\version "2.10.33"
\header {
mutopiatitle = "Mit Fried und Freud ich fahr dahin"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 616"
mutopiainstrument = "Organ"
date = "1715"
source = "Edition Peters 8660"
style = "Baroque"
copyright = "Creative Commons Attribution-ShareAlike 3.0"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2007/Nov/3"
title = "Mit Fried und Freud ich fahr dahin"
composer = "Johann Sebastian Bach"
opus="BWV 616"
footer = "Mutopia-2007/11/04-1089"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2007. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } }
}
\include "deutsch.ly"
global = {
\key a \minor
\time 4/4
#(set-accidental-style 'default)
\override Score.MetronomeMark #'transparent = ##t
#(revert-auto-beam-setting '(end 1 32 4 4) 1 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 3 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 5 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 7 8)
}
\paper {
ragged-bottom = ##f
ragged-last-bottom = ##f
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
halsup = { \stemUp \tieUp }
halsdown = { \stemDown \tieDown }
halsneutral = { \stemNeutral \tieNeutral }
mmrestdown = { \once \override MultiMeasureRest #'staff-position = #-2 }
mmrestdownn = { \once \override MultiMeasureRest #'staff-position = #-4 }
mmrestup = { \once \override MultiMeasureRest #'staff-position = #4 }
mmrestupp = { \once \override MultiMeasureRest #'staff-position = #6 }
shifttiedown = { \once \override Tie #'extra-offset = #'( 0 . -0.5 ) }
shifttieup = { \once \override Tie #'extra-offset = #'( 0 . 0.5 ) }
staffup = { \change Staff = "right" \halsdown }
staffdown = { \change Staff = "left" \halsup }
sopran = {
\new Voice \relative d' {
\global
\halsup
d2 a'4 a
g d' c h
a2\fermata c
a16 h32 c h16 c32 d c4 h8 a h4
%% Takt 5 ==================================================
a2\fermata h
c4 h c8. b16 a4
g4 f g8. f16 e4
d2\fermata a'4. g8
f8 e d4 c2\fermata
%% Takt 10 ==================================================
\shifttieup a'4~ a16 b32 a g16 f32 e f4 c'16 d32 c b!16 a32 g
\shifttieup a4~ a16 b32 c d16 e32 f g,4 g
a2\fermata g
f4 d8.\prallprall c!32 d c4 f
e8 d e4 \override Tie #'extra-offset = #'( 0 . 1.2 ) d2~
%% Takt 15 ==================================================
d2~ d4~ d16 \tempo 4=22 d32 cis \tempo 4=8 \override Script #'padding = #0.5 d8_\fermata \bar "|."
}
}
alt = {
\new Voice \relative d' {
\global
\halsdown
d2~ d16 e32 f e16 f32 g \shifttiedown f4~
f16 e32 d e16 d32 c d8 e~ e16 fis32 gis a16 h32 c f,8 h,
e8 d~ d16 c!32 h c8 r2
r4 a'16 g32 f g16 f32 e f8 dis r16 h32 c d16 e32 f
%% Takt 5 ==================================================
cis8 d e16 f32 g fis16 g32 a g16 fis32 e dis16 e32 fis e8 d
c!8 a'~ a16 g32 f! g8~ g e~ e16 f32 g f16 g32 a
d,8 e~ e16 d32 cis d8~ d16 cis32 d e16 f32 g cis,!8 c~
c16 \staffdown b32 a b16 a32 g a4 \staffup e'8 d~ d16 e32 f e16 f32 g
h,16 c!32 d c16 d32 e r32 \staffdown c h a gis!8 a16 h32 c h16 \staffup c32 d c16 d32 e d16 e32 f
%% Takt 10 ==================================================
e2~ e16 d32 c! d16 c32 h! c8 e
a16 g32 f g16 f32 e \shifttiedown f4~ f8. e32 d c16 \staffdown b!32 a g16 f32 e
f16 a h! \staffup cis32 d cis16 d32 e d16 e32 f h,8. cis!32 d e16 f32 g f16 g32 e
f4 r \staffdown r a,16 h32 cis h16 cis32 d
cis8 \staffup d~ d16 cis32 h cis8 d16 c32 b c16 \staffdown b32 a b16 a32 g a16 g32 fis
%% Takt 15 ==================================================
<<
\new Voice { \stemUp f'4\rest b, \override Stem #'details #'beamed-lengths = #'( 4.5 ) a8. a32 g a4 }
\new Voice { \stemUp \tieDown \shiftOn g2~ g16[ fis32 e \shifttiedown fis8~] fis4 }
>>
}
}
tenor = {
\new Voice \relative d {
\global
d16 e32 f e16 f32 g f16 g32 a g16 a32 b a4~ a16 h32 c! d16 e32 f
h,8 c~ c h~ h a~ a \shifttieup g!~
g16 f32 e f16 e32 d \shifttieup e8~ e16 fis32 gis a16 h32 c h16 c32 d c16 d32 e d16 e32 f!
