%%--------------------------------------------------------------------
% The Mutopia Project
% LilyPond template for keyboard solo piece
%%--------------------------------------------------------------------
\version "2.18.2"
%---------------------------------------------------------------------
%--Paper-size setting must be commented out or deleted upon submission.
%--LilyPond engraves to paper size A4 by default.
%--Uncomment the setting below to validate your typesetting
%--in "letter" sizing.
%--Mutopia publishes both A4 and letter-sized versions.
%---------------------------------------------------------------------
% #(set-default-paper-size "letter")
%--Default staff size is 20
#(set-global-staff-size 20)
\paper {
top-margin = 8\mm %-minimum top-margin: 8mm
top-markup-spacing.basic-distance = #6 %-dist. from bottom of top margin to the first markup/title
markup-system-spacing.basic-distance = #5 %-dist. from header/title to first system
top-system-spacing.basic-distance = #12 %-dist. from top margin to system in pages with no titles
last-bottom-spacing.basic-distance = #12 %-pads music from copyright block
% ragged-bottom = ##f
% ragged-last-bottom = ##f
}
%---------------------------------------------------------------------
%--Refer to http://www.mutopiaproject.org/contribute.html
%--FOR:q usage and possible values for header variables.
%---------------------------------------------------------------------
\header {
title = "Gott, wie gross ist deine Güte"
composer = "Johann Sebastian Bach"
opus = "Schmellis Gesangbuch, No. 26"
%piece = "Left-aligned header"
date = "1736"
style = "Baroque"
source = "Franz Wullner edition, 1893 (on IMSLP)"
maintainer = "David McNamara"
maintainerEmail = "mapadofu@github"
license = "Public Domain"
%mutopiatitle = "" % default to plain title
%mutopiaopus = "Op.0" % default to plain opus
mutopiacomposer = "BachJS"
%--A list of instruments can be found at http://www.mutopiaproject.org/browse.html#byInstrument
%--Multiple instruments are separated by a comma
mutopiainstrument = "Piano"
% Footer, tagline, and copyright blocks are included here for reference
% and spacing purposes only. There's no need to change these.
% These blocks will be overridden by Mutopia during the publishing process.
footer = "Mutopia-2016/02/17-2009"
copyright = \markup {\override #'(font-name . "DejaVu Sans, Bold") \override #'(baseline-skip . 0) \right-column {\with-url #"http://www.MutopiaProject.org" {\abs-fontsize #9 "Mutopia " \concat {\abs-fontsize #12 \with-color #white \char ##x01C0 \abs-fontsize #9 "Project "}}}\override #'(font-name . "DejaVu Sans, Bold") \override #'(baseline-skip . 0 ) \center-column {\abs-fontsize #11.9 \with-color #grey \bold {\char ##x01C0 \char ##x01C0 }}\override #'(font-name . "DejaVu Sans,sans-serif") \override #'(baseline-skip . 0) \column { \abs-fontsize #8 \concat {"Typeset using " \with-url #"http://www.lilypond.org" "LilyPond " "by " \maintainer " " \char ##x2014 " " \footer}\concat {\concat {\abs-fontsize #8 { "Placed in the " \with-url #"http://creativecommons.org/licenses/publicdomain" "public domain " "by the typesetter " \char ##x2014 " free to distribute, modify, and perform" }}\abs-fontsize #13 \with-color #white \char ##x01C0 }}}
tagline = ##f
}
%--------Definitions
global = {
\key bes \major
\time 4/4
}
% overallForm="AABA"
melody={
\repeat volta 2 \relative c'' { % A section
d4 d8 (c8) c4 c4 |
f8 [ (g) ] f (ees) d4 d4 |
ees4. f8 d8 [(c)] d (ees) |
c4. bes8 bes2
} \break
\relative c'' { % B section
d4 d bes4. bes8 |
ees8 [(d)] c (bes) a4 a |
d4 d bes4. c8 |
a4 d4 b2 |
} \break
\relative c'' { % C section
d4. d8 ees4 ees |
ees8 [(c)] d (ees) c4 c |
f4. g8 ees8 [(d)] ees (f) |
d4. c8 c2 |
} \break
\relative c'' { %D section
ees4 ees ees8 [(d)] ees (f) |
d4. d8 d8 [(c)] d (ees) |
c4. c8 c8 [(ees)] d (c) |
c4. bes8 bes4 bes |
} \break
}
hymnA=\lyricmode {
{ % First A section
Gott, wie gross ist dei -- ne Gü -- te die mein Herz auf Er -- den schmeckt
}
}
hymnB=\lyricmode{
Ach, wie labt sich mein Ge -- mü -- the, wenn mich Noth un Tod er -- schreckt
Wenn mich et -- was will be -- trü -- ben, wenn mich mei -- ne Sün -- de presst,
zei -- get sie von dei -- nem Lie -- ben, das mich nicht ver -- za -- gen lässt;
drauf ich mich zu -- frie -- den stel -- le und Trotz bie -- ten kann der Höl -- le.
}
bass={
\repeat volta 2 {
\relative c' {
bes4 bes, f'8 g f ees |
d4 d g8 a bes g |
c8 bes a f bes4 ees, |
f8 ees f f, bes2
}
}
\relative c {
bes8 c d bes ees8 f ees d |
c4 g d'8 ees d c |
bes8 a g fis g4 c4 |
d4 d,4 g8 d' g a |
}
\relative c' {
b8 d g, b c8 bes a g |
f4 bes, f'8 g f ees |
d8 c b g c4 f |
g8 f g g, c2
}
\relative c' {
c8 d c bes a4 f |
bes8 c bes a g4 f |
ees8 c d ees f4 bes, |
f'8 ees f f, bes2
}
}
bassfigures = \figuremode {
\repeat volta 2{ % A section
s1
s1
s4 <6 5>4 s4 <7 5>4 |
<4>4 <3>4 s2
}
{ % B section
s4 <6>4 <9>8 <7>16 <6> <8>4 |
s4 <4>8 <3>8 <4>4 <_+>4 |
<6>4 <5 2>4 <9>8 <8>16 <7\\>16 <7 5>4 |
<4>4 <_+>4 <_!>2
}
{ % C section
<6>4 <_!>4 s4 <6 5>8 <6>8 |
<7 5>4 s4 <4>4 <3>4 |
<6\\ 5->4 <6 5>4 s4 <7 5 _->8 <6>8 |
<5 4>4 <_!>4 s2
}
{ % D section
s2 <6 5>4 <7> |
<9>8 <7>16 <6> <8>4 s4 <6 4 2>4 |
<6 5>2 s4 s4 |
<4>4 <3>4 s2 |
}
}
%-------Typeset music and generate midi
\score {
\context PianoStaff <<
%-Midi instrument values at
% http://lilypond.org/doc/v2.18/Documentation/snippets/midi#midi-demo-midiinstruments
\set PianoStaff.midiInstrument = "acoustic grand"
\new Staff = "upper" { \clef treble \global \new Voice = "melody" \melody }
\new Lyrics \lyricsto "melody" { \hymnA }
\new Lyrics \lyricsto "melody" { \hymnB }
\new Staff = "lower" { \clef bass \global \bass }
\new FiguredBass{ \bassfigures }
>>
\layout{ }
\midi { \tempo 4 = 70 }
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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