\version "2.8.2"
\header {
mutopiatitle = "Der Tag der ist so freudenreich"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 605"
mutopiainstrument = "Organ"
source = " Peters 8660 & Autograph"
style = "Baroque"
copyright = "Public Domain"
maintainer = "Urs Metzger"
maintainerEmail = "urs@ursmetzger.de"
lastupdated = "2006/May/26"
title = \markup {
\center-align {
\fontsize #0 "Der Tag der ist so freudenreich"
\fontsize #-2 "á 2 Clav. & Ped"
}
}
composer = "Johann Sebastian Bach"
opus="BWV 605"
footer = "Mutopia-2006/06/05-773"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
\include "deutsch.ly"
global = {
\key g \major
\time 4/4
#(set-accidental-style 'default)
#(revert-auto-beam-setting '(end 1 32 4 4) 1 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 3 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 5 8)
#(revert-auto-beam-setting '(end 1 32 4 4) 7 8)
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18)
halsdown = { \stemDown \tieDown }
halsneutral = { \stemNeutral \tieNeutral \slurNeutral }
halsup = { \stemUp \tieUp }
staffdown = { \change Staff = "left" \halsup }
staffup = { \change Staff = "right" \halsdown }
sopran = {
\new Voice \relative g' {
\global
\halsup
\repeat volta 2 {
g2 g4 g
a4 h c8 h a4
g2\fermata h \break
a4 g8. f16 e4 fis
%% Takt 5 ==================================================
g4 a g2
}
g2 d'4 d
e4 d8. c16 h4 cis \break
d2\fermata d
d4 d e d8 c
%% Takt 10 ==================================================
h4 a g2\fermata
g2 e4 fis \break
g4 e d e
d2\fermata g4 g
a4 h c a
%% Takt 15 ==================================================
g2\fermata a4 g8. f16 \break
e4 fis! g e
d2\fermata f2
e4 c8. d16 e4 fis!
g4 a g2\fermata \bar "|."
}
}
alt = {
\new Voice \relative d' {
\global
\halsdown
\repeat volta 2 {
c16\rest d32 c d8~ d16 c d8 c16\rest e32 d e8 c16\rest e d8
c16\rest fis32 e fis8 e16\rest fis g8 e16\rest g32 fis g8~ g16 g fis8
c16\rest d32 c d8~d16 d c8 c16\rest c32 h c8 c16\rest d e8
c16\rest d32 c d8 c16\rest c h8 a16\rest c32 h c8 a16\rest h c8
%% Takt 5 ==================================================
c16\rest h32 a h8 e d16 c h32 c d16 c32 d e16 d16 g32 fis g16 d
}
c8\rest d c16\rest h d8 e16\rest g32 fis g8~ g16 d g8
g16\rest g32 fis g8 g16\rest g16 fis8 c16\rest d32 cis d8 \staffdown e16\rest a, g8
s4 a8 \staffup d16 e e16\rest fis32 e fis8 g16\rest g a8
g16\rest h32 a h8 g16\rest a h8 g16\rest a32 g a8 g16\rest g16 a8
%% Takt 10 ==================================================
e16\rest g32 fis g8~ g16 g fis8 c16\rest d32 c d8 c16\rest h d8
c16\rest d32 c d8 \staffdown e16\rest a, h8 e16\rest a,32 g a8 e'16\rest a, h8
c16\rest h32 a h8 c16\rest h cis8 e16\rest a,32 g a8 h a16 g
fis16 a32 g a16 fis c'16\rest fis, g8 \staffup c16\rest d32 c! \tieDashed d8~ d16 \tieSolid g, c8
c16\rest c32 h c8 c16\rest h e8 e16\rest e32 d e8~ e16 e d c
%% Takt 15 ==================================================
