\version "2.8.0"
%#(set-default-paper-size "a4")
%#(set-default-paper-size "letter")
#(set-global-staff-size 17)
\header{
title="Die Kunst der Fuge"
piece=\markup{\hspace #10 \bold \huge "Contrapunctus VII"}
opus="BWV 1080"
composer="Johann Sebastian BACH (1685 - 1750)"
mutopiatitle = "Die Kunst der Fuge, Contrapunctus VII"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 1080"
mutopiainstrument = "String Ensemble"
date = "?-1750"
source = "Breitkopf & Härtel, 1885"
style = "Baroque"
copyright = "Public Domain"
maintainer = "Arnaud Gossart"
maintainerEmail = "arnaud.gossart@tiscali.fr"
maintainerWeb = "http://arnaud.gossart.chez-alice.fr/"
lastupdated = "2006/Apr/13"
footer = "Mutopia-2006/04/13-736"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
% Voices %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
soprano = \relative c'''{
R1 %1
a2 d,4. e8
f4. g8 a2
bes a4. g8
f2~ f8 e f g %5
a4~ a16 g f e d4~ d16 d e f
e d c b \stemDown a8[] \stemNeutral r r16 e'[ a g] f e d c
b4 r r16 d e f g4~
g16 g f e f4~ f16 g f e d4~
d16 f e d cis4~ cis16 cis d e f4~ %10
f16 e f g a4 g~ g16 bes a g
fis4~ fis16 fis g a d,4 ees
d r a d8. c16
bes8. a16 g4 fis g8. a16
bes4~ bes16 c bes a g4~ g16 aes g f %15
ees g a! bes c4~ c16[ c bes a] bes c d ees
f ees d c bes4~ bes16[ a g f] e! g f e
f4. bes8~ bes16[ bes a g] a8 b16 c
d[ b c d] g,8 ees' d4. e8
f2~ f8. ees16 d4~ %20
d16[ a d8~] d16 c d ees f4~ f16 g f ees!
d4~ d16 d c bes a ees' d8 c4~
c16[ bes a g] a g f8 c'4~ c16 b c d
g,4 r c f,8. g16
a8. bes16 c4 d c8. bes16 %25
a4~ a16 g a bes c4~ c16 d c b
c d e f g4~ g16 f e d cis4
d r16 a b cis d e f4 e8~
e16[ e a g] f e d cis d[ bes a g] f e d cis
d[ a' d8~] d16 f e d e[ a8 a,16] bes d g g, %30
a[ c f e] d8. e16 a,8[ d~] d16 e d c
f8[ bes,!~] bes16 c bes a g8[ g'~] g16 bes a g
fis8[ f~] f16 a g fis e8[ ees~] ees16 g f ees
d4 cis8 c~ c8[ bes16 a] g f' e d
cis8. d16 e8. cis16 d[ f e d] cis e a, g %35
f[ g f e] d f bes a g[ f e f] g bes d cis
d4 r16 d c bes a4 r16 cis d e
f g f e d4 a'4. g8
f4. e8 d2
cis d4 e %40
f2~ f8 g f e
d16[ a d8~] d16 e d cis d8[] a'[] d,8. e16
f8. g16 a4 bes a8. g16
f4~ f16 e f g a f e d c8[] r
R1*5
d1 %50
a'2. g4
f2. e4
d1
cis
d2. e4 %55
\stemUp \tieUp<<
{f1~ %56
f4 g f e
d2~ d16[ e d cis] d e f e
g[ f e d] e cis d8~ d4 cis
d4. d8 cis[ c~] c16 ees d cis %60
bes[ a g bes~] bes bes a g fis2\fermata}
\new Voice {\stemDown \tieDown
r16 d' c bes a4~ a16[ bes a g] f8 g16 a %%56
bes8 d cis e~ e d4 cis8
d16[ bes a g] f a8 gis16 b8 r r4
r r8 f~ f16[ d e f] g a bes g
fis a g fis g4~ g8 bes a4 %%60
d, cis d2}
>>
\bar"|."
