative h' {
\global
%#(set-time-signature 24 16 '(6 6 6 6))
#(override-auto-beam-setting '(end * * * *) 6 16)
#(override-auto-beam-setting '(end * * * *) 12 16)
#(override-auto-beam-setting '(end * * * *) 18 16)
#(override-auto-beam-setting '(end * * * *) 24 16)
r16 h a gis a e c f e d e c \clef "bass" a d c h c a e h' a gis a dis,
\repeat volta 2 {
gis a h c d e a, h c d e f \clef "treble" h, c d e f g c, d e f g a
d, g f e f d h e d c d h \clef "bass" g d' c h c g e a g f g e
c d e f g a h c d e fis gis a, h c d e f g,! a h c d e
%% Takt 5 ==================================================
f, g a h c d e f e d e c a d c h c a fis c' h a h fis
}
\alternative {
{
gis a h c d e \clef "treble" c d e fis gis a gis a h c d e f! d h d gis,! h
e, h' a gis a e c f e d e c \clef "bass" a d c h c a e h' a gis a dis,
}
{
gis e' d c d h e, d' c h c a e c' h a h gis e h' a gis a fis
}
}
dis a' gis fis gis d cis e a c, h gis' \stemslong a, \clef "treble" h'' a gis a e \stemsnormal c f! e d e c
%% Takt 10 ==================================================
\clef "bass" a d c h c a fis h a g a fis d a' g fis g d h e d c d h
\stemDown g \clef "treble" e''' d c d h \stemNeutral g c h a h g e fis g a h c fis, g a h c d
h c h a h g d g f! e f d h e d c d h g h d h f' d
h c d e fis gis a, h c d e f \clef "bass" gis, a h c d e a, h c gis! a e
c fis a fis c' a d, gis h gis d' h \clef "treble" cis a' g! f! g e a, g' f e f d
%% Takt 15 ==================================================
a f' e d e cis a e' d cis d h \clef "bass" gis d' cis h cis g fis a d f, e cis'!
\clef "treble" d e f g a h c,! d e fis gis a h, c d e fis! gis! \clef "bass" a, d c h c a
fis h a gis a fis gis a h c d e \clef "treble" a, h' a gis a a, h a' g f! g cis,
d gis h gis d' h c! e, fis gis a h cis g e g cis, e ais, h cis d e fis
a,! dis fis dis a' fis c'! a fis a dis, fis \clef "bass" h, e d! c d h e, d' c h c a
%% Takt 20 ==================================================
d, c' h a h d, cis h' a gis a c, h e gis! e h' gis e' \tempo 4=44 h gis \tempo 4=36 h \tempo 4=8 e,8\fermata
}
}
right = {
\clef treble
\time 6/4
\set Staff.timeSignatureFraction = #'(4 . 4)
<<
\alt
\sopran
>>
}
left = {
\set Staff.timeSignatureFraction = #'(24 . 16)
\clef treble \tenor
}
pedal = {
\global
\clef "bass"
\relative a {
#(set-time-signature 12 8 '(3 3 3 3))
#(override-auto-beam-setting '(end * * * *) 6 16)
#(override-auto-beam-setting '(end * * * *) 12 16)
#(override-auto-beam-setting '(end * * * *) 18 16)
#(override-auto-beam-setting '(end * * * *) 24 16)
a8 a, a'~ a a, a'~ a a, a'~ a a, a'
\repeat volta 2 {
e gis e a a, a' g h g c c, c'
f, a f g g, g' c c, c'~ c c, c'~
c c, c' gis h e, a a, a' e g e
%% Takt 5 ==================================================
f f, f' c e c fis fis, fis' h, dis h
}
\alternative {
{
e e, e'~ e e, e'~ e e, e'~ gis, gis' e
a8 a, a'~ a a, a'~ a a, a'~ a a, a'
}
{
e e, e'~ e e, e'~ e e, e'~ e e, e'~
}
}
e e, e'~ e e, e' a a, a'~ a a, g'!
%% Takt 10 ==================================================
fis a fis d' d, fis g g, g'~ g g, g'~
g g, g'~ e g e a a, a' d, fis d
g g, g'~ g g, g'~ g g, g'~ \stemUp g g, a'
\stemNeutral gis h e, a a, a' e gis! e a a, a'
dis, fis dis e e, e' a a, a'~ a a, a'~
%% Takt 15 ==================================================
a a, a'~ a a, a'~ a a, a'~ a a, a'~
h, d h a' a, a' gis h e, a a, a'
dis, fis dis e e, e' a a, a'~ a a, a'~
a a, a'~ a a, a' ais ais, ais' fis ais fis
h8 h, h' a! c fis, gis e gis c, e a,
%% Takt 20 ==================================================
\times 6/4 e'2 \times 6/4 e,_\fermata
}
}
\score {
<<
\new PianoStaff {
<<
\context Staff = right {
\context Voice = right \right
}
\context Staff = left {
\context Voice = left \left
}
>>
}
\context Staff = pedal {
\context Voice = pedal \pedal
}
>>
\layout{
indent = 1\cm
}
}
\score {
\unfoldRepeats {
<<
\context Staff = right {
\set Staff.midiInstrument = "pan flute"
\right
}
\context Staff = left {
\set Staff.midiInstrument = "recorder"
<<
\left
\transpose c c'' \left
>>
}
\new Staff {
\set Staff.midiInstrument = "bassoon"
\transpose d d, \pedal
}
>>
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 56 4)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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