\version "2.18.2"
\include "header.ly"
flute = \relative c'' {
\tempo "Allegro."
\clef treble
\key d \major
\time 2/4
% --Bar 1-- %
\repeat unfold 2 {
R2 |
R2 |
r8 r16 d a'8. e16 |
\onceShowTupletNumber
\tuplet 3/2 { fis8 e d cis d e } |
\omit TupletNumber
%--Bar 5-- %
a,8 r fis r |
g8 r a r |
\onceShowTupletNumber
\tuplet 3/2 {
b8 d fis fis e fis |
d8 g fis e a g |
fis8( a) g fis( a) g |
}
%--Bar 10--%
fis8. b16 a8. g16 |
fis 8. a,16 e'8. a,16 |
fis'8 r gis r |
a2 ~ |
a2 ~ |
a8 r gis r |
a8 r b r |
%--Bar 17--%
e,8. e16 a8. e16 |
\onceShowTupletNumber
\tuplet 3/2 {
fis8 e d cis d e |
a,8( cis) b a( cis) b |
}
a2 ~ |
\tuplet 3/2 { a8 cis b a( cis) b } |
a2 ~ |
a2 ~ |
a2 |
%--Bar 25--%
\onceShowTupletNumber
\tuplet 3/2 { gis8 a b } cis4 ~ |
\tuplet 3/2 { cis8 fis e } d4 ~ |
d8. b'16 cis,8. fis16 |
\tuplet 3/2 { e8 d cis b cis d } |
\tuplet 3/2 { cis8 b a } d4 ~ |
\tuplet 3/2 { d8 cis b } a8. g16 |
\tuplet 3/2 { fis8 e d } a' r |
R2 |
%--Bar 33--%
r8 r16 a' d8. a16 |
\tuplet 3/2 { b8 a g fis g a } |
d,8 r cis r |
d8 r e r |
\tuplet 3/2 { d8 fis a a g a } |
\tuplet 3/2 { fis8 b a gis cis b } |
a4 ~ \tuplet 3/2 { a8 b cis } |
\tuplet 3/2 { d8 cis b a b g } |
%--Bar 41--%
fis8 r g r |
a8 r c, r |
b8 r cis! r |
d8 r \tuplet 3/2 { a( cis e) } |
\tuplet 3/2 { a,8( d fis) cis( e g) } |
a8 r b r |
%--Bar 47--%
a8 r g r |
g8 r \tuplet 3/2 { fis g a } |
d,4 ~ \onceShowTupletNumber \tuplet 3/2 { d8 e cis } |
d8.\noBeam a'16 d8. a16 | % check beaming []
\tuplet 3/2 {
b8 a g fis g a |
d,8 fis e d fis e |
}
d2 ~ |
%--Bar 54--%
\tuplet 3/2 { d8 \noBeam a' g fis a g } |
fis2 |
e2 ~ |
e2 ~ |
\undo \omit TupletNumber
e4 ~ \tuplet 3/2 { e8 fis e } |
d4 ~ \tuplet 3/2 { d8 e d } |
cis4 \tuplet 3/2 { c8 d c } |
%--Bar 61--%
b4 g' ~ |
\tuplet 3/2 { g8 cis, e fis g a } |
\omit TupletNumber
d,8. e16 cis8. d16 |
d4 c |
b4 a |
\tuplet 3/2 { g8 a b a b \once \set suggestAccidentals = ##t c } |
fis,4 d' ~ |
%--Bar 68--%
\tuplet 3/2 { d8 \noBeam fis e d fis e } |
d2 ~ |
\tuplet 3/2 { d8 \noBeam b cis d b cis } |
d4 ~ d8. e16 |
cis2 |
d2 |
e2 |
fis8. \noBeam a16 d8. a16 |
%--Bar 76-%
\onceShowTupletNumber
\tuplet 3/2 { b8( a) g fis( g) a } |
d,8. e16 cis8. d16 |
}
\alternative {
{
d2 |
r8 r16 fis-\cantabileB b8. fis16 | % \markup { }
g2 ~ |
g8. g16 \tuplet 3/2 { a8( fis) g } |
fis2 ~ |
fis8. fis16 b8. g16 |
e2 ~ |
%--Bar 85-%
\tuplet 3/2 {
e8 fis g fis g e |
d8 b cis d fis e |
fis8 e d cis d b |
ais8 cis fis e d cis |
\onceShowTupletNumber
b8(^\piano d fis) fis(-\cantabileB e fis) |
b,8( d fis) fis( e fis) |
b,8( dis e) e( dis e) |
ais,8( cis e) e( d! e) |
}
% --Bar 93-- %
\tuplet 3/2 {
b8( d fis) fis( e fis) |
cis8( e g) g( fis g) |
ais,8( fis) e' d( e) cis |
}
b8 r b r |
cis8 r \tuplet 3/2 { b( a) b } |
\tuplet 3/2 {
cis8( b) a gis( fis) eis |
fis8( cis' fis) fis( e fis) |
a,8( cis fis) fis( eis fis) |
}
% --Bar 101-- %
\tuplet 3/2 {
b,8( cis d) b( cis a) |
gis8( b eis) eis( dis eis) |
a,8( cis fis) fis( eis fis) |
d!8( b gis) eis( gis fis) |
eis8( gis) fis eis( fis) gis |
}
a8 r r4 |
\tuplet 3/2 { r8 a-\forte b cis e d } |
e8 r r4 |
