\version "2.18.2"
\header{
%indication d'entête et bas de page
title = "Ich dank dir, lieber Herre"
subtitle = "BWV 347"
composer = "Johann Sebastian Bach"
poet = "Vierstimmige Choräle"
maintainer = "Laurent Ducos"
% information exigées par mutopia
mutopiatitle = "Ich dank dir, lieber Herre"
mutopiacomposer = "BachJS"
mutopiainstrument = "Harpsichord, Piano"
mutopiaopus = "BWV 347"
date = "1784-1787"
source = "Editions de J.P Kimberger - C.P.E Bach"
style = "Baroque"
license = "Public Domain"
maintainer = "Laurent Ducos"
maintainerEmail = "laurentdany@free.fr"
footer = "Mutopia-2016/04/25-379"
copyright = \markup {\override #'(font-name . "DejaVu Sans, Bold") \override #'(baseline-skip . 0) \right-column {\with-url #"http://www.MutopiaProject.org" {\abs-fontsize #9 "Mutopia " \concat {\abs-fontsize #12 \with-color #white \char ##x01C0 \abs-fontsize #9 "Project "}}}\override #'(font-name . "DejaVu Sans, Bold") \override #'(baseline-skip . 0 ) \center-column {\abs-fontsize #11.9 \with-color #grey \bold {\char ##x01C0 \char ##x01C0 }}\override #'(font-name . "DejaVu Sans,sans-serif") \override #'(baseline-skip . 0) \column { \abs-fontsize #8 \concat {"Typeset using " \with-url #"http://www.lilypond.org" "LilyPond " "by " \maintainer " " \char ##x2014 " " \footer}\concat {\concat {\abs-fontsize #8 { "Placed in the " \with-url #"http://creativecommons.org/licenses/publicdomain" "public domain " "by the typesetter " \char ##x2014 " free to distribute, modify, and perform" }}\abs-fontsize #13 \with-color #white \char ##x01C0 }}}
tagline = ##f
}
\paper {
top-margin = 12
}
\include "italiano.ly" % Permet d'entrer les notes en francais
Soprane = \context Voice = "Soprane" {
%voix principale de la portée en clef de sol
\set Staff.midiInstrument = "acoustic grand"
\time 4/4
\voiceOne
\key la \major
\repeat volta 2 {
\partial 4
la'4
la' la' la' si'
sol' fad' mi'-\fermata si'
dod'' si' la' sold'8 fad'
\set Timing.measureLength = #(ly:make-moment 3/4)
sold'4 fad' mi'-\fermata
}
% partie b
\set Timing.measureLength = #(ly:make-moment 1/4)
mi''4
\set Timing.measureLength = #(ly:make-moment 4/4)
re'' dod'' si' la'
la'8 si' dod''4 si'-\fermata dod''
re'' dod'' si' lad'
si'2.-\fermata mi'4
la' si' dod'' re''
mi'' re''8 dod'' si'4-\fermata re''
dod'' si' mi''4. re''8
dod''8 si' la' si'dod''4 si'
\set Timing.measureLength = #(ly:make-moment 3/4)
la'2.-\fermata
\bar "|."
}
Alto = \context Voice = "Alto" {
%voix secondaire de la portée en clef de sol
\set Staff.midiInstrument = "acoustic grand"
\time 4/4
\voiceTwo
\key la \major
\repeat volta 2 {
\partial 4
mi'4
fad' mi' fad' fad'
mi' red' si sold'
la' sold'8fad' mi'2~
\set Timing.measureLength = #(ly:make-moment 3/4)
mi'4 red' si
}
% partie b
\set Timing.measureLength = #(ly:make-moment 1/4)
dod''8 si'
\set Timing.measureLength = #(ly:make-moment 4/4)
la'4 la' sold' la'8 sol'
fad'8 sold'! la'4 sold' lad'
si'8 la'! sol'4 fad'8 mi' fad'4
fad'2. mi'8 re'
dod'4 re' mi' fad'8 sold'
la'2 mi'4 si'
la'8 sold' fad'4 mi' fad'8 sold'
la'2 la'4 sold'
\set Timing.measureLength = #(ly:make-moment 3/4)
mi'2.
\bar "|."
}
Tenor = \context Voice = "Tenor" {
%voix principale de la portée en clef de fa
\set Staff.midiInstrument = "acoustic grand"
\time 4/4
\clef bass
\voiceOne
\key la \major
\repeat volta 2 {
\partial 4
dod'4
dod' dod'8 si la sold fad4
si4. la8 sold4 mi'
mi' red' dod'2
\set Timing.measureLength = #(ly:make-moment 3/4)
si4. la8 sold4
}
% partie b
\set Timing.measureLength = #(ly:make-moment 1/4)
sold4
\set Timing.measureLength = #(ly:make-moment 4/4)
la8 si dod' re' mi'4 mi'
re' mi' mi' mi'
fad'8 si4 lad8 si4 dod'
re'2. sold4
la sold8 fad mi mi' re'4
dod'8 re' mi' fad' sold'4 fad'
fad'8 mi' re' dod' si4 dod'8 re'
mi'4. re'8 dod'[ fad' si mi'16 re']
\set Timing.measureLength = #(ly:make-moment 3/4)
dod'2.
\bar "|."
}
Basse = \context Voice = "Basse" {
%voix secondaire de la portée en clef de fa
\set Staff.midiInstrument = "acoustic grand"
\time 4/4
\clef bass
\voiceTwo
\key la \major
\repeat volta 2 {
\partial 4
la8 sold
fad4 dod re red
mi si, mi, mi
la si dod' si8 la
\set Timing.measureLength = #(ly:make-moment 3/4)
si4 si, mi
}
% partie b
\set Timing.measureLength = #(ly:make-moment 1/4)
dod4
\set Timing.measureLength = #(ly:make-moment 4/4)
fad8 sold la4 mi dod8 la,
re4 dod8 re mi4 dod
si, dod re8 sol fad4
si,2. dod4
fad mi8 re dod4 si,
la,8 si, dod re mi4 si,
fad8 sold la4 sold8 mi la4~
la8 sold fad4 mi8 re mi4
\set Timing.measureLength = #(ly:make-moment 3/4)
la,2.
\bar "|."
}
SopraneStaff = \context Staff = SopraneStaff <<
\Soprane
\Alto
>>
TenorStaff = \context Staff = TenorStaff <<
\Tenor
\Basse
>>
\score {
\context PianoStaff <<
<<
\SopraneStaff
\TenorStaff
>>
>>
\layout {
}
\midi {
%indication d'interprétation midi
\tempo 4 = 72
}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
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