\version "2.8.0"
%#(set-default-paper-size "a4")
%#(set-default-paper-size "letter")
#(set-global-staff-size 16)
\header{
title="Die Kunst der Fuge"
piece=\markup{\hspace #10 \bold \huge "Contrapunctus III"}
opus="BWV 1080"
composer="Johann Sebastian BACH (1685 - 1750)"
mutopiatitle = "Die Kunst der Fuge, Contrapunctus III"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 1080"
mutopiainstrument = "String Ensemble"
date = "?-1750"
source = "Breitkopf & Härtel, 1885"
style = "Baroque"
copyright = "Public Domain"
maintainer = "Arnaud Gossart"
maintainerEmail = "arnaud.gossart@tiscali.fr"
maintainerWeb = "http://arnaud.gossart.chez-alice.fr/"
lastupdated = "2006/Apr/04"
footer = "Mutopia-2006/04/07-720"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
% Voices %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
soprano = \relative c''{
R1*8 %1 to 8
d2 a
c e %10
f e4 d
cis2~ cis8 a b cis
d2~ d8 d e f
g b, cis d e4 d~
d8 cis c2 b8 bes %15
a gis a b c4 cis~
cis d8 e f4 e~
e8 a, b cis d4. e8
cis4 f d4. e8
a,4 d2 cis8 c~ %20
c b ees4 c4. d8
g,4 c2 b8 bes~
bes a a'2 d,4~
d8 e f4~ f8 g a4~
a8 g bes2 a8 g %25
f2~ f8 e fis g
a4 d,~ d8 g cis, d
e f g e f2~
f8 f e d c4. d8
e4 r r2 %30
R1*12
e2 a, %43
c e
f e4 d %45
c2~ c8 a b cis
d c! b a b4 c~
c8 b c d e d c bes
a4 bes~ bes8 a bes c
d c bes aes g2~ %50
g8 fis g a bes a bes c
d cis d e f4 fis~
fis g8 a bes4 a~
a8 d, e fis g2~
g8 fis g a~ a fis g4 %55
R1*2
d2 a4. b8
c4. d8 e4. d8
f2~ f8 e4 d8 %60
cis4 c~ c8 a b cis
d2~ d8 d e f
g4. fis8 g4. gis8
a2~ a8 a g f
g4 f8 e d cis d e %65
f g f e f g a4
c,2~ c8 fis, g a
bes2 a~
a8 fis g4~ g8 g fis e
fis g a4 d,2~ %70
d4. cis8 d2~
d1\fermata
\bar "|."
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
alto = \relative c''{
R1*4 %1 to 4
a2 d, %5
f a
bes a4 g
f2~ f8 e f g
a4 g2 fis8 f
e dis e fis g4 gis~ %10
gis a8 b c4 b~
b8 e, f g a4 g~
g8 fis g a bes4 a
g2~ g8 e f g
a4. g8 fis e f4~ %15
f2~ f8 a g f
g e f g a2~
a8 cis, d e f g a bes
e,4 a2 gis8 g~
g fis bes4 g4. a8 %20
d,4 g2 fis8 f~
f e aes4 f4. g8
c,4 c'2 b8 bes
a gis a b c4 cis~
cis d8 e f d e4~ %25
e8 a, b cis d2~
d8 c bes a bes2~
bes4 a~ a8 d gis, a
b2~ b8[ a16 g] fis8 f
e dis e fis g4 gis~ %30
gis a8 b c a b4~
b8 e, fis gis a2~
a8 bes! a g fis4 f~
f8 a g f e4 ees~
ees8 g f ees d4. e8 %35
f e f g a g a4~
a8 g bes a g f g4~
g8 c, d e f e f4~
f8 e16 d e4 f4. g8
c,4 a'2 gis8 g~ %40
g8 fis16 e fis4 g4. a8
d,4 b'2 ais8 a~
a gis g2 fis8 f
e dis e fis g4 gis~
gis a8 b c4 b~ %45
b8 e, fis gis a g f e
f fis g a~ a g f e
d g a b c e, f g~
g f ees d c f g a
bes d, ees f bes, b c d %50
ees d c ees d fis g4~
g8 a bes4~ bes8 d c bes
c a bes c d2~
d~ d8 cis d e
a,2 d,4. e8 %55
f4. g8 a4. g8
bes2~ bes8 a4 g8
f2~ f8 e fis gis
a b c4 b8 cis d4
cis8 c bes a bes4 b %60
a8 g fis a d,2~
d8 fis g a bes b cis d
e d ees a, bes c d4~
d c8 b a4 e'~
e8 e d cis d a bes g %65
a2~ a8 bes a g
fis g a4 d,2~
d~ d8 ees d c
bes d cis e~ e e d cis
d4. c8 bes2~ %70
bes8 a bes2.~
bes8 a bes g a2\fermata
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
tenor = \relative c'{
d2 a %1
c e
f e4 d
cis2~ cis8 a b cis
d4 c!2 b8 bes %5
a gis a b c4 cis~
cis d8 e f4 e~
e8 a, b cis d cis d e
f e d cis d4 d,
a'8 b c4~ c8 e d c %10
b b, c d e fis gis e
a4 g! f e
d8 d' e fis g4 f
e d cis d
e2 d~ %15
d4 c8 b a4 r
r d~ d8 b cis e
a,4 r r2
R1*10
r4 e'2 a,4~
a8 b c4~ c8 d e4~ %30
e8 d f2 e8 d
c2~ c8 b cis d
e2~ e8 a, b c
d2~ d8 g, a bes!
