% -*- coding: utf-8 -*-
% mai 2007. parti de fichier Urs Metzger existant dans Mutopia. Passé en italiano et version 2 10 16.Ajouté doigté . Notes reparties selon doigté, main droite première portée, gauche seconde portée.
%juillet 2007 ajouté un dièse au sol de pédale mesure 2
\version "2.10.16"
\include "italiano.ly"
\header {
mutopiatitle = "Nun komm' der Heiden Heiland"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 599"
mutopiainstrument = "Organ"
date = ""
%source = "fichier Mutopia de Urs Metzger"
source = "Bach-Album, Ernst H. Wolfram (editor), 6787, C. F. Peters, Leipzig"
style = "Baroque"
copyright = "Public Domain"
maintainer = "Pierre Pouillon"
maintainerEmail = "pierre(at)ssji.net"
lastupdated = "2007 juillet"
title = "Nun komm' der Heiden Heiland"
composer = "Johann Sebastian Bach"
opus="BWV 599"
footer = "Mutopia-2007/07/02-713"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
ot = {\once \override TextScript #'extra-offset = #'( 0 . 1 )}
ott = {\once \override TextScript #'extra-offset = #'( 0 . 2 )}
otm = {\once \override TextScript #'extra-offset = #'( 0 . -1 )}
ottm = {\once \override TextScript #'extra-offset = #'( 0 . -2 )}
of = {\once \override Fingering #'extra-offset = #'( 0 . 1 )}
off = {\once \override Fingering #'extra-offset = #'( 0 . 2 )}
ofm = {\once \override Fingering #'extra-offset = #'( 0 . -1 )}
offm = {\once \override Fingering #'extra-offset = #'( 0 . -2 )}
\paper {
between-system-space = 2.5\cm
system-count = 3
top-margin = 0.5\cm
bottom-margin =0.5 \cm
tagline= ##t
}
global = { \override TextScript #'font-name = #"Emmentaler"
\override Script #'script-priority = #1
\key la \minor
\time 4/4
}
#(set-default-paper-size "a4" 'landscape)
#(set-global-staff-size 18.7)
halsup = {
\stemUp
\tieUp }
halsdown = {
\stemDown
\tieDown }
staffup = {
\change Staff = "right" \halsdown }
staffdown = {
\change Staff = "left" \halsup }
rshiftI = {
\once \override NoteColumn #'force-hshift = #1 }
sopran = {
\new Voice \relative la' {
\global
\halsup
%1
\of la2-5 re16\rest la-4 si-5 fad-3 \ot sol!4^"4-"
%2
do4-5 si8-1-4 la si2-5
%3
la2-4 \fermata la8.-1-4 si16^"1"^"5-4" do4^"1"^"5--4"
%4
re4-2-5 \of do-4 re^"5--" mi-5
%5
do2 \fermata do4 \ot re^"5--"
%6
mi4-5 do^"1--2"^"4" \of re8-5 \of do-3 si4
%7
la2-4\fermata la-4
%8
r16 la-4 si fad-3 \ot sol4^"4--3" do-5 si8-1-4 la-3
%9
\of si2-4 \once \override Tie #'staff-position = #'4.5 \of la-5 \fermata~
%10
la1-3-5 \bar "|."
}
}
alt = {
\new Voice \relative re' {
\global
\override Fingering #'direction = #UP
\halsdown
%1
re16\rest re-1 mi8-2~ mi red-1~ red4 do16\rest red-2-3 mi8-1 ~
%2
mi16 sold-3 la-3 \of red,-1 mi4~ mi16 mi-1 fa!8~ fa16 re-1 mi-2 \override Fingering #'direction = #DOWN \staffdown si-2
%3
do4-1 \staffup \override Fingering #'direction = #UP mi16\rest re!-1 mi si do8. re16 mi4
%4
la16 re,-1 sol8-2 ~ sol8 fa-1 ~ fa16 la-2-4 \staffdown re,8 \staffup sol16\rest sol-1 do-4 sib~
%5
sib16 sol \tieUp la8-2-4 ~ \halsup \shiftOn la4~la~ la16 do-4 si!8-1-4 ~
%6
\stemDown
si16 si-3 do sold-2 la4~ \halsdown la16 sold la8~ la16 fad-1-5 sold8-3
%7
mi16\rest re-1 mi8~ mi4~ mi16 mi-1 fa8~ fa16 mi fa8
%8
la,4\rest do16\rest red-2 mi8-1 ~ mi16 sold-3 la-3 red,-1 mi8 la~
%9
\halsup \shiftOn la16 sold la8-3 ~ la16 fad-1 \tieDown sol8~ sol16 \override Fingering #'extra-offset = #'( 0 . 0.5 ) {fa!-2 \tieUp sol8-3 ~ sol16 mi-1-4} \tieDown fa8~
%10
