\version "2.18.2"
\header {
mutopiatitle = "Six Petites Pi猫ces, No. 4"
mutopiacomposer = "AguadoD"
source = "Mainz: B. Schott"
% source = "Statens musikbibliotek - The Music Library of Sweden"
% http://urn.kb.se/resolve?urn=urn:nbn:se:statensmusikverk-4033
date = "1830"
title = "Six Petites Pi猫ces, No. 4"
composer = "Dionisio Aguado"
instrument = "Guitar"
opus = "Op. 4, No. 4"
style = "Classical"
license = "Creative Commons Attribution-ShareAlike 4.0"
maintainer = "Glen Larsen"
maintainerEmail = "glenl.glx at gmail.com"
footer = "Mutopia-2015/11/11-1788"
copyright = \markup { \override #'(baseline-skip . 0 ) \right-column { \sans \bold \with-url #"http://www.MutopiaProject.org" { \abs-fontsize #9 "Mutopia " \concat { \abs-fontsize #12 \with-color #white \char ##x01C0 \abs-fontsize #9 "Project " } } } \override #'(baseline-skip . 0 ) \center-column { \abs-fontsize #11.9 \with-color #grey \bold { \char ##x01C0 \char ##x01C0 } } \override #'(baseline-skip . 0 ) \column { \abs-fontsize #8 \sans \concat { " Typeset using " \with-url #"http://www.lilypond.org" "LilyPond " \char ##x00A9 " " 2015 " by " \maintainer " " \char ##x2014 " " \footer } \concat { \concat { \abs-fontsize #8 \sans{ " " \with-url #"http://creativecommons.org/licenses/by-sa/4.0/" "Creative Commons Attribution ShareAlike 4.0 International License " \char ##x2014 " free to distribute, modify, and perform" } } \abs-fontsize #13 \with-color #white \char ##x01C0 } } }
tagline = ##f
}
\layout {
indent = 72\pt
short-indent = 0\mm
}
%%%
%%% First part: MINUET
%%%
mUpperVoice = \relative c' {
\voiceOne
\repeat volta 2 {
4 4 4 |
4. 8 4 |
2 4 |
8. a'16 4 b4\rest |
d2 d4 |
cis4.. d16 e8[ a] |
gis2 a4 |
4 r4 r4 |
}
\repeat volta 2 {
s2. |
\slashedGrace { d8} 8.[ b16] 4 r4 |
s2.
fis'8.[ e16] e4 r4 |
a,,16[ cis e a] 4 |
fis,16[ a cis fis] 4 |
8 a'4 a gis8 |
2 4
}
}
mLowerVoice = \relative c {
\voiceTwo
\repeat volta 2 {
a8 a a[ a] a a |
a a a a a4 |
e8[ fis] gis[ fis] gis[ e] |
a4 a4 b4\rest |
<< { \shiftOn fis'4 f e } \\ { a,2 gis4 } >> |
<< { \shiftOn e'4. f8\rest s4 } \\ { a,2 r4 } >> |
<< { \shiftOn b'8 cis d[ b] cis a } \\ { e2 e4 } >> |
e4 e,4 r4 |
}
\repeat volta 2 {
e'8. gis16 b8[ b] b b |
dis,4 e r |
a8.[ cis16] e8 e e[ e] |
4 r4 |
r8 e,2~ e8 |
r8 cis2~ cis8 |
<< { \voiceTwo cis4 d8[ dis8] e4 } \\
{ \voiceThree s4 \once\override Beam.positions=#'(2 . 2) b'8[ bis]
\once\override Beam.positions=#'(-1 . -.75) cis8_[ d] } >> |
a4 e\noBeam a,
}
}
%%%
%%% Second part: ALLEGRO
%%%
aUpperVoice = \relative c' {
\voiceOne
\repeat volta 2 {
\partial 8 { e8 }
e16([ fis) e dis] e16 r cis r |
d16([ e) d cis] d r b r |
cis16 r a r b r a r |
gis16[ fisis gis a] gis r e'8 |
e16_([ fis e) dis] e8[ cis] |
d16_([ e) d cis] d8[ b] |
cis8[ 8] 8[ gis] |
4 r8
}
\repeat volta 2 {
e'8 |
\slashedGrace{e8} d16[ cis d e] d8 gis |
\slashedGrace{b8} a16[ gis a b] a8 cis~ |
cis8 b4\noBeam a8 |
\slashedGrace{a8} gis16([ fis) gis a] gis8[ e] |
fis16( e) gis([ e]) a16([ e) b'( e,)] |
cis'8. b16 a16[ gis fis e] |
r8 b'8 a[ gis] |
\set Timing.measureLength = #(ly:make-moment 3/8) 4 r8
}
\set Timing.measureLength = #(ly:make-moment 2/4)
e8_.[ fis16_. gis_.] a_.[ b_. cis_. d_.] |
e8_.[ e16_. cis_.] a8_.[ a16_. cis_.] |
b8_.[ b16_. d_.] gis,8_.[ gis16_. b_.] |
a8_.[ cis16_. b_.] a16_.[ gis_. a_. fis_.] |
e8[ fis16 gis] a[ b cis d] |
e8[ e16 b] gis8[ gis16 b] |
a8[ a16 fis] dis8[ dis16 fis] |
4 r8
% There source has an ending repeat without a matching beginning
% mark. A double bar (no repeat marks) is at this location and my
% assumption is that this is the start of the final repeat. -gl
\repeat volta 2 {
e8 |
fis4 gis |
a16_([ b) cis d] e8 cis |
4 |
4. e8 |
fis a gis[ b] |
a16_([ b) cis d] e8[ cis] |
b8[ b] a16_([ gis) fis gis] |
4 r8
}
}
aLowerVoice = \relative c' {
\voiceTwo
\repeat volta 2 {
\partial 8 { r8 }
cis4 r16 r a r |
b4 r16 r gis r |
a16 r fis r d r dis r |
e4 r |
cis4. fis,8 |
b4. e,8 |
a8[ cis] d[ e] |
