\version "2.8.0"
% A4 version %%%%%%%%%%%%%%%%%%%%%%%
%#(set-default-paper-size "a4")
#(set-global-staff-size 16)
% Letter version %%%%%%%%%%%%%%%%%%
%#(set-default-paper-size "letter")
%#(set-global-staff-size 16)
\header{
title="Die Kunst der Fuge"
piece=\markup{\hspace #10 \bold \huge "Contrapunctus II"}
opus="BWV 1080"
composer="Johann Sebastian BACH (1685 - 1750)"
mutopiatitle = "Die Kunst der Fuge, Contrapunctus II"
mutopiacomposer = "BachJS"
mutopiaopus = "BWV 1080"
mutopiainstrument = "String Ensemble"
date = "?-1750"
source = "Breitkopf & Härtel, 1885"
style = "Baroque"
copyright = "Public Domain"
maintainer = "Arnaud Gossart"
maintainerEmail = "arnaud.gossart@tiscali.fr"
maintainerWeb = "http://arnaud.gossart.chez-alice.fr/"
lastupdated = "2006/Apr/02"
footer = "Mutopia-2006/04/02-719"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
% Voices %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
soprano = \relative c''{
R1*12 %1 to 12
a2 d
c a
gis a4 b %15
c2~ c8. d16 c8. b16
a1~
a
d,~
d~ %20
d8. cis16( d8. f16) e8. d16( gis8. a16)
b8. c16 d8. f,16~ f8. e32 d cis8. d16
cis4 r4 r2
R1*2 %25
a'2 d
c a
gis a4 b
c2~ c8. d16 c8. b16
c4 a'~ a8. g16 f8. e16~ %30
e8. f16 e8. d16~ d8. e16 d8. cis16
d2 r2
R1
r8 r16 a' gis8. a16 d,4 g~
g8. f16 e8. d16 e4 a %35
d, e e, f
e e'~ e8. d16 c8. b16
c8. d16 e4~ e8. f16 e8. d16
a'4 r4 r2
R1 %40
r8 r16 e dis8. e16 a,4 d~
d8. c16 bes8. a16 bes2~
bes8. a16 g8. f16 g2~
g8. f16 g8. a16 bes8. c16 d8. e16
f2 c' %45
a f
e f4 g
a2~ a8. bes16 a8. g16
fis2 g4 a~
a8. d,16 g8. f16 ees8. d16 c8. bes16 %50
a2 r
R1*3
r8 r16 g' f8. ees16 d8. c16 bes8. a16 %55
bes2 ees~
ees8. d16 cis8. d16 g,4 c~
c bes a2~
a8. f'16 g8. f16 e8. d16 cis8. d16
cis8. a'16 bes8. a16 g8. f16 e8. f16 %60
g8. f16 e8. d16~ d8. e16 d8. cis16
d4 r r bes~
bes8. bes16 a8. g16 f8. e16 d8. cis16
d8. d'16 e8. f16 g2~
g4 f8. e16 f4 a %65
d,2 e4 fis
g2. d4~
d8. e16 d8. c16~ c8. d16 c8. bes16~
bes8. bes16 a8. g16 f8. c'16 bes8. a16
gis4. r16 gis a4. r16 a %70
d8. e16 f4 e2~
e8. a16 gis8. a16 e8. fis16 g4~
g f2 e8. d16
cis4 e a,2~
a4 d,2 g4~ %75
g8. bes16 a8. g16~ g8. a16 g8. f16~
f8. g16 f8. e16~ e8. f16 e8. d16~
d8. b16 cis8. e16 a,8. g'16 f8. e16
d2 a'
f d %80
cis d4 e
f2~ f8. g16 f8. e16
d1~
d\fermata
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
alto = \relative c'{
R1*8 %1 to 8
d2 a'
f d %10
cis d4 e
f2~ f8. g16 f8. e16
d8.( e16 f8. g16) a2~
a8. g16 f8. e16~ e8. f16 e8. d16~