\rshiftI fa16 mi-2 \tieUp fa8-1-3 ~ fa16 sol fa8~ fa16 re-2 mi8-3 ~ mi4 \fermata
}
}
tenor = {
\new Voice \relative si {
\global
\halsup
\shiftOn
\override Fingering #'direction = #DOWN
si8\rest si16\rest si-2 do4-1 ~ do s
s1
s1
s1
%5
\staffdown mi8\rest mi16\rest mi-2 fa4-1 ~ fa s
%6
s1
%7
do8.-3 si16-4 do4-1 ~ do16 dod re8~ re16 dod re8
%8
fa,4\rest fa8\rest la16\rest si16-2 la4-3 do16\rest si-2 do8-1
%9
\rshiftI re!8. \staffup fa16 \staffdown si,8 mi-1 ~ \rshiftI mi16 re-2 mi8~ mi16 dod-2 re8-1 ~
%10
\rshiftI re16 dod \staffup re8~ re16 mi re8~ re8. si16-1 dod!4-2
}
}
bass = {
\new Voice \relative sold {
\global
\halsdown
\override Fingering #'direction = #DOWN
si,4\rest re16\rest sold-4 la8-3 ~ la4 si8.-2 si16
|%2
\tieUp la4-3 r16 si-2 do fad,-5 sold8 la~ la [ sold]
%3
r16 sold-3 la red, mi-2 si-5 do-2 sold-5 la-5 sold'-2 la8-1 ~ la16 si-3 do8-2 ~
%4
do8-2 si-3 do16 sol la8~ la16 do si8-1-3 do16-2 mi-1 sol,8-5
%5
r4 r16 sib-3 do-2 sol-5 la-4 [do-2 ] \clef treble \stemUp fa8_"1--2" ~ fa16 la-1 re,-5 fa-3
%6
mi4-4 ~ mi16 mi-2 fa do-3 si8 la mi'8.-1 [ re16-2] \clef bass \stemNeutral
%7
\halsdown re,4\rest re16\rest sold-4 la8-3 ~ la16 sol-2-4 fa8-1-5 ~ fa16 la-2-3 re,8-1-5
%8
s2. si8\rest re16\rest mi-5
%9
fa!4_"1"_"4--5" sol!_"2"_"4--5" \tieDown la2-4 ~
%10
\rshiftI la16 sol-2-5 la-1 mi fa dod-5 re-1 sold, <<
\new Voice \relative fa {
\override Fingering #'direction = #DOWN
\override Script #'script-priority = #1
\stemUp s4 la16\rest sold-1 \override Script #'extra-offset = #'(0 . 2) la8-1^\fermata
}
\new Voice \relative la, {\override Fingering #'direction = #DOWN
\override Script #'script-priority = #1
\stemDown la2-5^\fermata
}
>>
}
}
right = {
\clef treble
<<
\alt
\sopran
>>
}
left = {
\clef bass
<<
\tenor
\bass
>>
}
a = \rtoe
q = \lheel
pedal = {
\override Script #'script-priority = #1
\key la \minor
\time 4/4
\clef "bass"
\relative la, {
r4 r8 r16 la_\a mi'8.^\a red16_\a mi4_\q
%2
fad4_\a sold8^\a la^\q mi8._\q re!16_\a mi8^\a mi,_\a
%3
la2_\markup{\transparent{es} "_" \musicglyph #"scripts.dpedaltoe" }
^\markup{ \musicglyph #"scripts.dpedaltoe" "_"} r8 r16 la_\a la'8.^\a sol!16^\q
%4
fa8._\a sol16^\a mi8._\a fa16^\a re8._\a sol16^\a do,8._\a mi16^\a
%5
fa,2_\a fa'8.^\q la16^\a re,8._\a sol16^\a
%6
do,8._\a mi16^\a fa,8._\a la16^\a re,8._\a re'16^\q mi8^\a mi,_\a
%7
la4_\markup{\transparent{es} "_" \musicglyph #"scripts.dpedaltoe" }
^\markup{ \musicglyph #"scripts.dpedaltoe" "_" " " } la'8.^\q do16^\a fa,8._\a la16^\a re,8._\a fa16^\a
%8
si,8._\a red16^\a mi,4_\q fad_\a sold8^\a la^\q
%9
re,8_\a re'^\a mi8.^\q[ sol!16^\a ] dod,8._\a mi16^\a re8._\a fa16^\a
%10
la,1^\fermata_\a
}
}
\score {\new StaffGroup
\with{ \remove System_start_delimiter_engraver }
<<
\new PianoStaff {
<<
\context Staff = right {
\context Voice = right \right
}
\context Staff = left {
\context Voice = left \left
}
>>
}
\context Staff = pedal {
\context Voice = pedal \pedal
}
>>
\layout{}
}
\score {
<<
\new Staff {
\set Staff.midiInstrument = "church organ"
\right
}
\new Staff {
\set Staff.midiInstrument = "church organ"
\left
}
\new Staff {
\set Staff.midiInstrument = "church organ"
\pedal
}
\new Staff {
\set Staff.midiInstrument = "contrabass"
\transpose do do, \pedal
}
>>
\midi{ tempoWholesPerMinute = #(ly:make-moment 40 4) }
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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