a,4 r8
}
\repeat volta 2 {
r8 |
2 |
2 |
4 |
e4 r4 |
dis8[ d] cis[ 8] |
8. r16 r4 |
4 8[ 8] |
\set Timing.measureLength = #(ly:make-moment 3/8) a,4 r8 |
}
\set Timing.measureLength = #(ly:make-moment 2/4)
a2 |
a2 |
e2 |
a2 |
a2 |
e2 |
<< { \shiftOn s4 a'4 } \\ { b,2 } >> |
e4 r8
\repeat volta 2 {
r8 |
<< { \voiceTwo e4 e4 } \\
{ \voiceThree \stemDown dis'8[ e] d[ e] } >> |
<< { \voiceTwo a,,4 a\rest } \\
{ \voiceThree \stemDown cis'4 c\rest } >> |
\stemUp b8\rest \slashedGrace{dis8} e4 \slashedGrace{dis8} e8 |
<< { b8\rest \slashedGrace{dis8} \stemDown e4 b8\rest } \\
{ c,4\rest e4 } >> |
\stemDown 4 |
<< { \voiceTwo a,4. fis'8 } \\
{ \voiceThree\stemDown cis'4 b4\rest } >>
4 |
a,4 r8
}
}
%%%
%%% SYSTEMS
%%%
\score { % Minuet
<<
\new Staff = "guitar"
<<
\set Staff.instrumentName = #"MINUET."
\key a \major
\time 3/4
\clef "treble_8"
\mergeDifferentlyHeadedOn
\context Voice = "mUpperVoice" \mUpperVoice
\context Voice = "mLowerVoice" \mLowerVoice
>>
>>
\layout {}
}
\score { % Allegro
<<
\new Staff = "guitar"
<<
\set Staff.instrumentName = #"ALLEGRO."
\key a \major
\time 2/4
\clef "treble_8"
\mergeDifferentlyHeadedOn
\context Voice = "aUpperVoice" \aUpperVoice
\context Voice = "aLowerVoice" \aLowerVoice
>>
>>
\layout {}
}
%%%
%%% MIDI
%%%
\score { % Minuet
\new Staff="Guitar"
<<
\set Staff.midiInstrument = #"acoustic guitar (nylon)"
\key a \major
\time 3/4
\mUpperVoice
\mLowerVoice
>>
\midi {
\tempo 4 = 100
}
}
\score { % Allegro
\new Staff="Guitar"
<<
\set Staff.midiInstrument = #"acoustic guitar (nylon)"
\key a \major
\time 2/4
\aUpperVoice
\aLowerVoice
>>
\midi {
\tempo 4 = 100
}
}
“That accounts for it. I didn’t know he was going to make the hop or I might not have come myself—but now—well,” the man broke off his phrase and started to clamber into the control seat, “let’s get going.” Larry, startled, seeing the pain in the face just under his own, relaxed for an instant, only being sure that his quick grip on the wrist holding the weapon in its hand was not released. When all his phrases were quite used up, Stone changed the key. What could be done for Mr. Taylor? Mr. Taylor motioned with his usual urbanity that the burden of speech lay with Cairness. What could he do for Mr. Cairness, then? But though the 21st of January was to be the day of the grand attack on the Ministry, the battle was not deferred till then. Every day was a field-day, and the sinking Minister was dogged step by step, his influence weakened by repeated divisions, and his strength worn out by the display of the inevitable approach of the catastrophe. The first decided defeat that he suffered was in the election of the Chairman of Committees. The Ministerial candidate, Giles Earle, was thrown out by a majority of two hundred and forty-two to two hundred and thirty-eight, and the Opposition candidate, Dr. Lee, was hailed by a shout that rent the House. Other close divisions followed. The fall of Walpole was now certain, and he would have consulted both his dignity and comfort in resigning at once. This was the earnest advice of his friends, but he had been too long accustomed to power to yield willingly. He was oppressed with a sense of his defeats, and the insolence of enemies whom he had so long calmly looked down upon without fear. He was growing old and wanted repose, but he still clung convulsively to his authority, though he had ceased to enjoy it. "Look out for your own men, my son," answered the Deacon, in whom the fire of battle was burning. "I'll look out for myself. If I'm hit the Gover'ment won't lose nothin'. I'm only a citizen." "Probably a caucus outside to set up the pins before goin' into the full meetin'," he said to himself. "As I always like to be with the winnin' side, I guess I'll jest jine 'em." "But it's sass of him to go sending off the girl wudout your leave." "Read it." HoME搜索一级毛片免费播放基地
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