d8. d16 e8. f16 e4 d %15
c e f e~
e8. cis16 d8. e16 f4 e~
e8. e16 d8. cis16 d4 c~
c bes8. a16 bes4 a~
a8. fis16 g8. a16 bes4 a %20
gis r4 r2
r b
a8.[] e'16 f8. g16 a2
f d
cis d4 e %25
f2~ f8. a16 gis8. fis16
e2~ e8. a,16 d8. c16
b2 r8 r16 e fis8. gis16
a2. gis4
a8. g!16 f8. e16 d4 g %30
f2 e
d r
r8 r16 bes' a8. g16 f8. e16 d8. cis16
d4 d' b cis
d r r c~ %35
c8. bes16 a8. g16 a2
gis4 c fis, gis
a8. bes!16 a8. g16 f8. a16 g8. f16~
f8. e16 fis8. gis16 a8. b16 c8. a16
b2~ b8. a16 gis8. a16 %40
dis,8. a16 a'2 e4~
e f d g
c,8. f16 e8. d16~ d8. e16 d8. cis16
d2. g4
c,2~ c8. bes16 a8. g16 %45
f8. f'16 g8. a16 bes8. c16 d8. bes16
c4 g c2~
c d4 c8. bes16
a2 d
bes g %50
fis g4 a
bes2~ bes8. c16 bes8. a16
g4 bes a c~
c8. f,16 g8. a16 bes8. c16 d8. bes16
c2 f,~ %55
f8. aes16 g8. f16 g4 a
bes2 r
r8 r16 g fis8. g16 e4 f~
f8. d16 cis8. d16 g2~
g4 f e a~ %60
a r r2
r8 r16 bes a8. g16~ g8. a16 g8. f16
e4 a, bes2
a4 a' b cis
d r r2 %65
r8 r16 g, a8. bes16 c2~
c4 bes8. a16 bes4 a
g2 f
e d4 f~
f8. f16 e4~ e8. e16 d4 %70
r r8 r16 d' c8. b16 a8. gis16
a2 r4 e'~
e8. a,16 d8. c16 bes8. a16 g8. f16
e2~ e8. g16 f8. e16
d8. c16 bes8. a16 bes2 %75
a2. b4
cis2 gis
a r4 cis
d8. f16 e8. d16 cis8. a16 b8. cis16
d4 c2 bes4~ %80
bes8. bes16 a8. g16 f4 bes
a2 bes4 a~
a8. fis16 g8. a16 bes2~
bes8. a16 bes8. g16 a2\fermata
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
tenor = \relative c'{
R1*4 %1 to 4
a2 d %5
c a
gis a4 b
c2~ c8. d16 c8. bes16
a2~ a8. g'16( f8. e16)
d8.( c16 bes8. a16) bes8.( a16 g8. f16) %10
e2 a8\rest a16\rest a b8. cis16
d2. cis4
d4. e16\rest e f2
e4 c2 a4
b2 a8\rest a16\rest e fis!8. gis16 %15
a2. gis4
a b8. cis16 d4 g,~
g8. g16 f8. e16 f4 fis~
fis8. d16 e8. fis16 g4 c,~
c8. a16 bes8. c16 d8. cis16 d4 %20
e r r2
r gis
e4 r r8 r16 a b8. cis16
d4 c2 bes4~
bes8. g16 f8. e16 a2~ %25
a8. d16 cis8. d16 gis,4 b~
b8. e,16 a8. g16 f2~
f4 e r2
r8 r16 g' f8. e16 dis4 e
a,2 b4 cis %30
d2 r
r8 r16 a b8. cis16 d8. e16 f8. d16
e4 e, f g
a r r2
r4 d~ d8. c16 bes8. a16 %35
bes4 b cis d~
d8. c!16 b8. a16 b4 e
a,2 d
c a
gis a4 b %40
c2~ c8. d16 c8. b16
a2~ a8. g16 f8. e16
f4 bes e, a
d, e8. f16 g8. a16 bes4~
bes8. a16 g8. f16 e2 %45
f4 r r bes~
bes8. d16 c8. bes16 a8. g16 f8. e16
f8. f'16 e8. f16 bes,4 ees~
ees8. ees16 d8. c16 bes8. a16 g8. fis16
g8. a16 bes2 a8. bes16 %50
c4 ees d2~
d4 d e! f~
f8. f16 ees8. d16 c8. bes16 a8. g16
f4 r r2
r4 c d ees %55
f bes2 ees4
f2 r8 r16 c bes8. a16