c16\rest h32 a h8 c16\rest d cis8 c16\rest d32 cis d8 c16\rest c h8
a16\rest c32 h c8~ c16 h c8 c16\rest d32 cis d8~ d16 d cis8
a16\rest a32 g a8 a16\rest h cis8 c16\rest d32 cis d8 c16\rest h16 d8
a16\rest c!32 h c8 f,16\rest g c8 a16\rest c32 h c8~ c16 h c8
c16\rest h32 a h8 e d16 c h c32 h c8~ c16 c h8_\fermata
}
}
tenor = {
\new Voice \relative h {
\global
\repeat volta 2 {
h8. a16 h8. a16 h8. h16 c8. g16
c8. c16 h8. h16 a8. h16 c8. c16
h8. f16 e8. fis16 g8. fis16 g8. g16
fis8. fis16 g4 g8. g16 a8. a16
%% Takt 5 ==================================================
g8. g16~ g g fis8 g8 a h4
}
h16 d32 c d16 h g8. a16 h8. d16 h8. h16
c8. h16 a4~ a8. g16 \dotsDown fis8. e16 \dotsNeutral
d16 fis32 e fis16 d d\rest fis8 g16 a8. a16 h8. c16
d8. d16 g8. f16 e8. e16 fis8. e16
%% Takt 10 ==================================================
d8. d16 e8 d16 c h8. h16 g8. a16
\dotsDown h8. a16 g8. fis16 g8. g16 fis8. fis16
\halsdown e8. h16 e8. g16 fis8. d16~ d d cis8
d4 d8. e16 \halsneutral \dotsNeutral f8. f16 e8. d16
e8. fis16 g8. g16 a8. g16 fis4
%% Takt 15 ==================================================
g8. fis16 e8. e16 f8. e16 d8 g
g8. g16 a8. a16 h8. h16 a8. g16
fis8. fis16 g8. g16 a8. a16 g8. h16
g8. g16 e8. f16 g8. g16 a8. a16
d,8. g16~ g g fis8 f8. e16 d4_\fermata
}
}
right = {
\clef treble
<<
\alt
\sopran
>>
}
left = {
\clef bass
<<
\tenor
>>
}
pedal = {
\global
\clef "bass"
\relative g, {
\repeat volta 2 {
r8 g g' fis e d c h
a4 e'8 d c4 d
g,2_\fermata g8 a h c
d8 h e d c h a d
%% Takt 5 ==================================================
g,8 e' c d g,2
}
g2 g'8 f e d
c4 d g, a
d,2 d'8 c h a
g f e d c4 d
%% Takt 10 ==================================================
g8 h c d g,2_\fermata
g'8 fis e d cis4 dis
e8 e, g a h fis g a
d,2 h'8 g c h
a4 e'8 d c a d d,
%% Takt 15 ==================================================
g2 d'8 c! h g
c8 h a d g, e a4
d,2~ d8 d' h g
c8 d e d c h a d
h8 g c, d g2_\fermata
}
}
\score {
<<
\new PianoStaff
{
\set PianoStaff.instrument = \markup { \large "Manual" }
<<
\new Staff = right { \right }
\new Staff = left { \left }
>>
}
\new Staff {
\set Staff.instrument = \markup { \large "Pedal" \hspace #1.8 }
\pedal
}
>>
\layout { }
}
\score {
\unfoldRepeats {
<<
\new Staff = right {
\set Staff.midiInstrument = "pan flute"
\right
}
\new Staff = right {
\set Staff.midiInstrument = "recorder"
\transpose c c' \right
}
\new Staff = left {
\set Staff.midiInstrument = "pan flute"
\left
}
\new Staff = left {
\set Staff.midiInstrument = "pan flute"
\transpose c c' \left
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\pedal
}
\new Staff {
\set Staff.midiInstrument = "recorder"
\transpose c c' \pedal
}
\new Staff {
\set Staff.midiInstrument = "flute"
\transpose c c, \pedal
}
>>
}
\midi{
\tempo 4 = 54
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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