e4~ e8~ e16 d32 c d16 c32 h c16 h32 a gis4
%% Takt 5 ==================================================
r16 a32 g! f16 e32 d cis16 d32 e dis16 e32 fis e16 fis32 g fis16 g32 a \shifttieup g4~
g16 a32 h c!16 d32 e f!8~ f16 e32 d e16 d32 c b16 a32 g a8 r
d,16 e32 f g16 a32 b a8~ a16 g32 f b8 g a4~
\halsdown a16 d, g8~ g16 f!32 e f16 e32 d cis16 d32 e f16 g32 a h!16 cis32 d cis16 d32 e
gis,16 a32 h a16 h32 c r8 r32 f, e d e4 \halsneutral a,16 h32 c h16 c32 d
%% Takt 10 ==================================================
\stemUp c16 d32 e d16 e32 f \stemNeutral e8 a~ a4~ a8 c~
c8 cis a4 d16 c!32 b a16 g32 f \tieDown \shifttiedown e4~
e16 d32 cis d16 e32 f e16 f32 g f16 g32 a d,16 e32 f g16 a32 b cis,!4\trill
d4 \halsdown r a16 h!32 c h16 c32 d cis16 d32 e d16 e32 f
g8 f e8. f32 g \halsdown a8 d,~ d16 c!32 b c16 b32 a
%% Takt 15 ==================================================
b16 g32 a h16 cis32 d cis16 a32 h! cis!16 d32 e d2_\fermata
}
}
right = {
\clef treble
<<
\alt
\sopran
>>
}
left = {
\clef bass
\tenor
}
pedal = {
\global
\clef "bass"
\relative d {
r4 d16 f e g f8 cis d h
e4 fis16 a gis h a8 f d16 f e g
cis,8 d a4 r a16 c h d
c8 gis a a' d, fis e e,
%% Takt 5 ==================================================
a2 r4 g'16 e f! d
e8 a d, g c,4 cis16 e d f
h,8 cis d b g e' a16 fis g e
fis8 g d4 r f16 d e cis
d16 h c! a h8 e, a4 r
%% Takt 10 ==================================================
a16 c h d c8 cis d4 a'16 f g e
f16 d e cis d8 c b g c c,
f2~ f8 f' e a,
d16 f e g f a g b a4 a,
b16 g a f g e a8 fis4 g
d1\fermata
}
}
\score {
<<
\new PianoStaff {
<<
\context Staff = right {
\context Voice = right \right
}
\context Staff = left {
\context Voice = left \left
}
>>
}
\context Staff = pedal {
\context Voice = pedal \pedal
}
>>
\layout{
indent = 1\cm
\context {
\PianoStaff \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 4)
}
\context {
\Staff \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
}
}
}
\score {
\unfoldRepeats {
<<
\new PianoStaff {
<<
\context Staff = right {
\set Staff.midiInstrument = "church organ"
\right
}
\context Staff = left {
\set Staff.midiInstrument = "church organ"
\left
}
>>
}
\context Staff = pedal {
\set Staff.midiInstrument = "church organ"
\pedal
}
\new Staff {
\set Staff.midiInstrument = "trombone"
\transpose d d, \pedal
}
>>
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 48 4)
}
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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