% -*- mode: LilyPond ; coding: utf-8 -*-
\version "2.8.0"
\include "italiano.ly"
%% Version 1
\header{
title = \markup {\center-align { "Puer natus in Bethlehem." " "} }
subtitle = ""
piece = ""
instrument = ""
composer = "Johann Sebastian Bach (1685-1750)"
copyright = "Creative Commons Attribution-ShareAlike 2.5"
source = "Bach-Gesellschaft Edition, OrgelWerke 1893"
opus = "BWV 603"
lastupdated = "2006-04-05"
enteredby = "Gérard Gréco"
maintainer = "Gérard Gréco"
mutopiatitle = "Puer natus in Bethlehem"
mutopiacomposer = "BachJS"
mutopiainstrument = "Organ"
style="Baroque"
footer = "Mutopia-2006/04/07-725"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2006. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 2.5 License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/2.5" http://creativecommons.org/licenses/by-sa/2.5 } } } }
}
%#(set-default-paper-size "a4")
%#(set-global-staff-size 18)
halsup = {
\stemUp
\tieUp
}
halsdown = {
\stemDown
\tieDown
}
staffup = {
\change Staff = "dessus" \halsdown
}
staffdown = {
\change Staff = "basse" \halsup
}
global = {
\key fa \major
\time 3/2
}
choral = \relative do'' {
\global
\partial 2 sol2
% 1 :
sol1 sol2
la1 la2
sib2 la2 sol2
fa1.^\fermata
% 5 :
sib1 do2
sib1 la!2
sib1^\fermata sib2
sib1 sib2
la1 sol2
% 10 :
sol1 fad2
sol1^\fermata sol2
fad1 sol2
la1 la2
sib1 la2
sol1 fad2
sol1.^\fermata
}
alto = \relative do'' {
\global
\partial 2 sol8 fa8 sol8 fa8
% 1 :
mib2 ~ mib8 re8 mib8 re8 mib8 re8 mib8 fa8
re4. mi8 fad8 mi8 fad8 mi8 fad8 sol8 mi8 fad8
sol4 sol2 fa!4 mib8 re8 mib8 re8
do2 la8\rest fa8 la8 do8 fa8 mib8 fa8 mib8
% 5 :
fa8 mib8 fa8 mib8 re8 mib8 do8 re8 mib2
mi8\rest re8 fa8 lab8 sol8 fa8 sol8 fa8 mib8 re8 mib8 do8
re2 ~ re8 do8 re8 do8 re8 do8 mib8 re8
do4. re8 mi!8 fa8 mi8 sol8 fad8 sol8 fad8 sol8
la4. sol8 fad8 mi!8 fad8 re8 sol2
% 10 :
re8 do8 re8 do8 sib4 mib4 ~ mib8 mib8 re8 do8
sib8 \staffdown re,8 sol8 sib8 \staffup re8 do8 re8 do8 sib8 la8 sib8 sol8
la8 \staffdown mib8 la8 do8 \staffup mib8 re8 mib8 re8 do8 sib8 do8 sib8
la8 \staffdown re,8 fad8 la8 \staffup re8 do8 re8 do8 re8 do8 re8 do8 \break
sib8 \staffdown sol8 sib8 re8 \staffup sol8 fa8 sol8 fa8 mib8 re8 mi8 fad8
% 15 :
sol8 fa!8 sol8 fa8 mib8 re8 mib4 re2
re1.
}
tenor = \relative do' {
\global
\clef "bass"
\partial 2 sib4 si4
% 1 :
do8 do,8 [ mib8 sol8 ] do8 sib!8 do8 sib8 do8 sib8 do8 sib8
la8 re,8 fad8 la8 re8 do8 re8 do8 re8 do8 re8 do8
sib8 re,8 sol8 sib8 re8 do8 re8 do8 sib8 la8 sib8 sol8
la8 fa,8 [ la8 do8 ] fa8 mib8 fa8 mib8 fa2 ~
% 5 :
fa8 sib,8 re8 fa8 sib8 la8 sib8 la8 sib8 la8 sib8 la8
sib2 ~ sib8 sol8 sib8 re8 do8 sib8 do8 la8
fa8 sib,8 [ re8 fa8 ] sib8 la8 sib8 la8 sib8 la8 sib8 la8
sol8 do,8 mi!8 sol8 do8 sib8 do8 sib8 do8 sib8 la8 sol8
re'8 re,8 fad8 la8 re8 do8 re8 do8 re8 do8 re8 do8
% 10 :
sib8 la8 sib8 la8 sol8 fad8 sol8 la8 re,8 do'8 sib8 la8
sol4 r4 r8 la,8 sib8 do8 re8 do8 re8 sib8
do4 r4 r8 sib8 do8 re8 mib!8 re8 mib8 re8
mib8 sol,8\rest sol4\rest r8 la8 re8 mi!8 fad!8 mi8 fad8 re8
sol4 r4 r8 do,8 mib8 sol8 do8 sib8 do8 re8
% 15 :
sib8 sol8 sib8 re8 do8 sib8 do8 sib8 do8 sib8 do8 la8
si8 sol,8 [ si8 re8 ] << { \once\override Tie #'staff-position = #7 sol2^\fermata ~ sol2 } \\ {sol8 re8 sol8 la8 si!2_\fermata} >>
}
pedale = \relative do' {
\global
\clef "bass"
\partial 2 r4 sol4
% 1 :
do,4 do'2 sib4 la4 sol4
fad4 re'2 do4 sib4 la4
sol2 re2 mib2
mib,4 fa'2 mib4 re4 do4
% 5 :
re4 sib'2 la4 sol4 fad4
sol4 re4 mib4 do4 fa4 fa,4
sib4 sib'2 la4 sol4 fa4
mi!4 do'2 sib4 la4 sol4
fad4 re'2 do4 sib4 la4
% 10 :
sol4 re4 mib4 do4 \stemUp re4 \stemNeutral re,4
sol4 sib2 la4 sol4 fa4
mib4 do'2 sib4 la4 sol4
fad4 \stemUp re'2 \stemNeutral do4 sib4 la4
sol4 mib'2 re4 do4 re4
% 15 :
mib4 sib4 do4 la4 \stemUp re4 \stemNeutral re,4
\once \override Script #'padding = # 1 sol1._\fermata \bar "|."
}
\score{
\new PianoStaff
<<
\set PianoStaff.systemStartDelimiterHierarchy
= #'(SystemStartBar (SystemStartBrace a b ))
\new Staff = "dessus" <<
\choral \\
\alto
>>
\new Staff = "basse" {
\clef "bass"
\tenor
}
\new Staff = "pedale" {
\pedale
}
>>
\layout{}
}
\score {
<<
\new Staff {
\set Staff.midiInstrument = "pan flute"
\choral
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\alto
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\tenor
}
\new Staff {
\set Staff.midiInstrument = "pan flute"
\pedale
}
>>
\midi{ \tempo 4 = 85 }
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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