g4 ees' cis d~
d8 r r4 r2
r4 d2 cis4 %60
d2 e
a,4 b8. cis16 d4 r
r e, f g
a2 r
r8 r16 a b8. cis16 d4 fis, %65
g r r2
R1*2
r4 a2 d4~
d c2 a4~ %70
a gis a b
c2~ c8. d16 cis8. b16
a2 bes!~
bes8. bes16 a8. g16 f8. e16 d8. cis16
d4 e8. fis16 g8. f16 e8. d16 %75
cis2 d
e f
e r4 a
a2 r
r8 r16 d, e8. f16 g8. a16 g8. f16 %80
e8. g16 f8. e16 d2
cis4 d2 cis4
d4 e8. fis16 g2~
g8. fis16 g8. e16 fis2\fermata
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
bass = \relative c{
d2 a' %1
f d
cis d4 e
f2~ f8. g16( f8. e16)
d8.( e16 d8.) c16~ c8.( d16 c8.) b16~ %5
b8.( a16 b8. c16) d8.( e16 f8. d16)
e8.( f16 e8. d16) c8.( b16 a8. gis16)
a8.( a'16 gis8. a16) d,4 g~
g8.( f16 e8. d16) cis2
d4 d, g8. a16 bes4~ %10
bes8. bes16( a8. g16) f4 e
d8. d'16( e8. f16) g8.( bes16 a8. g16)
f8.( g16 f8. e16) d8.( e16 f8. g16)
a2 f~
f8. f16 e8. d16 c4 b %15
d8\rest d16\rest a b8. c16 d4 e
f2~ f8. e16 d8. cis16
d2~ d8. c16 bes8. a16
bes2~ bes8. a16 g8. fis16
g2.~ g8. f16 %20
e1~
e2 e'
a,4 r r2
r8 r16 d e8. f16 g8. a16 g8. f16
e8. bes'16 a8. g16 f8. e16 d8. cis16 %25
d4 f b, e
a,2 d~
d8. b16 e8. d16 c4 b
a r r2
R1 %30
d2 a'
f d
cis d4 e
f2~ f8. g16 f8. e16
d4 r r2 %35
r4 g~ g8. f16 e8. d16
e2 r
R1*2
r8 r16 f e8. d16 c4 f~ %40
f fis2 gis4
a2 r
R1*8
r8 r16 ees d8. c16 bes8. a16 g8. fis16 %51
g8. g'16 fis8. g16 c,2~
c f
d bes
a bes4 c %55
d2~ d8. ees16 d8. c16
bes8. bes'16 a8. bes16 e,4 fis
g2~ g8. f!16 e8. d16
bes'1
a4 r r2 %60
d, a'
f d
cis d4 e
f2~ f8. g16 f8. e16
d2~ d8. ees16 d8. c16 %65
bes2~ bes8. c16 bes8. a16
g8. d'16 e8. fis16 g8. a16 g8. f16
e4 a d, g
cis,2 d
e f %70
b, c~
c4 d e2
f4 d g2~
g4 cis, d a
bes2. g4 %75
a1~
a~
a2~ a8. bes16 a8. g16~
g8. a16 g8. f16~ f8. g16 f8. e16
d4 r r8 r16 e f8. g16 %80
a2 r8 r16 bes a8. g16
a8. f16 e8. d16 g4 a
bes8. c16 bes8. a16 g8. a16 bes8. g16
d'2 d,\fermata
\bar "|."
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
% Score %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
global = {\time 2/2 \key d \minor}
\score{
\context StaffGroup <<
\new Staff <<\global \clef soprano \soprano>>
\new Staff <<\global \clef alto \alto>>
\new Staff <<\global \clef tenor \tenor>>
\new Staff <<\global \clef bass \bass>>
>>
\midi {\tempo 4=115}
\layout{}
}
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
xiri6.com.cn
www.xiguanla.com.cn
www.yis.org.cn
ibogoo.com.cn
www.chuni8.net.cn
hkhbcc.com.cn
www.duoma2.com.cn
fenda3.net.cn
www.779j1.net.cn
7best.com.cn