c bes c2 f,4~ %35
f8 g a4~ a8 bes c4~
c8 bes d2 c8 bes
a2~ a8 g a b
c g c2 b8 bes~
bes a f'4 d4. e8 %40
a,4 d2 cis8 c~
c b g'4 e4. fis8
b,4. cis8 d4. d8
c b c a b4. c8
d c4 b a gis8 %45
a4 r r2
r8 d, e fis g4 a8 f
g f' e d c c, d e
f4 g8 ees f ees' d c
bes bes, c d ees f ees d %50
c d e! fis g4 r8 ees
d4 r8 g f bes a4~
a g~ g8 e fis a
d, fis g a bes r r4
r8 d cis c~ c c b bes %55
a gis a b c4 cis~
cis d8 e f4 e
r8 a, b cis d a d,4
e8 dis e fis g4. gis8
a4 r r e' %60
e r r2
R1
a,2 d,
f a
bes a4 g %65
f2~ f8 e fis g
a2~ a8 d, e fis
g2~ g8 fis g a
bes4 a8 g a2~
a~ a8 a g fis %70
g1~
g8 fis g e fis2\fermata
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
bass = \relative c'{
R1*14 %1 to 14
a2 d, %15
f a
bes a4 g
f2~ f8 e f g
a a, r a bes a b cis
d d, r d' ees d e fis %20
g g, r g aes g a b
c c, r c' des c d e
f f, r f' fis g r g,
f e d d' a bes' a g
f e d4~ d8 g cis,4 %25
d r8 a bes bes' a g
fis4.\trill e16 fis g8 f e d
cis4.\trill b16 cis d8 c b a
gis4 gis' a a,8 b
c4 r8 a e' f e d %30
c b a4~ a8 d gis,4
a8 c d e f4 e8 d
cis a b cis d e d c
b g a b c d c bes
a g a f bes a bes c %35
d4. e8 f4. d8
g4. f8 e d e c
f4 e d2
c4 r8 c des c d e
f f, r f' bes, a b cis %40
d d, r d' ees d e fis
g g, r g' c, b cis dis
e4. e8 f g a4~
a4. a8 g fis e4~
e8 f! e d c4 e %45
a, r r2
R1*4
c2 g %51
bes d
ees d4 c
bes2~ bes8 a b cis
d4 e8 fis g2 %55
d c8 d e4~
e8 g f e d4 cis
d2~ d8 c!4 b8
a2 g8 a bes!4
a8 d e f g4 gis %60
a8 bes a g! fis4 g8 a
bes c bes a g f e d
cis4 c2 b8 bes
a gis a b c4 cis~
cis d8 e f4 e~ %65
e8 a, b cis d2~
d8 c! bes a bes2~
bes8 a bes g d'2~
d1~
d~ %70
d2~ d8 a bes g
d1\fermata
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% Score %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
global = {\time 2/2 \key d \minor}
\score{
\context StaffGroup <<
\new Staff <<\global \clef soprano \soprano>>
\new Staff <<\global \clef alto \alto>>
\new Staff <<\global \clef tenor \tenor>>
\new Staff <<\global \clef bass \bass>>
>>
\midi {\tempo 4=115}
\layout{}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
jier0.net.cn
daqu7.net.cn
manna8.net.cn
www.baque1.com.cn
mamen1.net.cn
www.jumen4.net.cn
www.artzhl.com.cn
henla6.com.cn
www.ahmmwang.org.cn
www.638576.org.cn