\tuplet 3/2 { r8 gis, a b d cis | }
%110
d2\trill |
cis2\trill |
b2 ~ |
\tuplet 3/2 { b8 \noBeam gis a b( gis) a }
b2 |
a4 a' ~ |
a4 gis ~ |
gis4 cis ~ |
cis4 b8. a16 |
%119
gis2 ~ |
gis4 fis8. e16 |
d2 ~ |
d4 cis 8. b16 |
ais4 r |
r8 r16 fis' cis'8. gis16 |
\tuplet 3/2 { a8( gis) fis eis( fis) gis } |
cis,4 fis ~ |
%127
fis8. gis16 eis8. fis16 |
fis2 ~ |
fis2 |
r8 r16 fis b8. fis16 |
\tuplet 3/2 {
g!8( fis) e dis( e) fis |
b,8( e) g b( a) b |
e,8( d) a
} d4 ~ |
\tuplet 3/2 { d8 cis e } a8. e16 |
%135
\tuplet 3/2 { fis8 e d cis d e } |
a,8. gis16 \tuplet 3/2 { fis8 a d } |
d8. \tuplet 3/2 16 { cis32 b a } \tuplet 3/2 { gis8 b e } |
e8. \tuplet 3/2 16 { d32 cis b } \tuplet 3/2 { a8 cis fis } |
fis8. \tuplet 3/2 16 { e32 d cis } \tuplet 3/2 { b8 d gis } |
gis8. \tuplet 3/2 16 { fis32 e d } \tuplet 3/2 { cis8 e a } |
a8. \tuplet 3/2 16 { gis32 fis e } \tuplet 3/2 { d8 fis b } |
\tuplet 3/2 { e,8 fis gis } a4 ~ |
%143
a2 ~ |
a2 ~ |
\tuplet 3/2 {
a8 gis fis b cis a |
gis8( fis e)
} a8. d,16 |
cis8 r b\trill r |
\tuplet 3/2 {
a8(-\piano cis e) e( d e) |
a,8( cis e) e( d e) |
a,8( cis d) d( cis d) |
%151
gis,8( b d) d( cis d) |
a8( cis e) e( d e) |
b8( d fis) fis( e fis) |
gis,8( e) d' cis( d) b |
}
a8 r r4 |
R2 |
r8 r16 b-\pianoB e8. b16 |
\tuplet 3/2 { c8 b a g a b } |
%159
e,8 r r4 |
R2 |
r8 r16 fis b8. fis16 |
\tuplet 3/2 { g8( fis) e d( e) fis | }
b8 r r4 |
R2*13 |
%177
r8 r16 cis fis8. cis16 |
dis4 r |
r8 r16 b e8. b16 |
cis4 r |
r8 r16 a d8. a16 |
\tuplet 3/2 { b8( a) g fis( g) a } |
d,4 r |
R2 * 5 |
%189
\tuplet 3/2 { e'8(-\piano cis) d e( cis) d } |
e2 ~ |
\tuplet 3/2 { e8 \noBeam g fis e( g) fis } |
e8 r r4 |
%193
r8 r16 fis b4 ~ |
b8. e,16 a4 ~ |
a8. b16 gis4 ~ |
gis8. a16 fis8. gis16 |
eis8. fis16 fis8.\trill eis32 fis |
gis4 ~ gis8. cis,16 |
a'2 ~ |
\tuplet 3/2 { a8 gis fis gis a b } |
cis2 ~ |
%202
\tuplet 3/2 { cis8 b a b cis d } |
eis,4 e ~ |
\tuplet 3/2 { e8 d cis d e fis } |
cis4 c ~ |
\tuplet 3/2 { c8 b a g fis e } |
fis2 ~ |
\tuplet 3/2 { fis8 e fis g a b } |
c2 ~ |
\tuplet 3/2 { c8 b c d e fis } |
%211
g4 ~ \tuplet 3/2 { g8 a g } |
fis4 g ~ |
\tuplet 3/2 { g8 fis e fis g e } |
dis4 e ~ |
\tuplet 3/2 { e8 d! cis d e cis } |
b4 ~ \tuplet 3/2 { b8 cis b } |
\tuplet 3/2 {
ais8( gis) ais b cis d |
e8( fis e) d( cis b) |
%219
%on triplets?
ais8( gis ais) b( cis d) |
}
cis4 ~ \tuplet 3/2 { cis8( d e ) } |
\tuplet 3/2 { d8( e fis) } e4 ~ |
e8. d16 cis4 ~ |
\tuplet 3/2 { cis8 ais b } fis'8. cis16 |
\tuplet 3/2 { d8( cis)b ais(b) cis } |
fis,4 b ~ |
b4 cis ~ |
cis4 d ~ |
d4 e ~ |
e8. g16 fis8. e16 |
fis8. e16 fis8. g16 |
d8 r cis\trill r |
b4 r |
%233
}
{
d2\fermata \bar "|." |
}
}
}
“That accounts for it. I didn’t know he was going to make the hop or I might not have come myself—but now—well,” the man broke off his phrase and started to clamber into the control seat, “let’s get going.” Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoME搜索一级毛片免费播放基地
ENTER NUMBET 0017
www.niliu6.net.cn
zjcysp.com.cn
xiuxila.com.cn
diyu0.net.cn
www.linke8.com.cn
chock.net.cn
www.wenhua8.com.cn
lichu5.com.cn
www.houmu6.net.cn
baque1.com.cn