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
alto = \relative c''{
R1*2 %1 to 2
d4 a8. b16 c8. d16 e4
f e8. d16 cis4~ cis16 a b cis
d bes! a g f4~ f16 a b cis d4~ %5
d16 d c! b c4~ c16 c b a gis4
a e'8. d16 c8. b16 a4
gis a8. b16 c4~ c16 d c bes
a4~ a16 a b cis d4~ d16 c bes a
g4~ g16 e f g a4~ a16 g a b %10
c8 d16 e f4~ f16 f ees d ees4~
ees16 d c bes c4~ c16[ c bes a] g8 c
fis,16 d e fis g4~ g16 g fis e fis!4
g8. f!16 ees4 d2
g,4. a8 bes8. c16 d4 %15
ees2 d4. c8
bes2~ bes8 a bes c
d4 r r r8 aes'
g r r c~ c16 c bes a bes4~
bes16[ bes a g] a bes c8~ c16[ bes a8~] a16 d, g8~ %20
g f16 g a4~ a16 bes c a bes4~
bes16 bes a g f2~ f16 g f e
f4 c'8. bes16 a8. g16 f4
e f8. g16 a4~ a16 bes a g
f4~ f16 g f ees d[ e f8~] f16 f e8~ %25
e16 e d cis d4 c16 e f g a4
g8.[ a16] bes d, cis b cis4 r16 bes'! a g
a g f e \stemDown d8[] \stemNeutral r r16 a'[ d c] bes a bes g
e8 r r4 d a'8. g16
f8. e16 d4 cis d8. e16 %30
f4~ f16 g f e d4 r
R1*3
a'1 %35
d,2. e4
f2. g4
a1
bes
a2. g4 %40
f1~
f4 e f g
a d,8. e16 f8. g16 a4
bes a8. g16 f4~ f16 e f g
a4 d8. c16 bes8. a16 g4 %45
fis g8. a16 bes4~ bes16 c bes a
g4~ g16 fis g a bes[ c bes a] g f e d
e4~ e16 e f g a8 d,4 c16 bes
a[ c d e] f g a bes c8[ ees,~] ees16 g f ees
d4 r r16 a'[ bes c] bes a g f %50
\stemDown e8[] e'[] \stemNeutral a,8. b16 cis8. d16 e4
f e8. d16 cis4~ cis16 a b cis
d4 a~ a8[ g16 a] bes8 g~
g16[ a g f] e d e f g8 bes e,4
a8. g16 f8. e16 d4 cis %55
d8. e16 f4~ f16 g f e d4~
d8 bes'4 a16 g a8 f g e
f r r d~ d r r4
r r8 gis, a2
bes4~ bes16 c bes a g fis e a fis4 %60
g2 a\fermata
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
tenor = \relative c'{
d4 a'8. g16 f8. e16 d4 %1
cis d8. e16 f4~ f16 g f e
d[ cis d8~] d16 d c b] a[ gis a8~ ]a16 a b cis
d[ c! bes! a] g fis g8~ g16[ bes a g] f8. e16
d4~ d16 a' b cis d4~ d16 a g f %5
e4 a8. g16 f8. e16 d4
c16[ d e8~] e16 e fis gis a4 r
r16 b[ e d] c b a gis a8 r r4
a4 d,8. e16 f8. g16 a4
bes a8. g16 f4~ f16 e f g %10
a4~ a16 g a bes c8.[ g16] c8. bes16
a4~ a16 d, e fis g4~ g16 fis g a
bes4~ bes16 a bes c d4~ d16 c bes a
g4~ g16 g a bes a4 r
R1*2
bes4 f'8. ees16 d8. c16 bes4 %17
a bes8. c16 d4~ d16 ees d c
b d ees f g4~ g8[ d~] d16 d c bes
c4 f8. ees16 d8. c16 bes4 %20
a4. bes16 c d4~ d16 ees d c
bes4~ bes16 bes a g f8[ bes~] bes16 bes a g
a g f e f4~ f2
c'2. bes4
a2. g4 %25
f1
e
f2. g4
a1~
a4 bes a g %30
f r8 g~ g16[ a g f] e8 a~
a16[ bes a g] f a d c bes8 b c cis
d16[ c! b a] b8 bes~ bes16[ d c bes] a8 a'~
a16[ a g f] e8 ees d cis d g~
g16[ f e d] cis8 e a, r r cis, %35
d r r4 d2
a'4. g8 f4. e8
d2 cis
d4. e8 f2~
f8 g f e d2~ %40
d4 r8 cis~ cis16[ e d cis] d e f g
