\version "2.10"
\paper{
ragged-last-bottom = ##f
}
\header {
title = "Siciliano"
subtitle = \markup{\italic "from the Flute Sonata no. 2 BMV 1031"}
composer = \markup{\column {\line {"J.S. Bach "}
{ \italic "(1685 - 1750)"}
}
}
mutopiatitle = "Siciliano"
mutopiacomposer = "BachJS"
mutopiainstrument = "Flute and Guitar"
mutopiaopus = "BWV 1031"
source = "New adaptation from Bach-Gesellschaft"
style = "Baroque"
copyright = "Public Domain"
maintainer = "Mike Blackstock"
maintainerEmail = "mike@blackstock.ca"
maintainerWeb = "http://www.blackstock.ca"
lastupdated = "2008/Jun/25"
footer = "Mutopia-2008/09/01-1535"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
} %end header
flute = \relative c' {
\set Staff.instrumentName = "Flute"
\set Staff.midiInstrument = "flute"
\clef violin
\key bes \major
\time 6/8
d'8. es16 d8 d g es |
c2. |
c8. d16 c8 c a' c, |
c16 bes8 a16 g8 r4 r8 |
bes d es ~ es a es |
es d r f bes f ~ |
f g f ~ f es d |
c16 f a c bes d c bes a g f es |
d8 r r r4 r8 |
%10
f8. g16 f8 f bes g |
es2. |
es8. f16 es8 es c' es, |
d16 f, g a bes c d f bes8 d, |
d c4 ~ c8 a' c, |
c16 a bes d g a bes8. a16 g8 |
a8. g16 f8 r16 e! g f e d |
cis!4 d8 e!16 gis! a e f d |
cis!4 d8 e!16 gis! a e f d |
cis! d e!8 a, bes16 d cis d e d |
%20
a d cis! d e! d g, bes a g f e! |
f8 d r r4 r8 |
R2. |
d'8. es16 d8 d g es |
c2. |
c8. d16 c8 c a' c, |
bes16 g a bes c d es f es d c bes |
a cis! d a bes g fis!4 g8 |
a16 cis! d a bes g fis!4 g8 |
a16 g a bes c! d es8 d c |
%30
bes16 d c bes a g es'16. c32 bes8 a |
g d' bes g g' bes, |
r16 bes a bes g' bes, bes16. c32 \grace { bes!8 } a4 |
g2.
\bar "|."
} %end flute
guitarUpper = \relative c' {
\set Staff.instrumentName = "Guitar"
\set Staff.midiInstrument = "acoustic guitar (nylon)"
\voiceOne
\clef violin
\key bes \major
\time 6/8
r16 g' bes g fis! g r g bes g fis g |
r c, es c a c r c es c a c |
r d a' fis! e! fis r a c a d, a' |
r a g fis! g d r es d c d bes |
g g' bes g fis! g r c es c bes c |
r c bes a bes f r bes d bes a bes |
r bes es bes as! bes r bes c a! bes g |
a8 f r r4 r8 |
r16 f a c bes d c bes a g f es |
%10
r bes' d bes a bes r bes d bes a bes |
r es, g es c es r es g es c es |
r f c' a g a r c es c f, c' |
bes8 r16 f g a bes c d bes f bes ~ |
bes g a e! f g a bes c a d, a' ~ |
a fis! g a bes c d d g f! e! d |
c c f es d c bes c bes a g f |
e! gis! a e f d cis!4 d8 |
e!16 gis! a e f d cis!4 d8 |
e r4 r r8 |
%20
R2. |
r4 d'8 es16 g fis! g a g |
d g fis! g a g c, es d c bes a |
r g bes g fis! g r g bes g fis g |
r c, es c a c r c es c a c |
r d a' fis! e! fis r a c a d, a' |
g8. f!16 es d c8 c'16 bes a g |
fis!4 g8 a16 cis! d a bes g |
fis!4 g8 a16 cis! d a bes g |
fis! e! fis g a bes c8 bes a |
%30
g4. ~ g16. a32 \grace { g8 } fis!4 |
r16 g bes g fis! g r g bes g fis g |
r g fis! g bes g g16. a32 fis!4 |
g2.
\bar "|."
} % end guitarUpper
guitarLower = \relative c' {
\voiceTwo
% probably not one bar per line in lower voice - a relic from 'noteedit'
g4 r8 g4 r8 g4 r8 g4 r8
fis!4 r8 fis!4 r8 g4 r8 g4 r8
g4 r8 a4 r8 bes4 r8 bes4 r8
es4 r8 es4 e,!8 f4 g8 a f a
bes f g a f a bes4 r8 bes4 r8
bes4 r8 bes4 r8 a4 r8 a4 r8
bes4 r8 bes4 r8 f4 r8 fis!4 r8
g4 r8 g4 c8 f,4 bes8 g4.
a4 r8 a4 r8 a4 r8 a4 r8
r16 a a' g f d g4 r8 f4 r8 e! cis! a
d16 a' d c! bes g c4 r8 bes4 r8 a fis! d
g,4 r8 g4 r8 g4 r8 g4 r8
fis!4 r8 fis4 r8 g4 r8 c4 r8
d4 r8 d4 r8 d4 r8 d4 r8
d4 r8 fis,!4 r8 g a bes c d d
g,4 r8 es'4 r8 cis!4 r8 d4 d8
g,2.
} % end guitarLower
guitar = \simultaneous {
\context Voice="guitarUpper" \guitarUpper
\context Voice="guitarLower" \guitarLower
}
\score {
\simultaneous {
\set Score.skipBars = ##t
\context Staff="flute" \flute
\context Staff="guitar" \guitar
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 54 4)
}
} % end midi
\layout{}
} % end score
¡°That accounts for it. I didn¡¯t know he was going to make the hop or I might not have come myself¡ªbut now¡ªwell,¡± the man broke off his phrase and started to clamber into the control seat, ¡°let¡¯s get going.¡± Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoMEËÑË÷Ò»¼¶Ã«Æ¬Ãâ·Ñ²¥·Å»ùµØ
ENTER NUMBET 0017
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