a g f g a4 r16 ees'[ d c] bes a g8
d'4 r8 d~ d16[ cis d e] f g f e
d4 c~ c2~
c16[ ees d c] bes8. a16 g4 r8 ees' %45
a, r d4 g,8. a16 bes8. c16
d4 ees d8. c16 bes4~
bes16 g a bes c4~ c16[ c bes a] g f e d
c4 r r16 d' c bes a4~
a16[ d, e fis] g8 r r4 r16 f'! d e %50
cis4~ cis16 a d8 e16[ f e d] cis8 r
r16 a[ b cis] d8 r r16 b[ cis d] e f g a
f4 r r16 d,[ e fis] g a bes g
a8 e r4 bes'8 g r4
a4 d8. c16 bes8. a16 g4 %55
f~ f16 f g a bes4~ bes16 c bes a
g8 r r4 r16 b,[ cis d] e f g e
a8 r r f~ f r r4
r r8 d16 e f4 e
d r8 d' e g d a %60
bes4 e, d2\fermata
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
bass = \relative c{
R1*4
d1 %5
a2. b4
c2. d4
e1
f
e2. d4 %10
c1~
c4 a bes c
d2 r
r16 g, a bes c4~ c16[ a d c] bes a g fis
g bes c d ees4~ ees16[ ees d c] b8.\trill a32 b %15
c4~ c16 d ees f g4 f8. ees16
d4~ d16 ees d c bes8 d g,4
f16[ a bes c] d c d ees f2~
f4~ f16 ees d c g'2
f4 r f bes,8. c16 %20
d8. ees16 f2 g4~
g8 f16 ees d4~ d16 c d e f4~
f r16 bes,[ a g] f a bes c d4
r16 c,[ c' bes] a g f e f c' f e d4~
d16[ d c bes] a8. a16 bes8.[ b16] c8. cis16 %25
d8. e16 f8. g16 a8. bes16 c8. d16
g,8 r r4 r2
d4 a'8. g16 f8. e16 d4
cis d8. e16 f4~ f16 g f e
d4 r8 g~ g f4 e8~ %30
e[ d16 c] b8. cis16 d8 bes g a
d e f4~ f16[ a g f] e8 a
d, r g r c, r f r
bes,[ bes'~] bes16 a g fis g8 a bes g
a4~ a16 bes a g f8.[ g16] a8 r %35
r16 bes,[ a g] f e d cis d4 r16 g' f e
d cis d e f4 r16 f,[ g a] bes8 g
d'16[ d, d' e] f a g f e[ d e f] e f d e
f[ e f g] f e d cis d[ c bes a] g a bes g
a[ g a bes] a a' g a f[ a d c] bes a g bes %40
a[ g f e] d c bes a bes4 a~
a r r2
r16 bes'[ a g] f e d8 r2
r16 g[ a bes] c8 c, f g a g
fis4 r16 d e fis g[ d g f] ees d c bes %45
c[ ees d c] bes a g fis g[ d' g8~] g16 fis g a
bes[ g a bes] c8 c, g'4 r8 g,
c8. bes16 a8. g16 f4 e
f8. g16 a4~ a16[ bes a g] f ees' d c
bes4 r16 bes' a g fis8 d g4~ %50
g16[ g f! e] f8. d16 a'4 r16 a, b cis
d4 r16 e f g a2
r16 bes[ a g] f e d f bes,2
a4 r16 a' g f e[ d e f] g bes a g
f[ g f e] d e f8~ f16[ a g f] e a g a %55
d,4 r r2
r16 a'[ g f] e d cis e a,2~
a16[ g' f e] d c bes d gis,4 r
r r8 bes a2
d1~ %60
d2 d,\fermata
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% Score %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
global = {\time 4/4 \key d \minor}
\score{
\context StaffGroup <<
\new Staff <<\global \clef soprano \soprano>>
\new Staff <<\global \clef alto \alto>>
\new Staff <<\global \clef tenor \tenor>>
\new Staff <<\global \clef bass \bass>>
>>
\midi {\tempo 4=65}
\layout{}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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